Francis Bowie | Music Profile

Artist: Francis Bowie
Location: Copenhagen, Denmark
CD: Francis Bowie EP
Release date: Oct 17, 2011
Label: Interscope Digital
Production: Michelle Djarling & Kasper Larsen (Kay & Ndustry)
Websites: http://francisbowie.bandcamp.com/, http://francisbowie.com, http://soundcloud.com/francis-bowie, http://www.facebook.com/FrancisBowie
Style: Intelligent Pop Music
Streaming link: http://francisbowie.bandcamp.com
Secure Download link: http://www.mediafire.com/?t3nlbx26o1nlbw9
Music video links: http://www.youtube.com/watch?v=260f6EIaQi4&feature=channel
Sunny Day” music video: http://youtu.be/260f6EIaQi4

Bio: Francis Bowie is a metrosexual whirlwind of creativity within the Danish music and art scene; aside of his singing and songwriting, he is a painter, sculptor, designer, writer and gallery owner.

Along with a growing band of people worldwide who love pop music but are disenfranchised by the bland ‘Pop Idol style’ music that dominate the charts, Francis Bowie has decided to promote his new concept of Intelligent Pop Music, aka IPM.

The Francis Bowie EP is a beautifully crafted selection of his finest songs in a NuWave vein.  With soaring synthlines and orchestral backing, it’s light yet deep; sincere and thoughtful; catchy yet cool, it’s a superb example of the IPM genre.

In Copenhagen in 2007, he opened his first art gallery GalArtery, while also releasing the debut album “Too Much” with his indie art rock band “A LOVE YOU”. GalArtery soon became a place where young artists could gather and do their shows and performances. After touring constantly in 2010 with A LOVE YOU, Francis decided to leave the band for a while and do solo projects. In the spring of 2011 along with two designers, he opened a second art gallery called MATT 18 which also exhibits fashion, clothing and design.

Francis is frustrated by the scene today: “I’m disappointed by many contemporary pop musicians and producers because it seems like it’s just about going for the cash and a pretty young face. Anything else like the quality and content of the songs themselves rather than just the look often get overlooked in the race for the charts.

Francis Bowie does not think that pop music should deal with all these matters at once or necessarily be too complex. But neither should pop music should be as banal as it can so often be in his opinion. In his own words; “IPM is an attempt to put some quality, dignity and honour back into popular music”

View video ‘Sunny Day’ from the EP here:
http://youtu.be/260f6EIaQi4

Win a Hamper

Celebrate a British summer in style with a luxury hamper from Warburtons, the nation’s favourite family baker has teamed up with Frost Magazine to give away a hamper.

2012 is the year of Britain and this summer promises to be one full of celebration and cheer starting with the very special Queen’s Diamond Jubilee. All these great events give us the perfect opportunity for a good old British party, and here’s hoping we get to enjoy some lovely sunny weather to go with it.

How better to ‘toast’ 60 years of Queen Elizabeth’s reign all summer than by getting together with family and friends and enjoying a true British institution – the time honoured, great-tasting sandwich – which this year celebrated its 250th anniversary!

To mark these historic occasions, we’ve teamed up with the UK’s leading family baker, Warburtons to give one lucky reader a luxury hamper to help you enjoy your British summer celebrations in style.

Beautifully presented in a traditional wicker picnic hamper with stylish packaging, you and your family will receive four dinner plates, four mugs, four wine glasses and a 12 piece cutlery set. You will also receive £50 worth of Warburtons vouchers so that you can stock up on a range of their delicious bakery goodies, as well as British themed bunting to help you and your family celebrate!

For your chance to win a luxury picnic hamper and Warburtons product vouchers worth a total of £90, just answer the following question and comment below or email frostmagazine at gmail.com. Good luck!

How many years are we celebrating the Queen being on the throne?

a) 50

b) 60

c) 70

Celebrities help WWF go ‘under the hammer’ for tigers

WWF supporters, Kelly Hoppen, Graeme Le Saux and Jo wood will today help launch a special online auction, raising funds for tiger conservation.

Items ranging from tiger print Jimmy Choo shoes to an eco-gold tiger paw bracelet, exclusively co-designed by Sabine Roemer and Jo Wood, will be available to bid for. The auction began at 10am Friday 1 June and will end at 12pm Friday 10 August 2012. To make your bid you can go to: www.wwf.org.uk/auction4tigers

The auction follows on from WWF’s Year of the Tiger campaign which began in 2010 – the Chinese year of the tiger – and aims to double wild tiger numbers by the next year of the tiger, in 2022.

Auctions items:

• Jimmy Choo Bag

• Jimmy Choo Shoes

• Tiger print signed by Ronnie Wood

• Tiger t-shirt and swimming costume designed by Melissa Odabash

• 18ct tiger necklace by Fifi Bijoux

• Signed Andy Murray t-shirt from Australian Open 2012

• 100cm tiger plush toy donated by Keel Toys

• Kelly Hoppen Design School place – Sept 2012

• Handcrafted bracelet by Sabine Roemer co-designed with Jo wood

• Panda print signed by Sir Peter Scott, WWF’s Founding Chairman

• 12 month WWF tiger adoption pack and Panda Made Me Do It t-shirt

• Tiger print by wildlife photographer Roger Hooper

Heather Sohl, senior species policy officer at WWF-UK said:

“There are now thought to be as few as 3,200 tigers left in the wild, and their numbers have fallen by about 95 per cent over the last century. Wild tigers desperately need our support if they are to survive. By taking part in WWF’s online auction you can make a bid and help raise crucial funds to protect them from threats such as poaching and habitat loss. Plus, it’s not every day that you can get yourself a pair of tiger print Jimmy Choo’s and do your bit to help save a species! We really appreciate the support we have received from Kelly, Graeme and Jo, and initiatives like this will go a long way to help WWF’s work to double wild tiger numbers by 2022.”

For more information, or to make a bid, please visit: www.wwf.org.uk/auction4tigers

Anna Calvi talks art at the Tate in new video | Music News

 

Über cool London-born singer Anna Calvi has unveiled a new video of her playing some songs and talking about her favourite pieces in the Tate Britain gallery. Have a watch of the rather great video here:

 

[youtube http://www.youtube.com/watch?v=FTPoPsnkYZM&w=560&h=315]

 

As announced in Frost Anna plays the Summer Series at London’s Somerset House on 12th July and is also playing select festivals across Europe this summer including Luzern’s Blue Balls Festival in Switzerland.

Michael Fassbender on Being Poor and Oscars.

Michael Fassbender has done a fascinating interview with the Hollywood Reporter. You can read the full article at the link, but here are a few good quotes.

On how he survived years of struggle: “I would say to myself, I’m good enough. That became my mantra.”

ON GOING NUDE, MEETING SEX ADDICTS AND USING YOUTUBE TO HONE HIS CRAFT
Fassbender says what attracted him to the role of Brandon, a sex addict in the Fox Searchlight indie drama Shame– produced by See Saw Films and Alliance–was the chance to explore the desperate search for connection; playing a young Jung in A Dangerous Method allowed him to morph into a historical character. “I was a bit worried that I’d perhaps bitten off more than I could chew,” he says. “But I’m always interested in trying to investigate different personalities. I want to keep myself guessing and keep the fear element alive, so that I don’t get too comfortable.” Jeremy Thomas, a producer on Dangerous Method, says Fassbender who was director David Cronenberg’s first choice to play Jung read the script over and over again, even during production, something Thomas has never seen an actor do. “It’s one of his secret weapons,” he says. Fassbender says he’s grown deft at using YouTube to study accents (his own is Irish) or to watch a grainy interview with an elderly Jung. For Shame, he met with recovering sex addicts: “One man had the same intimacy issues that Brandon had, so it was very helpful to me, and I was very grateful that he opened up.” Additionally, he says there was no time to feel too self-conscious when shooting Shame, says Fassbender. It helped that director Steve McQueen kept the set intimate. “We moved very fast. We shot it in 25 days, so I kind of had to get over it and get on with it,” he says.

THE ACTOR ONCE LIVED WITH REJECTION, A HOLE IN HIS WINDOW
The son of two restaurant owners, Fassbender moved to London at 19 and attended the Drama Centre. “It took me a while to come to grips with how expensive London was. My parents helped me out, but we never had a lot of money,” he says. “So it was very sticky the first three or four years between paying drama school fees and surviving. The first place I lived was a studio I shared with a Brazilian girl. We weren’t seeing each other or anything, but I remember there was a big hole in the window and it was so cold in the winter.” Fassbender’s first acting role of note was in HBO’s Band of Brothers, which aired in 2001. He was confident it would lead to other offers. It didn’t. “I came to Los Angeles and did auditions for television. I made a terrible mess of most of them and I was quite intimidated,” he recalls. “I felt very embarrassed and went back to London. I got British television jobs intermittently between the ages of 23 and 27, but it was very patchy.” Between roles including a Guinness commercial (in which his character swims from Ireland to New York) and a one-off, Agatha Christie’s Poirot, he took odd jobs to survive, unloading trucks or bartending. He even did market research. “I had to call people who had filed complaints about the Royal Mail and see if they were happy with how their grievances were dealt with. Most of the time they weren’t,” he says. All along, he says, “My goal was for acting to become my main income. I would say to myself, ‘I’m good enough.’ That became my mantra.”

Robert Pattinson; ‘I don’t mind getting naked’.

Robert Pattinson has told The Sun that he does not mind getting naked and stated that it is ‘more difficult for actresses’.

In an interview that should delight his many female fans the 26-year-old Twilight star says; “I don’t really have a problem with those scenes or nudity in general. I think it’s more complicated for actresses who are worried about how those scenes can be exploited by the media and how naked photos are constantly getting posted on the internet.”

Pattinson was talking about his role in Cosmopolis. The film is directed by David Cronenberg.

He says: “The sex scenes with Patricia [Patricia McKenzie] were more difficult.

“It was kind of strange but in the script we were supposed to climax at the beginning of the scene then have this discussion afterwards.

“But David had the brilliant and inspired idea to have us talk while we were having sex.”

He also said that he was grateful to be offered the role and his hopes of breaking away from the Twilight franchise.

He says: “When you’re part of an immensely popular film franchise like Twilight, it tends to overwhelm anything else you’re doing while those films are still part of the public consciousness.

“Now at least a film like The Hunger Games is gaining a lot of attention. That’s a good thing for me because I can break free from a certain perception that’s been formed about me through my character in Twilight.

“It’s ironic but I was offered the part in Cosmopolis on the last day of shooting on Breaking Dawn. It was an incredible feeling to be getting a call from David Cronenberg at that particular moment.

“It also reminds me that I should be very grateful for what the Twilight films have done for me.”

He also says; “It’s up to you to make the most out of your life.” Obviously a wise man.

Is There a Link Between Depression and Guilt?

It would seem that Sigmund Freud’s theories on depression have been proved right; guilt does play a role in depression, according to MRI scans depressed people respond more strongly to guilt. Dr Sigmund Freud said that depression was characterised by feelings of guilt or self-blame, which made it different from ‘normal’ sadness.

Researchers at the University of Manchester have done brain scans on people with a history of depression and found that the brain scans differed in the regions associated with guilt and knowledge of socially acceptable behaviour from individuals who never get depressed.

The study was published in the journal Archives of General Psychiatry.

Lead researcher Dr Roland Zahn, of the University’s School of Psychological Sciences, said: ‘Our research provides the first brain mechanism that could explain the classical observation by Freud that depression is distinguished from normal sadness by proneness to exaggerated feelings of guilt or self-blame.

‘For the first time, we chart the regions of the brain that interact to link detailed knowledge about socially appropriate behaviour – the anterior temporal lobe – with feelings of guilt – the subgenual region of the brain – in people who are prone to depression.’

Dr Zahn, a MRC clinician scientist fellow, said: ‘The scans revealed that the people with a history of depression did not ‘couple’ the brain regions associated with guilt and knowledge of appropriate behaviour together as strongly as the never depressed control group do.

‘Interestingly, this ‘decoupling’ only occurs when people prone to depression feel guilty or blame themselves, but not when they feel angry or blame others. This could reflect a lack of access to details about what exactly was inappropriate about their behaviour when feeling guilty, thereby extending guilt to things they are not responsible for and feeling guilty for everything.’

The research team is now investigating whether the results from the study can be used to predict depression risk after remission of a previous episode.

And Action! The Making of Prose & Cons.

So we finished with the first location for Prose & Cons. We have 53 scenes in the bag. 53 scenes. That’s 50% of our movie. Almost. The most surprising thing was how easy it was. Not that it wasn’t hard, it was. It just took me so long to make a film that I guess I thought it would be nearly impossible. It was hard work, but if you work hard it’s no biggie.

Steve McAleavy and Catherine Balavage direct Prose & Cons

Steve was amazing. We are filming on a Canon 60D and Steve is operating it. Steve is the producer/editor/co-director and all-round great guy. Steve and I both have equipment but we mostly used his. He has a lot of Phillip Bloom stuff, and a Fig rig. I haven’t asked how much it all costs and I don’t think he wants me to; adding all of that up will only be painful.

The first actor to turn up is Lynn Howes. Lynn is not only talented but very professional. She knows the script inside out, is good with continuity and thinks of the little things that no-one else does. Jack Bowman plays her boyfriend in the film. Jack is perfect as Jamie. He is very talented and Jack is also fun.

Next up is Bo Wilson. Bo plays her part beautifully. She has a day job as an editor at the Evening Standard, gets up at 5am but still manages to get to Kingston in the evening and give a brilliant performance.

We filmed in Kingston, a beautiful area. We didn’t do too many takes and the actors were professional. Although I feel that because I cast some of my friends they don’t show the proper amount of respect for me as the director. I try to be firm and tell myself; hey, at least they turned up.

Clea Myers came and played my aunt. Clea is in a poignant scene in the film and she is an incredibly giving actress. In acting it matters to act opposite someone else who is talented. The better the actor the better you will be. Clea is obviously a film actress of note. She is one of the most talented people I have ever worked with. Acting on film is thinking, but thinking hard. I read that in Mel Churcher’s book, and it is spot on.

Before we start filming I realise that our of all of the scenes we are filming I am in about 90% of them. That is a lot of lines. Directing and acting is not necessarily hard. As long as you watch the footage back and change if it is not working.

One of the actors drop out at the last minute and we have to deal with the stress of casting while we are dealing with the stress of filming. Fun. Luckily, after a few calls the wonderful Monty Burgess stepped into the breach. He gave a wonderful performance and I cannot imagine anyone else doing the part.

Steve doesn’t have any crew but still manages to do brilliant shots. Steve says that the next time he wants crew and at one point says he doesn’t know why he indulged me: “We should have made a short”. he says. He’s joking. I think.

We had a brilliant time. When you make a film you become like a family. Few things went wrong apart from a broken lens cover (not the lens, thank god), a broken HDMI cable and a parking ticket.

I am very excited about filming the rest of Prose & Cons. I will keep you all updated and get Steve to write something to.