Tag Archives: Film

Reel Syria Film Festival 2012

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REEL SYRIA 2012
London
March 15-18

 

Following the successful REEL FESTIVALS 2011: SYRIA, LEBANON, SCOTLAND – a trilateral exchange of contemporary music, film and literature from Syria, Lebanon and Scotland, Reel Festivals returns for its fifth year with Reel Syria 2012, in association with Mosaic Initiative for Syria, supporting Syrian artists and showcasing Syrian culture to a UK audience.

At a time when Syria is engulfed in violent conflict, the festival will present a nuanced portrait of the country and its people. On the anniversary of the uprising, Mosaic Initiative for Syria will also raise funds for Syrians displaced and affected by the current violent crackdown.

Highlights of the festival include a performance of Score 328: SURROUND by ‘The 17’ an international public performance project conceived by artist/author/musician Bill Drummond (KLF). A Syrian film programme by DoxBox including a screening of ‘A Flood in Ba’ath Country’ directed by the late, celebrated Syrian documentary maker Omar Amiralay, an evening panel discussion on creative resistance with guests, including Asian Dub Foundation’s Steve Chandra Savale, Syrian novelists Manhal Alsarraj and Mamdouh Azzam, and other participants TBC. There will also be a fundraising Syrian-style bazaar at Kensington Town Hall.

A major fundraising music concert is scheduled, but at time of going to press, details are still being confirmed. More information will follow shortly

They have a blog that can be read here.

EVENT DETAILS

Thursday 15th March

7:00 pm – Reel Syria in association with Frontline, screening of Syrian documentary film, ‘A Flood in Ba’ath Country’ by Omar Amiralay as part of DoxBox Global Day. Q+A with Syrian Director Reem Ali £10/£8 (Frontline Club, 13 Norfolk Place, W2 1QJ)

Friday 16th March

5:00-7:00 pm – Literary panel discussion and readings – Culture Under Fire: Creative resistance in Syria. Join some of Syria’s best known authors, artists and poets for a discussion of cultural repression and resistance. Featuring: novelist, Manhal Alsarraj, novelist, Mamdouh Azzam, musician Steve Chandra Savale, academic, Donatella Della Ratta + more tbc (Free Word Centre)
8.30-10pm – Screening of Syrian film(s) + Q&A
Free Entry (Free Word Centre, 60 Farringdon Road, EC1R 3GA)

Saturday 17th March

4:00 pm – Mosaic Initiative for Syria Fundraising Syrian Bazaar (Kensington Town Hall)
7:00 pm – Art of the Revolution, Mosaic Initiative fundraising concert featuring top Syrian musicians – further programming and price info TBC (Kensington Town Hall, Hornton Street, London, W8 7NX)

Sunday 18th March:

1:00 pm – Bill Drummond – ‘SURROUND in Damascus’, a piece of work created for Syria in 2011 by legendary artist and musician Bill Drummond, will now take place in exile in London. 100 volunteers are needed; all will become members of The17, Bill Drummond’s international choir.
To take part, please email surround@reelfestivals.org

DoxBox is Syria’s only independent documentary film festival and has hosted guests such as D.A. Pennebaker, Kim Longinotto, Mark Isaacs and many more. In 2012 it will take place in exile, with a programme of Syrian documentary film. The film aspect of Reel Syria will come from DoxBox.
Reem Ali is one of Syria’s best known contemporary actresses. She is the director of ‘Zabad’, a 2006 searing critique of the Assad regime, subsequently banned in Syria; it premiered at Reel Festivals 2011.

Manhal Alsarraj is an award winning Syrian author. She has published a number of books including Overcoming The Bridge (1997) and As Should Be For The River (2000), which was banned from publication in Syria due to its political connotations. Her most recent novel On My Chest (2007) was published by Cadmus books in Damascus in 2007.

Mamdouh Azzam, is a Syrian novelist, whose works are a damning portrait of life under a dictatorship, as well as being beautiful works of literature. His novel Rain Palace was banned by the Ministry of Culture for religious/political reasons and his latest novel, Women of the Imagination, is a story of a book-obsessed teacher living under the Baathist regime

Steve Chandra Savale, also known by his stage names Chandrasonic and best known for his punk rave aesthetic as the guitarist for the ground-breaking British band Asian Dub Foundation. In 2009, He presented a series of documentaries for Al-Jazeera English called Music of Resistance.

Donatella Della Ratta is an academic specializing in the study of Syrian cultural production at the University of Copenhagen. Author of several articles for leading scholarly journals, she focuses on culture of resistance in Syria and its implications.

Bill Drummond has been the bestselling musician in the world, burnt £1,000,000 as a work of performance art and written a manual on how to have a number one record. His energies are now focused on a choir called The17 and he will be presenting a piece made to take place in Syria during the festival. http://www.the17.org/scores/328,
http://www.penkilnburn.com/events/events.php

 

Reel Festivals was made possible by the generous support of the British Council .

Reel Festivals is a Firefly International project. Firefly is a charity which breaks down barriers through shared creative and cultural dialogue.

Twitter: reelfestivals / Facebook: reelfestivals

Info about Reel Festivals:
http://www.reelfestivals.org/reel-syria/

 

SUNDANCE LONDON: FILM PROGRAMME UNVEILED FOR INAUGURAL EVENT

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London can never have enough film festivals, and the film legend that is Robert Redford has brought Sundance to our door. I am so excited.

14 Films Make Their UK Premieres, 26-29 April at The O2

London, 7 March 2012 — Sundance Institute and The O2 announced today the programme of 14 narrative and documentary feature films that will make their UK premieres at the inaugural Sundance London festival, taking place at The O2 from 26-29 April. These films premiered in January at the 2012 Sundance Film Festival in Park City, Utah – the premier independent film festival in the United States.

“I welcome the opportunity to see how people in the UK experience these films,” said Robert Redford, President and Founder of Sundance Institute. “While they are American productions they speak to universal experiences and global challenges.”

He went on to add, “Sundance London also is the perfect opportunity to continue our long-time commitment to growing a broader international community around new voices and new perspectives.”

John Cooper, Director of the Sundance Film Festival, said, “Sundance London grew out of our desire to help American independent filmmakers expand their reach, and we are happy that these 14 filmmakers are joining us on this adventure. Their participation has helped us to not only create a programme for Sundance London that reflects the diversity of our film festival in Park City, but also that helps build an enduring legacy of American stories that speak to international audiences.”

Alex Hill, Chief Finance and Strategy Officer of AEG Europe, owners of host venue The O2, adds: “All at The O2 are very excited that the inaugural Sundance London film and music festival is nearly upon us. The 14 films which Sundance Institute is bringing to London reflect the strength, depth and breadth of American independent cinema that showcased earlier in the year at the Sundance Film Festival. They complement an exciting music component with performances from Tricky and Placebo, and our opening night event An Evening With Robert Redford and T Bone Burnett. In what is arguably the world’s most culturally diverse city, The O2 is proud to be hosting such a prestigious festival.”

In addition to film screenings, Sundance London will host live music performances and events each evening, including the previously announced Opening Night event An Evening With Robert Redford And T Bone Burnett, Placebo in concert and Tricky and Martina Topley-Bird performing Maxinquaye. Also on offer to Sundance London audiences will be unique opportunities to attend panels and hear guest speakers talk about the part they play in making films, documentaries and the role of music in modern cinema.

Forthcoming announcements include the festival’s short film programme, special events and additional music performers.

Programme information and ticket packages are available at www.sundance-london.com. Individual tickets will be on sale in early April.

Jason Croot on Making Films | Frost Interviews

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I interviewed Jason Croot for the second time recently. Jason is an incredibly talented film director, writer and actor. He is everything the British film industry needs: a talented, hard-working, pro-active filmmaker who puts himself out there and just does it. I am in a few of Jason’s films, notably Meeting Place and Le Fear, Le Sequel, but I am not biased- honest.

Jason: Hello Frost readers thank you for the interview.
 
How easy was Le Fear to make? Le Fear was a world-wind my directorial debut post production was only 3 weeks. We filmed it in 2 days, and we had a few difficult situations, but when you are making films you have to give everything and think on your feet. It was an improvised feature around a basic script and all in all I was very pleased with the outcome

What is the most important thing you learned?  A reliable crew is vital on a film set, we had a few people who let me down last-minute, but the crew where fantastic

Where did the idea come from? I was walking to the supermarket in Peckham and I thought I’d love to make a film about a film. After I made it I found there were about 30 films that were similar film within films, I’ve watched most of them. Day for Night is my favourite

How do filmmakers make money in this new climate? Great question, I’ve decided to show Le Fear for free currently on vodo.net http://vo.do/lefear.  There are a few distribution deals on the table but I believe vodo will hit 10,000 plus views and that’s what excites me more than anything at present, but to answer your question Netflix, Love Film, Creatspace will make you some income but it really depends how good your film is. My saying is ‘Cream always rises even in cheap coffee’.  

What has the feedback been like? Brilliant, when you send your film to be critiqued, especially when you have a budget of £1550 and this is a feature film you expect to be slammed, but out of 7 reviews we got one poor one, but the guy did give us 4 out of 5 for comedy so that was a good positive.

You obviously enjoyed yourself as you made a sequel, tell us about that; when will it be released? I would love to tell you about the sequel, I want to make Le Fear in to a series and really believe if people watch the first 2 films that dream can become a reality. The sequel is a 100% improvised feature unlike the original. It will be 90 minutes plus feature-length comedy horror, I must say the cast and crew where brilliant and we have 24 hours of footage to edit, I’m really excited about the prospect, no plans for a release yet, my films tend to be world-wind in making but lengthy in post, simply because I believe that method really works, okay give me a million pound budget I might film over 2 weeks, but the edit would take the same time generally 12-18 months after the film wraps, If you rush often your left unhappy so it will be ready when it’s ready. Sorry to be so vague, we will have a trailer out there this year and I have my target on a former number 1 soundtrack if I win the lottery I will definitely have that song in there, if not we will find a good track music and sound is so important in film making

What is next for you? Since moving into film making my acting as been limited but I’m hoping to get back into it. I’m currently looking at finding a new agent, I love directing so will hopefully will be working on some other films soon, I’ve decided not to make anymore of my own films until the four our out there{Le Fear, Demons and Doors, Meeting Place and Le Fear 2} hopefully start making some noise.

What advice do you have for people making their own films? Find a good crew, have your own equipment if possible, and always have a back up, especially with locations, finally sound is just as important as visuals; Finally never panic even if the crap hits the fan.
 
How important is IMDB to you?  I was on a mission for sometime to get into the top 10,000 on there starmeter, I think I hit the dizzy heights of 10, 861 in 2010 but I’m way out at present mainly because I’ve produced some low-budget films which sent my starmeter the opposite way. Generally actors are in the top 10,000 not film makers/actors. Saying that I believe it does hold a lot of weight and fell free to check me out 
 
What is your favourite movie? I don’t really do favourites, so I’d say Night on Earth

Favourite actor? Same again but I’d go with Roberto Benigni

Favourite director? I’m a big Jim Jarmusch fan

Thanks Jason.  Thank you Frost for having me!!!

Travel discounts with every Jameson Dublin International Film Festival ticket

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Film enthusiasts attending The Jameson Dublin International Film Festival 2012 could soon be starring in their very own season of discovery off the big screen.

Adventure travel specialist Intrepid Travel is offering a discount to anyone who buys Festival tickets at the box office, worth €100 off their next holiday*. One lucky film fan will also win a free 15 day-trip to India**, where they’ll experience the spice markets of Delhi, the beauty of the Taj Mahal, and the marble palaces of Udaipur.

Now in its tenth year, The Jameson Dublin International Film Festival 2012 is Ireland’s largest film festival and will include over 130 feature films, documentaries, shorts and events, and will showcase the best film-making from right across the globe, with films from a wide range of countries including Indonesia, Mexico and Cuba. There is also a ‘discovery programme’ of unexpected gems.

“Intrepid Travel has been helping people with a sense of adventure to get off-the-beaten-track and discover the world for more than 20 years,” said Daniel Pawlyn, Intrepid Travel’s Sales & Marketing Manager UK & Ireland. “We’re proud to be supporting The Jameson Dublin International Film Festival as it invites the Irish public to ‘celebrate the story and share the adventure’.”

The Jameson Dublin International Film Festival takes place from 16 – 26 February 2012, and the Intrepid Travel discount can be redeemed at www.intrepidtravel.com, by calling 01 524 0071, or at a local travel agent.

The Muppets {Film Review}

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Over a decade since their last cinematic outing, Jim Henson’s iconic, comedic felt creations face a tough dilemma. Do they put on a spectacular show at the old Muppet theatre to restore their name and glory or do they slip away into the night; icons of a less complicated and cynical time? Whilst that may describe the plot of the movie itself, it also sums up the real world that the Muppet franchise finds itself in at present. Kid’s entertainment is mostly cyclical and yesterday’s fad creates indifference if not complete ignorance. However the care of craft is crucial and it seems to have paid of hugely. After a terrific Thanksgiving opening in the States, James Bobin’s reboot arrives on these shores. As someone who always liked and enjoyed The Muppets yet not a die-hard fan, I approached this with a certain sense of trepidation. Thankfully I was rewarded with one of the smartest, funniest and simply joyful mainstream family films of recent memory.

The central plot revolves around young Muppet Walter and his human brother Gary (Jason Segal, also the films co-writer). Growing up as the only Muppet in the ridiculously idyllic Smalltown, Walter finds comfort and joy through the Muppet Show on television. All grown up the two head to LA with Gary’s girlfriend Mary (Amy Adams in full on charm mode) in tow to see the Muppets Studios. However they find the studio empty and in decline, the Muppets broken up and etching out meagre livings and worst of all an evil oil baron literally named Tex Richman (a game Chris Cooper) planning to tear down the studios and dig up the black gold he has found beneath. It’s up to Walter and his friends to band Kermit and his Muppet companions together for one last show in order to raise funds and save their precious theatre. To be honest it’s a fairly tired and tested plot device yet the creators crucially realise that the journey is what counts and not the destination. For a film that is primarily aimed at a youth market, it’s a surprisingly melancholic experience as the central Muppet characters are forced to face their redundancy. These issues are raised on a more direct level with Walter and Gary who must confront the inevitable distance that grows between them.

As brave a move this is for a kid’s movie, only a fool would believe this would take the route of a Shakespearian drama. Bobin and Segal clearly understand the nostalgic appeal of the characters and play it wonderfully with a firmly tongue in cheek sense of humour that at once ridicules the characters flaws yet is clearly on their side and delights in their antics. Fozzy tells his bad jokes, Gonzo will perform death defying stunts and Animal will be unable to resist the drums. They’re aware their living in a movie world and there are several witty and well placed jokes referencing the confines of the films narrative that work well for both old fans and newbie’s alike. The human cast rise to the task with equal aplomb noticeably during the films playful song and dance sequences penned by Bret McKenzie of HBO’s brilliant Flight Of The Concords. The piece ‘Man or a Muppet’, drifts effortlessly between melancholy and mirth with a great visual pay-off. There’s also the bizarre sight of an Oscar winning dramatic actor rapping about his wealth with dance backing.

Everyone’s up for a laugh in the film, a clear fact from the celebrity cameos associated with the Muppets from their early days. The likes of Alan Arkin and Emily Blunt send up their own images in brief but well timed spots but perhaps in some of the later scenes there seems to be a wary degree of redundancy in the appearances, as though the makers just tried to get as familiar faces in as they could. This is particularly noticeable at the films climax; could they really have not found anyone else to ‘co-host’ the show. It’s one of a few niggling flaws that slightly undermine the film such as particular favourites such as Rolfe and Beaker getting only limited screen time (though understandable due to the brisk running time) and a only creeping sense of infantile humour that feels at odds with the all generations aspect of the original show. But no mind, these are only small flaws with what is otherwise a genuine gem of family entertainment and a glorious return to form for a set of beloved characters. Hell, ever Waldorf and Statler would be cheered up by it.

21 Tips for Living Life without Regret

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‘Living Life without Regret’

21 Tips for Living Life without Regret by Hilbre Johnson of Transform Life Coaching (www.transformlifecoaching.co), who recently lost a close friend to cancer.

1. Be proactive. Go after life, don’t wait for it to come and find you – it never will.

2. Start and finish each day by saying ‘thank you’. Many people didn’t make it through your day – life is a precious gift.

3. Show compassion. Kindness is free and it makes the world a better place. Always do for others as you would like them to do for you.

4. Set your intention for the day and know what you want to get out of it. If you don’t have any idea of where you are going, how can you get there?

5. Keep active and eat healthily. A flexible and strong body is a young body.

6. Keep learning. A stimulated mind is a young mind.

7. Challenge yourself. Always keep moving out of your comfort zone – it is the only way we grow.

8. Practice mindfulness. It makes each moment a far richer experience when your senses are fully alert.

9. Forget worrying about the future, just plan for it so you can enjoy it when you get there.

10. Make time for those you care about.

11. Always tell those you love how you feel about them. You never want to say ‘if only I had told them…’

12. Make an occasion out of even the smallest and most simple things.

13. It really doesn’t matter what others think. We only realise this as we get older having wasted so much energy on trying to impress them. Who cares!

14. Slow down. We all rush along blindly heading where ever it is we are going and miss all the scenery along the way. Life isn’t just about getting to your destination, it is also about enjoying the journey.

15. Spend more time with nature – we can learn so much by quietly observing how perfectly she goes about her daily activities.

16. When it comes down to it, life is all about the simple things.

17. Make conscious changes, if you don’t life has a way of making them for you and they won’t always be what you want.

18. Find your life purpose.

19. Love unconditionally.

20. Travel more. See more.

21. Life is short and you want to say at the end of it – I lived and loved like there were no tomorrows…

These tips are thanks to Sony Pictures Home Entertainment and the DVD release of Restless, starring Mia Wasikowska (Jane Eyre, Alice in Wonderland) and newcomer Henry Hopper (Dennis Hopper’s son), out on 13th Feb.

Directed by Gus Van Sant, Oscar®-nominated director of Milk and Good Will Hunting, the film follows Annabel Cotton, a beautiful and charming terminal cancer patient with a deep felt love of life and the natural world. Enoch Brae is a young man who has dropped out of the business of living, after an accident claimed the life of his parents. When these two outsiders chance to meet at a funeral, they find an unexpected common ground in their unique experiences of the world.

The Fringe Report Awards 2012

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John Park has run the Fringe Report for ten years, and I am as unhappy as the other 400 odd people who turned up to the Fringe Report Awards that The Fringe Report is ending this year. John has run the Fringe Report without profit and has connected everything and everyone on the fringe of London, and indeed, the UK.

James Aylett, James Yardley and Lynn Howes.

The Fringe Report Awards took place at Monday 6 February 2012 at The Leicester Square Theatre. The Leicester Square Theatre was packed with the great and good of Britain’s theatre and acting talent. [Disclaimer: I am an editor, writer and photographer for the Fringe Report].

Jack Bowman and Catherine Balavage

The awards were as fun as ever and the list of winners is below. Goodbye to the Fringe Report. The fringe now weeps at your loss.

Elliot Grove – Outstanding Achievement Award – Film
Steve Forster – Best PR – Theatre
Flavia Fraser-Cannon – Best Creative – Producer, Photographer, Publicist
Paul L Martin – Best Producer – Cabaret
Sibyl Madrigal – Best Music Curator (for Boat-Ting)
Performers Without Borders – Best Encouragers of Talent
Steve Henwood & Wendy Matthews – Best Festival Directors
Guy Chapman – Outstanding Achievement Award – PR
Kiki Kendrick – Best Creative – Actor and Writer
Becky Talbot – Best Presenter – Radio
Kevin Sampson – Outstanding Achievement Award – Literature & Film
Vocal Motions Elastic Theatre – Best Theatre Company
Sasha Regan – Best Venue Director
Adam Morley – Best Director – Theatre & Film
Ricky Dukes – Best Artistic Director (Lazarus Theatre Company)
James Hyland – Best Performer – Solo Show (for A Christmas Carol / Jacob Marley)
Paul Sayers & Simon Bolton – Best Shakespeare Producers (Rooftop Theatre)
Paul Levy – Best Publisher
Tactful Cactus – Best Short Film (for Starcrossed)
Alison Wright – Best PR – Arts
Stuart Price – Best Creative – Director & Writer
Laura Pitt-Pulford – Best Performer – Musical (for Parade at Southwark Playhouse)
Alexander Parsonage – Best Artistic Director (Finger In The Pie)
Andy McQuade – Best Director – Theatre
Catherine Brogan – Best Poet

Second Trailer for The Amazing Spider-Man Movie Hits the Web

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Yes indeed, the second trailer for The Amazing Spider-Man movie has hit the web and seems to have got the whole world in a spin.

Whilst there have been many skeptics (and who could blame them; after all a reboot of Spider-man is about as much needed as a reboot of Harry Potter)  Andrew Garfield’s portrayal of Spiderman / Peter Parker in Marc Webb’s version (in the trailer at least) looks much more serious, determined and full of all those angst that teenagers have had to endure over the…erm, centuries.

So what are the changes? Well for a start there’s a whole different dynamic between Parker and the object of his affections, Emma Stone’s Gwen Stacy, it could be a real love triangle – or web.

Then there’s the fact that in this reboot Peter Parker has man-made rather than organic web-shooters. This allows the film-makers to play up the teenager’s status as something of a budding scientific genius, rather than just a talented student. This in turn ties into the key plotline within The Amazing Spider-Man which revolves around Parker’s relationship with scientist Dr Curt Connors (Rhys Ifans).  For those of you not up to date with the comic book, Connors once worked with Parker’s late father, adding an extra layer of intrigue when his dodgy experiments transform him into the Lizard. Director Marc Webb, speaking in LA, said his film would examine “the emotional consequence of what it means to be an orphan.” He added: “We wanted to treat Peter Parker in a more realistic, naturalistic way. There are a lot of things from the Spider-Man canon: this starts off with Peter Parker and his parents.” Interesting eh? I thought so.

Lastly the production has been shot entirely in stereoscopic 3D. which can only be a coop for Sony who are looking to push their ideas of creating 3D within the home.

Might just be my opinion but the new trailer looks awesome. I am still not so sure about that suit but one thing is for sure is that there is action, tons of it and most importantly, although trailers tend to just show the best bits it looks like they are holding nothing back. It seems as if Spider-man is about to come of age.

The Amazing Spider-man is due for release July 4th – Check out the trailer below

[youtube http://www.youtube.com/watch?v=-tnxzJ0SSOw&w=560&h=315]