NELL DIXON SHARES HER INSPIRATION FOR THE MISS UNDERHAY SERIES

For the last two years I’ve been living full-time in Devon in a small fishing village. If anyone is unfamiliar with the area, it is a particularly beautiful place with sandy beaches, wide rivers, green farmland and historic and lovely towns and villages. Thatched cottages abound in a chocolate box setting. The Miss Underhay series is set in and around Torbay during the 1930’s. Torquay was the birthplace of Agatha Christie so clearly this is a landscape to inspire crime writing!

The world my intrepid amateur sleuth, Kitty Underhay inhabited in 1933 would be familiar to her today despite some damage done by the second world war and over enthusiastic building works in the 1960’s. Punctuating the landscape are several beautiful and unique buildings. All of which feature in or have inspired scenes in the series. Landscape has always been important to me as a writer. I’ve always been fascinated by the built environment and the human stories that are told through both the building and the spaces between them.

One such building is the now sadly neglected Pavilion theatre in Torquay, a gorgeous art deco affair on Torquay seafront. Set amidst green space and flowerbeds, in the twenties and thirties it hosted operas and a beautiful tearoom. It was the place to see and be seen. This was also a building familiar to Dame Agatha Christie. Hopefully it will take its place again soon as one of Torquay’s jewels.

Another favourite building is run by the National Trust, tucked away down a country lane on the way from Torquay to Dartmouth. Coleton Fishacre is a gem of a jazz age country retreat. Once the summer home of the D’Oyly Carte family, it’s set in beautiful gardens that lead to the sea. A wonderful cream tea can be enjoyed, and the house is one of the loveliest places to visit.

In nearby Dartmouth, the inspiration for Kitty’s home is York House. A black and white half-timbered building, it’s easy to picture Kitty and her grandmother running their hotel there. Dartmouth itself is full of amazing buildings, from the medieval Dartmouth Castle which guards the mouth of the river estuary to the Butter walk, a colonnaded stone walkway housing shops and tea rooms. The Butter walk was damaged in the Second World War but has been so well repaired that you wouldn’t be able to tell.

Dartmouth is also home to another incredible building, St Saviour’s Church. Listed as one of the best 100 churches in England, it was constructed around 1372, and underwent significant restoration in 2014 to preserve it for future generations. It has magnificent medieval wooden doors, heavily carved with gryphons and supported on huge iron hinges.

Another building that sums up the spirit of Torbay in the jazz age is a mansion owned by the local council which is now coming back to life. Oldway mansion in Paignton was home to the Singer family, a name known to anyone with an interest in sewing. Oldway mansion was modelled on the Palace of Versaille and the interior is a magnificently painted masterpiece. During the first world war it was a hospital for injured American servicemen and went on to become a country club. The house is currently closed to the public, but the beautiful grounds can be enjoyed by anyone and there is a lovely tearoom. It’s easy to picture Hercule Poirot strolling in the grounds.

As well as the places listed above there is also Greenway House, Dame Agatha Christies’ own home, which is well worth a visit.

Helena Dixon’s latest release in the best-selling Miss Underhay series is Murder at the Highland Castle available as ebook, audiobook or paperback https://www.nelldixon.com

SUNDAY SCENE: JANE BHEEMAH ON HER FAVOURITE SCENE FROM HER PRIZE WINNING SHORT STORY

‘Under the Spreading Oak’ is a story that’s been in my head for a while, just waiting to be told. Then earlier this year Blue Poppy Publishing ran a short story competition – calling for Devon writers and a Devon based theme – and I found a fit. Quite simply, it was a joy to write. Set in Powderham Castle’s beautiful deer park, it’s told from the perspective of an ancient oak. A descriptive piece, it depicts life in the deer park, the change of seasons and some of the people who have taken shelter under its spreading boughs.

The story is – well, a story, though the place is real enough. I was lucky enough to grow up in the estuary village of Starcross, not far from Powderham. In my mind’s eye, while penning the story, I was revisiting childhood walks through the deer park with my beloved Nan. Stories do that to you sometimes, don’t they, trigger nostalgic memories. This one certainly did for me!

I’ve walked through the deer park as a teenager, too, when – like other local youngsters – I had school summer holiday jobs at the Castle tea rooms. The path was more of a track then, still a public right of way, but not opened up for ramblers as it is now. There must have been rainy days, of course, but all I remember is sunlight dancing through a canopy of leaves and a chorus of birdsong. The old gatekeeper’s cottage is gone; in its place is a café and farm shop.

The best ideas come when I’m out and about. Nature never fails to inspire, and I’ve always been enchanted by ancient trees and the stories they could tell, if only they could speak – imagine the history witnessed under their silent watch! And, mighty and majestic, there is something special about the undisputed king of the forest.

Here’s an extract from the opening paragraph of ‘Under the Spreading Oak.’

“The last vestiges of night cloak the woods in shadow. No sound, save for the tramp of boots as the gamekeeper makes his pre-dawn round, checking on the pheasants in their pens. Its hunt disturbed, a fox slinks by, picking up a new scent as the rabbit it almost had slinks into a burrow.”

The icing on the cake: not only did my story ‘Under the Spreading Oak’ do well in the competition I’m delighted to say that it was included in an anthology and published by N. Devon based Blue Poppy Publishing this summer.  It’s a little gem of a book, titled: ‘The Cream of Devon, An Anthology of Short Stories From the County that Rhymes with Heaven.’

Now I will let my story speak again:

“A May morning like any other. My branches reach up to the cerulean sky. There’s a shimmer of mist over the Exe now. Here in the Powderham deer park, set in deepest Devon, the seasons come and go like an eternal wheel. I’m one of the forest giants, standing sentinel and watching the days unfurl. I’ve lost count of the springs I’ve seen as the cold earth warms and a carpet of bluebells spreads out on the woodland floor. All life is played out here.”

I also write novels as Kathryn Haydon, the pen name chosen as a nod to my mum.  She would have been thrilled to know about my Powderham themed story!

Below is a link to my Facebook Author Page, for those who would like to take a peep. You’ll find me there as Kathryn Haydon.

https://www.facebook.com/flickypenpot

Warm wishes and happy reading.

T. Orr Munro: My Writing Process


My Writing Routine

I write Mondays to Wednesdays from 9am until around 4 or 5pm. Occasionally I’ll write at other times but I find the distance of just a few days useful for honing ideas.

 

A bit about you.

I live in North Devon where I also grew up. I’m a freelance journalist, specializing in writing about policing, but, a long time ago, I was a CSI or Scenes of Crime Officer as they are also called.

 

What you have written, past and present.

I’ve a rather eclectic back catalogue! I’ve written a YA novel, ghostwritten the memoirs of a Battle of Britain pilot and a children’s history of Devon. I also have around five unpublished novels in my bottom drawer! I’m currently writing my second crime novel.

 

What you are promoting now.

Breakneck Point is my debut crime novel out in April about CSI Ally Dymond who is redeployed to a Devon backwater after blowing the whistle on police corruption, but the sleepy coastal town of Bidecombe doesn’t turn out to be quite as quiet as she anticipated.

 

A bit about your process of writing.

I’m quite disciplined about writing. I think it comes from being a journalist and having to sit down and write even when I don’t always feel like it. I’m a ‘reviser’ rather than someone who aims to get it right first time which means that it is sometimes hard to know when to stop.

 

Do you plan or just write?

I’m a planner. I try to plot the entire book out before I start although it invariably changes. However, it means that I tend to know what I’m going to write before I switch my laptop on. I don’t write linearly either. I’ll often write a scene in a different part of the book because I’ve had a particular idea or I’m in the mood to do it. My head has to be in the right place to write difficult scenes, usually 3.00am in the morning when I can’t sleep.

 

What about word count?

I don’t set myself daily word counts. It’s too much pressure! I’m also one of those writers who underwrites and struggles to get enough words down on the page rather than one that writes too many and has to cut back. I dream of writing too many words! It’s a constant challenge for me. I blame starting out as a print journalist where I would constantly look to strip out words so the story would fit the page. Old habits die hard.

 

How do you do your structure?

My books often just start with an image which I then work into a story. For instance, I’m writing book two in the CSI Ally Dymond series and that began life as a single scene which happens towards the end of the book. I do use various reference books. I’m a bit of a magpie, taking the bits that work for me, but I find them helpful for getting me over a plotting blip. I regularly dip into Creating Character Arcs by K.M. Weiland. Save the Cat Writes a Novel by Jessica Brody is good for checking that I’m on the right track and I quite like the approach taken in Book Architecture by Stuart Horwitz.

 

What do you find hard about writing?

Finding myself hurtling down a blind alley! It’s that horrible feeling in the pit of your stomach when you know something isn’t working, but you can’t work out what and you’ve already written thousands of words that you also know are probably going to wind up in the trash. It’s when I come closest to giving up altogether.

 

What do you love about writing?

As soon as I learnt to read I was utterly enthralled by words and how they could be used to transport me to other worlds. When I learnt to write, I realized I too could use words, but to create my own worlds. I get to play god, basically!

 

SISTER SCRIBES GUEST: MADDIE PLEASE ON LIVING AND WRITING IN DEVON

I’m delighted to introduce my good friend Maddie Please. Maddie writes the most hilarious romcoms set in Devon and we met at one of the retreats she runs with Jane Ayres at The Place To Write. I visited her lovely house near Exeter and asked her what it’s like to live and write in Devon.

In May 2015 we moved into our lovely house on top of a hill midway between Exeter and Crediton. We were convinced we were downsizing. (It wasn’t until we actually moved in that we realised we hadn’t.) The house had remained empty for a year before we bought it, and the main decorating influence we inherited was wood chip wallpaper, painted magnolia and apparently stuck on with superglue.

The garden was overgrown and very neglected but we have never regretted the move, and the starry skies at night are wonderful.

The first thing we did when we moved here was build a garden office, which I share with my husband. This means my daily commute is now twenty-five steps; I just counted them.

Occasionally we hear pheasants or pigeons trampling about on the roof. At this time of year the neighbouring fields are busy with the harvest and tractors and farm machinery trundle past our gate, something which is very exciting for our grandchildren when they come to visit.

In our garden office I have my own desk where I work just about every day.

I have s lovely hand painted cushion from my Bestie Jane to make life more comfortable. I am in charge of filling the stationery cupboard too! Any writer will know how much fun that is. I mean going into an office supplies superstore or Paperchase or Smiths and calling it work related is a dream!

Our makeshift shelving got a bit out of control last year so we replaced it with some industrial units from Big Dug. An excellent purchase. I try to keep the boxes of stationery under control but boxes of pencils, Sharpies and Post-it notes are like cat-nip to me!

I’m usually at work between 8 and 9 o’clock and unlike some writers who prefer to work without distraction, I have a wonderful view of the garden and beyond that the Creedy valley. I don’t like working in silence either, so I listen to BBC Radio Devon, which is my daily companion; I love it. Gordon Sparks and the Gordon Hour, David Fitzgerald and his Fighting Fitz competition or Janet Kipling and her Devon Debates – there are enough plot ideas there every day to keep any writer thinking.

I’m often to be found with a vacant expression as I do some important thinking and when I’m using earphones have been known to sing along. Much to my husband’s utter delight. Maybe that’s not the right word?

I occasionally go back into the house to make us coffee and usually by 3.30 in the afternoon, I’m done for the day.

Does the Internet distract me? Well of course. I am an avid Twitter and Facebook user and I have been known to check my Amazon reviews once or twice…

But I do regard writing as a job not a hobby.  My debut The Summer of Second Chances was based on this area with its winding lanes and fabulous views. So was my fourth book; The Mini-Break which takes successful writer Lulu out of her London comfort zone and into the muddy and glorious Devon landscape.

Living here is simply lovely, our local pub is the award-winning Beer Engine, and despite the headline story in the local paper, our neighbours are friendly and welcoming.

My husband has always been interested in researching his family history and found details of his ancestors who had lived nearby in 1674. Perhaps something called us back here?

To us this is the very best place to live and work.

 

Ben Howard – new single precedes sold out tour | Music News

London-born, Devon-raised folk singer Ben Howard has announced the release of his new single ‘Old Pine’ on the 6th August through Island Records.  The release comes ahead of a sold out month long jaunt around the UK that culminates in three sold out show’s at London’s Brixton Academy.

It’s been quite a year for Ben with over 200,000 sales of his debut album ‘Every Kingdom’ in the UK alone, two sold-outs tours of the US as well as a hectic summer of festival appearances. All this coming before his biggest UK tour to date in November. His UK tour later this year has now sold in excess of 50,000 tickets alone.
Have a listen and watch the video for ‘Old Pine’ below:
Ben’s UK dates:
16th June – Goldcoast Oceanfest, Devon
24th June – Radio 1 Hackney Weekend, London
7th July – T In The Park, Kinross
15th July – Latitude Festival, Southwold
18th August – V Festival, Chelmsford
19th August – V Festival, Stafford
6th September – Bestival, Isle of Wight
2nd November – Brighton, The Dome SOLD OUT
3rd November – Plymouth, Pavilions SOLD OUT
4th November – Cardiff, University SOLD OUT
5th November – Bristol, Colston Hall SOLD OUT
7th November – Dublin, Olympia SOLD OUT
9th November – Belfast, Waterfront SOLD OUT
10th November – Glasgow, O2 Academy SOLD OUT
12th November – Manchester, O2 Apollo SOLD OUT
14th November – Leeds, O2 Academy SOLD OUT
16th November – Newcastle, O2 Academy SOLD OUT
17th November – Aberdeen, Music Hall SOLD OUT
19th November – Cambridge, Corn Exchange SOLD OUT
20th November – Lincoln, Engine Shed SOLD OUT
21st November – Leicester, O2 Academy SOLD OUT
22nd November – Nottingham, Rock City SOLD OUT
24th November – Birmingham, O2 Academy SOLD OUT
25th November – Bournemouth, O2 Academy SOLD OUT
26th November – Southampton, Guildhall SOLD OUT
28th November – London, O2 Brixton Academy SOLD OUT
29th November – London, O2 Brixton Academy SOLD OUT
30th November – London, O2 Brixton Academy SOLD OUT