Evil Dead {Film Review}

It is a tough task on taking a cult favourite series and basically updating it to a modern setting. Though that usually causes scepticism from fans, saying they have missed the point on what made the original films good in the first place or they just completely fail as a whole. Michael Bay’s production company Platinum Dunes have come under criticism, as their remakes of The Texas Chainsaw Massacre, The Amityville Horror, The Hitcher, Friday the 13th and A Nightmare on Elm Street are really beat-to-beat remakes of the original movies (which makes us ask the question; why bother remaking it if it is going to be exactly the same as the original?). So it was inevitable that the news of an Evil Dead remake would make the fans cry “BETRAYAL!!!”. How could anyone think of trying to top Sam Raimi’s (director ‘The Evil Dead’ Trilogy and ‘Spider-Man’ Trilogy) cult independent horror classic which starred Bruce Campbell as one of horror’s most beloved icons? Especially the teaser poster has the guts (pun non-intended) to have giant words reading “THE MOST TERRIFYING FILM YOU WILL EVER EXPERIENCE”. Well I am actually happy to report that it is pretty good (undeniably flawed but pretty good considering it is a remake).

 

The movie is set (where else?) at a cabin in the woods, where David (Shiloh Fernandez) and his friends are helping his sister Mia’s (Jane Levy) drug addiction. Because they have previously attempted to help detox Mia and failed, they decide to keep her in the cabin until she really has been cured of her addiction. Meanwhile, they find a secret cellar in the cabin and Eric (Lou Taylor Pucci) finds a book (the Necronomicon). Despite repeated warnings written within its pages, he recites the words and thus releases evil spirits. If you have seen either any of the previous movies, you know where this leads to. As Evil Dead fashion, everything starts to go downhill. Demons start possessing our heroes and one-by-one are dispatched in the most gruesome way possible!

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Rather than being a straight remake of The Evil Dead, it is both a reboot and a loose continuation of the series (as fans may notice ‘The Classic’, Sam Raimi’s trademark car). This is mainly to appeal new fans of the series but also bring back fans of the original films. This is an extremely difficult task to succeed, as you have the risk on alienating your new fans but also fail to deliver with the fans. Director Fede Alvarez (this being his feature debut) understood what made the original movie great but decided to bring something different so there wasn’t a case of deja-vu. The film genuinely felt the filmmakers were achieving on bringing something fresh but also delivering what we love about the series. Though the film plays it straight and thus some may find it not as enjoyable to watch such as Evil Dead II (which me and many others consider it to be the best of the series). The film’s tag-line may bring too much hype and can be misleading. The film is really more to shock than to scare and does feature a few jump scares that is often common for filmmakers to think it’ll scare audiences when it is lazy horror filmmaking.

 

The characters in this film are from decent to being completely unmemorable. Though it is a bit of a sigh of relief that they didn’t rely on having stock characters that horror films nowadays seem to feel obligated to include into the movie (i.e. the slut, the jock, the nerd etc.) Jane Levy as Mia really handles herself well, being able to deliver a sense of dread and fear as to what is about to come (especially what she is going through). Shiloh as David is decent but feels pretty bland as a protagonist and slowly becomes less interesting as the movie progresses. The rest of the cast are just characters waiting to be possessed and then get cut up into the meat grinder (they honestly don’t make much of an impact to the story). Though the series was never known to have such developed characters or having an in-depth story.

 

The film, however, will get much attention from the use of practical blood and gore effects and it really is a HUGE relief as horror films tend to rely too much on CGI. This movie spills blood by the gallons, limbs are cut off as if it would be preparing a cannibalistic feast! The camera does not shy away from the details, as you really feel the pain that is inflicted upon each character and will use anything they can use such as shards of glass, a box cutter, electric knife and of course, the movie’s trademark, a chainsaw. Though one particular infamous scene from The Evil Dead makes its appearance in the film, but it isn’t prolonged as it was in the original (a scene where Sam Raimi has said that he went a bit too far). This movie is really not for the squeamish or faint of heart, it is primarily for fans of the series and to gore hounds alike. I won’t argue that audiences may find this film too grotesque and can be viewed as being part of the torture porn that movies like Saw and Hostel made such a huge trend.

 

Overall: This is a worthy addition to a much beloved cult classic series, which is saying something as most horror films and horror remakes fail to deliver its promises. Some may have to be warned of the movie’s graphic violence, and deciding to have the movie playing it serious rather than having a sense of fun may be its downside. It is definitely not up there with The Evil Dead or Evil Dead II but it really does hold on its own and that is something worth giving praise to.

 

3 out of 5

The Amazing Spider-man Movie Review

The Amazing Spider-man catapults onto movie screens with a direction, new actors, a re-buffed script, and some would say darker story-telling than its predecessor, but do these facets make the film more of worthwhile return to the franchise or does this reboot deserve a boot to the chops?

Critics can be forgiven for thinking that this is an ‘all too soon’ reboot for perhaps one of the best loved comic book superheroes of a recent generation. On one hand you had the excellent depiction of Spider-man by Sam Raimi with Tobey Maguire providing perhaps an over innocent and goofy Peter Parker / Spider-man. On the other hand though one could argue that the last series of movies became stale, that there were missed opportunities and that it had definitely run its course. However, Marvel was not ready to throw in the towel and who could blame them; Spider-man had made a lot of money for the studio and undoubtedly put them back on the map. Whatever you may say about reboots it is fast becomingHollywood’s tool-of-choice, especially where successful franchises are perhaps on the way out. For the creators, it’s a handy shortcut and for audiences it is an opportunity to see a new vision of a beloved character. Let’s just hope Harry Potter doesn’t have a reboot any time soon.

I wouldn’t have liked to have been in the head office of Marvel Studios when they came up with the plan to do this reboot. Approaching this movie was going to be a one shot gun; they knew they were either going to re-energise the title or kill it. Restore the hope to millions of spidey fans, or destroy it. They were going to have to throw nothing less than the kitchen sink at it and it shows. Fortunately end result is a film that manages to tread a fine line between being respectful to the original source material and Sam Raimi’s creation whilst bringing something new to the table and, at the same time is genuinely fun and exciting to watch.

Andrew Garfield, steps into the role of Peter Parker / Spider-man. This iteration no longer goofy, hapless or over exaggerated; this Peter Parker is actually smart, stands up to bullies even before he gains his super powers and typical of the ‘Twilight generation’ is always brooding and staring into space. His central love interest here isn’t girl-next-door Mary Jane Watson, but the equally intelligent Gwen Stacy (played by the gorgeous Emma Stone). New to this film is the working on Parker’s history with his parents. Although we are introduced to them only briefly it is their abandonment of Peter which creates a deeper shading of the character not previously seen in the previous carnations.

It’s worth saying at this point that the dynamics between Emma Stone’s character and Andrew Garfield work really, really well. They somehow manage to take the awkwardness of high-school love and make it fun and intense. Sometimes it’s not even what they say it’s what they don’t say. An unforgettable moment involves Peter and Gwen on the top of a roof with Peter trying to explain what has happened to him. ‘I’ve been bitten,’ he stammers. She leans in close with her slow husky whisper: ‘So have I’. Peter grins like a cat that has just got the cream. Now ask yourself what more do I need to say than that?

Everyone should know the plot of Spider-man by now and if you don’t, go and see a Doctor and find out where you have been for the past 10 years. Peter Parker gets bitten by a spider and whilst not gaining the extra 6 hairy legs, finds he embodies all of the positives of spider traits such as sticking to walls having extra perception (spider sense) and increased strength amongst other things.

The problem here is that Sam Raimi really did the bite and the transformation well. After the bite, we get the usual scenes of Peter’s realising he has extra powers, and events transpire that inevitably transform him into your friendly neighbourhood wall-crawler. Director Marc Webb does his best to make these sequences fresh and come at it from a new angle but try as he might you know that you have seen it before. Whilst there are some genuinely original and comic book moments, it’s hard not to fold your arms and sigh as you wait for the movie to get on with things. I also found that this version just seemed to lack that excitement that Peter had actually unlocked something special that was going to change his life or that his life actually needed to change.

Raimi’s creation had webbing ‘secrete’ from Parker’s wrists, however in this much more realistic and truer to the comic book version you see Parker develop the web shooters himself through trial and error. This version of Spider-man is also a lot grittier; every now and then he does something unpredictable which errs on the mentally serious side and you find yourself harking back to Maguire’s goofy jokey Spider-man and you are glad that you are watching this. Far from Raimi’s ideas of super quick healing, this Peter Parker goes home black and blue from bruising; when he gets cut he bleeds and even gets injured to the point where he has to rely on fellow citizens to help.  There are some nice nods towards Raimi’s creation here and there as well, such as the wrestling ring which makes an appearance.

For every hero there is a villain, this new plot concerns the development of Dr. Curt Connors (Rhys Ifans), experimenting with a serum that eventually turns him into The Lizard. It’s hardly different, in concept or execution, from Willem Dafoe as The Green Goblin complete with him hearing voices. Rhys Ifans does a terrific job with what he has, there just needed to be more in the script for him to do and say. It might also have been worth choosing a different villain to start with owing to the similarities that were bound to be drawn with the Green Goblin.

Despite the various differences, there are some solid key performances Sally Field does a really good job as Parker’s Aunt May and Martin Sheen deserves some credit because, even though I’ve read people accuse him of overacting, he does do a marvellous job as Ben Parker even when the script is thin. Somehow he manages to squeeze more emotional resonance than he has had previously.  Stan Lee appears too in a library scene that will be talked about for a while as one of his best cameos. Dennis Leary though has a character which barely touches on the surface.

When the red and blue costume make an appearance you feel like you are on familiar ground. The new suit which I have never liked has well and truly grown on me. The special effects are fantastic, perhaps never looking so good in 3D and well worth every penny of the extra price to get in. Whereas with the Avengers and Green Lantern movies you got the occasional scene in 3D here, Director Marc Webb treats you to long sweeping vistas of web swinging action. Explosions, debris, webs, it’s got the most 3D I have seen in a superhero movie so far with effects that actually work. When spider-man flies though the air in 3D you take a deep breath, when the camera does switch to 1st person perspective you go ‘wow’ these scenes are shorter than those seen in the trailer which is a shame but they still pack a punch for the eyes.

There are allusions to other characters in the Spider-man universe here as well which give the movie a larger sense of scale for example, you hear Norman Osborne mentioned and it will be interesting to see how he will factor into future movies. The story flows well throughout the entire movie but I found it was weighted kind of oddly with all the action seemingly occurring in the last half of the movie after Peter develops his skills. It is a great deal choppier than Raimi’s creation. However, here we have a Spider-man that’s more human than before and is perhaps just as flawed as the rest of us.  Watching this I didn’t feel like I was looking at a superhero, but a kid in a skin-tight suit that has no idea what the hell he is doing and is making it up as he goes along. It is the moments when there is nothing happening such as when Parker is dangling on a web playing a game on his mobile, or on a statue above the city when he takes a call from Aunt May and agrees to pick up some eggs that give insight to the character. This is what many people love about Spider-man; he is after all just a kid granted special powers and underneath the suit is someone still learning to fit in as well as grow with what he has.

My Verdict

I think Garfield’s work as Peter Parker and Spider-man is the glue that holds this film together. I know I am going to upset Maguire fans but Garfieldis a much better fit for this type of role. His portrayal of Peter is much more angst driven and is still growing and evolving even by the story’s conclusion. The film doesn’t even close with him working at the Daily Bugle he is still at school; therefore you just know there is more to come. I would not say that this film is a new Batman Begins or could even compare to that masterpiece. However, this Spider-man reboot feels like a fresh start; an origin story that can stand on its own or be the start of something even better.  It’s not perfect; weak script, choppy editing, flaws and moments that feel almost staged and even artificial.  But it is an optimistic start, a new direction and new promise. One last word to the wise – stay until after the initial credits…

8 / 10

The Amazing Spider-Man New Trailer Revealed

The much anticipated new trailer for Sony’s The Amazing Spider-Man has just been released to intense acclaim.

Hot on the heels of Marvel’s Avengers Assembled movie it seems there will be no let up to Marvel’s success this year.

I have personally seen the trailer and all I can say is wow. The first trailer looked intriguing, the second one…well it was just more of the same but this one seems to go a long way to perhaps showing what is in store for Spider-man and Marvel fans.

The film stars Andrew Garfield as Peter Parker / Spider-man with supporting turns coming from Emma Stone, Rhys Ifans, Denis Leary, Martin Sheen and Sally Field.

The Amazing Spider-Man will hit 2D and 3D theatres from July 3rd, 2012 and is a fully-fledged reboot of the web-slinging franchise which promises a new story to be told from the previous Sam Raimi trilogy.

The film is directed by Marc Webb from a screenplay written by James Vanderbilt, based on the Marvel Comic Book by Stan Lee and Steve Ditko. Laura Ziskin, Avi Arad, and Matt Tolmach are producing the film in association with Marvel Entertainment for Columbia Pictures, which will open in theatres everywhere in 3D.

For those of you who don’t know – The Amazing Spider-Man is the story of Peter Parker (Garfield), an outcast high schooler who was abandoned by his parents as a boy, leaving him to be raised by his Uncle Ben (Sheen) and Aunt May (Field). Like most teenagers, Peter is trying to figure out who he is and how he got to be the person he is today and is troubled by all those angst’s that young people face.

Peter is also dealing with his first high school crush, Gwen Stacy (Stone), and together, they struggle with love, commitment, and secrets. As Peter discovers a mysterious briefcase that belonged to his father, he begins a quest to understand his parents’ disappearance – leading him directly to Oscorp and the lab of Dr. Curt Connors (Ifans), his father’s former partner. An elusive spider bite sets Peter on a different path exposing abilities he never knew he had and as he becomes a hero in the alter-ego of Spider-Man he is set on a collision course with Connors’ alter-ego, The Lizard, Peter will make life-altering choices to use his powers and shape his destiny to become a hero.

Fans have already commented on the fact that this iteration of their comic book hero has the fabled web-shooters as opposed to ‘organic’ webbing that used to secrete from the wrists of Sam Rami’s creation. Indicating that the Peter Parker of this generation is perhaps more  of a genius in the making. Personally I prefer the web-shooters to..erm anything organic and the suit looks better now too.

The Amazing Spider-Man will hit 2D and 3D theatres from July 3rd, 2012.

Have a look at the trailer below and don’t forget to give us your comments.

Next Weeks TV Picks

Monday 10th
Ah Mediums, in my humble opinion, people who profit from loss and sadness and should be banned. With this mindset I’m sure I shall enjoy Derren Brown Investigates: The Man Who Can Contacts the Dead on Channel 4 at 22:00. The first in a series in which self confessed non-magical magician Brown delves into the world of the supernatural and into the lives of the people who claim they can contact those who dwell within it. Expect annoyed mystics and pissed of psychics….will make me laugh anyway!

Tuesday 11th
As a child of the 80’s (‘83 represent) I have fond memories of our first Microwave Oven and the Soda Stream, these memories will be bought back to life at 21:00 on Channel 4 in Heston’ 80’s Feast. From the Yuppies choice of nouvelle cuisine to the kid’s favourite of the brain freezing Slush Puppy, Heston will once again be serving up an ever so slightly insane meal to his awaiting diners.

Wednesday 12th
Those who know will me would probably tell you that I’m bit of a geek, I am a big fan of Sci-Fi, even when its parodied, which is why Galaxy Quest is my selection for today. 21:45 on Sky Movies Family, Quest follows the mishaps, the degradation and eventual worship of the crew of a now defunct 70’s science fiction show in which a brave team of explorers trek through the stars and whose Captain has many amorous encounters with alien women (I’m sure you can guess who the film are ribbing on!). After meeting a band of actual aliens in need of help, the Captain (played superbly by Tim Allen) decides to take on their monstrous enemy in an attempt to heal old wounds with his now aging 70’s co-stars and give his life some validation. A very funny film for everyone, even if you don’t notice the nods and winks to that other show.

Thursday 13th
I am bit of a city dweller, I’ve spent most of life in London, and when not, I’ve been just a short train ride away. My knowledge of British wildlife is pretty much straggly foxes going through my bins and fat pigeons walking around like little lost commuters. This is why I’m planning on hearing the fantastic Mr Bill Oddie teach me about all things flora and fauna in Bill Oddies Top Ten Aliens at 20:00 on BBC2. However, this is not your usual ‘lets-look-at-badgers-in-the-night-time’ wildlife show; Oddie will be telling us about the plants and animals most of us believe are truly British and lets us know where they actually came from. Education and fun…..they can mix!

Friday 14th
Sam Raimi, creator of the cult classic Evil Dead series returns to his horror roots with Drag Me to Hell playing at 20:00 on Sky Movies Premier (and again an hour later on Sky Movies Premier +1). After the shiny Hollywood made Spider-Man films, we get a taste of Raimi’s first love. Jumpy, gross and scary, Drag Me to Hell is the story of Loan Officer Christine (Alison Lohman) who, after humiliating a gypsy in public, has a foul curse placed upon her. In one week she must change her beliefs, go up against a tormenting demon and lift the curse before, as the title states, she is dragged to hell. If I were the type of guy who would award stars, Drag Me to Hell would get 4…actually, that stars thing wouldn’t be a bad idea, I could make like I was a proper critic!

Saturday 15th
I think I might be told off by some folk if I don’t say ITV1, 13:10, Chelsea are playing football against Portsmouth in the FA Cup Final to see who wins a big shiny jug with ribbons on it or something…..so there’s that. But let’s have a look at what else is on shall we. BBC1 at 18:25 We find Doctor Who battling a man who calls himself the Dream Lord (a possible nod to next seasons Neil Gaimen written episode perhaps, for those in the comic book know) or Guitar Heroes at the BBC on BBC2 at 23:15 a show promising to bring us shredding and riffing and god like posturing galore from the 60’s onwards. But I’m suggesting what follows Guitar Heroes. The 80’s bought us so many fantastic film’s, there are few that define the 80’s and one that does it so much more than all the others. At 12:15 BBC2 brings us the brilliance of The Breakfast Club, its cheesy, it’s over the top, it’s on after everyone’s bedtime, but it is also stupendous. Watch as five teenagers; a brain, an athlete, a basketcase, a princess and a criminal, fill the time during detention by sharing their problems, their fears, their loves and all other aspects of their lives in this John Hughes classic. If you’re a true fan of cinema, you won’t be disappointed. Oh…..and 5 stars!

Sunday 16th
I’ve spoken before about my relatively newly acquired love for westerns, and today at 21:00 I’m reminded of that thanks to Channel Five. 3:10 To Yuma tells the tale of a Rancher named Dan Evans who agrees to escort the outlaw Ben Wade to a train that will send Wade off to the hangman in Yuma for a $200 reward. With Wades gang constantly on their tail, Evans’ job soon becomes less about the reward and more about winning the love of his sons. With outstanding performances by both Christian Bale and Russell Crowe, 3:10 to Yuma is not one to be missed….erm…a handful of stars for this one.