Interview With Dan Schreiber About The Great UFO Conspiracy

An interview with Dan Schreiber about The Great UFO ConspiracyThis Saturday night (14 March) sees More4 dedicate its schedule to some out-of-this-world programming for Aliens Night. In an all new one-off documentary airing first on More4’s Alien Night, comedian and presenter Dan Schreiber has gone in search of some of the Britons who believe in a huge government cover-up of extra-terrestrial life.

The Great UFO Conspiracy will air Saturday 14 March at 9:05pm on More4.

You’ve made a film, The Great UFO Conspiracy – what’s it all about?

It’s looking at the phenomena of conspiracy theories to do with aliens UFOS. Most of the time, when you think about that stuff, you think of the USA, of Area 51 and Roswell and so on. It all seems to be America-based. But actually, Britain has a huge role in the constant stream of theories of what’s going on. And this country has some of the largest ever encounters that are acknowledged worldwide by the community. So I wanted to find out more about the people who are leading the front, who think there’s something more going on.

Is this an area you’ve been interested in in the past?

Yeah, I’m interested in it in a slightly lateral, leftfield kind of way. I love the storytelling. I love the way the theories are put together. I see it as a type of storytelling that nobody really acknowledges. It’s a group of people looking at a thing and coming up with an alternative story and timeline for. And they all contribute to it, worldwide. And it adds to this bigger story, this growing, creative idea. The difference between them and me is that they believe it to be true, whereas I don’t. But I don’t think that should step in the way of admiring what’s a great story.

How much of this did you know before you embarked on your journey? Did what you encountered surprise you?

Oh, I was totally surprised. My background is in making sure that I know virtually everything about a subject before I get involved with it. That’s from a background of working on shows like QI. But on this show, the production team didn’t want me to find out anything beforehand. They wanted me to be put into the situation and learn on the spot. So I did go in thinking I’d know the majority of the theories, but there are so many of them, you just can’t get a handle on them. And also, all the theories that I thought were dead, like crop circles, are now alive again, and being reinterpreted. For example, we know they were created as a prank, but now the theory is that the pranksters were actually having their actions controlled by aliens. I love it that you can’t seem to kill a conspiracy theory – it will find a new way to live.

Almost by definition, these are people who are very suspicious of the motives of others, especially establishment organisations like broadcasters. Was it difficult to get them to trust you?

It’s a really odd one. They all seem to hate the BBC with a total passion, They think everyone’s involved. But this thing has grown so big, as an industry, that people are making their living off the back of talking about these theories or writing books about them. There’s so much money now being made that you can live your life by these theories. So they have to co-operate with the devil, because they know they can get more exposure for a talk that they’re going to do, or a book that they’re going to do.

What did you think if the people you spoke to?

I really liked them all, and found them really interesting. And one thing that struck me was that when we weren’t talking about UFO stuff, they’re all really chatty, nice, friendly, likeable people, who liked a laugh and liked to talk about football. One of them, a guy called Tony, very openly says that the last few years of his life have been absolute hell, he’s gone through various things. We didn’t go into what that was – I imagine depression was involved – so they’re not all completely rounded, happy, optimistic people. But if you’re sitting in a pub and start talking about acting or movies, they’re all interested in talking about that stuff.

Some of these guys seemed a convinced the authorities were after them. Do you think any of them were genuinely scared for their safety?

Tony says that he is, or certainly that he was. I spoke to a guy called Timothy Good, he struck me as someone who was just reporting facts, very much in control. He didn’t seem scared at all. Some of them I found it hard to tell. I didn’t know where the jokes stopped and the beliefs began. So this guy Miles was an example. If we were meant to be meeting someone, and they’d be running late, and you’d receive two of the same text, he’d say “When you get two, it means the government are watching you, and that’s why she had to disappear.” And then you’d wonder if he actually believed that, or was just winding me up.

Where do these ideas germinate from? 

That’s a good question. I went to a conference, and everyone was doing these talks, and I had a weird feeling. I do stand up comedy, and half the time you’re trying out new material to see how it’s received, and at this conference, it felt the same. People were standing up and offering new theories and new connections they’d made, and sussing it out with the crowd. It felt like a new material night for theories. But I think that these theories just seem to pop up out of nowhere.

You don’t try to debunk these theories. Why did you adopt that approach?

That wasn’t the focus of the show for me. None of us wanted to make something that was laughing at these people. It was more a matter of going “Look, this is an actual thing that’s happening, and millions of people around the world believe in it,” and if you’re at a dinner party and you’re sitting next to one of these people, you can either say that they’re mad, or dangerous, or idiots, or you could have a good conversation with them. I’m more interested in just hearing from them what they think is going on and why. If you see a documentary with Richard Dawkins, you don’t have time to understand what the religious person thinks, because Dawkins is shouting them down. That’s in no way productive for a conversation.

What are your own theories about extra-terrestrials?

I think that there’s alien life out there. I almost think it would be weird to think that there wasn’t, the Universe being what it is. I just don’t think that we’ve necessarily been visited yet. All they’ve done is gone one step further, and then added a whole conspiracy side to it, with the government being involved.

Lastly, I can’t let you go without asking you, after all those years of working on QI, what’s your favourite fact?

Let’s see. Oh, there’s a great one which always makes me laugh. You know the DVDs you get with the anti-piracy bit with the dramatic music at the beginning? It turns out they didn’t have the permission to use that song. The guy sued them and got money. That’s so wonderful. The other one I really like, which is from one of the QI books, is that in 1895, the only two cars in Ohio crashed into each other.

 

 

Prometheus {Film Review}

*WARNING! MAY CONTAIN SPOILERS*

 

It has been nearly 33 years since Ridley Scott came to the spot-light and scared audiences worldwide with Alien (1979). It was a science fiction/horror film that felt real; in-terms of the characters who were portrayed by Sigourney Weaver, Tom Skerritt, John Hurt, Ian Holm etc. The film was the complete opposite to Star Wars (1977), it was dark and grimy (Ridley Scott used The Texas Chain Saw Massacre as an influence on how he wanted to treat the film). Now Sir Ridley returns to sci-fi in 2012 with Prometheus.

The story is about two scientists, Elizabeth Shaw (Noomi Rapace) and Charlie Holloway (Logan Marshall-Green), who go off on an expedition (the ship called Prometheus) to discover the creation of mankind, lead by Meredith Vickers (Charlize Theron) who represents Weyland Corp. Once they arrive on the distant planet, they soon discover a dark secret and everything soon goes downhill. It has been known as the Alien prequel but Ridley Scott decided to make it into an original science fiction film during pre-production. It does feature what we all know about the Alien franchise; derelict ship, android and Weyland Corp. but that’s where all ties from Alien stop. The story is very similar to H.P. Lovecraft’s At The Mountains of Madness (1936), in terms with its premise and twist. The film deals with the themes of creation and faith, though this is a story that has been itching Ridley since 1979; the origins of the Space Jockey. Whilst the themes are executed very well and the opening scene certainly delivers a bizarre but beautiful glimpse of what could be viewed as the creation of life.

Noomi Rapace, from Millennium trilogy fame as Lisbeth Salander, plays an interesting character that you follow and really get involved with. You feel her struggle as her faith is challenged when she slowly discovers about our creators (or engineers as they’re called) and wanting to find out why they created us. It certainly is a nice change that both Scott and Rapace didn’t try to create another Ripley and made sure the character stood out. Charlize Theron plays Meredith as cold as you expect when a Weyland employee is involved. She plays the character as very calculative, dry but also very straight-forward as you’d expect someone who’s company is funding a trillion dollar expedition. The standout performance in this film (and has everyone talking about) is Michael Fassbender as David the android and he steals every scene he’s in. His presence is captivating and makes you equally as fascinated and curious with the Space Jockeys as he is. The scene where he’s walking around and monitoring the ship and crew is probably my favourite scene in the whole movie, where there is barely any dialogue involved except where he watches Peter O’Toole in Lawrence of Arabia (1962).

This film is definitely going to get technical awards, especially for Production Design, Costume Design, Visual Effects and Sound. The whole film is exceptionally well made and it definitely shows where the money went and a lot of effort was put to make the best-looking science fiction film. The cinematography is absolutely gorgeous; every frame is beautifully lit and shot. Ridley Scott’s eye to detail on every part of the production is mind-blowing. Even where there were scenes were live actors were interacting with digital creatures looked seamless. Ridley shot the film in 3D and this film features the best use of 3D (along with Hugo, TRON: Legacy and Avatar). The common problem with 3D films is when a scene is dark, you’re focusing on the 3D than the scene itself and becomes incredibly distracting. This film, however, did not have those issues and would even recommend on seeing this film in 3D.

As much there were positive aspects in this film, it is not perfect unfortunately. Most of the supporting characters were not all memorable, especially anyone that wasn’t put top billing. They were all basically meat waiting to be put into the grinder and that’s where there’s the lack of tension/suspense. Unlike Alien where you got to know all the crew members and you actually cared for most of them whether they will die or not. The scene where Dallas (Tom Skerritt) goes through the ventilation shafts to find the xenomorph was one of the most frightening experiences I’ve had in film. Here, most of the scares are jump-scares, that’s a cliché the majority of horrors fall onto and it doesn’t work. It’s the anticipation of the horror; the tension building up and thus makes it scary. So when you see characters that are getting killed off when you barely had time to get to know them, you’re asking yourself “who cares?” The pacing and story is a bit muddled once the Prometheus crew lands on the planet and start discovering the Space Jockey’s ship. It all feels too quick and things start happening before the next set piece begins. I cannot help but feel there’s an extended version somewhere in the cutting room floor. It also leaves a few questions unanswered and I can see why some people may find that incredibly frustrating and especially so when it leaves it open for a sequel (or sequel-baiting). Some of the crew members weren’t entirely smart, they in fact made some pretty stupid decisions. For example; Rafe Spall’s character sees a snake like alien creature, his first instinct to do is slowly approach it and touch it whilst this creature makes a snarling hissing sound. That’s like going up to try touch a rattlesnake, even when it’s rattling its tail and hissing at you at the same time. Also the surgical pod in Meredith Vickers’ room didn’t make much sense, as it can only operate on male patients (why couldn’t it be able to operate on both sexes?). The music by Marc Streitenfeld (American Gangster and Robin Hood) is good but not as memorable compared to Jerry Goldsmith’s score for Alien. Where most of his tracks in the film work (the opening scene), some scenes I felt that could have been a lot stronger without it (David monitoring the ship).

Overall; an interesting science fiction film, that deals with themes that are bold and quite daring with the story and scope. I give Scott and his production team +A for delivering a beautiful looking film. Although it’s a film that has quite a few flaws and hoping there will be an extended director’s cut in the works!

3 out of 5

Prometheus | Film Review


This film is clearly a prequel, although Ridley Scott at one point denied it. Long awaited and much discussed, when the trailer was released a while back the internet went mad. The film is visually stunning and has brilliant performances by Michael Fassbender and Noomi Rapace. Rapace plays a driven and intense scientist who’s longing for a child is used against her and twisted in a horrific way. Fassbender is an android made to look like a humanoid so he doesn’t scare the crew.

This film comes 33 years after the first Alien movie and has some elements of the previous movies; a crew on a ship called Prometheus with an android, a scene like the alien coming out of John Hurt but much more icky.

There has been some complaints that the film is slightly predictable, but what monster movie isn’t? It is a monster movie for god’s sake. Prometheus is beautifully made, well acted, thrilling and entertaining. Is also has excellent production design and incredible visual effects. It is an ambitious and impressive film. Definitely worth a watch.

Kristmann Op – Hátt fjall | Music Review

I’d love to be able to tell you a lot about Kristmann Op but I don’t know a lot other than that he/she/they are from Iceland. Having spent a week in Reykjavík last year I can confirm it to be the hippest place on earth and Kristmann Op sound like he/she/they would fit in just fine.

 

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Their single ‘Hátt fjall’ has earned them a lot of attention and on listening to it, it isn’t hard to tell why – it’s a well crafted piece of electonica. The video features a chap dressed up like an alien and looks like he could be a Matt Lucas-character. What’s not to love?