Exchange Theatre’s contemporary retelling of Jean-Paul Sartre’s classic, The Flies, is opening next week at The Bunker.

 

 

Adapting Sartre’s enduring fable of courage in the face of political oppression for the age of fake news and nostalgic nationalism, Exchange Theatre uses this timeless Greek tragedy to shine a light on our own politically turbulent times. This highly charged and dark tale of Orestes and Electra follows the siblings as they prepare to take revenge on their mother Clytemnestra and her husband, the tyrant Aegisthus, who controls his populace with false information.

 

 

Game of Thrones actress Meena Rayann steps into the role of Electra, introducing Samy Elkhatib as her vengeful brother Orestes, with Raul Fernandes (Quartier des Banques, RTS) as the God of Flies and Exchange co-founders David Furlong and Fanny Dulin as the tyrannical Aegisthus and Clytemnestra, The Flies is at The Bunker from 11th June – 6th July.

 

Exchange Theatre prides itself on its multicultural and diverse heritage and is thrilled to present The Flies in alternating French and English with a fully bi-lingual cast.

 

The Flies is at The Bunker Theatre, 53a Southwark Street, SE1 1RU, running from 21st June – 6th July.

 

Tickets can be booked here: https://www.bunkertheatre.com/whats-on/the-flies-les-mouches/about

Images courtesy of Exchange Theatre.

My Writing Process – Caroline James

I am proud to have author Caroline James be the first writer to be part of our new series. How I Write gives readers, and other writers, an insight into the minds of writers. Not only how they think, but how they work. Enjoy. Catherine Balavage, Editor-in-Chief. 

I always wanted to write from a very early age, but never thought that I was good enough. A few weeks short of my sixteenth birthday, much to my parents’ horror, I left school, and also home, to work in Cornwall, doing anything from pot-washing to waitressing. In that time, I realised that I loved the hospitality industry and if I couldn’t write, I would work hard and one day have my own business. Fast forward several years and I achieved that dream. After catering college and working for a large hotel group in London and abroad, I eventually owned a pub and then a country house hotel. When I sold the hotel, I became an agent representing celebrity chefs. It was a fabulous career but still I wanted to write and decided that I wouldn’t die wondering and pinned my bum to a chair to write my first book.

Five books on and I am currently writing my sixth. The first was self-published and to my amazement, went to number three in women’s fiction on Amazon. My writing dream had come true. Two of my titles are current Amazon best-sellers and my dream of writing full-time has been achieved.

I am currently writing a follow-up to The Best Boomerville Hotel for my publisher, Ruby Fiction. I am a speaker too and give talks on various subjects including entertaining speeches for large events, such as a guest speaker on cruise ships and at various literature festivals. I write food related articles for various magazines and promote my work through social media and my website.

What is your process?

I like to write early in the morning before the rest of my world wakes up. I never find the process easy; I have to force myself each day, onto a chair and in front of my laptop. I’ve always found the writing process hard, but on occasion it has moments of relief when I simply can’t stop and may write solidly for several days. But that’s rare.

Do you plan or just write?

I always try to plan a novel before I begin the writing process, but the characters usually take over and want to do their own things. I think a framework is a good writing tool, so that there is a beginning, middle and end, however you get there.

What about word count?

Some days it may be 200 words others 3,000. It all depends on what writing demands I have. I may be writing an article or doing social media and blog posts for a client, so I have to fit novel writing in when I can.

What do you find hard about writing?

I find it hard to make myself get on with it. I envy the disciplined author who sets out a target each day and achieves it. I found it easier to write when I was working full-time running a business and had many other family demands. That old saying, ‘If you want something doing, ask a busy person,’ is certainly true for me. Since I decided to take a leap of faith and write full-time, I find it much more difficult to actually write a novel.

What do you love about writing? 

The freedom to write about anything at all. The freedom to express myself. The freedom to live my writing dream. I love to be able to empower other writers and, in any way, possible and pay it forward. I love that I am living my writing dream.

Advice for other writers.

Just get on with it. Don’t waste years wondering. Glue your rear to a chair and get going, write and write and write – no matter what. You will find your muse when you least expect it.

www.carolinejamesauthor.co.uk      https://www.carolinejamesauthor.co.uk

Twitter: @CarolineJames12   https://twitter.com/CarolineJames12

Facebook: Caroline James Author   https://www.facebook.com/AuthorCarolineJames/ 

Instagram: Caroline James Author

Orb Gaming – Retro Console from Thumbs up. Such a blast… By Annie Clarke

 

 

One of our reviewers loved this retro Console by Thumbs Up Look at it, doesn’t it bring back memories, or aren’t you as old as I am. If that’s the case, then enjoy the newness of this image.

Our reviewer and his mates played over the Bank Holiday – well, it was raining much of the time and they had hours of challenging gaming.

Looks good, works well. And packed with over 274 16-bit games: shooting arcade, puzzle and sports activities what’s not to like.

Nostalgia is big at the moment, and this is state of the art nostalgic gaming. It flew high in the 80s. Could well repeat now: fun but tense, they loved it.

This plugs directly into your TV, has two controllers for multi-player use. RCA and power cables included. It will make a fabulous present.

Orb Gaming Retro Console, £34.99 from Thumbs Up.

Annie Clarke’s new novel Girls on the Home Front is published on 29th May

SISTER SCRIBES GUEST: ALISON KNIGHT & JENNY KANE ON CREATIVE CONFIDENCE

I’m so pleased to be able to welcome two fabulous writers to Frost today.  Alison and Jenny have come on to tell us all about their latest venture  Imagine, a creative writing business that encourages new writers to have confidence in their work. With a huge (and I mean huge) breadth of experience and wisdom, they are two of the nicest women you could ever hope to meet. 

 

Writing is a solitary occupation so it’s good to have a permanent cheerleader to help you through the bad days and celebrate the good days (and friends and relatives don’t count because they tell you what you want to hear). We’re really lucky because when we met at a Romantic Novelists’ Association meeting, we hit it off immediately and have since become business partners.

Imagine Creative Writing Workshops was born amid much laughter and copious quantities of mint tea and black coffee. For the past two years we’ve been teaching courses and workshops in Wiltshire, Somerset, Devon, Cornwall, Wales and London and have gathered together over one hundred regular students aged from six to one hundred and four!

Our aim is not just to teach people to write but to give them the confidence to write. So many talented people don’t follow their dream of being a writer just because they lack confidence. For us, there’s a certain magical quality in seeing our students develop their skills and produce work they can be proud of. It’s a privilege to be able to watch new writers go from their first writing exercise to completing the first draft of their novel.

The highlight of our year is our residential writing retreat every October at the splendid Northmoor House, a Victorian manor with lots of original features on the edge of Exmoor. There, everyone has the time and space to write with our support and the camaraderie of other writers as well as excellent food and visiting guest speakers.

Between the two of us we write nine different genres, including historical crime, contemporary fiction, YA adventures, family drama and romance. To avoid confusion (or is it to confuse ourselves?) we use five different pen names! We like to think that our broad range helps us to help our students.

When it comes to our own writing it’s nice to be able to depend upon each other for honest opinions, beta reading, and a firm kick up the backside as and when is necessary. We haven’t come to blows yet and are looking forward to the continuing Imagine adventure.

 

Alison’s Bio

I’ve always enjoyed writing and in my forties decided I wanted to learn more about the craft. I studied at Bath Spa University and Oxford Brookes University, achieving a first class degree and an MA in Creative Writing. I’ve been teaching for four years now and have had three books published – two contemporary romances and a YA time-travel adventure. I’ve two further books completed – a second YA book and a family drama set in 1960s London – and I’m currently working on more contemporary romances. I also work as a freelance editor. I live in Somerset, within sight of Glastonbury Tor.

Jenny’s Bio
Lucky enough to be a Costa writer in residence, I spend my days in Devon within easy reach of coffee, writing contemporary fiction, romance, and children’s picture books. I also write medieval mystery novels and audio scripts for ITV as Jennifer Ash. Occasionally I masquerade as award winning erotica writer, Kay Jaybee. Over the past 14 years I’ve accumulated over 200 publications, including 21 novels. I’m published by Accent Press, LittwitzPress, Mammoth, Penguin, and Spiteful Puppet.

Imagine: www.imaginecreativewriting.co.uk

 

 

Interesting launch of very special editions of Mrs Dalloway: Reviewed by Annie Clarke

Three limited edition books (hand numbered from 1 to 1000) of Mrs Dalloway is released on 3rd June  by Parisian publisher SP Books. These bring together the three handwritten notebooks in which Virginia Woolf wrote the classic text in one pretty special hand-bound edition.

The volumes represent a return to ‘slow reading’ in a digital age, offering an intimate insight into the writer’s mind and thought-process, and giving new life to a well loved classic.

The interesting manuscripts includes revisions, crossed out passages and personal memos in the margins in Woolf’s own handwriting, and are of interest in their own right as a design object, the perfect coffee-table centrepiece or addition to a curated bookshelf.

Over the course of time between June 1923 and October 1924, Virginia Woolf wrote in three notebooks the first full-length draft of what was to become Mrs Dalloway

Clarissa Dalloway had already made several appearances in Woolf’s writings, in her first novel The Voyage Out and the short stories ‘Mrs. Dalloway in Bond Street’ and ‘The Prime Minister’. In a diary entry for October 1922, Woolf notes that she planned to write a novel about ‘Mrs Dalloway seeing the truth’, in which her heroine was supposed to commit suicide. Yet in her notebooks, Woolf develops the story of another character, shell-shocked war veteran Septimus Warren Smith, the anti-Clarissa that ends up committing suicide in her place. To fax your documents or files in a better and a more medern setup you can click here to find out more

Woolf would write in her diary of Mrs Dalloway:

“I meant to write about death, but life came breaking in as usual”. Thus the draft of  The Hours,intended to be a narrative about London after WWI, develops into the parallel lives of Clarissa and Septimus, in a London at once restored to itself and irrevocably changed by the war.

 

In 1941, after Woolf’s death, her husband Leonard Woolf sent the manuscript of ‘The Hours’ to her friend and lover Vita Sackville-West, who kept it until her own death in 1962. A year later, it was purchased by the British Museum Department of Manuscripts, now part of the British Library. ‘The Hours’ represents the only full-length manuscript draft for ​Mrs Dalloway, revealing different initial versions of the final text.    Leonard describes the notebooks in which Woolf wrote her text as bound in the ‘coloured, patterned Italian papers’ of which she was very fond. The volume shows the substantial additions, changes and corrections that Woolf made to her manuscript, revealing her creative process in flowing purple ink. Woolf draws pencil margins on each page of the notebooks, in which she records the date, word count and many other insertions, sometimes including personal memos and notes for her essays.

The notebooks reveal Woolf’s hesitation between two possible titles, recording the shift by which Clarissa Dalloway becomes the central focus of the novel. Initially titled ‘The Hours?’, the work is renamed ‘The Hours or Mrs Dalloway’, before settling on ‘Mrs Dalloway (or The Hours)’ in the third notebook. The manuscript also reveals an alternative opening describing the bells and temples of Westminster, which is revised in the second notebook to the well-known inaugural line: ‘Mrs. Dalloway said she would buy the flowers herself.’

The text is accompanied by two essays by leading Woolf experts. Helen Wussow, dean at The New School, New York, has published an edited transcription of ‘The Hours’ entitled ​Virginia Woolf ‘The Hours’: The British Museum Manuscript of Mrs Dalloway’ (New York: Pace UP, 1996). Michael Cunningham is an American novelist and screenwriter, author of Pulitzer Prize-winning The Hours (1998), based on the life of Virginia Woolf and inspired by Mrs Dalloway.

SP Books  is an independent and acclaimed publishing house founded by Jessica Nelson and Nicolas Tretiakow in Paris in 2012, specialising in the publication of limited facsimile editions of manuscripts from some of history’s most renowned authors such as Jules Verne, Lewis Carroll, Jean Cocteau and Charles Baudelaire.

Each limited edition book is hand-numbered from 1 to 1000, and from 3 June is available for £180 from spbooks.com. An exclusive foreword from Pulitzer Prize-winning author Michael Cunningham is printed alongside the manuscript.   RRP: £180 www.spbooks.com

Images courtesy of sp books

Annie Clarke is the author of Girls on the Home Front.

A PUBLISHER’S YEAR: MAY – CRIME, CONTRACTS, ASSISTANCE

May saw Caoimhe and I head off to represent Sapere Books at our first ever CrimeFest in Bristol. Two of our lovely authors were speaking on panels; newly-appointed Chair of the Crime Writers’ Association, Linda Stratmann, and co-founder of Crime Cymru, Alis Hawkins. The Friday evening saw the announcement of the longlist for the first ever Sapere Books Historical Dagger Award. I can’t wait to get stuck into them all! You can see the longlists for all of the CWA Daggers here: https://thecwa.co.uk/wp-content/uploads/2016/05/CWA-Dagger-2019-Longlists-3.pdf

May saw the release of eight of our books: four books in Cora Harrison’s Victorian London Mystery series; Linda Stratmann’s latest mystery, THE GHOST OF HOLLOW HOUSE; the first in John Matthew’s historical thrillers, LETTERS FROM A MURDERER; the third Inspector Lintott mystery by Jean Stubbs, THE GOLDEN CRUCIBLE; and the penultimate cosy crime novel from Elizabeth Lemarchand, WHO GOES HOME?

We also signed two new authors to our family. We’ve contracted Sean Gibbons for a three-book deal of a series of crime books set in Galway City. We also signed a four-book detail with Natalie Kleinmann for her Regency romance novels.

And we can finally reveal our new Editorial Assistant! Natalie Linh Bolderston will be joining us from June 10th, and we can’t wait! We have lots of books in various stages of production, so she won’t be short of work – but we’ll try not to scare her off! Hopefully I can persuade her to check in with next month’s blogpost to let you know how she’s getting on!

 

Amy Durant

Follow Natalie on Twitter @NatBolderston

The Doll Factory: Historical Fiction for the ‘Me Too’ Era

‘The Doll Factory’, by Elizabeth Macneal, is published by Pan Macmillan.

I’ve never really considered myself the jealous type. And yet, yesterday – having finished the altogether best book I have read in possibly years – I found myself to be unequivocally, admittedly just that. Jealous. But, also awed, inspired and (isn’t it always so with a favourite book?) almost satisfied.

Because, well, this. This is the kind of book I’d want to write. Because it’s exactly the book I wanted to read.

We follow Iris: twin, shop girl, would-be artist. Dreaming of escape from the drudgery of working-class respectability she feels imprisoned in. Enter Louis, a spirited young painter who could offer just that. But is that all she has to contend with? Silas, a taxidermist with an obsession, has developed other ideas. It is a tale of possession, power and intrigue, with just the right measure of romantic relief.

Set in the possibilities of 1850, smack bang in the time of the Great Exhibition, The Doll Factory captures all of the aspects of Victorian London that we are most familiar with. The poverty, the degradation, the prostitution. Charity, ingenuity, opportunity. The constant framework of class. And art. Lots of art. The nothingness and the excess.

Aside from personal penchant – as a long-time fan of neo-Victorian literature, this romantic thriller was bound to appeal to me – Elizabeth Macneal’s debut boasts all the ingredients of a stunning success. Compelling characterisation, clever plot lines, and the seamless blending of historical accuracy with imaginary detail. Macneal’s world comes vividly alive and the thrill is deliciously real.

And a success it is proving to be. Macneal’s novel won the 2018 Caledonia Novel Award, is a Sunday Times top ten bestseller, and the TV rights have already been sold. And it’s not even out in paperback yet.

But more than that. There is a very modern edge to this story. At its heart, it is a story of womanhood, it is a story of breaking bonds and forging new ones, and it is a story of escape. And of course, the universal themes; life, and death.

And it is perfectly on point for the post ‘Me Too’ consciousness that we are living in. One particularly poignant passage conveys the male power that Iris feels threatened by, the paradoxical standard that women are held to; one that women are pushing against even now, two centuries later:

 ‘… all her life she has been careful not to encourage men, but not to slight them either… an arm around her waist is nothing more than friendly, a whisper in her ear and a forced kiss on the cheek is flattering, something for which she should be grateful. She should appreciate the attentions of men more, but she should resist them too, subtly, in a way both to encourage and discourage, so as not lead to doubts of her purity and goodness but not to make the men feel snubbed.’

Macneal’s Doll Factory. It is romantic, it is considered, and it is thrilling. I’d go as far as to employ that feminist buzzword, ‘empowering’.

Yes. Must read.

Reviewed by Nadia Tariq

 

Doo Doo Doo De Dooballs – Sweet Toys for the Littlest Little Ones by Dr Kathleen Thompson

 

 

Is it me, or are baby toys getting cuter? I love these sweet ball-shaped animal rattles, suitable for babies from as soon as they can hold a toy.

The set of four balls, each with a different animal face and in different colours, will grab Baby’s attention for sure.  There is a cat, a rabbit, a panda and a bear – personally I love the rabbit, but I’m sure my grandson will enjoy the remaining three.

They are very light, so easy for Baby to hold, and nice and soft to chew or slobber over.  Each has a soft and distinct jingle when shaken.  They are made of a wipe-able fabric for easy cleaning and would make delightful additions to your cot’s soft toy community.

When Baby reaches the throwing stage they will continue to be fun too, hopefully without knocking over too many vases.

They are available at Baby To Love at just  £14.95 for the four.

 

By Dr K Thompson, author of From Both Ends of the Stethoscope: Getting through breast cancer – by a doctor who knows

http://www.amazon.co.uk/dp/B01A7DM42Q

http://www.amazon.com/dp/B01A7DM42Q

http://faitobooks.co.uk