The Kills In New Online Film Exploring Double Acts In Art

In Unlock Art: Great Double Acts, The Kills investigate the importance of collaboration to the artistic process, and how artists have always collaborated in some form or other throughout history including Rubens, Jeff Koons, Gilbert & George and Jake and Dinos Chapman. The film challenges the popular myth: that art is made by solitary, angst-ridden artists, and reveals just how varied and abundant artistic creation can be when collaboration is involved.

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This is the sixth Unlock Art film in the series of eight produced in collaboration between Tate and Le Méridien Hotels & Resorts which aims to unlock the big stories and ideas behind art. Other presenters in the series include author and broadcaster Dawn O’Porter, HBO Girls star Jemima Kirke, actor Alan Cumming and new Doctor Who actor Peter Capaldi.

Unlock Art aims to take viewers on a journey through various art movements and themes, from the history of the nude and humour in art, to Surrealism and Pop – offering the need-to-know facts, and making the arts more accessible to a wider audience.

Le Méridien ‘Unlock Art’ microsite: www.lemeridien.com/filmseries

#UnlockArt

New Doctor Who at Sparks Winter Ball

Jake Humphrey and Amanda Lamb co-hosted the Sparks Winter Ball to raise money for children’s medical research at Old Billingsgate on Thursday 5 December. New Dr Who, Peter Capaldi, was there and Denise Lewis, named the new Sparks President for 2014, also attended. We hope you raised lots of money guys.

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AWD_4971 AWD_5330Photo credit: JAB Promotions

The Most Searched 2012

 

who did brits search for in 2012?

TULISA HAS THE X FACTOR, KATE AND HARRY REIGN, VIC PENDLETON GOES FOR GOLD AND BIEBER LOSES HIS GRIP AS BING RELEASES ITS UK MOST-SEARCHED LISTS FOR 2012

 

Bing UK searches show 2012 was a year in which Britons clamoured to see more (literally) of their favourite people than ever before. The search engine today releases its most-searched lists, based on the aggregation of billions of search queries conducted by Brits on Bing.com this year.

 

Singer Tulisa Contostavlos shows she has the X Factor as the UK’s most searched person in 2012, beating 2011 winner Justin Bieber, who dropped to fifth place this year. And while Tulisa’s singing career and role as X Factor judge no doubt inspired many of these searches, the leak of a certain video in March might also have played a part.

 

It was also a big year for 2012’s second-most-searched person, Kate Middleton, with not just the Royal Wedding but some unauthorised holiday snaps sending people online in their droves to find out more. Prince Harry also got people searching after his right royal Vegas antics. The third in line to the throne was the UK’s sixth most-searched person, behind Cheryl Cole, the late Whitney Houston and Justin Bieber.

 

Robert Pattinson, Rihanna, Kim Kardashian and disgraced TV presenter Jimmy Savile round out the top 10.

 

In the afterglow of the Games, it’s to be expected that Olympics and London 2012 were the most-searched events of 2012, with Olympians leading the most-searched sports stars list. Gold-winning cyclist and Strictly Come Dancing star Victoria Pendleton raced to the top, followed by sprinter Usain Bolt and gold medallist tennis star Andy Murray. Stricken footballer Fabrice Muamba was the fourth most searched sportsperson, with heptathlete Jessica Ennis in fifth place.

 

Most-searched celebrity couple Robert Pattinson and Kristen Stewart kept Britons guessing with their on-again, off-again romance this year, but their new movie, Twilight Breaking Dawn Part 2, could only muster fifth place in the most-searched movies list, with the top spot taken out by The Avengers. EastEnders beat out reality TV rivals Big Brother and X Factor to become 2012’s most searched TV show.

 

Bing UK Director of Search Dave Coplin says: “Every year, the Bing search results give us a unique insight into what and who is top of mind for Brits. It’s always fascinating to see which celebrities have had the biggest impact on Britons throughout the year, and of course it’s no surprise to see that the 2012 Olympics and Olympians have captured our hearts and minds after such a golden summer.”

 

See below for more fascinating insights into what Brits searched for – from fashion to Facebook to food to festivals – this year on Bing.com.

 

2012’s most searched people
1.       Tulisa Contostavlos

2.       Kate Middleton

3.       Cheryl Cole

4.       Whitney Houston

5.       Justin Bieber

6.       Prince Harry

7.       Robert Pattinson

8.       Rihanna

9.       Kim Kardashian

10.   Jimmy Savile

 

2011 results1.       Justin Bieber

2.       Kim Kardashian

3.       Lady Gaga

4.       Jennifer Aniston

5.       Pippa Middleton

6.       Katy Perry

7.       Kate Middleton

8.       Tulisa Contostavlos

9.       Scarlett Johansson

10.   Angelina Jolie

 

2012’s most searched sports stars1.       Victoria Pendleton

2.       Usain Bolt

3.       Andy Murray

4.       Fabrice Muamba

5.       Jessica Ennis

6.       Tom Daley

7.       Cristiano Ronaldo

8.       Lance Armstrong

9.       David Beckham

10.   Mo Farah

 

2011 results1.       David Beckham

2.       Ryan Giggs

3.       Lewis Hamilton

4.       Andy Murray

5.       Maria Sharapova

6.       Wayne Rooney

7.       Cristiano Ronaldo

8.       Usain Bolt

9.       Jessica Ennis

10.   Jenson Button

2012’s most searched events

1.       Olympics

2.       London 2012

3.       Euro 2012

4.       Diamond Jubilee

5.       Paralympics

6.       Wimbledon

7.       Tour de France

8.       Hurricane Sandy

9.       US election

10.   Leveson Inquiry

iggs

2012’s most searched movies

1.       The Avengers

2.       The Hunger Games

3.       Prometheus

4.       Skyfall

5.       Twilight Breaking Dawn II

6.       Dark Knight Rises

7.       The Amazing Spiderman

8.       Snow White & The Huntsman

9.       Taken 2

10.   The Dictator

 

2012’s most searched TV shows

1.       EastEnders

2.       Big Brother

3.       X Factor

4.       Doctor Who

5.       Coronation Street

6.       Strictly Come Dancing

7.       The Only Way Is Essex

8.       Celebrity Big Brother

9.       Game of Thrones

10.   The Walking Dead

 

Most searched social networks

1.       Facebook
2.       YouTube
3.       Twitter
4.       LinkedIn
5.       Tumblr
6.       Spotify7.       Pinterest
8.       Myspace
9.       Instagram
10.   WordPress

 

 

Top searches:

Celebrity couple               Robert Pattinson & Kristen Stewart

Celebrity wedding           Jessica Biel’s pink wedding dress

Celebrity death                 Robin Gibb death

Celebrity divorce              Katie Holmes divorce

Celebrity baby                   Robbie Williams baby pics

Celebrity pregnant          Imogen Thomas pregnant

Celebrity chef                    Jamie Oliver

Girl band                              Little Mix

Boy band                             One Direction

Lyrics                                     Call Me Maybe

Festival                                 V Festival

Fashion brand                   Next

Store                                     Argos

Supermarket                     Tesco

Football club                      Liverpool FC

Movie trailer                      Skyfall

Politician                              David Cameron

US politician                       Barack Obama

Car model                           Nissan Qashqai

Car make                             BMW

Airline                                   Ryanair

Holiday destination         Turkey

Viral video                           Gangnam Style

Diet                                        Cambridge diet

Recipe                                  Pancakes

Astrologer                           Jonathan Cainer

Who…                                   unfollowed me

What…                                  car

How…                                   I met your mother


Wendy's baby diary – Six months! – Guilt, isolation and men

Six months old

Dillon was six months old on Monday the 3rd October 2011. A lot has happened in this first six months including his christening , baby swimming classes, health centre visits and weigh ins, the
dog eating the midwifes shoes, the whole experience of giving birth, going to University, starting my website http://www.femalearts.com, being off work, weaning the baby, his milestones including Dillon getting his first baby teeth, sitting up, rolling around on the floor, playing with his feet, smiling and laughing and interacting with objects and people.

I’d like to thank Catherine Balavage at Frost Magazine for offering me this blank canvas to write about Dillon. I wanted to document these moments so that in the future I can look back (hopefully Dillon will also read it) and have a record of this wonderful, life changing time.

It’s been a brilliant six months but it’s also been tiring, stressful and a lot of hard work. I’ve said in my diary about how the baby is progressing, the goods, toys and clothes we have bought for him, what activities he is enjoying and how he’s developing but I don’t think I’ve said so much about my feelings. The following topics have been on my mind recently…

Men with babies

Recently there has been a couple of TV Doctors with babies – Doc Martin has a baby, James Cordon was left holding the baby in Doctor Who – portraying what it feels like for the dad to be the primary carer –the Doctor Who story was about panic and fluster with the conclusion that dads
are actually protective loving individuals and the mums are competent women who make lists and mother both their partner and baby.

Nothing is that clear cut and I’m not sure there is a big gender difference in the way we are parents, it may just boil down to the amount of physical time spent with the baby = the more you know them = the more competent you become at dealing with them.

The only thing that aggravates me with stories on TV about dads coping alone with babies is that there aren’t an equivalent number of stories about mums coping alone with babies. Because it isn’t all confident list making and natural mothering instincts, it’s often panic, confusion, stress,
isolation and guilt.

Isolation

It’s lonely being a stay at home mum. Even though it is through choice I miss chatting to colleagues, I miss talking to my husband, I miss my family, and I miss my friends. Having another adult in the house during the day (e.g. when relatives have come to stay and at the weekend when the baby’s dad is at home) makes so much difference to my life. All the bags of stuff needed
to carry around for the baby, all the preparation that’s needed before I can leave the house, all the attention and love and care that Dillon needs – is so much easier when it’s shared.

Recently I have realised I need to make more of an effort to see my friends – especially friends who are available in the daytime. Getting out daily with the dog and the baby for walks and taking baby to classes or shopping is something but it’s not the same as being with people who know and care about me, who I can have a proper conversation with.

I can see why going back to work begins to look appealing because you can start to be yourself again and have adult interaction without constantly thinking about the baby’s needs and their safety. But employment means childcare. Which brings me onto my next subject – guilt.

Guilt

As a parent there is one thing you can be certain of – a steady almost constant feeling of guilt. I think it stems from conflict between personal needs/wants and that of your child.  My current guilty feelings are – guilt for using formula, guilt for starting weaning before six months, guilt for not weaning successfully, guilt for not establishing a pattern (of eating/sleeping), guilt for trying to establish a pattern, guilt for not living up to other people’s parenting expectations, guilt for not
returning to work yet, guilt for arranging childcare, guilt for doing my master’s degree, guilt for not being sure, guilt over baby’s eczema not clearing up, guilt for letting the dog spend time with baby, guilt for separating dog from baby, guilt for daily dressing of baby in babygro’s in attempt to stop skin contact with whatever is causing the eczema, guilt for not taking enough photos of baby, guilt for not posting all the thank you cards yet, guilt for not buying enough things for baby, guilt for spending so much money, guilt for wanting my boobs back, guilt that he cries a lot, guilt whenever I let him cry before going to him, guilt that I’m spending time writing this!

There’s too much guilt, worry, anxiety and the only consolation is the thought that other people may be feeling the same way.

Self-Medication

One of the best ways to cope is summed up with a quote from my friend BenJohn’s facebook update.

“Youngsters, you probably think booze is for enjoying and having fun. Let me assure you it is a medicine for those with children to let them relax in the gaps when they’re asleep.”

© Wendy Thomson 2011

Wendy Thomson is the editor of www.femalearts.com an online publication which promotes women in the arts and in business.

Doctor Who 'The Wedding of River Song' Review

And so The Doctor goes to meet his fate by the lake in Utah, bringing Season 6 of Doctor Who full circle and wrapping things up in a satisfying and rewarding conclusion.

That would’ve been nice.

Sadly, that’s an entirely different episode to the one we got – and that got on my wick, I’m afraid.

Now don’t get me wrong, ‘The Wedding of River Song’ was a fun episode full of beautiful visuals, cracking dialogue, sweet in-jokes, and nice ideas; it was far from rubbish. Indeed, had it been placed mid-season I’d probably be lauding it as a classic.

It was just as barmy and lovable as we’ve all come to expect, with Pterodactyls chasing kids, Charles Dickens on the BBC Breakfast sofa and a pit full of carnivorous skulls. I was also pleased to see the return of Dorium Maldovar – a brilliant, brilliant character who I was heartbroken to have seen killed earlier in the season. There was even a poignant and touching tribute to the late, great Nicholas Courtney. Good stuff.

No, the problem lay in the basic DNA of its existence. The point of the episode, the whole reason for its being; to resolve the death of the Doctor,… and it is here that I felt it fall flat.

Firstly, while the alternative universe is fun and clever, it is essentially a massive distraction to the business at hand. We’ve had 12 episodes of “Doctor’s Death” foreshadowing so far this series. To me, the enjoyment of all that grandiose myth-building was guessing and wondering how the Doctor could possibly escape. This is, after all, Doctor Who; he was ALWAYS going to escape.

But Stephen Moffat wasn’t interested in telling that story. Indeed, so un-troubled was he by the resolution to this 13-episode jigsaw puzzle that he tossed it away in the final 5 minutes. He was more interested in telling us the tale of,… well I’m not actually sure. It certainly wasn’t “How Amy met Rory” – he’d already done that one in the finale to Series 5.

By creating an alternate reality with a giant re-set switch, and throwing the Doctor’s death away as a cheap and obvious trick, nothing that anyone does at any point in this episode makes a blind bit of difference to the place we end up when the credits roll.

Had River not cocked things up, the Doctor would still have survived his “death”, the Silence would still be patting their collective squidgy backs at a job well done and Amy would’ve continued her lucrative perfumery career.

In fact, the only difference that the alternate reality plot made to the conclusion of the season was that River and The Doctor got married, and blabber-mouth Melody Pond could tell all and sundry that the Doctor was still alive. And I really can’t help feeling that they didn’t need 45 minutes to tell that story – 10 would’ve done.

And that’s this episode’s biggest mistake; although it was exciting and pretty and whiz-bangy, it was, ultimately, pointless. Like a cheap fairground ride, I enjoyed it while it lasted but, having stood in the queue for an hour eating candy floss, I left the podium feeling a little dizzy and wondering whether it was worth all the fuss.

It didn’t help that the climatic reveal of how the Doctor survived his date with destiny turned out to be a rather dull and obvious get-out-jail-free card. From the very second the Tessalector popped back at the start of the episode, I knew how the Doctor was going to survive. It was so blindingly obvious that I convinced myself that it was actually some kind of cunning double bluff. Imagine my crushing disappointment when it turned out to be nothing of the sort.

As a resolution to the “final end” of the Doctor, it felt cheap and unworthy. Indeed, much like the rest of this episode, it felt like Stephen Moffat had written himself into a corner with his dazzling story-arc shenanigans,… only to bottle on the finishing straight.

This has been an outstanding series of Doctor Who, easily the best since the show returned in 2005 – and potentially one of the best single seasons of the show since it’s heyday in the 1970’s. The conclusion deserved to be as epic and clever and thoughtful as the rest of the run.

But sadly, despite the craziness, the adventure and the laughs, ‘The Wedding of River Song’ left me wanting more. And not in a good way.

Doctor Who: 'Closing Time' Review

,… or Two [Cyber]Men and a baby.

In my eyes Season 5 of the new Doctor Who was a weak and uninspiring slog, and easily poorest series since the show returned. But there was a real diamond in the rough; ‘The Lodger’.

Gareth Roberts’ adaptation of his own Doctor Who Magazine comic strip was a joyful, warm-hearted and spirited comedy episode that I loved to bits. So when it was announced that he would be penning a sequel I was pretty excited. But did he deliver? Well, yes and no,…

The Doctor is on a farewell tour, flitting around the universe to catch up on events and experiences that he’s missed out on over the years. He knows that death is on its way and he’s going to make the most of the time he’s got left. Which includes, it seems, a visit to his old mate Craig – now the proud but overwhelmed father of baby Alfie (or Stormageddon; Dark Lord of All, as he likes to be known).

But, this being Doctor Who, The Doctor’s flying visit is derailed by his discovery of Cybermen stalking around the ladies changing rooms at a local department store (ooer!) Cue slapstic monster fighting, Laurel and Hardy level bickering and frolics in the lingerie isle!

Now, for the most part, this episode is a fun and chucklesom romp; it’s Doctor Who; the Situation Comedy. All that’s needed is a wryly named coffee shop, a contractual visit to a bowling alley and a barely plausible laughter track and you’re away!

This isn’t, to my eyes, a bad thing; the programme has been many things in its time – Hammer Horror, surreal Buddhist morality tale, James Bond-esque action adventure – why not a sitcom? It wouldn’t work every week but I’d argue that the occasional flat-out funny episode is no bad thing. I mean it’s not Battlestar Galactica is it?

And it is, indeed, very funny! Matt Smith and James Corden have a brilliant chemistry, with Craig being the straight man to the Doctor’s geeky funnyman. The moment when Craig realises that they’ve been teleported to the Cybership is comedy gold, beautifully played by both. His ham-fisted interrogation of the shop girl had me in stitches.

However, the best lines were handed to young Stormageddon, ably translated by the Doctor – who speaks baby (yeah, right!) “and everybody else?,… Peasants. That’s unfortunate.”

It’s a great script of terrific comic moments and spanking dialogue.

And Cybermen. Damn, I knew you were going to bring them up.

This was not the Metal Men from Mondas’ finest hour. In fact the story would’ve probably worked better without them. All they do is stomp around the place looking mildly pathetic. Their presence is undermined by the revelation that they’re low on juice and low on spare parts. They’re not a fighting force, they’re Dads Army.

Which is a shame because they look wonderful. And the Cybermat is a welcome return from a classic series stalwart. But they’re entirely peripheral to the story and to throw away Doctor Who’s second biggest enemy as, essentially, comedy goons does nobody any favours, least of all the brilliant Gareth Roberts.

So, to me, the story didn’t deliver everything it promised; the comedy was brilliant but the action and threat were sorely lacking. Compared with Craig’s first outing, where his life, his relationship with the love of his life and, ultimately, the fate of the world was in jeopardy,… well this was a bit of a come down, really.

But as come-downs go, ‘Closing Time’ is one I’d watch again.

Dr Who Review: The God Complex

Hotels. Let’s face it, they’re creepy at the best of times. Pop one into Doctor Who, however, and you’re in a whole world of trouble.

As indeed are Rory, Amy and the Doctor when they check in to The God Complex, the 11th episode of series 6.

The complex of the title turns out to be a floating intergalactic prison that has, bizarrely, camouflaged itself to look like a 1980’s hotel. Inside lives a single alien prisoner resembling a Minotaur who feeds off of the faith of other races. In an effort to feed the prisoner, the complex abducts people from passing civilisations and challenges them with their greatest fears, forcing them to fall back on their core beliefs so that the Minotaur can gobble them up.
Riiiiiiiight.

Okay, as a premise this one barely hangs together… but then again, when has that ever stopped Doctor Who? Baby creatures made from excess body fat, flying sharks, 100ft tall steam-powered Cybermen; it’s all in a day’s work for the Timelord and his chums.

And in this case, it doesn’t matter a jot that the logic of this episode is a light breeze away from falling apart completely. Toby Whithouse’s script is a joyous combination of touching characterisation, creepy imagery, pithy dialogue and genuine emotional clout. It’s a great piece of work and everything I’ve come to expect from the creator of the sublime BBC3 series ‘Being Human’.

Rita and Gibbs are especially well-written and realised. Rita (played by the lovely Amara Karan) conveyed more humanity, sweetness and character in one episode than Amy managed in the whole of Series 5… so you knew she was going to get the chop. Which she did.
Drat.

And Gibbs was another great addition to the Whoniverse – a creature whose main aim in life is to be enslaved by the next passing alien race. “Our national Anthem is ‘Glory to Insert Name Here‘,” he explains. A fabulous idea brought to life by the ever-dependable David Walliams.

But it was the final denouement that really lifted this episode up with the best this season has had to offer. The Doctor finally letting Amy and Rory go after – lets face it – royally screwing with their lives. It was a poignant finale to a rather fabulous episode of Who and I challenge anyone not to have a lump in their throat after seeing Matt Smith all alone in the cavernous TARDIS – the “Lonely God” once more. Sob.

So who does he turn to? Why, Craig from ‘The Lodger’ of course! Next week sees the return of my favourite character from Season 5 (hurrah!) and Cybermen. Let the good times continue to roll…

Doctor Who: 'Night Terrors' Review

After last years’ dismal ‘Victory of the Daleks’, renaissance man Mark Gatiss returns to his writing duties on Doctor Who with ‘Night Terrors’, a straight out fright-fest complete with spooky dolls and a creepy haunted house. Gatiss famously delights and revels in the macabre and the gothic, so “Night Terrors” should be a triumphant return to form…

It wasn’t.

Now don’t get me wrong, ‘Night Terrors’ has a great deal to recommend it. It’s beautifully shot and the art direction throughout is marvellous. There’s a fantastic atmosphere of gloom and mischief in the opening scenes and, at its heart, it has a decent, fairly solid sci-fi idea – a cuckoo in the nest. There was also imagery in there that I’m sure sent many of the nation’s little darlings scurrying into their parents beds, smelling faintly of wee.

But this was not enough to save it.

Firstly, the episode – with its monster in the wardrobe, parent at the end of their tether, ‘alien’ child causing mayhem, random old lady, and love-will-conquer-all ending – gave me a distinct and unsettling feeling of déjà vu. Hadn’t I seen this before? Yes I had, in the Season 2 Doctor Who story ‘Fear Her’.

While not a direct retread, it bore enough similarities and repetitions to make the story feel highly derivative and, as a result, deeply unsatisfying.

And then we have the pacing of the story which was nothing short of bizarre. New-era Doctor Who gives you 45 minutes within which to tell your story. To spend a whole 20 of those minutes on set-up and exposition is a brave move which, in this case, failed completely.

The problem was that the story doesn’t introduce an actual threat to any of the characters for half an hour. HALF. AN. HOUR. In 45 minutes of screen time!

Sure, people were occasionally whisked off to a spooky house but, once there, they roam the halls unmolested and unthreatened. Meanwhile, the Doctor, rather than actually talking to the kid at the centre of the trouble (or realising there was any trouble to be had) has a very long chat and a nice cup of tea. It took him even longer to turn his attention to the obviously dodgy wardrobe and, when he did, he got scared and… had another cup of tea and another long chat with Dad. Are you bored yet? Because I was.

Indeed, no one opens the sodding wardrobe at the centre of the story for a whole 35 minutes, leaving just 10 scant minutes for the Doctor to diagnose the problem, get chased a bit and finally convince the alien cuckoo child to stop throwing silly tantrums. This he does with a cunning combination of yelling at the child (which really works on scared kids, so I understand) and convincing his Dad, who has just found out that his son is a) not his and b) an alien, to give him a hug.

Now that all sounds like a bit of a rant on my part and, indeed, I may be being a little unfair. The aim of the episode was surely to scare the kids silly and I’m sure, in this regard, ‘Night Terrors’ was a roaring success. I’m probably being a little churlish and miserly to expect anything more from it.

But my issue is this. Mark Gatiss is a brilliant writer. A truly, hands-down, brilliant, wonderfully creative mind capable of structured, intelligent and inventive comic drama. So why is ‘Night Terrors’ such a dramatically dull, highly derivative, poorly-paced mess? This is Mark’s favourite show, his dream job, an opportunity that he’s dreamt of since he was a nipper. It should have been brilliant.

And that’s what’s so frustrating.