Category Archives: Film

Sonic Editions: Impossibly Cool Photography

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Sonic Editions produces limited edition, rare, photographic prints of iconic figures throughout time. It’s everyone from Audrey Hepburn through to Jay-Z. There’s some great shots of the likes of Michael Jackson, Sophia Loren, Michael Caine, Al Pacino and Clint Eastwood

The Sonic Editions team has visited the Getty archives in LA and went through 2,000,000 images or so to pull out some totally unseen images.

These specific images are limited to fifty of each and they start from £69. Each image is numbered so that they know what number they own, as well as containing details about the photographer and when it was shot.

FilmWorks development scheme for budding directors and producers calls for applications.

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FilmWorks development scheme for budding directors and producers calls for applications.

Emerging regional producers and directors can fast track their film careers with FilmWorks, a new networked professional development scheme managed by Watershed in Bristol and co-produced by Showroom Workstation in Sheffield and Broadway in Nottingham which will give the participants the skills, contacts and knowledge required to raise their profile to a national and international level.

FilmWorks, a Film Networks project supported by the National Lottery through the BFI and Creative England, is specifically targeted at filmmakers in the English regions: it will give 45 producers and directors in Bristol, Nottingham, Sheffield and their surrounding areas a priceless opportunity to expand their creative and commercial potential, with the benefit of working with world class producers, such as Julia Lockhart (Aardman’s The Pirates), Colin Pons (Hush, The Acid House), and Alastair Clark (London to Brighton, Better Things).

FilmWorks launches in September with a live simulcast from Bristol-based Encounters Short Film & Animation Festival and runs until early December 2012. Candidates have until Mon 20 Aug to submit their application at http://filmworks.org.uk

It is a timely development scheme that responds to the current issues being faced in the film industry today: how to survive and prosper in the digital age, new models of distribution, the effect of digital technology on cinema production, new routes to market and much more.

Mark Cosgrove, Watershed’s Head of Programme, said:

“FilmWorks is a unique opportunity for emerging local talent to develop their skills and learn about the film industry from leading UK producers. Based at three creative hubs in the English regions this 360 degree fast tracked networked development programme will create that all important bridge between production and cinema exhibition. I’m looking forward to working with partners to share regional expertise, work with industry leaders, and most of all, to introducing 45 great filmmakers to the world.”

Liz Harkman, Managing Director at Encounters Short Film & Animation Festival, said:

“We’re delighted to be launching the FilmWorks programme in September at the 18th edition of the Festival. Encounters has always provided international new and emerging talent with opportunities to grow and a direct access to industry which makes it the ideal platform for the next generation of regional producers and directors to develop their projects, practice and networks.”

The Amazing Spider-man Movie Review

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The Amazing Spider-man catapults onto movie screens with a direction, new actors, a re-buffed script, and some would say darker story-telling than its predecessor, but do these facets make the film more of worthwhile return to the franchise or does this reboot deserve a boot to the chops?

Critics can be forgiven for thinking that this is an ‘all too soon’ reboot for perhaps one of the best loved comic book superheroes of a recent generation. On one hand you had the excellent depiction of Spider-man by Sam Raimi with Tobey Maguire providing perhaps an over innocent and goofy Peter Parker / Spider-man. On the other hand though one could argue that the last series of movies became stale, that there were missed opportunities and that it had definitely run its course. However, Marvel was not ready to throw in the towel and who could blame them; Spider-man had made a lot of money for the studio and undoubtedly put them back on the map. Whatever you may say about reboots it is fast becomingHollywood’s tool-of-choice, especially where successful franchises are perhaps on the way out. For the creators, it’s a handy shortcut and for audiences it is an opportunity to see a new vision of a beloved character. Let’s just hope Harry Potter doesn’t have a reboot any time soon.

I wouldn’t have liked to have been in the head office of Marvel Studios when they came up with the plan to do this reboot. Approaching this movie was going to be a one shot gun; they knew they were either going to re-energise the title or kill it. Restore the hope to millions of spidey fans, or destroy it. They were going to have to throw nothing less than the kitchen sink at it and it shows. Fortunately end result is a film that manages to tread a fine line between being respectful to the original source material and Sam Raimi’s creation whilst bringing something new to the table and, at the same time is genuinely fun and exciting to watch.

Andrew Garfield, steps into the role of Peter Parker / Spider-man. This iteration no longer goofy, hapless or over exaggerated; this Peter Parker is actually smart, stands up to bullies even before he gains his super powers and typical of the ‘Twilight generation’ is always brooding and staring into space. His central love interest here isn’t girl-next-door Mary Jane Watson, but the equally intelligent Gwen Stacy (played by the gorgeous Emma Stone). New to this film is the working on Parker’s history with his parents. Although we are introduced to them only briefly it is their abandonment of Peter which creates a deeper shading of the character not previously seen in the previous carnations.

It’s worth saying at this point that the dynamics between Emma Stone’s character and Andrew Garfield work really, really well. They somehow manage to take the awkwardness of high-school love and make it fun and intense. Sometimes it’s not even what they say it’s what they don’t say. An unforgettable moment involves Peter and Gwen on the top of a roof with Peter trying to explain what has happened to him. ‘I’ve been bitten,’ he stammers. She leans in close with her slow husky whisper: ‘So have I’. Peter grins like a cat that has just got the cream. Now ask yourself what more do I need to say than that?

Everyone should know the plot of Spider-man by now and if you don’t, go and see a Doctor and find out where you have been for the past 10 years. Peter Parker gets bitten by a spider and whilst not gaining the extra 6 hairy legs, finds he embodies all of the positives of spider traits such as sticking to walls having extra perception (spider sense) and increased strength amongst other things.

The problem here is that Sam Raimi really did the bite and the transformation well. After the bite, we get the usual scenes of Peter’s realising he has extra powers, and events transpire that inevitably transform him into your friendly neighbourhood wall-crawler. Director Marc Webb does his best to make these sequences fresh and come at it from a new angle but try as he might you know that you have seen it before. Whilst there are some genuinely original and comic book moments, it’s hard not to fold your arms and sigh as you wait for the movie to get on with things. I also found that this version just seemed to lack that excitement that Peter had actually unlocked something special that was going to change his life or that his life actually needed to change.

Raimi’s creation had webbing ‘secrete’ from Parker’s wrists, however in this much more realistic and truer to the comic book version you see Parker develop the web shooters himself through trial and error. This version of Spider-man is also a lot grittier; every now and then he does something unpredictable which errs on the mentally serious side and you find yourself harking back to Maguire’s goofy jokey Spider-man and you are glad that you are watching this. Far from Raimi’s ideas of super quick healing, this Peter Parker goes home black and blue from bruising; when he gets cut he bleeds and even gets injured to the point where he has to rely on fellow citizens to help.  There are some nice nods towards Raimi’s creation here and there as well, such as the wrestling ring which makes an appearance.

For every hero there is a villain, this new plot concerns the development of Dr. Curt Connors (Rhys Ifans), experimenting with a serum that eventually turns him into The Lizard. It’s hardly different, in concept or execution, from Willem Dafoe as The Green Goblin complete with him hearing voices. Rhys Ifans does a terrific job with what he has, there just needed to be more in the script for him to do and say. It might also have been worth choosing a different villain to start with owing to the similarities that were bound to be drawn with the Green Goblin.

Despite the various differences, there are some solid key performances Sally Field does a really good job as Parker’s Aunt May and Martin Sheen deserves some credit because, even though I’ve read people accuse him of overacting, he does do a marvellous job as Ben Parker even when the script is thin. Somehow he manages to squeeze more emotional resonance than he has had previously.  Stan Lee appears too in a library scene that will be talked about for a while as one of his best cameos. Dennis Leary though has a character which barely touches on the surface.

When the red and blue costume make an appearance you feel like you are on familiar ground. The new suit which I have never liked has well and truly grown on me. The special effects are fantastic, perhaps never looking so good in 3D and well worth every penny of the extra price to get in. Whereas with the Avengers and Green Lantern movies you got the occasional scene in 3D here, Director Marc Webb treats you to long sweeping vistas of web swinging action. Explosions, debris, webs, it’s got the most 3D I have seen in a superhero movie so far with effects that actually work. When spider-man flies though the air in 3D you take a deep breath, when the camera does switch to 1st person perspective you go ‘wow’ these scenes are shorter than those seen in the trailer which is a shame but they still pack a punch for the eyes.

There are allusions to other characters in the Spider-man universe here as well which give the movie a larger sense of scale for example, you hear Norman Osborne mentioned and it will be interesting to see how he will factor into future movies. The story flows well throughout the entire movie but I found it was weighted kind of oddly with all the action seemingly occurring in the last half of the movie after Peter develops his skills. It is a great deal choppier than Raimi’s creation. However, here we have a Spider-man that’s more human than before and is perhaps just as flawed as the rest of us.  Watching this I didn’t feel like I was looking at a superhero, but a kid in a skin-tight suit that has no idea what the hell he is doing and is making it up as he goes along. It is the moments when there is nothing happening such as when Parker is dangling on a web playing a game on his mobile, or on a statue above the city when he takes a call from Aunt May and agrees to pick up some eggs that give insight to the character. This is what many people love about Spider-man; he is after all just a kid granted special powers and underneath the suit is someone still learning to fit in as well as grow with what he has.

My Verdict

I think Garfield’s work as Peter Parker and Spider-man is the glue that holds this film together. I know I am going to upset Maguire fans but Garfieldis a much better fit for this type of role. His portrayal of Peter is much more angst driven and is still growing and evolving even by the story’s conclusion. The film doesn’t even close with him working at the Daily Bugle he is still at school; therefore you just know there is more to come. I would not say that this film is a new Batman Begins or could even compare to that masterpiece. However, this Spider-man reboot feels like a fresh start; an origin story that can stand on its own or be the start of something even better.  It’s not perfect; weak script, choppy editing, flaws and moments that feel almost staged and even artificial.  But it is an optimistic start, a new direction and new promise. One last word to the wise – stay until after the initial credits…

8 / 10

Caggie Dunlop On Spencer, Music and The Kardashians.

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Caggie Dunlop and Catherine Balavage

I met Caggie Dunlop at the W Hotel for a VIP screening of the short film she is starring in for Impulse’s new fragrance ‘Loving Words’, which smells amazing and you can read about here. I had a brilliant, fun chat with Caggie. She is the kind of girl who you feel would make a brilliant friend: lovely, smart and talented. After the interview has finished Caggie says that our interview was the best of the evening. Shucks: thanks Caggie.

Catherine Balavage: You must be very proud of the film.

Caggie Dunlop: Yeah, I am really proud of it. I actually only saw it for the first time this evening just before everyone arrived so I was a bit nervous, but I really loved it. I thought it was great. I think it is a lovely story

Quite French

Very French. Well that’s the theme and my styling is very Brigitte Bardot. I think that really lends well to it.

What is your favourite film?

True Romance.

What are you wearing? You look Stunning.

Virgos Lounge. They are an online store which is kind of vintage inspired. They do really pretty little dresses. And this is from my clothing line. [points to necklace].

You are really branching out into different areas: you have a sex column for the Evening Standard, you have the clothing line, and the acting.

And music.

Yes, that is how we first saw you wasn’t it?

Yeah, I have a lot going on, but I am not doing the Evening Standard anymore. It was very fun doing it but I am not doing it anymore.

It was very Carrie Bradshaw

Yeah, and it was great and it was fun playing that role but I really think music is where I want to go.

What would you choose between singing and acting?

Everyone asks me this. It is like saying ‘choose between your mum and your dad’, but in terms of career I don’t know, but if you said to me: ‘you could never sing again’ I would have to choose that over acting because I love singing. It just makes me happy to sing on my own. It came about quite randomly. When I sang on the show that was the first time I had ever sang in public. I have had to decide what I really want to do.

How was the acting experience?

I went to drama school and I studied acting so for me it was kind of what I wanted to do, and then when Made in Chelsea came along I got side-tracked from the acting because that was what was available to me at that point in time. The acting world is quite a tricky one. You really have to work it out. I had a great opportunity on Made in Chelsea. The acting is definitely something I want to go back to.

What does your Tattoo mean?

Sanatana Jiva. It means the never-ending and the never beginning spirit, and this [points to tattoo, specifically to the ‘J’ bit] this was for a boy who I’m not seeing anymore! [No!] It’s fine, I’m not bothered. It’s a nice tattoo.

Are you seeing anyone now?

No. I am very very spinster single

Aw, you are too young to be a spinster.

I’m happy being single.

You have so much going on with your career….

Yeah, it’s kind of like I need to focus on that at the moment and I don’t have time to focus on a relationship unless I find someone who has a complete understanding about what I am doing.

What is your clothing line called?
ISWAI. [Spells it out] I.S.W.A.I.

How did you come up with the name?

It’s an acronym for ‘It Started With an Idea’. The idea of it is about starting something new and organic with new talent, so young designers who are at school or university are designing the clothes. They get involved and hen they design an idea that I give them.

It that your motto in life?

I think so, yeah. It’s a very good one. It’s a more business thing. Though maybe not in an ethical situation.

You were the first one to leave Made in Chelsea

Yes I was

You were the biggest star and the main focus. Do you think it was a good idea to leave?

Leaving? A lot of people would argue that ‘why would you leave something when you were the central character and it was at its height of popularity and you just walk away from it with no explanation’. For me I stopped believing in what the show was about. It was a very good opportunity but I always wanted to do different things. I am very grateful for what it gave me and what I gained from it. Now I can go and become my own person.

It really has an effect on your own life and that’s not necessarily a good thing.

A lot of people are leaving now. Hugo’s leaving.

Yeah, Hugo’s leaving. I don’t know how much longer it will last but I wasn’t enjoying it and my heart wasn’t in it anymore and if something doesn’t feel right you have to go with your gut.

Would you do anymore reality TV like Spencer is doing with The Bachelor?

I would never do anything like that show. I’m not saying there is anything wrong with Spencer doing it. We are very different people, but I actually value my privacy. That could be considered a ridiculous thing to say coming from a reality TV show. I would never close any doors but it’s not in my plan. If it was something more documentary, like my music, something like that.

Who is your favourite film director and if you could work with any director who would it be?

Woody Allen or Tarantino. I think that would be a pretty crazy experience.

Did you enjoy making the film?

Yeah, I enjoyed making the film. We had to do it in a day, and it was a full on day. It was raining really badly but morale was up.

Do you have any plans to go the Hollywood Route?

I haven’t been to LA yet. So I can’t really say whether I would end up there. Watch this space. Maybe in a few years time.

Do you think doing Made in Chelsea helped you learn how to be in front of a camera?

Yes, I mean I studied method acting so it was all about being private in public. With Made in Chelsea you are having very private moments with five cameras on you. It is more staggered than people imagine. If you know anything about filming you know that you can’t create those scenes just by us walking into a bar and following us. It is all quite organised. In that sense it was helpful but then reality TV doesn’t really help in acting. It’s probably more acceptable in America.

Do you watch any reality TV like Keeping Up With The Kardashians?

I do, I love the Kardashians. I am so excited. Has the new season started now?

I think so. I saw a poster.

I do love that and I like the American ones. I don’t really like the English ones.

What do you think of Kim dating Kanye West? Are they a good couple?

I think they are. It’s nice that they were friends for ages. They are the ultimate power couple.

They are.

I’m surprised but they seem really into each other.

What’s next for you?

I am realising an EP hopefully in September. So I am developing that at the moment, which is really exciting, because for once I am in the public eye for something that I am putting out. The music is taking centre stage at the moment, but I would love to do some short films on the side and slowly developing that on the side.

Grabbing it with both hands.

Exactly, you only have one life.

What are your musical influences?

Ah, I listen to a lot of Matt Corby, who is this Australian singer who is very singer/songwriter: guitar and vocals, but also there is something quite challenging about his music, it’s really quite beautiful. I also love Jessie Ware. I have been listening to her a lot.

Do you still spend a lot of time in Chelsea?

Yeah. I was in Sloane Square today. I do spend a lot of time there, but because of what I am doing I am kind of all over. If I am gigging [ I could be in] Manchester or Shoreditch. I do love Chelsea.

Who is your favourite actor and actress?

Michael Fassbender in terms of actual ability. I think he is amazing. In terms of who I fancy: Ryan Gosling, but he is also a very good actor. He is a bit more mainstream. An actress…who was the girl who was in The Girl With The Dragon Tattoo.

Noomi Rapace

Yeah, her. I watched that for the first time the other day and I was blown away by it.
She’s brilliant.

She is fantastic. She was in Prometheus too.

No! She’s not! I was watching an interview with her and she was talking about how Ridley Scott picked her, and she said something about the Girl with the Dragon Tattoo. I was thinking ‘why has he picked this random women? ‘

She’s brilliant.

Yeah, She’s fantastic.

Are you going to do anymore writing?

Not in that nature. I would like to write a poetry book which is half poetry, half what is was like growing up. I’ve written poetry since I could write so I have volumes of poetry. Poetry is such an under-rated thing.

How do you keep fit?

I am quite bad. I go through phases of being hard-core. There is a place on the Fulham Road that I have joined called Lomax. I go there and they kick your ass, but in a good way.

What beauty products do you like.
Loving Word by Impulse, Elizabeth Arden Eight Hour Cream.

Jane Frisby On ‘The Fighter’s Ballad’ | Film Interviews

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Jane Frisby is without a doubt one of the nicest people in the film industry. I met up with her to discuss a superb film she had just produced –  ‘The Fighter’s Ballad‘. We had a brilliant chat and anyone who wants to work in film can learn something by listening to her advice.

Frost: What made you want to go into producing?

JF: ‘I was getting a lot of low-to-micro Budget Film scripts, wanting the same commercial
actors attached, either urban hoodie ‘gangsta’ films or Horror / Zombie type scripts,
usually not very original or amazing.

“I met Peter Cadwell putting ‘The Fighter’s Ballad’ on as a play. It received the ‘Best of 5 Theatre Plays’ in the Independent Award, and the Play’s Writing by Peter Cadwell and his acting got fantastic reviews, so the writing had already been much appreciated by Critics and the Public. Peter had already done the play to great success at the ‘Actor’s Church’ with great Actor Jack Shepherd playing the Priest, but to a limited Audience, it needed to go bigger, it had been done as a ‘theatre piece already, and I put my producers hat on. It just happened like that. It wasn’t a conscious decision.”

What was the hardest thing about making the film?

“Getting the money… I started with wealthy friends that I knew, public funding, private investors and it just wasn’t happening. Then luckily our Director Tony Ukpo’s father, had investor contacts in Nigeria. That is where the money came from. We were very lucky.”

Did you cast it?

“Peter Cadwell was cast as he had written it, and is also a WONDERFUL actor, but I cast Clive [Russell] and all of the rest.”

What drew you to the script?

“It had so much to say. It was very relevant of life these days. The youth – what have they got now? Education isn’t up to scratch, lack of work, mental health, people on the streets, violence, drugs. Where do they channel that energy? The fact that this guy ends up in a church and has this confrontation with the Priest. It’s controversial and asks questions of the Audience and it challenges Religion and the Church – there were so many issues I felt were very thought-provoking”.

What was the initial first step?

First Step: there were actors who really loved the script, but were unavailable, Clive’s Agent called me and said he wanted to meet as he was interested, we all met him a few days later and he came on board the project, Which was amazing news, this is how the project started.

How are you going to get it out there?

“The easy part was shooting it actually! Then obviously the post-production, the colour grade, the sound, the music. Getting it out there has been very difficult. We went through the usual channels of trying to get into festivals, we did a BAFTA screening, which was fantastic – a good friend of mine managed to get BAFTA for half price. We invested in that and invited a lot of people. We also did a screening at Soho house and invited people to come.

“The public response has been amazing. We put it up online and in the past few weeks we have had 600 people come to the website from all over the world. I am now looking at doing charity screenings – there are a lot of deserving charities out there – and religious screenings, going down that route. I want to do more screenings, as when the public sees it, it creates a lot of buzz. We are doing that as well as going down the normal route of sales agents.”

Do you have any advice for people who want to make their own films?

“Do it. Just do it. If you have a project and you feel like it should be made and you are passionate about it, then somehow you will get it done. Somehow, you will find a location you will get for nothing or cheap. Just get a group of people surrounding you who are as passionate as you are about it.”

How hard was it to juggle doing the film and working as a casting director?

“It has been very tough actually. There have been times when I have been pulling my hair out trying to get people to screenings. I didn’t realise how hard it would be. Trying to work and do my job while casting a corporate or a commercial at the same time, whilst also looking after my daughter who is 15 – It has been a massive amount of balls being juggled – but sometimes you work well under pressure.”

Would you ever want to direct?

“Never. I love casting and I would love to do even more producing. I like working with actors that I rate and having control of the project from script stage to final edit”.

What made you choose the actors?

“When I read the script I had a vision of someone like Liam Neeson. I also thought of the priest as being a big man. I had a vision of this man being a mountain of a man, and he would be quite weathered because of his past. I have always remembered Clive from the RSC. He is a very subtle actor and also 6′ 4” and big.

“I think with him being Scottish as well, there is that sort of Celtic lilt to his voice. Talking to a fellow Scot. [CB: I’m a Scottish actor] Well, I’m not Scottish but I love Scottish actors, Irish actors – I have an apartment in Dublin – and the Welsh. The Scottish are great actors. There is something about Celts. The way the speak is just lyrical.”

What changes have you noticed in the film industry?

“The biggest change is the digital cameras. They have been absolutely massive and you can buy them for £1,000. We shot on the Canon 5D. It’s a stills camera, but the quality is good for film. That has opened up a lot of people being able to make films. I think that is a good thing because it enables a lot of people with not a lot of money to make good quality films. The independent filmmaking scene should be really buzzing now. The one thing I worry about is people trying to make indie films with little money, but trying to make them commercial as well.”

What advice do you have for actors?

“Learn as much as you can. Read screenplays, do workshops, go to masterclasses, go to the theatre, go to the cinema, There are loads of social networking events you can go to. Watch other people’s short films, especially if you really like the director. You never know where they are going to end up. That happened with me on a film that I did and I loved it.

“A short film I cast got into the North London Film Festival and I got in touch with the director/writer of this lovely short I saw there. Two years later, he got in touch and asked me to cast his short. It is social networking, keeping in touch with what’s going on.

“The first person to give me a commercial casting was Mel Smith. My dad had been around Soho handing out plastic frisbees with ‘Jane Frisby Casting’ on them. I got a phone call one evening and this guy said it was Mel Smith. He said., ‘I am doing a commercial and I want you to cast it. I loved the Frisbee’. So I started working with Mel. It’s things like that.

“It’s hard. There is a lot of work there for very little pay, but I think that is across the board – acting, casting, everything. I am casting this short with a wonderful Director Jack Price who I have worked with many times in the past in Bristol. There is lots of talent there. I did that just for my train fare. It’s not all about making money. If you are passionate and you want to work, you just have to keep doing it.”

Like ‘The Fighter’s Ballad’ on Facebook.

The Fighter’s Ballad OFFICIAL TRAILER from Tony Stark on Vimeo.

http://www.thefightersballad.com/

CAGGIE DUNLOP CASTS HER SPELL IN ‘THE WALK’

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Star of Made In Chelsea captivates passers-by in new silent movie

Made In Chelsea’s Caggie Dunlop has returned to the streets of Chelsea to star in a new short silent movie, entitled ‘The Walk’. Frost Magazine went to the W Hotel to see the film and we also interviewed Caggie. Caggie was brilliant in the film and was absolutely lovely. Caggie even said that her interview with Frost was the ‘best of the evening’, and you can read it here.

Shot in a style reminiscent of classic black and white silent films, the movie follows Caggie as she takes a walk around her regular South West London haunts. As she strolls through the streets of London channeling Brigitte Bardot’s 1960s glamour with her voluminous hair and smouldering makeup, Caggie leaves a trail of men transfixed in her wake.

After captivating everyone from an ice-cream seller to a painter, the secret to Caggie’s mesmerising allure is revealed in the final scene of the film as ‘Loving Words’, the fresh new scent from Impulse.

The fruity fragrance, designed by the world’s best perfumers under Ann Gottlieb, creates an air of romance making Caggie so irresistible to the men she encounters, she doesn’t need to utter a single word to have them falling at her feet.

Laura Grant, Assistant Brand Manager, Impulse said, “Impulse ‘Loving Words’ is such an irresistible fragrance, it does the flirting for you so there’s no need for words. We wanted to demonstrate its power by removing words entirely from the film. We felt there was no better way to showcase the ‘wordless’ love story than by taking inspiration from timeless silent movies.

“Caggie’s short on-screen stroll left her with a series of smitten admirers, the possibilities for spontaneous romance are endless!”

Watch the film, ‘The Walk’

The Amazing Spider-Man {Film Review}

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*WARNING! MAY CONTAIN SPOILERS!*

Five years since Spider-Man 3, the last of Sam Raimi’s Spider-Man trilogy and now we have The Amazing Spider-Man. The proposed new Spider-Man series that was originally going to be the fourth Spider-Man movie but both Sam Raimi and Tobey Maguire dropped out and Marvel decided to reboot it. We now have Andrew Garfield as Peter Parker / Spider-Man, Martin Sheen and Sally Field as Uncle Ben and Aunt May but we have now a few characters that were introduced in the previous movies; Emma Stone as Gwen Stacy, Denis Leary as Captain Stacy and Rhys Ifans as Dr. Curt Connors / The Lizard. The weird choice was giving Marc Webb the director’s chair, his only previous credits was 500 Days of Summer, he has dealt with drama and comedy but action was something he’s diving in first time.

This movie takes us back once again to the origins of Spider-Man, except it takes us to a different way that doesn’t all feel deja vu. We’re actually introduced to Peter’s parents, they leave him to his aunt and uncle. Though his parents die from a plane accident and Peter grows up during his childhood and teenage years orphaned. He eventually comes across his dad’s belongings in a briefcase, inside he finds some papers and a photo of his dad and Dr. Connors. So he goes to OsCorp (pretending to be one of the interns) and meets Dr. Connors. Though he goes off to a restricted area and eventually gets bitten by the inevitable spider. Thus slowly becoming the web-slinger we all know and love (cue montage on having some hijinks and learning some new acrobatic skills). Meanwhile, Peter solves the algorithm his dad started and shows it to Connors and that leads to Connors using that algorithm to create a serum to regenerate limbs.

The story works well for newcomers but also makes it fresh for those who are already familiar with the character (from comics, movies etc.). Andrew Garfield really does play the character well and gets the classic prankster Spider-Man some already know (the scene where he plays around with a car thief). It also displays Peter Parker’s smarts, where we get to see him creating the classic web-shooters (though how does he get a hold of those web cartridges?). What’s also great about Garfield’s portrayal is there is a difference between Peter Parker and Spider-Man; Peter Parker is more reserved but not afraid to stand up for himself, whilst Spider-Man is wacky and gets his enemies off-guard by making wise-cracks. Gwen Stacy finally gets more meat to the character, as she was poorly written in Spider-Man 3. Emma Stone plays the character strong willed and not being a damsel in distress (which is a nice change considering Mary Jane Watson kept getting saved in every movie). The chemistry between Garfield and Stone is actually really great, they couldn’t do better awkward hallway talk then they just did. This is all credit to director Marc Webb, as mentioned earlier, he succeeded on making the chemistry between Joseph Gordon-Levitt and Zooey Deschanel affecting and charming in 500 Days. Rhys Ifans does the character of Dr. Connors well but he really isn’t explored enough to really feel sorry for him and be the tragic character the movie is trying to imply. His character seemed to be side-lined, more focusing on Parker’s evolution on being Spider-Man and his relationship with Gwen. The supporting characters you know little to nothing about, except Martin Sheen and Sally Field play their characters respectively and actually make an impact. Aunt May is under-played and is actually better than Rosemary Harris’s version, you actually feel for her being overly protective for Peter.

The action sequences were very well done, it was very easy to watch and I wasn’t confused what was going on. The stand-out action scene was where Spider-Man and The Lizard are fighting in the High School (although it could’ve had some build-up) and features a great Stan Lee cameo (barely a surprise he has a cameo in the film). I was interested with the direction on having Spider-Man’s POV when he’s web-slinging. As much as the performances and chemistry between the characters were great, some of the technical aspects were a bit flat. The orchestral score by James Horner (Aliens, Titanic and Avatar) really is forgettable, especially when compared to Danny Elfman’s score from the first two Spider-Man movies. It all feels very generic and doesn’t really stand out from the other superhero movies. Even some scenes could work without music, such as Peter Parker finding his father’s briefcase or even when he’s humiliating Flash Thompson (who’s more fleshed out this time around than being the typical bully). The film also felt all too rushed, it did not feel like 2 hours and 17 minutes long. Usually that’s a good thing but this film could’ve been better being longer. Uncle Ben’s death felt too rushed, it didn’t all feel enough to let it all sink in.

Though some plot points and events that come off being ridiculous to the point on not being able to suspend your disbelief and not making much sense; the machine that shoots a chemical cloud that both Richard Parker and Dr. Connors was working on but was shut down because the military deemed it dangerous. So it was left at OsCorp behind a glass door? The police firing at Spider-Man, even though he was unarmed apart from having web-shooters? The most ridiculously laughable scene involved a bunch of crane operators helping Spider-Man to swing to OsCorp tower. I can honestly say that I already claim that scene to win The Most Cheesiest Scene of the Year! It’s almost as bad and cheesy as the citizens of New York throwing stuff at Green Goblin in Spider-Man and a forced 9/11 reference when one of the citizens says “you mess with Spidey, you mess with New York!”. A couple plot points are brought up and suddenly disappear, such as Peter Parker trying to find Uncle Ben’s killer. Is he going to eventually find him or has he just given up?

Overall; it is an enjoyable start to the new Spider-Man series and really am interested where they will go from there. Great performances from the cast but it all feels a bit underwhelming from the plot feeling rushed and the incredibly bad cheesy moment. More like The Average Spider-Man.

3 out of 5

What To Expect When You’re Expecting | Film Review

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I wanted to see something a bit different when I went to see this film and the stellar cast had me excited. The film is based on a self-help book by the same name by Heidi Murkoff.

The film has five couples all “expecting”. Elizabeth Banks has always been a wonderful and strong comedic actress and this film is no exception. She is proof that women can be beautiful and funny if casting directors give them a chance. Jennifer Lopez’s character and storyline is real and touching. She adopts with her husband after spending the 401K money on IVF. Cameron Diaz plays a celebrity fitness guru who wins Dancing With The Stars and get’s pregnant by her dance partner, played by Glee star Matthew Morrison. Diaz character is strong-willed and likes having it her own way.

Chris Rock is on top form as the leader of the ‘dudes group’. The dudes group is a support team for men with children. I really liked this film. The cast is superb and it is both funny and real at the same time. The story of a series of couples who are ‘expecting’ is one I have not seen done in a film before.

This film is positive about men and women. The characters are strong and I really liked the script. The film is funny and entertaining. A few of the cast were previously in Bridesmaids and some of that humour is there.

This film is a great night out at the cinema. Entertaining and funny. I liked how it was pro-men too. Chris Rocks says at the end: “When I was young, I used to think I was happy – but now I know I’m happy. Exhausted, but happy.”

Director: Kirk Jones. Cast: Cameron Diaz, Jennifer Lopez, Elizabeth Banks, Chace Crawford, Anna Kendrick, Matthew Morrison, Dennis Quaid, Chris Rock.