First-ever Sundance London Short Film Competition Winner Announced.

Posted on April 20, 2012 by Catherine Balavage

EXTRANJERO WINS FIRST-EVER SUNDANCE LONDON SHORT FILM COMPETITION

Film by Daniel Lumb and Crinan Campbell from north London to screen at Sundance London

Extranjero, a five-minute film from Daniel Lumb and Crinan Campbell, was announced today as the winner of the Short Film Competition at the first-ever Sundance London film and music festival, 26-29 April at The O2. The film will screen as part of the official Short Film programme at the festival and is available for immediate viewing here.

Extranjero, shot over just two days, gives the viewer a unique and unusual take on immigration as it follows a refugee trying to run from his past as well as the confusion in his own mind. Lumb, 32, from north London, and Campbell, 31, also from north London, met as flat mates six years ago and submitted the short film after friends encouraged them to.

Launched in November 2011, the Short Film Competition, a collaborative effort with the Royal Borough of Greenwich and Ravensbourne, invited UK-based filmmakers to enter original pieces between three and five minutes in length around the theme ‘Story of Our Time.’ In addition to Extranjero, finalists for the competition were: Bonsai, by Ben Williams; Two Doors Down, by Scott Ward; The Story of Our Time, by Sam Gould; and This Film Was Shot on Digital, by Ian Waldron Mantgani.

Lumb said: “Extranjero is quite an experimental film. We wanted to comment on people you don’t really know about, and Extranjero was the result. Winning the competition is a dream for both us. As film geeks it’s amazing to be associated with Sundance.”

Trevor Groth, Director of Programming for the Sundance Film Festival, said: “The jury was struck by the high level of craft and ingenuity in the submissions. Filmmakers embraced the theme ‘Story of Our Time’ and created wonderfully diverse and entertaining films. Ultimately the jury selected Extranjero for its commanding cinematic storytelling and arresting visuals that offer an alternate perspective on an imperative global issue.”

Chris Roberts, Leader of Greenwich Council added: “We are delighted to support Sundance London, and this competition will help showcase our local filmmakers to the world. The Royal Borough of Greenwich has a wealth of locations that includes everything from industrial warehouses, the largest expanse of parkland in London, historic buildings and a wealth of riverfront locations. The rich diversity of locations makes Royal Greenwich an ideal backdrop to film and have attracted productions as diverse as Children of Men and Pirates of the Caribbean.”

Previously announced events and performances for Sundance London include: a rare intimate concert performance by Placebo; Tricky and Martina Topley-Bird performing Maxinquaye; a performance by Rufus and Martha Wainwright following the world premiere of Lian Lunson’s film about the music of their mother, folk singer Kate McGarrigle; and screenings of 14 feature-length and eight short films from the 2012 Sundance Film Festival in Park City, Utah, U.S.A.

Sundance London, supported by Presenting Partner Sony Entertainment Network, takes place 26-29 April at The O2. To purchase tickets or for more information, visit www.sundance-london.com.

Romantics Anonymous | Film Review

Posted on April 16, 2012 by Catherine Balavage

This is an absolutely wonderful film. It just made me smile all the way through it.

Romantics Anonymous is a film about Jean-René, the boss of a small chocolate factory which is about to go bankrupt, and Angélique, a gifted chocolate maker he has just hired as a sales rep. They are both highly emotional and shy. They fall in love but neither of them have the emotional capacity to handle it. Will they work out their differences and live happily ever after? Maybe. And will Angélique get over her shyness and save the Chocolate Mill with her talent for making chocolate? There are a few false starts, especially when Angélique gets stood up by Jean- René. They love each other but can they make it work?

Romantics Anonymous is a very smart film. It has a good premise and the plot does not let you down. This film is the perfect anecdote to depression or a bad day. It is just brilliant. Well-written, well-acted, a little gem of a film. Even if you don’t like French films, or subtitles; watch it.

Five stars. I would definitely watch this again.

Adele Tops Rich List

Posted on April 12, 2012 by Catherine Balavage

It is that time of year again, when we found out who has become extraordinarily successful and wealthy. Us next please!

ADELE TOPS YOUNG MUSICIANS WEALTH CHART WITH £20 MILLION FORTUNE IN THE SUNDAY TIMES RICH LIST – OUT ON APRIL 29

WOMAN IN BLACK STAR DANIEL RADCLIFFE IS BRITAIN’S RICHEST YOUNG ACTOR – WORTH £54 MILLION

JESSIE J, WITH £5 MILLION FORTUNE, JOINS

YOUNG MUSICIANS RICH LIST TOP 20

ROSIE HUNTINGTON-WHITELEY – WORTH £5 MILLION

STRIDES OUT WITH THE CATWALK MILLIONAIRES

JLS QUARTET STRIKE GOLD WITH £5 MILLION EACH

Actors, models and musicians dominate the Young Rich List of British millionaires aged 30 and under to be included in The Sunday Times Rich List 2012 published on Sunday, April 29. Sixty young millionaires will appear alongside the 1,000 richest people in Britain and the 250 wealthiest in Ireland in the definitive annual guide to wealth to be published in an extra 104-page magazine free with The Sunday Times. The richest young sportsmen will appear in The Sunday Times Sport Rich List 2012 published on May 6. Additional guides to wealth will appear at thesundaytimes.co.uk/richlist from April 29, with the Richest 2,000 people in Britain available from May 13.

Outside sport, more than half the wealthiest young people in Britain are entertainers. Actor Daniel Radcliffe, aged 22, who starred in eight Harry Potter films, heads the Young Entertainers Rich List with a £54m fortune. Radcliffe has increased his wealth by £6m in a year, helped by the success of his latest movie, the gothic thriller The Woman in Black. Twilight star Robert Pattinson has added £8m in a year to his fortune and is now worth £40m.

The young entertainer who has made the biggest gain in the last year is pop diva Adele, who has more than trebled her wealth after the phenomenal worldwide success of her second album 21. The 23-year-old songstress, from Tottenham, north London, is now worth £20m, an increase of £14m on her wealth in 2011, which puts her £8m ahead of the fortunes of Cheryl Cole, Leona Lewis and Katie Melua, who are in equal second place – each worth £12m, in the Young Music Millionaires Top 20 to be published in The Sunday Times Rich List 2012 on April 29.

The five newcomers in The Young Music Millionaires Top 20, each worth £5m, are all four members of JLS and Jessie J, 24, who has sold close to 1m copies of her album Who You Are and is a mentor on the BBC TV talent show The Voice UK. Jessie J, who has an endorsement deal with Pretty Polly tights, is one of a number of young actors and musicians who add to their wealth by modelling.

Rosie Huntington-Whiteley, worth £5m, is the latest model to join Britain’s Young Rich List. Now 25, Huntington-Whiteley, who grew up on a Devon farm, has been signed to the American lingerie brand Victoria’s Secret since 2006. Based in Los Angles she is branching out into films, with a part in Transformers: Dark of the Moon last year.

THE SUNDAY TIMES RICH LIST 2012 – THE RICHEST YOUNG MUSICIANS

Aged 30 and under

Young music rank 2012	Name	2012 wealth	2011 wealth
1	Adele	£20m	£6m
2=	Cheryl Cole (Girls Aloud)	£12m	£12m
2=	Leona Lewis	£12m	£12m
2=	Katie Melua	£12m	£12m
5	Joss Stone	£10m	£9m
6=	Charlotte Church	£8m	£8m
6=	Craig David	£8m	£8m
6=	Paolo Nutini	£8m	£7m
9	Florence Welch	£7m	£5m
10=	Lily Allen	£6m	£6m
10=	Natasha Bedingfield	£6m	£6m
10=	Duffy	£6m	£6m
10=	James Morrison	£6m	£5m
14=	Nadine Coyle (Girls Aloud)	£5m	£5m
14=	Taio Cruz	£5m	£5m
14=	Jonathan (JB) Gill (JLS)	£5m	New
14=	Sarah Harding (Girls Aloud)	£5m	£5m
14=	Marvin Humes (JLS)	£5m	New
14=	Jessie J	£5m	New
14=	Aston Merrygold (JLS)	£5m	New
14=	Nicola Roberts (Girls Aloud)	£5m	£5m
14=	Kimberley Walsh (Girls Aloud)	£5m	£5m
14=	Oritsé Williams (JLS)	£5m	New

THE SUNDAY TIMES RICH LIST 2012 – THE RICHEST YOUNG ACTORS

Aged 30 and under

Young actor rank 2012	Name	2012 wealth	2011 wealth
1	Daniel Radcliffe	£54m	£48m
2	Robert Pattinson	£40m	£32m
3	Keira Knightley	£30m	£30m
4	Kiera Chaplin	£28m	£28m
5	Emma Watson	£26m	£24m
6	Rupert Grint	£24m	£24m
7 8=	Lily Cole Sarah Harding	£8m £5m	£6m £5m
8=	Rosie Huntington-Whiteley	£5m	New
8=	Kimberley Walsh	£5m	£5m

THE SUNDAY TIMES RICH LIST 2012 – THE RICHEST IN MODELLING

Aged 30 and under

Modelling rank 2012	Name	2012 wealth	2011 wealth
1	Keira Knightley (Chanel)	£30m	£30m
2	Kiera Chaplin	£28m	£28m
3	Emma Watson	£26m	£24m
4	Natalia Vodianova	£16m	£15m
5	Coleen Rooney (Littlewoods)	£13m	£12m
6	Cheryl Cole (L’Oreal)	£12m	£12m
7	Lily Cole	£8m	£6m
8 9=	Lily Allen (Chanel) Sarah Harding (Ultimo)	£6m £5m	£6m £5m
9=	Rosie Huntington-Whiteley	£5m	New
9=	Jessie J (Pretty Polly)	£5m	New

The Sunday Times Rich List 2012 is compiled by Philip Beresford, the leading authority on British wealth, and edited by Ian Coxon.

The Sunday Times Rich List 2012 to be published on April 29

The Hunger Games Review

Posted on April 9, 2012 by James Yardley

Some have dismissed ‘The Hunger Games’ as another film for the teen masses. But this no ‘Twilight Saga’, nor is it a cheap copy of ‘Battle Royale’ as some have claimed. The film is fantastic and original. Its message is important. It is an absolute must watch for all (although I was a little surprised at the lowly 12A rating).

Set in the future, every year the Capitol randomly selects a boy and girl from the surrounding twelve districts to fight to the death on live television in a tournament known as ‘The Hunger Games’. The games are a reminder of a rebellion the districts took part in against the Capitol 75 years earlier.

When I first read the summary I was worried the plot would be a little far fetched. I always want films to be believable. I shouldn’t have worried. The film takes itself seriously. At no point does it feel overly fantastical or unrealistic, in fact it does a very good job of feeling real. We should not forget that it is not so long ago in our history that these sorts of events existed, and people did fight each other to the death for others entertainment.

Unlike ‘Battle Royale’ there is a long build up to the actual tournament itself, and it is this which makes the film work so well.

The focus is on the horrific perversity of the whole event. Competitors are taken from the starving poverty of their districts to a world of opulence. As an extra dynamic to the contest the competitors are forced to try and gain sponsors in the lead up to the event by going on chat shows and doing well in test events. Sponsors help during the event will be vital if they want to have any chance of winning. The whole process is brilliantly sickening.

Unlike ‘Battle Royale’ most of the focus is on a single lead character ‘Katniss Everdeen’ who is played superbly by the brilliant Jennifer Lawrence. She is ably supported by a very strong cast.

All in all a superb film. Probably the film of the year and a must see. 9/10

Into The Abyss: A Tale Of Death, A Tale Of Life by Daniel McCarthy

Posted on April 2, 2012 by Catherine Balavage

With an output rate that would make Woody Allen envious and a string of classics ranging across four decades, the prolific German filmmaker Werner Herzog has built up a devoted international following and critically gilded canon of work that most directors can only aspire to. This includes a recent spate of documentaries that look with awe at the power of nature such as last year’s brilliant Cave Of Forgotten Dreams. Herzog is fascinated however with the sometimes cataclysmic clash of nature and man, both fictional and factual, from the likes of Aguirre Wrath Of God and to Grizzly Man. Now Herzog has taken a more definitive step towards the flawed nature of man with his latest work Into The Abyss, a calm yet unflinching examination of the death penalty in America shown through the prism of one particular crime. Many of Herzog’s films can claim to look into an abyss, whether it is literal or metaphorical. Whichever way you view this latest work, it is arguably one of his strongest pieces yet.
In October of 2001 Michael Perry and Jason Burkett, two teenagers with troubled backgrounds living in Texas, broke into the house of a fifty year old nurse Sandra Stotler with the intention of stealing her sports car.

The crime ended with her death, as well as that of her son and his friend who were ambushed upon their return to the house, led into a wooded area and killed in order to gain possession of the remote control device needed to open the gates of the housing community where they lived. It is a crime noticeable for both its callousness and stupidity. Perry and Burkett where arrested days later after a shootout with police and proceeded to blame each other for the events that took place. Burkett was sentenced to life imprisonment whilst Perry was sentenced to death. The sentence was carried out in the summer of 2010. Herzog interviews the two men at their respective prisons (Perry was only eight days from execution during his interview) as well as members of the victims’ families and some of those directly involved with the process of state executions.

From the outset Herzog makes his views clear to the two men and to the viewer; ‘I don’t have to like you, but I don’t think human beings should be executed.’ His view is a humanist one, not political despite its release coming just ahead of the Republican presidential nomination in America. Despite not shunning away from the horror of the crimes committed, judgement is not heaped upon the convicted men. The conversations with them are quietly unnerving; despite having claimed his innocence Perry views his impending death with serene calm whilst Burkett discusses the troubled relationship with his father who is also imprisoned in an adjunct prison ward for a separate crime. Their pasts and backgrounds are referenced but are not used as an excuse. Instead a complex tableau is woven on both sides with family members of the victims revealing how they have been affected by the tragedy and whether or not they feel the execution will heal their pain whilst Burkett’s father holds himself responsible for his son’s wayward lifestyle. Compared to the pacing of Herzog’s fictional work and some of the documentaries, there is a unique stillness to the imagery and the tone that is tremendously sombre and effecting. The camera roves effortlessly and holds on the smallest of details; the scattered, rural landscape that prisoners pass through on their way to the ‘Death House’, the faces of interviewees left hanging at the end of questioning and not given the mercy of a quit cutaway. Rather than adhere to standard rules of documentary film-making, Herzog is drawn to what he refers to an ‘ecstatic truth’. The point is made not through a deluge of facts and figures but instead a hidden narrative construct takes us on a journey through the incredible true story and in doing so deepens the emotional response.

There’s plenty of emotion on display here. The tale is tragic on both sides and the interviews are to the point, precise and devastating. Herzog’s trademark accented narration is toned right down and he never appears directly onscreen. There is a stillness in both the one to one and interviews and the establishing shots between them as though the camera itself is respectfully treading away from anything exploitive. Crime scene footage is seen but never lingered over. Out of the remnants of the tragedy, it is the small fleeting moments of humanity that move the deepest. An anecdote about squirrels on a golf course manages to evoke tears from a prison chaplain whilst a former captain of the ‘execution team’ recalls the exact moment when he realized he could no longer carry on with his job. The film is separated into individual chapters covering the crime, the aftermath and the debate surrounding capital punishment. The last chapter is optimistically titled ‘The Urgency Of Life’, and we focus on the acceptance of the various parties involved as they discuss how the execution has and has not restored equilibrium to the situation. Rather than end on a bleak epilogue Herzog pulls off an odd, vaguely amusing and hopeful vignette. One of the final shots is a phone screen capture of an ultrasound scan revealing a child. To say anymore may rob its power, but it’s a beautiful little grace note that only this director could pull off.

I had the good fortune to see Into The Abyss at a preview screening followed by a live stream Q and A session with Herzog himself. It was a fascinating experience to hear the man give insight into his method and viewpoint on his work and how he tackled the more stressful aspects of the production. The film is being released as a companion series, On Death Row screens on Channel 4. Though at time of writing I have only seen half of the episodes, it has all the merits of the main work itself; sombre, thoughtful and astonishingly balanced in approach to its subject. With these projects Herzog is staring death in the face. And death stares straight back.

Jean Gabin: Working Class Hero to Godfather at BFI Southbank in May

Posted on April 1, 2012 by Catherine Balavage

Jean Gabin (1904–1976) is one of the most renowned stars of French cinema. Throughout May BFI Southbank celebrates a career that spanned over four decades and which featured performances in both silent cinema and the talkies. Beginning with Jean Gabin: Anatomy of a Myth, on Wed 2 May, an introduction from season curator Ginette Vincendeau, Professor in Film Studies at King’s College London, the centrepiece of this season is the nationwide release and extended run of a newly restored classic of ‘poetic realism’ Le Quai des brumes (France 1939) from 4 May.

Between 1930 and 1976, magnetic French star Jean Gabin built an unparalleled screen image that encompassed the tragic working-class hero with a rugged charisma to underworld Godfather figures. He remains one of the great icons of cinema, and this season explores the appeal of his mythical vision of the ‘ordinary’ Frenchman.

Born Jean Alexis Moncorgé in 1904 to a family of performers, Gabin started out as a comic singer at the Moulin Rouge. His performances started getting noticed, and better stage roles came along that led to parts in two silent films in 1928. Two years later, he easily made the transition to the talkies, and soon switched to dramatic parts in cinema. From 1935 to 1939, he was the most popular French matinee idol of the pre-war period and gave performances in an extraordinary run of masterpieces Pépé le Moko (Dir, Julien Duvivier, 1937), La Bête humaine (Dir, Jean Renoir, 1938) and Le Jour se lève (Dir, Marcel Carné, 1939).

It was Renoir’s anti-war masterpiece La Grande Illusion (1937) (on extended run at BFI Southbank throughout April) that cemented Gabin’s international superstar status, and the film received universal critical acclaim. A certified classic of world cinema, the film has recently been re-released to celebrate its 75th anniversary.

Gabin’s fame was reinforced by a series of hits, including Marcel Carné’s marvellously moody crime thriller Le Quai des brumes (1939) playing one of his most memorably iconic roles as an army deserter on the run.

The war propelled Gabin to a brief stint in Hollywood, where he made Moontide (Dir, Archie Mayo, 1942) under contract with Fox. It was a fascinating attempt at ‘Americanising’ his image but Gabin felt uncomfortable speaking English. At Universal, he and Duvivier were reunited for The Impostor (1944). While working for RKO Pictures, Gabin’s difficult personality did serious damage to his Hollywood career. Scheduled to star in an RKO film The Temptress, he demanded Marlene Dietrich to be cast as his co-star (they were ensconced in a torrid, real-life affair throughout the early-to-mid 1940s). The studio refused. Gabin remained stubborn in his demand, yet he was fired and the project was shelved. RKO issued the warning that he would never work in Hollywood again; Gabin shrugged off the threat and proceeded to rejoin the French troops in North Africa.

However by the early 1950s it looked as if Gabin’s era had passed. But then Jacques Becker’s Touchez pas au grisbi (1954) and Renoir’s French Cancan (1955) catapulted him back to the top of the box-office. Suddenly Gabin was again a global star. Over the next twenty years until his death in 1976, Gabin made many more films, most of them very successful, commercially and critically. The season includes his later films such as Maigret tend un piège (Dir, Jean Delannoy, 1958), the first and best of three films in which he tackles Georges Simenon’s illustrious Commissaire Maigret; the nail-biting thriller Melodie en sous-sol (Dir, Henri Verneuil, 1963) co-starring Alain Delon who would always credit Gabin as a great influence; and the most poignant of his later films, Le Chat (Dir, Pierre Granier-Deferre, 1971) with tour-de-force performances by Gabin and the great Simone Signoret as an ageing and feuding husband and wife.

Gabin’s career lasted over 40 years and he became a mythical figure of French cinema. His rugged looks, rough voice and Parisian accent still anchored his characters in the same social milieu, and this is why he kept his popular following. Ultimately Gabin’s charisma endowed the ordinary man with dignity and prestige.

Hollywood Storyteller hosts Raindance Masterclass

Posted on April 1, 2012 by Catherine Balavage

Raindance is a Frost favourite. I have taken their 99 minute film school, and a couple of their other courses. We also cover their amazing film festival. Now they have one of Hollywood’s top story consultant doing a masterclass.

Raindance has announced that Christopher Vogler – one of Hollywood’s most celebrated story consultants – will host a weekend masterclass in London on 27-28 April.

Renowned as a leading expert in storytelling, Vogler is the guiding hand behind such films as The Wrestler, Black Swan, The Lion King, Fight Club and The Thin Red Line. Having worked for Disney, Warner Bros, Paramount and Fox, Vogler is in a unique position to share his insights into how powerful stories are made.

“We’re thrilled Christopher Vogler will be hosting this special Raindance masterclass in a rare appearance here in London,” says Elliot Grove, Director of Raindance. “He really is the stuff of screenwriting legend so this is a must for writers, directors, actors and producers interested in the entire story process from idea to script to screen,” he added.

Vogler’s best-seller, The Writer’s Journey, has been read by over 250,000 screenwriting students, establishing itself as one of the cornerstones of modern screenwriting theory and influencing a new generation of storytellers. Based on a memo he wrote while working at the Disney studios, the book has been translated into eight languages and its ideas were promptly put to use by a whole generation of screenwriters and novelists. Black Swan director Darren Aronofsky cites it as “the first book that everyone’s got to read”, while the LA Times describes the original memo as “the stuff of Hollywood legend… (Vogler’s) idea of a ‘mythic structure’ has been quickly accepted by Hollywood, and Vogler’s book graces the bookshelves of many studio heads”.

International Buddhist Film Festival

Posted on March 26, 2012 by Catherine Balavage

International Buddhist Film Festival

11–15 April

In conjunction with the Buddhist Art Forum at the Courtauld Institute of Art

This is a film festival with a difference, the program is below, lots of good films to see.

The International Buddhist Film Festival (IBFF) is returning to London this Spring, bringing a compelling selection of Buddhist cinema to the capital from 11-15 April at the Apollo Piccadilly Circus.

The diverse programme will showcase more than a dozen feature films and documentaries, most of which are European and UK premieres – from a Thai murder mystery and a Nepali road movie about a Tibetan nun’s journey to Katmandu to recover a debt, to a host of docs including a Richard Gere-narrated exploration of the life of Buddha and a self-portrait by a filmmaker who was identified as the reincarnation of a renowned Buddhist teacher when he was three years old.

Now celebrating its 10th year, the IBFF has presented festivals in cities across the world from LA, Washington DC and Mexico City to Amsterdam, Singapore and Hong Kong. This will be the first time the IBFF has visited the UK since 2009. “We are delighted to be returning to London with a wonderful new selection of world cinema with a Buddhist touch,” said Gaetano Kazuo Maida, Executive Director of IBFF. “Drawing on themes from karma, self and happiness to redemption, compassion, community and creativity – often treated with humour – there is something here for everyone, regardless of how much they already know about Buddhism,” he added.

The IBFF is being held in conjunction with the Buddhist Art Forum at the Courtauld Institute of Art at Somerset House, offering Londoners a feast of Buddhist cultural delights across cinema and art.

PROGRAM

Shugendo Now
Directed by Jean-Marc Abela and Mark Patrick McGuire
Japan, Canada / 2010 / Japanese with English subtitles / 88 min / Documentary
EUROPEAN PREMIERE
Wednesday, April 11, 6:30 pm

There is a unique school of Japanese asceticism called Shugendo, the Way of Acquiring Power, a blend of Shinto, Daoism and Buddhism. Followers practice arduous rituals in mountain wildernesses and are deeply committed to protecting the natural environment. The film is a poetic and intimate journey into a rarely seen world between the developed and the wild, between the present and the infinite. Filmed on location in Japan’s Kumano Mountains, Tokyo and Osaka.

The Buddha
Directed by David Grubin
USA / 2010 / English / 112 min / Documentary
Narrated by Richard Gere
UK PREMIERE
Wednesday, April 11, 8:45 pm

The story of Buddha, the 6th century BCE prince who became a great spiritual teacher, has been told in many ways and media. This is an ambitious and imaginative film by veteran documentary director David Grubin (RFK, FDR, LBJ, The Jewish Americans, Napoleon), narrated by Richard Gere. The film features location footage plus animation and contemporary voices including poets Jane Hirshfield and US Poet Laureate W.S. Merwin, and Buddhist scholar Robert Thurman to explore the life and meaning of the man who became “awake” and continues to inspire the diverse Buddhist cultures all over the world. Filmed on location in India, Nepal and the US.

Mindfulness and Murder
Directed by Tom Waller
Thailand / 2011 / Thai with English subtitles / 90 min / Dramatic Feature
UK PREMIERE
Thursday, April 11, 6:30 pm
Director and Producer expected to attend

The body of a dead homeless youth turns up in a Bangkok monastery and the police don’t want to get involved. Former homicide detective Father Ananda is now a senior monk and is asked by the abbot to solve the murder. Based on a novel by Bangkok resident Nick Wilgis, the film explores the intimate world of a Thai Buddhist monastery while following the rules of a classic whodunit. And as usual, not everything turns out to be what it at first seems. Starring Vithaya Pansringarm as Father Ananda, with two pop music personalities in leading roles, Prinya “Way” Intachai, one of the rappers in Thaitanium, and Charina Sirisinha of the ZaZa.

Karma
Directed by Tsering Rhitar Sherpa
Nepal / 2006 / Tibetan with English subtitles / 104 min / Dramatic Feature

EUROPEAN PREMIERE
Thursday, April 11, 8:45 pm

A road movie with Tibetan Buddhist nuns: an intimate story that begins behind the walls of a nunnery in remote Mustang. Karma is a free-spirited nun, and when the abbess dies, there’s an urgent need for money to pay for the rites after her death; Karma is assigned to go with another nun to try to retrieve funds on loan to a mysterious man once known to the abbess. Her search, and her journey within, take us to Katmandu, and beyond the obvious, beyond expectations, even beyond Buddhism at one point. She gets some advice along the way, “You’re desperately after something… you won’t get it, but you won’t fail.” And the movies play a part, of course. A rare and intriguing glimpse into the inner life of Tibetan nuns in a changing world. (Karma also means “actions”…) Starring Tsering Dolkar, Ani Yeshi Lhamo, Mithila Sharma and Jampa Kalsang.

The Great Pilgrim
Directed by Jin Tiemu
China / 2009 / Chinese with English subtitles / 98 min / Documentary

EUROPEAN PREMIERE
Friday, April 13, 6:30 pm

One of the most celebrated journeys in history is that of Tang dynasty Chinese monk Xuanzang. His quest to obtain original Buddhist texts took him on a nineteen year pilgrimage to India where he studied for several years at the famous Nalanda University. Upon his return to China in 645, bearing many Sanskrit texts, he was sponsored by Emperor Taizang to translate all the texts into Chinese and to record the story of his journey. His autobiography, Great Tang Records of the Western Region, is considered so accurate in its observations that it is consulted by archeologists and historians to this day. It is also the inspiration for the many popular Journey to the West and Monkey stories in novels, comic books, and animated and live action films and television from several countries in Asia. Reenactments, location filming and animation are compellingly deployed in The Great Pilgrim to introduce a truly legendary figure.

Abraxas
Directed by Naoki Kato
Japan / 2010 / Japanese with English subtitles / 113 min / Dramatic Feature
Friday, April 13, 8:45 pm

A punk rock veteran, now a married Buddhist priest, has a crisis of identity. This film touches on karma, self, compassion, community, impermanence, a dog, fathers and sons, relative and absolute, noise and music… and weaves bravely between heartfelt emotion and borderline jaunty farce. A soft spot for thrash punk (and Leonard Cohen) will add to the pleasure. Perhaps this is something of a glimpse into the place of Buddhism in contemporary Japan… A not-too-distant kin to Juzo Itami’s The Funeral (1984), Masayuki Suo’s Fanshi Dansu (1989) and Yojiro Katika’s Departures (2008)…. A Sundance Film Festival World Cinema Competition film starring Japanese rock star Suneohair, with Rie Tomosaka and Kaoru Kobayashi.

Tulku
Directed by Gesar Mukpo
Canada / 2010 / English / 76 min / Documentary
EUROPEAN PREMIERE
Saturday, April 14, 3:00 pm

At age three, Gesar Tsewang Arthur Mukpo, son of renowned Tibetan Buddhist teacher Chogyam Trungpa Rinpoche and his British wife Diana, was identified as the reincarnation of the late Jamgon Kongtrul of Sechen, one of his father’s own teachers in Tibet. Living in Boulder, Colorado and then Halifax, Nova Scotia, Gesar balanced competing cultures and strikingly different definitions of self. His life was far from that of an ordinary contemporary American or Canadian—his father was a world famous Buddhist teacher and author—but there was no monastery upbringing like that of perhaps the best known tulku, the Dalai Lama, or even like his father. The film goes beyond autobiography to explore the Tibetan tradition of recognition of reincarnations of Buddhist teachers. Other non-Tibetan tulkus are interviewed as well as renowned Tibetan teachers including Dzongsar Khyentse Rinpoche and H.H. Ogyen Trinley the 17th Karmapa.

Crazy Wisdom
Directed by Johanna Demetrakas
USA / 2011 / English / 92 min / Documentary
EUROPEAN PREMIERE
Saturday, April 14, 6:30 pm

This is the long-awaited feature documentary that explores the life, teachings, and “crazy wisdom” of Chogyam Trungpa, Rinpoche, a pivotal figure in bringing Tibetan Buddhism to the West. Raised and trained in the rigorous Tibetan monastic tradition, Trungpa shattered preconceived notions about how an enlightened teacher should behave—he openly smoked, drank, and had intimate relations with students—yet his teachings are recognized as authentic, vast, and influential. Trungpa taught Buddhism as though it were a matter of life and death. Allen Ginsberg considered him his guru; Thomas Merton wanted to write a book with him; Joni Mitchell wrote a song about him. Filmed in the UK, Tibet, Canada, and the US, twenty years after Trungpa’s death, with unprecedented access and exclusive archival material.

My Reincarnation
Directed by Jennifer Fox
Italy, USA / 2011 / English, Italian, and Tibetan with English subtitles / 82 min / Documentary
OFFICIAL UK PREMIERE
Saturday, April 14, 8:45 pm
Director expected to attend

Working with over a thousand hours of remarkable footage taken over an unprecedented twenty year span with extraordinary access to Tibetan Buddhist teacher Namkhai Norbu Rinpoche, My Reincarnation is the intimate story of a father and son, tradition and change, dreams and realities, destiny and desire, and Tibetan Buddhism in the contemporary world. Director Jennifer Fox is a veteran world-class filmmaker with a number of award-winning productions to her credit including Beirut: The Last Home Movie, An American Love Story and Flying: Confessions of a Free Woman. Filmed on location in Italy, China and fifteen other countries.
SPOTLIGHT ON BURMA

Aung San Suu Kyi: Lady of No Fear
Directed by Anne-Gyrithe Bonne
Denmark / 2012 / English / 64 min / Documentary

Compelling and fascinating glimpses into the life of the Nobel Laureate. This new film details some of the consequences her freedom struggle has had, not only for her, but also for her closest friends and family, as she emerges from years of detention to take her place again at the forefront of her country’s transition to democracy.

Into the Current
Directed by Jeanne Hallacy
Myanmar, Thailand, USA / 2011 / English and Burmese with English
subtitles / 76 min / Documentary

This film honors the leaders of Burma’s nonviolent democracy movement and their personal sacrifices for the freedom of their people. The film explores the commitment of Nobel Peace laureate Aung San Suu Kyi, poet Min Ko Naing, comedian Zarganar and women’s leader Nilar Thein. Their stories are told through scenes of political activities filmed at great risk by the Democratic Voice of Burma, with rare archival footage and new material filmed with Burmese exiles. Bo Kyi, a former prisoner, carries the voices and the plight of 2,000 other political prisoners to the international stage.
KanZeOn

Directed by Tim Grabham and Neil Cantwell
UK, Japan / 2011 / English subtitles / 86 min / Documentary
Directors expected to attend

A mysterious and innovative meditation on sound, song, story, ritual, performance, nature, tradition and Japanese Buddhism… a fearless merging of medieval and modern, beautifully filmed with a variety of cinematic techniques on location in Japan, intimate and deeply seen. Kanzeon, another way of saying Kannon, the embodiment of compassion (in Sanskrit: Avalokiteshvara, in Tibetan: Chenrezi, in Chinese: Kuan Yin), can also be written in Japanese as “to see sounds.” Filmed on location in Kyushu, Japan.
Summer Pasture
Directed by Lynn True, Nelson Walker, Tsering Perlo
USA, China / 2010 / Tibetan with English subtitles / 85 min / Documentary

Summer Pasture is a complex and intimate portrayal of the world of a nomadic family on the Tibetan plateau at a time of profound historic change. Locho and Yama are nomadic herders who carve their existence from the land as their ancestors have for generations. But now, as traditional nomadic life confronts rapid modernization, Summer Pasture captures a family at a crossroads, ultimately revealing the profound sacrifice they will make to ensure their daughter’s future. Filmed on location in China.

For ticketing and venue information, please visit Apollo Piccadilly Circus. The booking schedule is expected soon.

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