Russell Crowe: Female Actors Should Act Their Age. Meryl Streep Responds

There has been some uproar after Russell Crowe said that female actors should act their age. Meryl Streep came out in support of him and The Guardian did a great quiz on actors and playing age.

Russell said in an interview with the Australian Women’s Weekly: “To be honest, I think you’ll find that the woman who is saying that [the roles have dried up] is the woman who at 40, 45, 48, still wants to play the ingenue, and can’t understand why she’s not being cast as the 21-year-old, Meryl Streep will give you 10,000 examples and arguments as to why that’s bullshit, so will Helen Mirren, or whoever it happens to be. If you are willing to live in your own skin, you can work as an actor. If you are trying to pretend that you’re still the young buck when you’re my age, it just doesn’t work. I have heard of an actress, part of her fee negotiation was getting the number of children she was supposed to have lessened. Can you believe this? This (character) was a woman with four children, and there were reasons why she had to have four children – mainly, she lived in a cold climate and there was nothing to do but fornicate all day – so quit arguing, just play the role!”

Russell_Crowe female actors should act their age

Unfortunately that is not right at all. While some women will not want to play older, I have met a few, the roles for women are usually terrible when under 40: girlfriend, stripper, ‘the girl‘, a whore or merely window-dressing. When a women is over 40 the roles do not realistically reflect women’s lives. We are usually the mother, grandmother, crone or witch.

Jezebel blogger Rebecca Rose had this to say: “ALERT: Hollywood movie actor person Russell Crowe is fed up with all the old ladies who dare to want to be cast as something other than old spinsters or whatnot. Quit complaining that you’re cast in a role where your character has ‘nothing to do but fornicate all day’ and make a bunch of babies. Stop demanding that film-makers try to expand the depth of your character beyond ‘broodmare’. Just play the role, OK? Funny how Crowe doesn’t bother to offer any opinion about the mind-boggling legacy of Hollywood men playing romantic leads to women 10, 20, 30, and sometimes 40 (!!!!!) years younger than them,” Rose added. “Because it’s clearly the sad old women daring to pretend they are outside their actual birth ages that are ruining Hollywood … Thanks Crowe for reminding us, yet again, that women are always held in contempt for doing anything remotely similar to what their male counterparts do without reproach.” Very good points. Men do not tend to ‘play their age’ and their on-screen wives are usually significantly younger than them.

 

Amy Gray wrote on Junkee.com,  “The ‘ingenue’ roles Crowe refers to are the only ones readily available for women; on the flip side, the majority of male characters in film and TV are aged between their 30s (27%) and 40s (31%). That could be because we’re more likely to want to watch lead characters based on their fuckability – and the older a woman gets, as any executive will tell you, the less faceable she becomes.” Crowe is 50 and also said “The point is, you do have to be prepared to accept that there are stages in life. So I can’t be the Gladiator forever,”

 

What do you think?

If you are an actor then check out my book How To Be a Successful Actor: Becoming an Actorpreneur. It is available in print and in all eBook formats on both Smashwords and Amazon. It has had 5 five star reviews. 

 

 

Man of Steel {Film Review}

*WARNING – MAY CONTAIN SPOILERS!*

 

This week is Warner Bros./DC Comics turn to bring up the heat for summer blockbuster season. It has been seven years since we had Superman on our screens with Superman Returns and the results were incredibly underwhelming (considering we had Batman Begins the year before, which was a critical and financial success). So a reboot was green-lit and Zack Snyder takes the helm to deliver Superman with watchful eyes from Christopher Nolan (serving as co-writer and producer). The end result is not as soaring as one would hope but flies rather valiantly.

 

Superman’s origin story remains the same; Kal-El (Henry Cavill) is one of the last remaining beings from the planet Krypton. Both his parents, Jor-El (Russell Crowe) and Lara Lor-Van (Ayelet Zurer), sent him off on a spacecraft as the planet was becoming unstable and would soon lead to its imminent destruction. His spacecraft crash lands in Smallville, Kansas and is raised by Jonathan and Martha Kent (Kevin Coster and Diane Lane). Though the interesting aspect that writers David S. Goyer and Christopher Nolan decided to focus on this Superman movie is asking; how would we react to a super-being? Would we welcome it with open arms or would we feel threatened? It’s certainly interesting to the fact none of the previous

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movie iterations even remotely decided to focus on that aspect. Although the story can feel a bit too cold for a Superman film and comes to no surprise it mostly has Chris Nolan’s stamp all over it. It was understandable for his Dark Knight trilogy to contain such a grim tone and featuring such dark themes. Superman really is a Moses story through and through but really delves into his alien heritage. There are amusing one-liners here and there but the cinematography all felt bleak with shades of blue and grey (with exception of scenes in Krypton).

 

Henry Cavill dons the suit really well, and he also brings the character quite a bit of charm but also some weight to the character. He brings such emotions as isolation and frustration, trying to blend in but there’s always a reminder that he will never be one of them. Although one scene that I felt was too forced on the religious symbolism is when he confesses to a priest in a church (whilst sitting in-front of a window with Jesus on it, subtle movie!) and he tells Kal-El to take a leap of faith. Amy Adams makes Lois Lane an active character this time round, rather than just solely being the damsel-in-distress that has Superman saving often. The chemistry between Superman and Lois is a bit weak but hopefully will expand in future sequels. Both Kevin Costner and Diane Lane play their characters really well, though there’s not much to work on as Jonathan is along with the many motivational parent/guardians to our heroes (Aunt May in Spider-Man and Alfred in Batman). Though the spot-light is Michael Shannon as General Zod, a great character actor but he completely chews the scenery and yet makes him quite intimidating which brings the fun to this film. You really believe this is a man motivated and dedicated to his genetic upbringing as a military leader.

 

As expected from Zack Snyder, he really delivers the spectacle and makes you believe a man can fly again! You feel the ferocity when Superman is flying for the first time, the sense of wonder from Superman’s reaction on roaring through the clouds. We finally get to see super-beings beat the living daylights out of each other. The scale and action sequences is spectacular, raising the bar to the extreme on what Superman has to handle. Zod’s soldiers really do put up a fight and you feel every blow they make is a devastating one! Though it does concern me that Zack Snyder causes this much destruction more on looking cool than taking into consideration the death toll would be extremely high (not to mention the amount of damage and lasting impact would leave upon Metropolis’s citizens). I was genuinely enthralled by WETA Digital’s creation of Krypton, clearly the filmmakers made sure they distanced themselves from Richard Donner’s Krypton. You feel that everything had a purpose and the planet felt alive with its inhabitants (I especially liked the silver projections when Lara is giving birth and Jor-El is giving Kal-El a history lesson about Krypton). Hans Zimmer’s score really captures the awe and wonder of Superman but also the menacing threat from the villains. There’s a lot to live up to than being under the shadow of John Williams’ iconic theme tune but Zimmer completely makes it his own.

 

Overall; a great stab on the Superman icon and really succeeds to make its own than trying to be a copy with what has been already established. Henry Cavill and Amy Adams play their respective characters faithfully and supported by a terrific cast. I really am looking forward to seeing more of this Superman series.

 

4 out 5

Russell Crowe has lost over 16lbs on a tough new exercise and diet regime.

Russell Crowe has lost over 16lbs on a tough new exercise and diet regime.

The Oscar-winning actor – whose weight has fluctuated over the years – began a 105 day bid to get into shape on June 17 and has already ditched some of his excess flab by following a gluten free diet and a punishing fitness schedule.

Writing on his twitter page today (13.07.11), he revealed: “220 lbs this morning, started at 236.4 lbs. 45 min walk, 12 mins eliptical, weighted objects 40 mins, walk 25 mins. 2400 cal a day maximum, all meals & all beverages. Where possible gluten free (sic).”

Since announcing his get fit plan, Russell has been posting regular updates for his 253,289 twitter followers, writing last month: “day 12 of a 105 day training period, there is a long way to go, one layer of tissue paper per day of effort and diet … it takes a long time (sic).”

Dad-of two Russell – who is married to singer Danielle Spencer – is hoping to lose a total of 41.1 lbs, tweeting “ My goal around 185 lb started at 236.4 (sic)”

Film Review: Robin Hood (2010)

Frost Rating ****

There have been many interpretations of the legendary man himself. Popularly first known by Errol Flynn in The Adventures of Robin Hood (1938) and then the Kevin Costner version, Robin Hood: Prince of Thieves (1991). I’ve only seen the latter, it was all good fun and one of the few films I watched mostly as a kid. I loved the idea of a man standing up corruption and just being an old fashioned swash-buckling adventure. Although Kevin Costner was miscast as the English rebel, only reason for being cast was his big heyday back in the early 90s and winning awards for Dances With Wolves. The only plus side was having a scene-stealing Alan Rickman as the Sheriff of Nottingham. It has been nearly 20 years since, and Ridley Scott/Russell Crowe have now brought us their version of the story.

We’ve seen the tale of Robin Hood been done to death and it’s actually a sigh of relief to see something fresh to an otherwise adventurous story. Another point to make that it’s more a revisionist take, than a remake or reboot. As many have mentioned, this is a prequel than the typical Robin Hood story we all know. Stealing from the rich and giving to the poor is explained, rather than making it a basis of the film. It shows how Robin Hood (known through-out as Robin Longstride) becomes the man we all know and love. It may be not needed, but Ridley Scott pulls it off rather well. Robin is a soldier for the crusades under the rule of King Richard (Danny Huston, a brief but wonderfully played role), and returns back to England from his long fight in France after Richard dies. He comes back finding the country in a total mess, now Prince John (Oscar Isaac) is pronounced King and starts making an example to his rule by using threats to make the whole of England pay the kings taxes. Robin returns a sword to Walter Loxley (Max Von Sydow) as a promise from his dead son, which his wife happens to be Marion (Cate Blanchett). The theme of the story is self-discovery, although it slightly acts as a bit expositional but it doesn’t linger on to make it that much a critique. Meanwhile, the sub-plot is with France preparing to invade England.

Slightly distracts us from the story of Robin and Marion, but it unravels an exciting climactic battle sequence and the reason King John declares out leading hero to be an outlaw. The performances from the entire cast are top notch. Russell Crowe still proves to be a convincing leading man, although his dialect goes a bit off once or twice (although better than Kevin Costner sticking with his American accent). Cate Blanchett is always a treat whenever she’s on-screen, and is the heart of this film. Both Crowe and Blanchett’s chemistry does spark but only so subtle to make the scenes together work. Oscar Isaac is brilliantly juvenile and devilish, practically a scene stealer and one of the best things of this film. Mark Strong delivers a good performance, but unfortunately doesn’t stand out the best of the villains roles he’s played (the best would be as Frank D’Amico in Kick-Ass). Matthew Macfayden plays as the Sheriff of Nottingham, he doesn’t make it as hammy as Alan Rickman did previously but still makes himself being devilishly likeable. Especially when his house is about to get burnt down by the French, and slyly says to a soldier to save his house “I’m half French, on my mothers side!”

The script by Brian Helgeland is also very well done, showing he’s still at his game being a talented writer. Given credit the development of Robin Hood had been going around quite some time, and went through 2-3 stages before they finalised on a story they wanted to make. It’s a story that somehow makes it culturally significant; especially when we’ve just dealt being in the recession. It also brings a strange cultural heritage, having the character and its setting a strange mythical history. Admittedly, the story may mislead people. Given the title ‘Robin Hood’, it should be about Robin Hood and it does. Ridley Scott mentioned he likes to create worlds, and he does so by bringing up events that will revolve around and has Robin involved to make it plausible.

Ridley Scott’s eye for detail is always staggering and beautifully well shown on-screen. The cinematography is gorgeous to look at, shot very well and all around a great looking film. What also strikes me as the film looks it could be plausible in the history books. Although Scott doesn’t treat it as a History Channel documentary, he makes it very clear he mixes with history but also with a bit of fantasy. The action sequences are exciting and thrilling to watch, just shows how much Robin Hood can be an action hero. It also amazes me Ridley Scott is the only filmmaker who’d do these sequences with very little digital effects and make them look spectacular. Also kudos on the wonderful costume design by Janty Yates (who designed costumes for Gladiator and Kingdom of Heaven).

The music by Marc Streitenfeld is atmospheric and delivers emotion to every scene being delightful or tragic. Overall; people may expect the conventional Robin Hood tale, but going to a different route can lead to surprising results. This delivers the goods on both story, characters and the visual spectacle. It doesn’t stand along with Scott’s best films (Alien and Blade Runner), but it certainly amongst his really good ones (American Gangster and Kingdom of Heaven: Director’s Cut). I’m very sure there will be a director’s cut version in future. This is epic filmmaking at its best, and no one does it better than Ridley Scott.

Robin Hood is showing at cinemas right now. See the trailer on the official site.

by Owun Birkett

Next Weeks TV Picks

Monday 10th
Ah Mediums, in my humble opinion, people who profit from loss and sadness and should be banned. With this mindset I’m sure I shall enjoy Derren Brown Investigates: The Man Who Can Contacts the Dead on Channel 4 at 22:00. The first in a series in which self confessed non-magical magician Brown delves into the world of the supernatural and into the lives of the people who claim they can contact those who dwell within it. Expect annoyed mystics and pissed of psychics….will make me laugh anyway!

Tuesday 11th
As a child of the 80’s (‘83 represent) I have fond memories of our first Microwave Oven and the Soda Stream, these memories will be bought back to life at 21:00 on Channel 4 in Heston’ 80’s Feast. From the Yuppies choice of nouvelle cuisine to the kid’s favourite of the brain freezing Slush Puppy, Heston will once again be serving up an ever so slightly insane meal to his awaiting diners.

Wednesday 12th
Those who know will me would probably tell you that I’m bit of a geek, I am a big fan of Sci-Fi, even when its parodied, which is why Galaxy Quest is my selection for today. 21:45 on Sky Movies Family, Quest follows the mishaps, the degradation and eventual worship of the crew of a now defunct 70’s science fiction show in which a brave team of explorers trek through the stars and whose Captain has many amorous encounters with alien women (I’m sure you can guess who the film are ribbing on!). After meeting a band of actual aliens in need of help, the Captain (played superbly by Tim Allen) decides to take on their monstrous enemy in an attempt to heal old wounds with his now aging 70’s co-stars and give his life some validation. A very funny film for everyone, even if you don’t notice the nods and winks to that other show.

Thursday 13th
I am bit of a city dweller, I’ve spent most of life in London, and when not, I’ve been just a short train ride away. My knowledge of British wildlife is pretty much straggly foxes going through my bins and fat pigeons walking around like little lost commuters. This is why I’m planning on hearing the fantastic Mr Bill Oddie teach me about all things flora and fauna in Bill Oddies Top Ten Aliens at 20:00 on BBC2. However, this is not your usual ‘lets-look-at-badgers-in-the-night-time’ wildlife show; Oddie will be telling us about the plants and animals most of us believe are truly British and lets us know where they actually came from. Education and fun…..they can mix!

Friday 14th
Sam Raimi, creator of the cult classic Evil Dead series returns to his horror roots with Drag Me to Hell playing at 20:00 on Sky Movies Premier (and again an hour later on Sky Movies Premier +1). After the shiny Hollywood made Spider-Man films, we get a taste of Raimi’s first love. Jumpy, gross and scary, Drag Me to Hell is the story of Loan Officer Christine (Alison Lohman) who, after humiliating a gypsy in public, has a foul curse placed upon her. In one week she must change her beliefs, go up against a tormenting demon and lift the curse before, as the title states, she is dragged to hell. If I were the type of guy who would award stars, Drag Me to Hell would get 4…actually, that stars thing wouldn’t be a bad idea, I could make like I was a proper critic!

Saturday 15th
I think I might be told off by some folk if I don’t say ITV1, 13:10, Chelsea are playing football against Portsmouth in the FA Cup Final to see who wins a big shiny jug with ribbons on it or something…..so there’s that. But let’s have a look at what else is on shall we. BBC1 at 18:25 We find Doctor Who battling a man who calls himself the Dream Lord (a possible nod to next seasons Neil Gaimen written episode perhaps, for those in the comic book know) or Guitar Heroes at the BBC on BBC2 at 23:15 a show promising to bring us shredding and riffing and god like posturing galore from the 60’s onwards. But I’m suggesting what follows Guitar Heroes. The 80’s bought us so many fantastic film’s, there are few that define the 80’s and one that does it so much more than all the others. At 12:15 BBC2 brings us the brilliance of The Breakfast Club, its cheesy, it’s over the top, it’s on after everyone’s bedtime, but it is also stupendous. Watch as five teenagers; a brain, an athlete, a basketcase, a princess and a criminal, fill the time during detention by sharing their problems, their fears, their loves and all other aspects of their lives in this John Hughes classic. If you’re a true fan of cinema, you won’t be disappointed. Oh…..and 5 stars!

Sunday 16th
I’ve spoken before about my relatively newly acquired love for westerns, and today at 21:00 I’m reminded of that thanks to Channel Five. 3:10 To Yuma tells the tale of a Rancher named Dan Evans who agrees to escort the outlaw Ben Wade to a train that will send Wade off to the hangman in Yuma for a $200 reward. With Wades gang constantly on their tail, Evans’ job soon becomes less about the reward and more about winning the love of his sons. With outstanding performances by both Christian Bale and Russell Crowe, 3:10 to Yuma is not one to be missed….erm…a handful of stars for this one.