Tag Archives: Sapere Books

THE DIARY OF A BOOK, JULY 2021

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At the end of June Jane Cable was poised to start writing The Lost Heir. Did it happen? Not a bit of it…

There were several reasons for my lack of progress, most of which I can share. We had a week or so’s holiday planned early in the month, and publication of The Missing Pieces of Us, my first title writing as Eva Glyn, was scheduled for the 21st. What I wasn’t anticipating were the scale of the structural edits for The Olive Grove, Eva’s second book.

Let me explain a little about this process. As an author you submit a final draft manuscript to the publisher, and your editor reviews it with the objective of making it better. My editor at Sapere Books does most of the work for me, so basically my input is to read, negotiate, and perhaps add a few extra tweaks. Eva is signed to a bigger publishing house (0ne More Chapter is a division of Harper Collins) and the system is entirely different.

So I received an editorial letter telling me in some detail what they would like me to do to improve the book. At this point people often ask questions along the lines of ‘don’t you mind?’. Of course I don’t mind – it is absolutely fantastic to have detailed feedback that will make the book a real joy for readers and a story that will stay with them long after they have finished it.

You lose perspective on your own book – or at least I do. Just before the submission deadline it seems common amongst authors to loath your manuscript, but even once you are over that you still need to accept that you probably can’t see the wood for the trees.

The problem was that I needed to juggle the edits not only with a full on holiday – a historical tour of Hadrian’s Wall – but also with our nephew coming to stay. This meant everything else had to be swept to one side, but my husband was magnificent, taking over all the domestic duties (he does most of them anyway as I am so useless!). And I suspect he enjoyed some ‘boy time’ with our nephew too.

So in the main I have spent a large chunk of July editing The Olive Grove and I absolutely know I have a better book, which I can’t wait for you to be able to read in September. And the last few days I’ve been running around like a headless chicken on social media, what with the launch of The Missing Pieces of Us, and The Forgotten Maid being on Netgalley ready for publication next month.

But I also had a holiday. We had intended to do a long distance walk but instead found ourselves drawn to a historical tour led by a university professor, where we would learn so much about the Romans who built and defended Hadrian’s Wall. It was a fascinating week when we went from one end of the wall to the other – and beyond it to outposts in the north. We visited all the famous sites; Vindolanda, Housesteads, and were shown around Birdoswald by Tony Wilmot, the archaeologist responsible for digging most of the fort over the years. It wasn’t only fabulous, but a break I needed to return refreshed and hit the ground running.

And as for The Lost Heir? This month I’m going to wise up and make no promises in that respect at all!
 

 

 

 

 

 

 

 

THE DIARY OF A BOOK, MAY 2021

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The first of Jane Cable’s monthly post charts acquisition and initial research

There is always a fascination with how books are written, but so very often when they’re started an author doesn’t know whether they will see the light of day so we’re unwilling to share what could be a disappointing journey. But as I signed the contract with Sapere for my second Cornish Echoes novel, The Lost Heir, in April, I thought I would tell the story of its creation too.

All the Cornish Echoes books will be standalone dual timeline romantic mysteries with one foot in the present and the other in the Poldark era (as I like to think of it), or the Regency period (for the purposes of Amazon classification). It was a fascinating time in Cornwall’s history when mine owners were making fortunes and building houses to prove it but there was still an element of lawlessness in the Cornish spirit. You’ve probably read or seen Poldark, so you will know what I’m talking about.

Each book is based around one of these great houses and at least some of the people connected with them – both in the early nineteenth century and the present day. The first, The Forgotten Maid, takes its inspiration from Trelissick, now owned by the National Trust and open to the public. For The Lost Heir it’s Tehidy, which burnt down in 1919, had a hospital on the site for almost seventy years, and is now a country park.

Sapere acquired the book on the basis of an outline, which for me means a four page summary of the characters, setting, history and plot. I had very little of the 1810 story but had discovered that the daughter of the house, Frances, remained unmarried – most unusual at the time, especially given the baronetcy was drawn up to pass through the female line as well. You could say my curiosity was piqued.

So in May the detailed research began and initially it involved a great deal of walking. Luckily my husband and I really enjoy it, so we tramped paths old and new to us both within the country park and around it; along the fabulous North Cliffs which run a field’s width from Tehidy’s boundary, then heading out to discover the farmhouse where important characters would live, and down old tracks into the harbour village of Portreath. All valuable settings for both timelines.

Alongside this I set out on some internet research into the history of Tehidy and the Basset family in the Poldark era. To my great delight I unearthed the possible existence of an illegitimate son, William. And the more I dug, the more certain it seemed he existed and what’s more, led a pretty colourful life.

His and Frances’ father was no slouch in that respect either, but as one of Cornwall’s most famous landowners it was easy to track down information about him. The online catalogue of Cornwall’s library system has an excellent search engine and through it I discovered books which mentioned him and a slim volume all about him, including accounts of how his household was run and guests’ impressions of the family and their magnificent home. Gold dust for a writer. The era – and the plot – were filling out.

But if these books were gold dust, a footnote in one of them led me to the actual gold. A family memoir of the type I assumed I would need to go to Kresen Kernow, Cornwall’s archives, to ferret out. But no, here it was in the library catalogue and it popped up at Truro branch within a few days. And it started with William. Lots about William. But to tell too much would spoil the story…

 

 

 

 

 

 

 

 

 

WELSH WRITING WEDNESDAYS: REINTRODUCING JANE CABLE

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I have been writing for Frost for so long I tend to assume everyone knows who I am, but common sense tells me that isn’t the case. Our readership is growing all the time, so many won’t have the first clue about why the Contributing Editor blathers on so endlessly about writing and books. And. this year, about Welsh writing in particular.

So the first thing you need to know is that I am Welsh. I was born in Cardiff and my formative years were spent in and around the city, although I left to go to college at eighteen and never lived there again. In modern parlance you would say that, despite living in England for so long, I ‘identify as’ Welsh and will do so until the day I die.

With my Dad at the launch of his first book

I was a teenager when I discovered there was a rich literary tradition on my doorstep. My father, Mercer Simpson, was a lecturer at the Polytechnic of Wales and worked with Tony Curtis, and I remember the great excitement in our household when Tony won the 1984 National Poetry Competition. By that time my father had retired and was spending his time reading for the Welsh Arts Council and editing the Welsh Academy of Literature’s magazine so the house was stuffed full of books by Welsh authors.

This may have been my literary heritage, but I eschewed literature, refusing to take english as an A-level. When I was a student Dad and I would debate whether there was such a thing as intrinsically ‘good’ and ‘bad’ in the arts and could never see eye to eye, largely because I considered his views desperately old fashioned. Never an academic, my normal reading was romances, women’s fiction and historical sagas. In other words, popular fiction.

My father reviewed books endlessly and became an acknowledged expert on Anglo-Welsh literature. By the time he died in 2007 he’d had four of his own poetry collections published, the last of which he’d worked on during his final illness and his publisher brought the first copies to his funeral.

By then I had started writing too, experimenting with romantic fiction, something he barely understood, but my mother ploughed through my early stories and gave me both encouragement and useful feedback. Instead my father was really proud of the fact I freelanced as a cricket journalist. My mother’s bragging rights came a few years later when, in 2011, I reached the final of The Alan Titchmarsh Show’s People’s Novelist competition.

Mum and her Welsh flag

My mother loved reading but loathed formulaic romances, and her opinion has had more influence that anything over the way I write. I love a love story, but there has to be more. More for the reader to get their teeth into; a hint of mystery, research so good it teaches you something, a broadening of horizons. These are the stories I aim to write.

My career as a published author had a bit of a rocky start, but in 2018 I settled with Sapere Books, writing contemporary romances with a look over the shoulder at the past. The first two books were World War Two influenced, and later this year my debut dual timeline will be published by them, set in Cornwall in 1815 and 2015.

Last year I took another step forwards and signed a two book deal with One More Chapter, a division of Harper Collins. Both will be out this summer, written under the name of Eva Glyn. Eva for my paternal grandmother and Glyn for the Welsh novelist and poet Glyn Jones, a great friend to both of my parents and an emblem of my literary roots.

 

 

 

 

 

SISTER SCRIBES: JANE CABLE ON A VERY PERSONAL TRIBUTE

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The morning my mother died she asked me to tell her about the next book I would write. I said I had an idea about an archaeologist alone under Lincolnshire’s vast skies and she approved. True, the outline was a little different then, but Rachel and her story still caught her imagination.

It seemed only right, then, to include a character based on my mother in Endless Skies; an intelligent, perceptive octogenarian with a keen interest in people and a huge sense of fun. I called her Esther, the name on my grandmother’s birth certificate that she never used.

Even Esther’s physical attributes were the same as my mum’s. The platinum bob, the pearl handled walking stick and the desperately poor eyesight. But in the early drafts Esther had a very different life story, although I drew great comfort from Rachel’s growing friendship with her.

Without my mother’s faith and encouragement I can honestly say I would never have had a book published. She read my embryonic attempts at novel writing and gave constructive criticism – despite my father being the writer in the family – he never really understood romantic fiction and just seemed slightly puzzled by the whole thing. But Mum egged me on, and when she thought I had a strong enough book suggested I enter The Alan Titchmarsh Show’s People’s Novelist competition. I am absolutely sure it was one of her proudest moments when I reached the final and I just wish she could have travelled to London to see it with her own eyes.

She was also a huge influence on what I write. She devoured library books (large print in her latter years) and used to get very fed up with what she’d call ‘boy meets girl, they fall out three times then get married’ formulaic romances. As a reader she wanted so much more. What neither of us realised was that at the time it would have been far easier for me to find a publisher had I been closer to the mainstream in my chosen genre.

As a result she didn’t live long enough to see my first publishing deal, but I have a feeling she knows. I think she would have been really proud of Another You and would have enjoyed reading it. Endless Skies became a companion piece – my second book with Sapere – both contemporary romances looking back to World War Two.

It was when I made the decision to rewrite Endless Skies this way my mother’s wartime experience came into its own. Or rather one pivotal point she shares with Esther. Both were bright grammar schools girls living in rural communities who could no longer safely travel to school because of the bombing. My mother spent a terrifying air raid trapped on a train in a siding in the middle of Cardiff and her parents said ‘never again’.

While my mother went into the civil service at fourteen (not much older than she was in this picture), Esther’s only local option was a job in the laundry at the RAF base just outside her village. This was home to two squadrons of brave and often reckless Polish airmen, and Esther could only stand by and watch as the most tender and poignant love story unfolded in front of her eyes. A story which, seventy years later, had the power to change Rachel’s life.

SISTER SCRIBES: JANE CABLE ON HOW WINNING A FACEBOOK COMPETITION INSPIRED A BOOK

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As an author, the most frequently asked questions are without a doubt about what inspires you. Sometimes it’s the very smallest thing, but wherever an idea starts it needs to become a snowball, slowly gathering size and pace, to create the perfect storm – if you’ll excuse my rather poorly mixed weather metaphors.

My lastest book Endless Skies had the strangest of starts. My husband Jim and I are huge fans of The Great British Menu, and when one of the then finalists, Colin McGurran, organised a Facebook competition to win a stay at his restaurant with rooms in Lincolnshire, Winteringham Fields, we decided to enter. It was a simple ‘yes or no’ question followed by a draw, so Jim decided to take ‘yes’ and I would take ‘no’. Unfortunately I never did complete my half of the bargain as my mother was rushed into hospital. Fortunately the answer was ‘yes’ and even more fortunately, Jim’s name was drawn out of the hat.

One of Colin’s signature dishes

We arrived at the village of Winteringham on the banks of the Humber on a glorious summer day and once we had checked in went for a walk. The skies above us were blue and quite immense – on a different scale to anything we had seen elsewhere – but half way back across a field of stubble we heard what sounded like thousands of running footsteps behind us. We turned, only to see a curtain of rain approaching. It was a scene so incredible it had to find its way into a book and a tiny seed was planted.

For a while it rattled around in my head as I was working on Another You. Eventually I did some research about the area and discovered it was where Ermine Street ended and the Romans probably tried to cross the Humber. What a great place for an archaeologist to find herself. Alone, under that vast, empty sky.

We returned to Winteringham Fields the next year to celebrate our twentieth wedding anniversary and explored the area further, including the wonderful museum and library at Scunthorpe, where I was able to find out more about archaeological digs in the area. By this time I was writing; Rachel was alive in my head and we were having such fun disappearing down Roman rabbit holes together.

The settings; gorgeous Winteringham with its spectral remoteness and the bustling city of Lincoln were firmly established and the characters were coming along nicely too. Not just Rachel, but her octogenarian friend Esther (based more than a little on my mother, who had died between our first and second visits), and then men in Rachel’s life; Ben, Jem and Jonathan. I had an intricate plot as well, but something just wasn’t working.

The war memorial at Hemswell

It took another visit to Lincolnshire to fathom it out. Jim is a keen cook and for his fiftieth birthday I arranged for him to spend a day in the kitchen at Winteringham Fields with Colin and his team. While he was up to his elbows in fish preparation I decided to visit the vast antiques centre at the old RAF base at Hemswell in search of a wooden towel rail for our spare room.

I found so much more. Standing in a quiet room at the back of the centre, with the sounds of schoolchildren in the playground next door drifting through the open window, it came to me. World War Two. I was in an old barrack block used by Polish airmen during the conflict and I could almost hear their feet on the lino as they ran down the stairs. The last piece of the jigsaw was in place and I could finish Endless Skies.

 

During our first visit to Winteringham Fields I reviewed it for Frost and you can read that review here. But not if you’re hungry.

Winteringham Fields Review

 

 

A PUBLISHER’S YEAR: DECEMBER – PUBLICATIONS AND PROSPECTS

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Hello and welcome to the final Sapere Books update of 2019! We’ve had a fantastic year and it’s all thanks to the incredible authors who have trusted us to publish their books. We aren’t signing up many new authors at the moment because we already have such a great list we are looking after, but we are leaving our submissions page open in case anything pops up that we just can’t say no to!

We are rounding up the year with the publication of some more brilliant fiction. Over the past few weeks we have reissued three of Alan Williams’ classic espionage novels, published THE OCCUPATION – a brand new Second World War saga by Deborah Swift, launched the last book in David Field’s Tudor series and republished PATERNOSTER – the first book in Kim Fleet’s time slip thriller series. We also reissued THE WARNING BELL – a historical novel by award-winning author Lynne Reid Banks.

All of our authors are busy with new works in progress and we have lots of exciting projects to launch in the new year. As well as our thriving fiction list, we will soon be launching our non-fiction list. Richard Simpson, one of my fellow co-founders is currently looking for military history books, in particular backlist titles, and he is preparing the first few to launch on our second anniversary next March.

Thank you to everyone who has been following these update, and to Frost Magazine for hosting us, and we hope you all have a wonderful Christmas and a prosperous New Year! We are very excited to see what will happen in 2020. Watch this space!

 

Amy Durant

A PUBLISHER’S YEAR: OCTOBER – AWARDS, ASSOCIATIONS AND AUDIOBOOKS

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Hello and welcome to the next Sapere Books instalment! Lots of exciting things have happened over the past few months. In August I worked with Simon and Schuster’s Sara-Jade Virtue to judge the RNA’s annual Joan Hessayon Award for New Writers. The books we read were all very different and very worthy nominees, but luckily we were unanimous with our winner: The Lost Village by Lorna Cook.

September also saw the whole Sapere Books team attend the Independent Publishers Guild Autumn Conference. The IPG has a wealth of resources for publishers and arranged fantastic talks for the conference. One area it has led us to mull over is audiobook publishing. We have come to the conclusion that it is too expensive for us to experiment with at the moment, but we will certainly be pitching all of our books to audio publishers both in the UK and the US to try and secure publishing deals. We did actually get approached by Tantor Media last month, and we have sold the audio rights to them for the first three books in J C Briggs Charles Dickens Investigations series, which is exciting!

At the beginning of this month we hosted one of our semi-annual author meet-ups. It is lovely to spend some time with our authors face to face, and to encourage all our authors to get to know one another. Everyone is spread out all over the country, and not all of them belong to genre-specific groups like the RNA and CWA, so it feels good to have informal catch ups to discuss industry news, writing projects – and life in general!

Last week the team attended the Crime Writers’ Association Gala Dinner, which happens every year to reveal the winners of their prestigious Dagger Awards. We are the current sponsor of their Historical Dagger, which had already been whittled down to six fantastic books, but I have to say S G MacLean was a very worthy winner for her third Seeker novel, Destroying Angel.

We also have some exciting company news to share. If you have been following these blog posts, you will know that we had been actively looking to sign up some historical nautical fiction. Well, I can know officially announce that we have signed Justin Fox, represented by the Aoife Lennon-Ritchie to our list. Justin is working on a series of novels set in the second world war around the South African Cape, and we hope to publish the first one next year.

As always, we’ve been busy publishing lots of fantastic books. New series we have launched include the Inspector James Given series by Charlie Garratt – traditional English murder mysteries set in the lead up to the Second World War; the DI Jemima Huxley series by Gaynor Torrance – a troubled female detective struggling to stay sane while solving complex murder cases; and the DS Hunter Kerr Investigations by Michael Fowler – a crime team solving serial killer cases in Yorkshire. We’ve also launched two psychological thrillers by Gillian Jackson – ABDUCTION and SNATCHED – which are receiving fantastic reviews on Amazon and Goodreads.

We also focussed on publishing more ‘backlist’ titles. We recently signed up Dorothy Mack’s Regency romance backlist, which were first published in the 1980s/90s. The first one, THE SUBSTITUTE BRIDE is selling particularly well at the moment. And we have just starting reissuing Alan Williams’ historical thrillers, with his Cold War espionage novel, GENTLEMAN TRAITOR, out this month.

Amy

 

A PUBLISHER’S YEAR: JULY – DREAM GENRES, DREAM JOB

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We’ve been busy publishing lots of books in June and July to get ready for summer reading – August in particular tends to be one of our highest sales months. We’ve published the first two books in a brand new Tudor series by David Field. We released ANOTHER YOU by Frost’s own Jane Cable! This week we also released the first novel in a Victorian crime series featuring a feisty female photographer – SNAP SHOT by Marilyn Todd. We have also managed to sign up quite a few classic military thrillers, in the genres we were searching for, and we have published our first few – some Cold War espionage thrillers by Geoffrey Davison. We are excited to see how those sell on Kindle, especially as Caoimhe is specifically growing our list of readers interested in the ‘action & adventure’ genres.

We have signed another new authors to our books – the lovely Ros Rendle. We have signed a six book contract with Ros – five of which are backlist titles we are reissuing, and one which is a brand new contemporary romance, due for release in 2020.

For the rest of the post, I’ll let our new Editorial Assistant take the reins to let you all know what she’s been learning so far!

Amy

Here are Natalie’s thoughts on her first couple of months:

Since joining Sapere Books, I have learned a lot about the careful work that goes into publishing commercial genre fiction. My role is very hands-on, and involves formatting and proofreading manuscripts, as well as reading new submissions. I love the level of engagement that I have with the books, and the fact that I’m working with stories that will appeal to a wider audience. My duties at my previous jobs in publishing were largely admin and project management-based, so it’s great to have the chance to do some more detailed editing! It’s also great to be part of the decision-making process with regards to the books that are signed up, and I’m still developing my eye for what makes the ideal Sapere submission.

I’m a big fan of historical fiction, so I’ve had a lot of fun working on Elizabeth Bailey’s Regency romances, as well as the first instalment of Marilyn Todd’s Victorian mystery series! But working on genres that I’ve had less experience with — e.g. crime fiction and political thrillers — has also been a welcome and rewarding challenge. I’m very grateful for the breadth of Sapere’s publishing; this has allowed me to expand my horizons both as a reader and as a young publishing professional.

I’ve never worked from home full-time before, but I’ve found that this suits me well. I’m good at setting boundaries in terms of space and working hours, which helps me maintain a productive, energised and disciplined mindset. Amy is always on hand to help with any queries I have, and the training and support that I’ve received has been fantastic. There are plenty of opportunities to meet up with the rest of the team for catch-ups and industry events, and they’ve all made me feel very valued and welcome! To summarise, this is my dream job and I’m looking forward to continuing to assist with Sapere’s exciting projects!