A PUBLISHER’S YEAR: OCTOBER – AWARDS, ASSOCIATIONS AND AUDIOBOOKS

Hello and welcome to the next Sapere Books instalment! Lots of exciting things have happened over the past few months. In August I worked with Simon and Schuster’s Sara-Jade Virtue to judge the RNA’s annual Joan Hessayon Award for New Writers. The books we read were all very different and very worthy nominees, but luckily we were unanimous with our winner: The Lost Village by Lorna Cook.

September also saw the whole Sapere Books team attend the Independent Publishers Guild Autumn Conference. The IPG has a wealth of resources for publishers and arranged fantastic talks for the conference. One area it has led us to mull over is audiobook publishing. We have come to the conclusion that it is too expensive for us to experiment with at the moment, but we will certainly be pitching all of our books to audio publishers both in the UK and the US to try and secure publishing deals. We did actually get approached by Tantor Media last month, and we have sold the audio rights to them for the first three books in J C Briggs Charles Dickens Investigations series, which is exciting!

At the beginning of this month we hosted one of our semi-annual author meet-ups. It is lovely to spend some time with our authors face to face, and to encourage all our authors to get to know one another. Everyone is spread out all over the country, and not all of them belong to genre-specific groups like the RNA and CWA, so it feels good to have informal catch ups to discuss industry news, writing projects – and life in general!

Last week the team attended the Crime Writers’ Association Gala Dinner, which happens every year to reveal the winners of their prestigious Dagger Awards. We are the current sponsor of their Historical Dagger, which had already been whittled down to six fantastic books, but I have to say S G MacLean was a very worthy winner for her third Seeker novel, Destroying Angel.

We also have some exciting company news to share. If you have been following these blog posts, you will know that we had been actively looking to sign up some historical nautical fiction. Well, I can know officially announce that we have signed Justin Fox, represented by the Aoife Lennon-Ritchie to our list. Justin is working on a series of novels set in the second world war around the South African Cape, and we hope to publish the first one next year.

As always, we’ve been busy publishing lots of fantastic books. New series we have launched include the Inspector James Given series by Charlie Garratt – traditional English murder mysteries set in the lead up to the Second World War; the DI Jemima Huxley series by Gaynor Torrance – a troubled female detective struggling to stay sane while solving complex murder cases; and the DS Hunter Kerr Investigations by Michael Fowler – a crime team solving serial killer cases in Yorkshire. We’ve also launched two psychological thrillers by Gillian Jackson – ABDUCTION and SNATCHED – which are receiving fantastic reviews on Amazon and Goodreads.

We also focussed on publishing more ‘backlist’ titles. We recently signed up Dorothy Mack’s Regency romance backlist, which were first published in the 1980s/90s. The first one, THE SUBSTITUTE BRIDE is selling particularly well at the moment. And we have just starting reissuing Alan Williams’ historical thrillers, with his Cold War espionage novel, GENTLEMAN TRAITOR, out this month.

Amy

 

SISTER SCRIBES: JANE CABLE ON GETTING TO KNOW YOUR PUBLISHER

Although I signed with Sapere Books last summer it’s taken the relationship a little time to get going. That was perfectly understandable – my first book with them, Another You, wasn’t due out until this June so it was quite a way through their work schedule – but it was still a little frustrating for me.

The frustration was completely unwarranted, but every time I saw a gorgeous new cover appear on the private Facebook group for their authors, I wished it was mine. And waiting for the edit notes was absolute purgatory. Would the book pass muster? How much would they want me to change?

Then, about ten days ago, the first batch of edits arrived from editorial director Amy. And there were no dramas. Absolutely no dramas. Most of what she said made perfect sense and her intentions were clear. I knew exactly what I needed to do and it was a joy to roll my sleeves up and get to work, knowing that the book would be better for it.

The timetable was clear too. The first half of the book would arrive before Easter, the second after. Writer friends were concerned it was tight with the proposed publication date but I’d more or less cleared my diary so I’d have ample time for rewriting. I say more or less, because there was one very important event coming up I wasn’t going to miss. And that was Sapere’s first birthday party.

London is a relatively long trek from Cornwall and I decided to let the train take the strain, arriving in time for lunch with a former colleague. After that I tramped the streets of Kensington and the south west corner of Hyde Park in the name of research for my current wip. As it happened it was a beautiful spring day and although I was a little footsore by the time I stopped for a cuppa it didn’t feel like a chore at all.

The party was in the West End, in a light and airy room above a characterful pub. Almost at once I met Caoimhe (pictured left), Sapere’s marketing director. Just days after the edit notes arrived we had started emailing about promoting the book but as a former indie author, having a professional on board was new territory for me. There’d been some shuffling around, trying not to tread on toes, but problems have a way of melting away once you’ve met someone face to face. Hopefully I convinced her I’m not a control freak and just want to support everything she’s planning to do for Another You.

I also met Amy (pictured right) for the first time, and Richard, the other third of the Sapere powerhouse. I have to say all three are incredible people, full of energy and good humour, and you can see how well they gel as a team. But a really big pleasure was meeting other Sapere authors – and the shame of it that it was impossible to talk to everyone. Hopefully next time…

I could go on about the party, but I’d like to add a word about the new cover for Another You, which was revealed on Friday. I’d seen it just five days before, when it popped up on my phone on Sunday evening. I clicked it open. There were tears in my eyes. That soldier, walking away head bent, was just so perfect. As was the landscape around him which beautifully reflects part of Studland Bay where the book is set. So many covers disappoint authors but I love this one whole-heartedly, because whoever briefed the designer (that’s you, Amy) clearly knew the book.

Thank you, Sapere. You’re awesome.

 

A PUBLISHER’S YEAR: JANUARY – HIRING, GENRES, AMAZON

It is an exciting start to the year for Sapere Books. We have decided to hire our first full-time staff member. Up until now Sapere Books had been solely run by its three co-founders – myself as Editorial Director, Caoimhe O’Brien as Marketing Director and Richard Simpson as Operations Director. We were also using freelancers last year to help with cover design and proofreading, but we have decided we are at a stage where we need a full-time extra pair of hands as well! So, in a couple of months I’ll have a new Editorial Assistant to introduce to everybody. It is our first time hiring so we are currently brainstorming what tests to set candidates and exactly what we want to ask them at the interview stage. More news on that in a few weeks!

We have also put a call out for ‘nautical fiction’, as that is a genre which is underrepresented in the market and which we know readers love, and we’ll be looking for other niche genres to sign up throughout the year. We are having a lot of success with our first ‘timeslip’ novel – The Catherine Howard Conspiracy by Alexandra Walsh, which alternates between the Tudor court and the modern day, so that may be an area we’ll expand into more in the coming months. Other than that, my inbox is full to bursting with submissions, which is fantastic, but I always find it slightly heartbreaking when I have to turn authors down. We are getting such a fantastic quality of submissions coming through that I am turning down lots of novels which are certainly good enough to be published, but we can’t say yes to all of them because we don’t want to flood our list, and end up not being able to give our books the attention they deserve.

The publication schedule for this month focussed largely on historical fiction. At the start of the year I published the fourth book in Elizabeth Bailey’s brilliant Regency mystery series and M J Logue’s first romantic thriller featuring Major Thankful Russell and his wife Thomazine, set during the Restoration. They were followed by a Medieval novel; the first part of a saga trilogy set at the time of the American Civil War; a crime novel featuring Charles Dickens as the investigator; and the final book in the eight-part Victorian mystery series we launched last year, featuring a husband and wife detective partnership. Next month will be more crime and thriller focussed – with a bit of romance thrown in in time for Valentine’s Day!

We have just had a catch up meeting at Amazon HQ to let them know what we will be publishing this year. The Amazon team have given us lots of ‘Kindle Daily Deal’ and ‘Kindle Monthly Deal’ slots over the past few months in the UK, US, Australia, Canada and even India, which can really give books a boost, so we are keen to keep the team over there up-to-date with our plans and the books we are publishing. I am also sorting out the diary for London Book Fair, which promises to be a crazily intense three days as always, but a brilliant time to catch up with literary agents, meet with authors – and indulge in a drink or two!

Finally, I have some exciting news to share to do with the Romantic Novelists’ Association but I have to wait until the official press release goes out next month so you’ll have to wait until then to hear more!

Amy Durant

 

WRITING IN THE NEW

Jane Cable sets out her plans for Frost for 2019…

Much as I’ve loved hosting Business of Books over the last couple of years, it’s definitely time for a change. Two changes in fact, but more of the second one later.

Readers with very good memories may recall that in the autumn I went on a mini retreat with four writer friends. It was a comment from Kitty that started it – just as we were leaving – she said we’d become sister scribes. So I began to ponder what that could mean.

The world over women are particularly good at giving other women support. We excel at cooperation, collaboration, sharing the champagne and handing out the tissues (or the gin). We celebrate, we commiserate, we coax, we cajole – in short, we are there for each other.

So this year I’m sharing my Frost columns with my Sister Scribes. Over the next few weeks everyone will introduce themselves, and in the coming months we will all introduce other sisters from the world of words; women whose contributions to our writing lives are important to us. Women who want to share their passion for writing for, by, and about women.

So, the Sister Scribes are:
Cassandra Grafton has her roots in Austen-inspired fiction and is a Jane Austen Literacy Foundation ambassador. Published by Canelo from this year.
Jane Cable is a long term contributor to Frost. Indie author published by Sapere from this year.
Kirsten Hesketh’s first novel landed her an agent. Hopefully a deal will follow soon.
Kitty Wilson walked straight out of the RNA New Writers’ Scheme into multiple offers. Writes hilarious romcoms for Canelo.
Susanna Bavin writes elegant, well-researched sagas. Published by Allison & Busby.

We met because we are all members of the Romantic Novelists’ Association, but that doesn’t mean the columns will all be about romance as our network of contacts spreads far and wide. Within the genre we cover a broad church, from sagas to romcoms and a great deal in between. There will be plenty of interest for readers and writers alike, with our first guests including my own long time buddy Carol Thomas on marketing collaboration and Cassandra’s co-author Ada Bright on what it’s really like writing together.

So that’s the first change. The second is an additional column on the last Wednesday of every month to replace the popular Take Four Writers. I will miss Angela, Claire, Jackie and Lucy but it’s time to offer a different perspective and I’m delighted that Sapere Books has offered to provide it.

Every month one of the Sapere team will give an insight into their publishing year. Editorial Director Amy Durant is as delighted about it as I am: “I am very excited to be offered this chance to give readers and writers a unique perspective into what life is like at Sapere Books. We are still a very new publisher and we have lots of exciting projects and developments launching this year – including publishing two of Jane’s books – so there will be plenty of news to share. As a small team we have the flexibility to change strategies at the drop of a hat, if something interesting pops up, so even I don’t know yet what I’ll be writing about in six months’ time, but I hope you will enjoy reading about Sapere Books’ journey in our second year of trading.”

So what will I be doing with all this extra time? I’m hoping I’ll be able to review more books for Frost and even branch out into travel and history related articles. Plus, as Amy has reminded me, I have two books out this year…

 

The Business of Books: Fresh Endeavours

The Business of Books: Fresh Endeavours 

Jane Cable talks to former publishing director of Endeavour Press, Amy Durant, at the start of her freelance career

1) What is your book related job or business?

Until earlier this month I was Publishing Director of Endeavour Press, but I have just left to move into freelance work, specifically in editorial and consultancy. I have worked in digital publishing for four years, and manage everything from commissioning new titles to overseeing marketing campaigns.
2) What is the most rewarding part of it?

The most rewarding part of my job is finding and falling in love with a book, and then getting to meet the author and sharing my enthusiasm. Seeing a book grow from a submission to a published book; and working with the author on everything from edits to cover ideas to a new title is so much fun! We also worked with a lot of estates at Endeavour Press, and it was great
when you get in contact with the family of an author whose books have gone out of print, and you get them selling again – it is really rewarding to keep an author’s legacy going strong.
3) What do you consider to be your major successes?

I recently got shortlisted for the Kim Scott Walwyn Award for exceptional women in publishing, which was a great honour and personal success, and I feel privileged to have been on the same shortlist as so many inspirational women (including the wonderful publisher and editor Alice Curry of Lantana who won!). My major successes at work have been mainly around tracking down obscure literary estates (I have spent many an afternoon stalking unsuspecting relatives of authors on the internet!); signing them up; and injecting new life into the books – transforming them from hard-to-find second-hand copies, to shiny new ebooks, which are reaching a whole new generation of readers.


4) Have you always loved books and what are you reading at the moment?

My father is a writer and he worked in children’s publishing when I was growing up, so I was lucky enough to always have a house full of books! I have a few books on the go at the moment: I have just finished working my way through nearly 100 submissions for the HWA Endeavour Ink Best Historical Novel Award, and at the moment I am reading (and thoroughly enjoying!) The Girl in the Glass Tower by Elizabeth Fremantle; I am also reading The Queen’s Mary by Sarah Gristwood, which will be published as an Endeavour Ink book this summer; and The Power by Naomi Alderman, of which I have heard great things!

BIO
Amy Durant is a freelance editor and digital publishing consultant. She is also working part-time on a PhD on the works of Aphra Behn.

Contact Amy on Twitter @SavingBooks