SISTER SCRIBES: JANE CABLE ON BOOK BIRTHDAYS

My latest book, Another You, was published at the end of last month. Actually, it was re-issued, but the experience was so different this time, it’s hardly felt as though it was ever out there before.

With its previous publisher, it slipped into the world unnoticed. I was given no prior warning then suddenly, there it was on Amazon. For a few days I told no-one, then somebody noticed and the cat was out of the bag. The week before Christmas. Not great timing for what is essentially a summer book.

Of course I had a certain trepidation signing with another publisher after that, but I could already see from the outside looking in that things would be different with Sapere. There was proper editing, for a start, and although the story is the same it is tighter, neater, with their input. And although last time the cover was good, this time it is knockout. When I saw the image of the soldier walking away, head bent, I cried. Because whoever had briefed the designer totally got the story.

Next there was a decent pre-order period with a boost of advertising and a mailer to kick it off. The result was it rocketed up the Amazon charts and although things have calmed down a little now I know the book is selling. And its presence on Netgalley has been skilfully used to generate reviews from trusted readers, which has not only raised Another You’s profile but has also given me a rich vein of content for social media.

With the pre-orders having gone so well I didn’t expect too much from publication day itself, but I was knocked out by the support I received on social media, especially from members of the Romantic Novelists’ Association. They are a generous hearted bunch and I seemed to spend much of the day saying thank you, which was only right. There was considerable support from my buddies at Chindi Authors too.

The day before some lovely flowers had arrived from my Sister Scribes and they were looking glorious in their vase in the sunshine. There was also a parcel, which contained a gorgeous embroidered notebook and pencil case, in colours that toned beautifully with my book cover. Next an email popped into my inbox with a voucher for a spa day at the marvellous Scarlet on my beloved north Cornwall coast. To say I was overwhelmed is a bit of an understatement.

The day became even stranger, when no doubt prompted by all this activity my husband downloaded the book. To put this into context, he has never before read anything I’ve written outside the world of cricket journalism. To be fair, he’d been talking about downloading Another You for a while, but there wasn’t any point if he had no intention of reading it. This time, he says he will, but I have to say I’ve seen no moves to do so yet.

Then, just when I thought all the fuss was over, the doorbell rang again and a bottle of champagne turned up – again, courtesy of my Sister Scribes. These amazing, amazing, women. I am truly humbled to have them as my friends.

The point is – they get it. They’re writers too, so they know how publication day should feel. They know it should be special enough to mark the fruition of what is months, and sometimes years, of work. Every book needs a proper birthday, and this is one I will never forget.

My Writing Process – Valerie Holmes

Valerie HolmesMy childhood memories of growing up in a North Yorkshire coastal town are vivid. The flat sandy bays, marram grass covered dunes, salt marshes, woodland and moors provided a natural playground. The Tees estuary to the north was industrialised, but the natural beauty of the sweeping bays and rugged headlands down to the ancient port of Whitby has a fascinating history. My mother had Multiple Sclerosis and died too young, so walking my dog and exploring the outdoors was important to me.

I love writing and am an experienced creative writing tutor independently and for The London School of Journalism and Writing Magazine. 

The Yorkshire Saga series, published by Sapere Books, is set in the region in early nineteenth century. I have had over 40 novellas published by F A Thorpe, both romance and mystery – historical and contemporary.

The third book in The Yorkshire Saga series ‘To Have and To Hold’ is published on 17th June, and the fourth ‘In Sickness and In Health’ has just been delivered to Sapere.

They are all set in or around the same fictitious villages of Gorebeck and Ebton nestled in the shadow of the headland of Stangcliffe (based on Saltburn and Huntcliffe). 

Set against social changes as a result of the wars with France: smuggling, espionage, press-gangs etc. I have been researching the era and the region for years.

A bit about your process of writing.  & What about word count?

 I write 1000-1500 words a day. The next day I will return to the work of the previous one and overwrite it, then add on the new words for that day, repeating the process until I have reached a satisfying ending and an acceptable total wordage.

Do you plan or just write?

Normally, I begin with a character, place and situation and then run with it. Once I have a few chapters drafted and the secondary characters have appeared on the page I plan what will happen: conflicts, subplots, character changes and the satisfying ultimate resolution of the core plot.

 

I like to explore the many facets of love from friendship, maternal/paternal to obsessive and manipulative, keeping the central theme as the spark that links two people together, drawing them into a relationship kindled by true love, regardless of social class.

 

Love bonds people together. Laws can dictate the controls within a culture which restricts or allows certain behaviour, but, I believe, most people want to have that special person in their life to love and be loved. I want the reader to be left feeling satisfied and positive about the future.

 

How do you do your structure?

 

I like to build up to a mid section that has a lot of things going on and kicks off new problems to drive the plot through to the end.

 

What do you find hard about writing?

 

After I have edited two drafts and left the project alone for a couple of weeks, even returning afresh to it, I am so close to the story that it is difficult to see what should be cut out or left in – that is why a good editor is so important to the finished book.

 

What do you love about writing? 

 

I love the adventure – I love creating the characters and setting them off to face a series of challenges and then figuring out what will stand in their way and how they will ultimately achieve their goal.

 

Advice for other writers

 

The publishing business is tough. It is a business and although we are creative we have to look at it like that. There are hours spent alone just writing. Love it. Love the whole process, embracing the challenge. The more you write, the better you become. Once published the challenges change. Be dedicated and determined and take on board constructive advice.

Most importantly enjoy every minute. 

 

SISTER SCRIBES GUEST: ALEXANDRA WALSH ON HER WONDERFUL FRIENDS

I’ve come to know Alexandra because we’re both signed to Sapere Books and when she told me how much her wonderful friends had helped her on her journey to publication I just had to ask her to write about it. It’s a proper Sister Scribe story.

 

“I’ll be there for you…” sang The Rembrants in the 1990s on the US sitcom, Friends. It was a great concept because friends are universal and I am very lucky to have some wonderful friends.

In June, Sapere Books, published my second novel The Elizabeth Tudor Conspiracy. It is part two of The Marquess House Trilogy and it is dedicated to four friends: Jo, Deborah, Gemma and Dawn. This particular four have been my lifeline while I have been writing this series. Their support has been invaluable but what they do not know is that it is their friendships that have formed the inspiration for the relationships in my historical novels.

During my research, one of my enduring irritations was the isolation in which historical women are portrayed. They are usually placed with people who are instrumental in their downfall. Yet, I find it hard to believe that women in the fifteenth and sixteenth centuries did not turn to each other as women do today.

In my first book, The Catherine Howard Conspiracy, the fifth bride of Henry VIII is my historical protagonist. The only women ever linked to Catherine are those who betrayed her. I created a group of close friends around the young queen, all of whom were real historical figures who had been part of her court. The core of their banter and support was inspired by Deborah, Gemma, Dawn and Jo.

The second book, The Elizabeth Tudor Conspiracy, has Elizabeth I as the driving force. She is often presented as being at odds with the women in her court. There probably were personality clashes but it seems unlikely that she  loathed her ladies-in-waiting as is often suggested. I re-imagined her friendships, particularly those with her Boleyn cousins who were with her throughout her reign, again based on the strength and support provided by my friends.

All four, I met at work: Jo and I became friends on the launch of the women’s magazine Now; Gemma and I met at more!, while Deborah, Dawn and I worked together on Chat and Pick Me Up!.

Each of them is wonderful and they all helped me to get through the many years of sitting alone, writing. First with endless encouragement, then in indignation on my behalf as my books were rejected, before the day I finally had a publishing deal. Cards, flowers and champagne arrived the following day!

Deborah, Gemma and I email each other nonsense most days. Dawn and I have long rambling conversations when she drags me back me from the brink of “I’m-so-rubbish-it’ll-be-a-massive-failure”. Jo and I have so many years history, we can ring each other and rant without even saying hello, while we calm each other down.

So, yes, I’ll be there for them, as they’re there for me and I hope hundreds of years ago, the women I write about were there for each other, too.

And, to all my other friends, I love you too. You bunch of awesome, incredible, wonderful, insane women. You make my life a brighter place!

 

Alexandra Walsh is the author of The Catherine Howard Conspiracy and The Elizabeth Tudor Conspiracy, published by Sapere Books. Alexandra was a journalist for over 25 years writing for a variety of publications including Cosmopolitan, Chat, more!, Now, Shine, The Daily Mirror, The Sunday Times, loaded and Goal. History is her passion and she loves exploring a good ruin or museum. She usually has her nose in a book but, if you can distract her, she does make a mean curry.

A PUBLISHER’S YEAR: MAY – CRIME, CONTRACTS, ASSISTANCE

May saw Caoimhe and I head off to represent Sapere Books at our first ever CrimeFest in Bristol. Two of our lovely authors were speaking on panels; newly-appointed Chair of the Crime Writers’ Association, Linda Stratmann, and co-founder of Crime Cymru, Alis Hawkins. The Friday evening saw the announcement of the longlist for the first ever Sapere Books Historical Dagger Award. I can’t wait to get stuck into them all! You can see the longlists for all of the CWA Daggers here: https://thecwa.co.uk/wp-content/uploads/2016/05/CWA-Dagger-2019-Longlists-3.pdf

May saw the release of eight of our books: four books in Cora Harrison’s Victorian London Mystery series; Linda Stratmann’s latest mystery, THE GHOST OF HOLLOW HOUSE; the first in John Matthew’s historical thrillers, LETTERS FROM A MURDERER; the third Inspector Lintott mystery by Jean Stubbs, THE GOLDEN CRUCIBLE; and the penultimate cosy crime novel from Elizabeth Lemarchand, WHO GOES HOME?

We also signed two new authors to our family. We’ve contracted Sean Gibbons for a three-book deal of a series of crime books set in Galway City. We also signed a four-book detail with Natalie Kleinmann for her Regency romance novels.

And we can finally reveal our new Editorial Assistant! Natalie Linh Bolderston will be joining us from June 10th, and we can’t wait! We have lots of books in various stages of production, so she won’t be short of work – but we’ll try not to scare her off! Hopefully I can persuade her to check in with next month’s blogpost to let you know how she’s getting on!

 

Amy Durant

Follow Natalie on Twitter @NatBolderston

A PUBLISHER’S YEAR: APRIL – AWARDS, AGENTS, SERIES

We have been very busy at Sapere Books in March and April. At the beginning of March, Catherine Isaacs was announced as the winner of the Romantic Novelists’ Association Popular Fiction Award, which we sponsored, for her absolutely brilliant novel, YOU ME EVERYTHING. We were thrilled to be involved with the award and we have agreed to sponsor it for at least two more years.

A week later we were at London Book Fair, catching up with all of the literary agents we currently work with and meeting with plenty of new ones to discuss what we are looking for. I can’t reveal the outcomes just yet, but we mentioned that we were looking for nautical fiction to one agent and she told us she has an author who has planned a 20-book series of naval thrillers! She is currently discussing the offer with the author, so fingers crossed we will be announcing our first nautical fiction writer very soon!

March saw the release of Alexandra Walsh’s debut thriller, THE CATHERINE HOWARD CONSPIRACY, which has been racing up the charts, as well as the fourth book in Graham Brack’s Josef Slonsky series – FIELD OF DEATH – which readers have completely fallen in love with. April also saw the release of new titles in two more of our most popular series: The Lady Fan Mysteries by Elizabeth Bailey and The Charles Dickens Investigations Series by J C Briggs.

We are preparing lots of fantastic titles for release over the summer, and we have realised that we do not have as many contemporary romantic fiction titles as we do crime and thriller, so we are about to start scouting for romance authors who are writing heart-warming British-set romances, which have the potential to become three or more book series – in the style of Debbie Johnson’s ‘Comfort Food Café’ series and Hannah Ellis’s ‘Hope Cove’ series.

Our most exciting news for April is that we have just officially offered someone our Editorial Assistant job and she accepted! I can’t give any more details just yet, but in next month’s blog post I will be able to introduce her properly!

Amy Durant

SISTER SCRIBES: JANE CABLE ON GETTING TO KNOW YOUR PUBLISHER

Although I signed with Sapere Books last summer it’s taken the relationship a little time to get going. That was perfectly understandable – my first book with them, Another You, wasn’t due out until this June so it was quite a way through their work schedule – but it was still a little frustrating for me.

The frustration was completely unwarranted, but every time I saw a gorgeous new cover appear on the private Facebook group for their authors, I wished it was mine. And waiting for the edit notes was absolute purgatory. Would the book pass muster? How much would they want me to change?

Then, about ten days ago, the first batch of edits arrived from editorial director Amy. And there were no dramas. Absolutely no dramas. Most of what she said made perfect sense and her intentions were clear. I knew exactly what I needed to do and it was a joy to roll my sleeves up and get to work, knowing that the book would be better for it.

The timetable was clear too. The first half of the book would arrive before Easter, the second after. Writer friends were concerned it was tight with the proposed publication date but I’d more or less cleared my diary so I’d have ample time for rewriting. I say more or less, because there was one very important event coming up I wasn’t going to miss. And that was Sapere’s first birthday party.

London is a relatively long trek from Cornwall and I decided to let the train take the strain, arriving in time for lunch with a former colleague. After that I tramped the streets of Kensington and the south west corner of Hyde Park in the name of research for my current wip. As it happened it was a beautiful spring day and although I was a little footsore by the time I stopped for a cuppa it didn’t feel like a chore at all.

The party was in the West End, in a light and airy room above a characterful pub. Almost at once I met Caoimhe (pictured left), Sapere’s marketing director. Just days after the edit notes arrived we had started emailing about promoting the book but as a former indie author, having a professional on board was new territory for me. There’d been some shuffling around, trying not to tread on toes, but problems have a way of melting away once you’ve met someone face to face. Hopefully I convinced her I’m not a control freak and just want to support everything she’s planning to do for Another You.

I also met Amy (pictured right) for the first time, and Richard, the other third of the Sapere powerhouse. I have to say all three are incredible people, full of energy and good humour, and you can see how well they gel as a team. But a really big pleasure was meeting other Sapere authors – and the shame of it that it was impossible to talk to everyone. Hopefully next time…

I could go on about the party, but I’d like to add a word about the new cover for Another You, which was revealed on Friday. I’d seen it just five days before, when it popped up on my phone on Sunday evening. I clicked it open. There were tears in my eyes. That soldier, walking away head bent, was just so perfect. As was the landscape around him which beautifully reflects part of Studland Bay where the book is set. So many covers disappoint authors but I love this one whole-heartedly, because whoever briefed the designer (that’s you, Amy) clearly knew the book.

Thank you, Sapere. You’re awesome.

 

A PUBLISHER’S YEAR: FEBRUARY – ROMANCE, CRIME, APPLICATIONS

To pick up on the cliffhanger of last month – the exciting Romantic Novelists’ Association news is now public! They are running a new prize from this year, which we have agreed to sponsor. It is officially called the Sapere Books Popular Romantic Fiction Award. The shortlist of six books has been announced. In the running are THE LION TAMER WHO LOST by Louise Beech, ONE THOUSAND STARS AND YOU by Isabelle Broom, YOU ME EVERYTHING by Catherine Isaac, THIS COULD CHANGE EVERYTHING by Jill Mansell and A SKY PAINTED GOLD by Laura Wood. I do have a personal favourite but my lips are sealed until the winner is announced on March 4th!

We are still looking for our first staff-member. Applications are just about closed but we have well over 100 to go through, so that will keep us busy for the next few weeks! We’ve also had our first responses to our ‘Call For Nautical Fiction’ and it looks like we’ll be able to announce some naval fiction deals soon. We have just finalised our schedule for London Book Fair and we are pretty booked up for all three days, plus some evening events so that will be a full-on week for us!

The published titles for this month were a mix of genres. We published Valerie Holmes’ second Regency romance novel in her Yorkshire Saga just in time for Valentines Day. We’ve also published one of our first non-fiction titles: a ‘deadly’ history of the Thames in London by Irish author, Anthony Galvin. That was followed by two classic mysteries: THE PAINTED FACE by Jean Stubbs and STEP IN THE DARK by Elizabeth Lemarchand. Finally, we launched two action-packed thrillers: David Beckler’s debut, BROTHERHOOD, set in urban Manchester and John Matthews’ thought-provoking gun-control thriller, THE SECOND AMENDMENT.

Our final piece of news is that we will be going to CrimeFest this year for the first time, which we are thrilled about. Last year we went ‘on tour’ to cover the Crime Writers’ Association Conference in Shrewsbury and the Historical Novelists’ Conference in Cumbernauld, and to contribute to a writing panel in Chorley. We aren’t actually speaking at CrimeFest so it will be fun to just enjoy all the talks, dress up for the Gala dinner and of course, hang out at the bar 😊. We should find out the longlist for the Sapere Books Historical Dagger Award as well, which is very exciting.

Come back next month for our Book Fair news, March releases, RNA award announcements and potentially a hello from our new Editorial Assistant!

Amy Durant

 

 

INTRODUCING SISTER SCRIBES: JANE CABLE

This isn’t an easy post to write. If you’re a Frost regular, then you probably know who I am. On the other hand our readership is increasing all the time, so you could well never have heard of Jane Cable.

The first thing to say is I’ve recently been given the role of Contributing Editor at Frost and I’m feeling a bit of a fraud. If anything, having dragged my Sister Scribes on board (not that all of them were kicking and screaming) I’ll be ‘contributing’ even less this year. But it will allow me to spread my wings a little and write more about some of the other things I love… like history, travel, food and drink.

I’m also feeling a bit of a fraud about describing myself as a full time writer, because the reality is I generally spend about half the time writing (or marketing, or all the other bits and bobs associated with it) that I would do if I had a genuine full time job. But actually I want to enjoy life too.

I’m in my fifties (and proud of it… prouder than I am of the parentheses which are plaguing every paragraph) and my OH and I have worked really hard in the corporate world and in our own business since we graduated. Rather than continue at such a pace we decided to kick back and in 2017 we downsized to Cornwall and it was the best thing we ever did.

I’m a total advocate of the lifestyle down here. Not the part holidaymakers would necessarily see, but the everyday world of the everyday people. Very few live to work – most work about enough to live. Nobody’s bothered what you do or what sort of car you drive. As long as you say thank you when they give way to you. And once you sink back into the ‘manana with breaks for pasties’ timescale of anything getting done then it’s a dream.

So where am I in my writing career? I brought out two books independently with a reasonable degree of success, but after a false start with a publisher that went bust I now have a two book deal with Sapere. They are a joy to work with (saying that, I haven’t had my first edit notes yet so time will tell), collaborative and co-operative. They also do their best to bring their authors together, and I’m a great one for that.

Little did I know how influential attending the Romantic Novelists’ Association conference in 2017 would be in terms of finding writer friends. For me by far the most valuable part of the weekend was time spent with other authors and through social media we kept in touch. I was delighted to find that Kitty Wilson lived in Cornwall (although the rat bag has since moved to Bristol) and when Cassandra Grafton came here on a research trip we all met up.

From this meeting the idea of organising our own mini retreat/girls’ break was formed. We invited along Susanna Bavin and Kirsten Hesketh (who’d we also met at the RNA conference) and the rest, as they say, is history and after four days in Bath we’d become Sister Scribes.

There are probably a few other things you need to know about me that sometimes surprise people. I used to freelance as a cricket writer and I love the game. I’m Welsh by birth and fiercely proud of it. And if I couldn’t write it would feel as though my hands had been cut off. Actually, it would probably be because my hands had been cut off…

Follow Jane on Twitter @JaneCable