Rooftop Runners | Music Profiles

Artist: Rooftop Runners
From: Berlin, Germany
Album: We Are Here EP
Style: Alternative / Indie / Trip pop
Members: Benedikt & Tobias MacIsaac
Production: Angela Seserman
Tracklisting: Streets, Energize, Bang Bang, She Devil
Website: www.rooftoprunners.com, www.facebook.com/rooftoprunners
Highlights: 2012 European tour successfully completed, performed at Club NME
Music Video for “Streets”: http://vimeo.com/34965015, http://www.youtube.com/watch?v=Ay3ZfvwKCJc
“Streets” electronic remix:http://soundcloud.com/eltrain05/streets-el-train-ndoth-remix
Sounds Like: Jeff Buckley, James Blake, Radiohead, Massive Attack
Bio: “Crippled in my youth, crippled in my youth, crippled in my youth and I’m trying to breathe”

The music of Rooftop Runners ripples positively original pop waves through far darker lyrics than you’d expect from your typical indie fair: a seething concoction of trippy electro beats and spine-shattering bass lines is equalized by soulful falsetto vocals and folksy, dissonant guitars, making for a sobering but enjoyable listen.

Forging a mix of menacing mood and moving melody out of their adopted city of Berlin, Germany, RTR are Canadian singer-songwriter brother duo Benedikt and Tobias MacIsaac. An internationally accomplished choreographer and dancer respectively, the brothers are no strangers to performing-arts success, having toured and performed extensively with world class troupes in Europe.

Rooftop Runners’ new 4 song EP “We Are Here” will be released April 3, 2012, and it’s meant as both an affirmation and a promise that “RTR has arrived and they are here to stay.” With fervent response from local music media and a rapidly growing fan-base, a European Tour completed and an eagerly-anticipated full length debut album also due in 2012, the siblings seem set to drop their pioneer strand of Trip-Pop at us from rooftops the world over before long. The EP “We Are Here” is just an introduction.

Monks of Mellonwah | Music Profile

Band: Monks of Mellonwah
Location: Sydney, NSW
Members: Will Maher (vocals), Joe de la Hoyde (backing vocals/guitar), John de la Hoyde (bass), Josh Baissari (drums)
CD: “Neurogenesis” EP (Advance release May 24, 2012)
Production: Jeff Bova (Michael Jackson, Billy Joel), Ryan Miller (John Frusciante, Flea), Howie Weinberg (Nirvana, Smashing Pumpkins, RHCP)
Websites: www.monksofmellonwah.com, www.facebook.com/monksofmellonwah, www.twitter.com/monksofmellonwah
Style: indie rock, alternative rock
Similar to: The Black Keys, Muse
 http://www.youtube.com/watch?v=g_8crOOSRu0

News release: Coming off their big win for “Best Indie Rock Artist” at the Artists in Music Awards 2012, and being nominated for best International Artist in the LA Music Awards, Sydney’s buzz act Monks of Mellonwah are now ready to release their new EP “Neurogenesis”. Contributing to the new EP were Grammy Award winning producer Jeff Bova (Michael Jackson, Billy Joel), Ryan Miller (John Frusciante, Flea, The Ruminators) and renowned engineer Howie Weinberg (Nirvana, Smashing Pumpkins, Red Hot Chili Peppers).

Neurogenesis features 4 alternative rock tracks which explore a range of concepts from Oppenheimer and the creation of the atomic bomb in “Neurogenesis” to the longing for life in “Neverending Spirit”. Each track has something to offer and is demonstration of the Monks of Mellonwah’s evolution, both in terms of maturity of song writing and musical and vocal prowess.

Adele Parks Whatever it Takes | Book Review

I got through Adele Parks new book Whatever it Takes as quickly as my schedule allowed. It is a wonderfully paced book, full of flawed characters and brilliant observations. Some of the characters are not likable, and become less so further on, I like that. The book captivates.

As a Londoner the story of Elosie Hamilton, who moves to Dartmouth for her husband after living her whole life in London is interesting to me, and the book even made me long for the seaside and a large country house. Well, for a while anyway.

Whatever it Takes is a story of family, friendship and marriage. It is also a story of fertility. Sara is almost driven mad for her longing for a child. She becomes bitter and difficult to be around. While Sara is childless, Eloise has three children. Eloise is nice, far too nice. She tries to be perfect and have a perfect life as one thing after another nearly makes her world, and her families implode.

Spoiler Alert

Another thing about the book is that I also found it painful to read. The reason being is how well Parks writes about the character, Margaret descending into dementia. My grandfather had Alzheimer’s and the the book is so well written that I knew this was happening to the character before it was revealed. I recognised my own grandfather in the character of Margaret, all of the little things she does and that happen to her; painful to read but it does not make the book less enjoyable to read.

The characters sometimes make you want to shake them or slap them, love them or hug them. This book is a triumph for Adele Parks. She should be very proud.

You can buy Whatever It Takes here

DRUNKSOULS | Music Profile

ARTIST: DRUNKSOULS

STYLE: Reggae, Indie, Rock
FROM: Marselle, France
WEBSITES: http://www.drunksouls.com, http://facebook.com/pages/Drunk-Souls/17306742565, http://www.reverbnation.com/drunksouls
MEMBERS: Core members/writers – Djamil Ramdane (Vocals), Julien Mur (Guitars)
Additional members – Pierre Pesin (Trumpet), Jean Marc Layani (Keyboards), Fred Albertini (Bass), Julien Heurtel (Drums), Morello(Trombone), Philippe Bonnacier, Kevin Garcia
VIDEOS: (Album promo) http://www.youtube.com/watch?v=IFOgHxhC3mE, (Live performance) http://www.youtube.com/watch?v=CNvdqJnZgRg

 

BIO: Punk spirit , Rock culture , Reggae sound.

Founded in 2002, DRUNKSOULS are an indie/reggae French band sonically similar to Manu Chao, Gorillaz, Michael Jackson and Damian Marley. Their music is a patchwork of influences intended to make you dance as well as think. The Daily Consciousness says they’re “creating a unique sound with little to no borders.” Their songs, sometimes playful and sometimes dark, carry a message of reconciliation and tolerance, in which humour and gravity are intelligently cohabiting. Rock Is Rock says of the band “Dead Prez called themselves ‘Revolutionary but Gangster’. If that’s the case then DRUNKSOULS are ‘Revolutionary but Funny’.”

DRUNKSOULS have received a high amount of word-of-mouth from their fanbase, generating over 100,000 downloads of their debut album. Their music has been used in films like the documentary “I Believe I Can Fly”, whose trailer alone has garnered over 5 million views. DRUNKSOULS have played in legendary venues such as the mythical stage of Olympia-Bruno Coquatrix. In 2011, DRUNKSOULS were given the chance to play twice in another legendary venue, the Grand Auditorium du Palais des Festivals de Cannes, one of the events supporting the African Reggae Star TIKEN JAH FAKOLI.

Now, DRUNKSOULS are back with “Revolution”, a 16 track album offering of rock, reggae, electro, funk and pop. Building on the success of their debut, the band continues on the path of poppy hooks and political/emotional lyrics with tracks like “Human Race”, “The Fall” and “Revolution”.

Don’t watch TV – listen to DRUNKSOULS!
http://www.drunksouls.com/

 

Mike Moss | Music Profile

Artist: Mike Moss
From: UK, North England
CD: Cold World Plastic Dream
Produced by: Christophe Bride, Oxygene Studios, Manchester
Streaming link: http://soundcloud.com/themikemoss/sets/cold-world-plastic-dream/s-STgkH
Secure download link: http://www.mediafire.com/?mvbumm8owotjdu6
Websites:www.mikemoss.co.uk, www.reverbnation.com/mikemossofficial, www.facebook.com/TheMikeMoss
Style: Pop, Rock, Alternative, Electronic

Bio: Defying typecasts, Mike Moss is an anomaly in the modern world of manufactured pop. Yet, with his diverse musical roots – from hanging out with his Uncle who toured with Ivor Novello, to the mosh pits of Manchester?s rock clubs, he is also emblematic of a new wave of self-made artists, combining innate musical talent with production and marketing savvy.

Born of his healthy disrespect for musical genres and market-fixations, Cold World Plastic Dream is both multidimensional yet coherent, woven together by Moss?s ear for pop melodies, tight orchestration and heartfelt lyricism.

This first album is the culmination of a year’s work and a steady stream of contributing musicians, including Mikey Wilson (ex-Texas and Dust Junkies drummer). But the voice that emerges is inimitably Moss’s.

From the clarion call of the opening anthem, It’s Time, with its Bowie-esque signature vocal, to the pulsing beats of Emotion Machine, Moss toys with expectations and eschews the mainstream, all the while keeping the album fresh and accessible.

Tracks like Drifter have their genesis in the acoustic sets he played on the NYC club scene. But here, they’re transformed into multi-layered tapestries, their humble folk and blues origins swept up into orchestral layers of strings and vocal harmonies. Similarly, Morning Call is emancipated from its humble country roots with hypnotic military drums, chiming guitars and that soul-searching voice.

Neither is Moss afraid of shifting down a gear, and the album is punctuated with beautifully reflective moments, culminating in Only Lies. a simple piano ballad replete with real world story telling and a swelling vocal finale.

To listen, and find out more, visit:

www.mikemoss.co.uk
www.facebook.com/themikemoss

Francis Bowie | Music Profile

Artist: Francis Bowie
Location: Copenhagen, Denmark
CD: Francis Bowie EP
Release date: Oct 17, 2011
Label: Interscope Digital
Production: Michelle Djarling & Kasper Larsen (Kay & Ndustry)
Websites: http://francisbowie.bandcamp.com/, http://francisbowie.com, http://soundcloud.com/francis-bowie, http://www.facebook.com/FrancisBowie
Style: Intelligent Pop Music
Streaming link: http://francisbowie.bandcamp.com
Secure Download link: http://www.mediafire.com/?t3nlbx26o1nlbw9
Music video links: http://www.youtube.com/watch?v=260f6EIaQi4&feature=channel
Sunny Day” music video: http://youtu.be/260f6EIaQi4

Bio: Francis Bowie is a metrosexual whirlwind of creativity within the Danish music and art scene; aside of his singing and songwriting, he is a painter, sculptor, designer, writer and gallery owner.

Along with a growing band of people worldwide who love pop music but are disenfranchised by the bland ‘Pop Idol style’ music that dominate the charts, Francis Bowie has decided to promote his new concept of Intelligent Pop Music, aka IPM.

The Francis Bowie EP is a beautifully crafted selection of his finest songs in a NuWave vein.  With soaring synthlines and orchestral backing, it’s light yet deep; sincere and thoughtful; catchy yet cool, it’s a superb example of the IPM genre.

In Copenhagen in 2007, he opened his first art gallery GalArtery, while also releasing the debut album “Too Much” with his indie art rock band “A LOVE YOU”. GalArtery soon became a place where young artists could gather and do their shows and performances. After touring constantly in 2010 with A LOVE YOU, Francis decided to leave the band for a while and do solo projects. In the spring of 2011 along with two designers, he opened a second art gallery called MATT 18 which also exhibits fashion, clothing and design.

Francis is frustrated by the scene today: “I’m disappointed by many contemporary pop musicians and producers because it seems like it’s just about going for the cash and a pretty young face. Anything else like the quality and content of the songs themselves rather than just the look often get overlooked in the race for the charts.

Francis Bowie does not think that pop music should deal with all these matters at once or necessarily be too complex. But neither should pop music should be as banal as it can so often be in his opinion. In his own words; “IPM is an attempt to put some quality, dignity and honour back into popular music”

View video ‘Sunny Day’ from the EP here:
http://youtu.be/260f6EIaQi4

Let’s Claim Back The Union Jack.

The BNP can be blamed for a lot of things, but the main reason I hate them is what they have done to the Union Jack flag {or the Union Flag). Some people now see the Union Jack as racist, it’s not. It is the most inclusive flag you can think of. It is the flag of the United Kingdom; It has the St Andrews Cross (Scotland), St George Cross (England) and St Patrick’s Cross (Ireland). Wales was not a Kingdom but a Principality so it could not be included on the flag. which is made up like this:

  • The red St. George’s Cross width is 15 of the flag’s height with a 115 flag height fimbriation
  • The white diagonal St. Andrew’s Cross width is 115 of the flag’s height and the broader white diagonal’s width is 110 of the flag’s height
  • The red diagonal St. Patrick’s Cross width is 115 of the flag’s height and the narrow white diagonal’s width is 130 of the flag’s height

As all of the bunting went up in London I had an Irish friend ask if I found it offensive. Offensive? Why would I? “It’s racist”, she said, “to us”. By ‘us’ she meant that I am Scottish and she is Irish. To be honest it was her question I found offensive. I may be Scottish, but I am also British and I have lived in London for over five years. My flag is in the Union Jack and no-one, not a racist and certainly no one ignorant will ever take it away from me. I am proud to be British and I love my flag. Both of them.

Michael Fassbender on Being Poor and Oscars.

Michael Fassbender has done a fascinating interview with the Hollywood Reporter. You can read the full article at the link, but here are a few good quotes.

On how he survived years of struggle: “I would say to myself, I’m good enough. That became my mantra.”

ON GOING NUDE, MEETING SEX ADDICTS AND USING YOUTUBE TO HONE HIS CRAFT
Fassbender says what attracted him to the role of Brandon, a sex addict in the Fox Searchlight indie drama Shame– produced by See Saw Films and Alliance–was the chance to explore the desperate search for connection; playing a young Jung in A Dangerous Method allowed him to morph into a historical character. “I was a bit worried that I’d perhaps bitten off more than I could chew,” he says. “But I’m always interested in trying to investigate different personalities. I want to keep myself guessing and keep the fear element alive, so that I don’t get too comfortable.” Jeremy Thomas, a producer on Dangerous Method, says Fassbender who was director David Cronenberg’s first choice to play Jung read the script over and over again, even during production, something Thomas has never seen an actor do. “It’s one of his secret weapons,” he says. Fassbender says he’s grown deft at using YouTube to study accents (his own is Irish) or to watch a grainy interview with an elderly Jung. For Shame, he met with recovering sex addicts: “One man had the same intimacy issues that Brandon had, so it was very helpful to me, and I was very grateful that he opened up.” Additionally, he says there was no time to feel too self-conscious when shooting Shame, says Fassbender. It helped that director Steve McQueen kept the set intimate. “We moved very fast. We shot it in 25 days, so I kind of had to get over it and get on with it,” he says.

THE ACTOR ONCE LIVED WITH REJECTION, A HOLE IN HIS WINDOW
The son of two restaurant owners, Fassbender moved to London at 19 and attended the Drama Centre. “It took me a while to come to grips with how expensive London was. My parents helped me out, but we never had a lot of money,” he says. “So it was very sticky the first three or four years between paying drama school fees and surviving. The first place I lived was a studio I shared with a Brazilian girl. We weren’t seeing each other or anything, but I remember there was a big hole in the window and it was so cold in the winter.” Fassbender’s first acting role of note was in HBO’s Band of Brothers, which aired in 2001. He was confident it would lead to other offers. It didn’t. “I came to Los Angeles and did auditions for television. I made a terrible mess of most of them and I was quite intimidated,” he recalls. “I felt very embarrassed and went back to London. I got British television jobs intermittently between the ages of 23 and 27, but it was very patchy.” Between roles including a Guinness commercial (in which his character swims from Ireland to New York) and a one-off, Agatha Christie’s Poirot, he took odd jobs to survive, unloading trucks or bartending. He even did market research. “I had to call people who had filed complaints about the Royal Mail and see if they were happy with how their grievances were dealt with. Most of the time they weren’t,” he says. All along, he says, “My goal was for acting to become my main income. I would say to myself, ‘I’m good enough.’ That became my mantra.”