Vogue Says Women Are Allowed To Have Breasts This Season

Women of the world rejoice! Vogue says we are allowed to have breasts! Yes, you got it, breasts are in this season. What we are supposed to do next season is anyones guess but lets not be ungrateful. A man can have a penis all year but breasts are, y’know, inconvenient. Just ask Fashion Designer Marios Schwab who told Tatler “I’m not a big fan of breasts. They’re a challenging constructional point.” Well, Mario, how about not designing for women then, because you know who don’t have breasts? Men.

Catherine Balavage

Vogue says in this article titled Return of The Bosom: “So if boobs are not yet an out-and-out fashion trend, they are becoming a frequent exception to the rule.” Should someone make fashion know that women’s breasts aren’t detachable? Maybe a post-it note or something? This piece clearly shows that Kate Upton is a feminist icon. Yes, you can model and be a female role model. She was deemed “too obvious” for fashion. Now some fashionistas grind their teeth every time she is featured on the cover of Vogue, as she is this month.

Vogue goes on to say: ‘Men love boobs – that’s a well-documented story we needn’t explore here. But for women, as is true for fashion, the relationship is more complicated. In short, breasts are difficult to dress. During couture week, Jourdan Dunn exclaimed on Twitter, “Ahahahahahahha I just got cancelled from Dior because of my boobs!” But, she reasoned, “I’m normally told I’m cancelled because I’m ‘coloured’ so being cancelled because of my boobs is a minor : )”‘

 

Wow. Breasts may be difficult to dress, but only because designers are so bad at accommodating them. I mean, what’s next? Hips, arms, thighs? If you can’t make women’s clothes with breasts in mind, you are clearly an untalented idiot. Something Sarah Millican wrote an amazing essay on after being trolled after the BAFTA awards.

 

In my other life as an actor, my breasts have lead to the most amusing moments in my career. I didn’t develop breasts until I was in my twenties but when they came they didn’t hold back:  my size now is 32DD. Which makes costume designers hate you. When I was a UK size 4/6 (I am now a size 8), wardrobe loved me, but when I developed breasts I would stand in the middle of the room while various costume people asked each other, ‘What are we supposed to do with those?’ The answer was usually gaffa tape them down. I am so thankful I am a strong person and that was done to me rather than someone else. I can look at it with amusement, other, emotionally fragile or vulnerable, women could possibly have developed an eating disorder. I have spent a lot of time being dressed up like a boy for parts. I have no idea why. Just hire a fricking boy if that’s what you want.

 

In fact I am rather sick of fashion expecting women to make their bodies fit the dress, rather than the other way around. Even the thinnest woman has curves, only boys are drawn in a truly straight line. We are not ornaments or hangers. In what other aspect of our lives do we pay money for something that isn’t made to suit us and our lifestyles? Instead we are expected to diet our entire lives just for the joy of wearing clothes designed by people who obviously hate the female form, and don’t even lie about it. Yet, still we punish ourselves.

 

Of course not all designers are like this. Valentino clearly loves women. As does Roberto Cavalli. Dolce & Gabbana say in the same Vogue article: “We always try to create clothes that enhance a woman’s curves. We like to think that a Dolce & Gabbana girl wants to be very feminine, sensual, strong and fierce of her body.” So let’s take a stance in the only way that really gets things done: with our money. Any designer who hates women’s bodies should not have a penny of a women’s money.

Whilst researching this piece I came across this article Hadley Freeman wrote on this subject. Check it out here and this website, a body gallery of how women really look, was interesting too.

 

What do you think?

 

 

The Muses of Jean Paul Gaultier

Barbican Art Gallery, London

Exhibition dates: 9 April – 25 August 2014

Media View, Tuesday 8 April 2014, 10.30am to 3pm

 

I am impressed by the way Annie Kevans captured the different types of beauties that have been my inspiration and my muses from my grandmother to artists like David Bowie and Boy George.”

Jean Paul Gaultier

 amywinehouse

British artist Annie Kevans has been commissioned by exhibition curator Thierry-Maxime Loriot to create a series of works for the exhibition The Fashion World of Jean Gaultier: From The Sidewalk To The Catwalk.  Exhibited for the first time at the Barbican Galleries from 9th April to 25th August 2014, then to the National Galleries of Victoria in Melbourne (17th October 2014 – 8th February 2015) and Galeries Nationales du Grand Palais in Paris (1st April – 3rd August 2015).

davidbowie

On Kevans’ new series, Loriot says: “Annie Kevans’ work caught my attention years ago when I saw her fantastic oil paintings ‘All The Presidents Girls’ at Volta in New York. As she is a great storyteller who works in series, I thought she was the best artist to create these eye-catching and delicate portraits that tell Gaultier’s story about his muses and inspirations, all great characters, these paintings translate well the humanist message in his work. I am delighted Kevans is now taking part in the exhibition tour.

katemoss

Annie was delighted to be commissioned to create a series depicting Jean Paul Gaultier’s 30 muses, as well as 2 paintings of Jean Paul Gaultier himself, for the touring exhibition already seen by more than one million visitors.  The artist sees the series as an exploration of creativity. Annie Kevans said: “In fashion, and in culture in general, we always wonder where ideas come from.  I think it’s wonderful that Jean Paul Gaultier is able to honour his muses and their creativity which has inspired his own.  I think we’ve all been influenced by Jean Paul Gaultier’s ideas, from his celebration of the unusual to his subverting of the familiar.  The strong social message in his work is very inspiring to create works that reflect society and celebrate different types of beauty, without following the fixed standards of beauty presented by the fashion industry – all genders, body sizes, skin colours, religions and ages are included in his world.”

 

The Muses are:

 

Tanel Bedrossiantz

Christine Bergstrom

David Bowie

Boy George

Naomi Campbell

Lily Cole

Tim Curry

Agyness Deyn

Beth Ditto

Jourdan Dunn

Karen Elson

Aitize Hanson

Farida Khelfa

Fredérique Lorca

Madonna

Françis Menuge

Kate Moss

Kristen McMenamy

Kylie Minogue

Erin O’Connor

Rossy de Palma

Jade Parfitt

Gaultier’s Grandmother Marie

Micheline Presle

Stella Tenant

Andrej Pejic

Anna Pawlowski

Stéphane Sednaoui

Dita von Teese

Amy Winehouse

 

All works are oil on paper and 40 x 30 cm.

Annie Kevans has also produced a painting of Jean Paul Gaultier and a copy of this is available to buy as a limited edition print through the Barbican.

 

ANNIE KEVANS

Born Cannes, France, 1972

Lives and works in London
www.anniekevans.com

Since graduating from Central St. Martins in 2004, when Charles Saatchi bought her series of 30 paintings of dictators as young boys (Boys), Kevans has had solo exhibitions in New York, London, Vienna and Antwerp.  She recently received excellent reviews when her Boys were shown in the Paper exhibition at the Saatchi Gallery.  Annie Kevans is known for her series of ‘portraits’ (not always based on real documentation), which deal with difficult issues, often presenting us with alternative histories in an attempt to explore ideas which impact on current culture.  With the series Girls she looked at the sexualisation of childhood and with All the Presidents’ Girls she portrayed US presidential mistresses throughout history.  She has been a finalist in the Women of the Future awards and the Jerwood Drawing Prize and her work can be found in major collections including the Pallant House Gallery, the Saatchi Collection and 21c Museum, as well as the personal collections of Stephen Fry, Marc Quinn, David Roberts, Adam Sender and Jean Pigozzi.

Currently, Annie Kevans’ work can be seen in Politricks at Beursschouwburg in Brussels, in War and Trauma at Museum Dr Guislain in Belgium and in All About Eve at Fifty One Too in Antwerp.  Her next solo exhibition will be opening at the Fine Art Society in London on 13 May. Women and the History of Art will feature portraits of successful female artists from the past 500 years, many of whom have been all but written out of art history.

In the first major exhibition devoted to the celebrated French couturier, we invite you to explore Jean Paul Gaultier’s fashion world. With his avant-garde fashion creations and cutting-edge designs, Gaultier has shaped the look of fashion over the last 40 years. His reputation for witty and daring designs and a ceaseless interest in society, identity and a beauty borne of difference has earned him a place in fashion history.

Gaultier is fascinated by world cultures and countercultures, conceiving a new kind of fashion in both the way it is made and worn. Through twists, transformations, transgressions and reinterpretations, he not only erases the boundaries between cultures but also the sexes, redefining the idea of androgyny or subverting fashion codes.

This theatrically-staged exhibition brings together more than 190 cutting-edge couture and ready-to-wear garments including iconic costumes for film and performance from the early 1970s to the present day. The infamous conical bra and corsets Madonna wore during her 1990 Blonde Ambition World Tour are showcased alongside stage costumes designed for Kylie Minogue as well as pieces created for the films of Pedro Almodóvar and Luc Besson’s The Fifth Element.

Gaultier’s rich collaborations with renowned artists and photographers such as Miles Aldridge, David LaChapelle, Pierre et Gilles, Peter Lindbergh, Herb Ritts, Stéphane Sednaoui, Cindy Sherman and Andy Warhol are also shown together with footage of catwalk presentations, concerts, music videos, films, dance performances and Gaultier’s cult television show Eurotrash.

 

 

Beyoncé and Chanel Iman in Hervé Léger by Max Azria

Last week, Beyoncé stunned the world by unexpectedly releasing a self-titled album with 14 new songs and 17 new music videos. In her video titled “Yoncé”- Beyoncé enlisted help from super model friends- Chanel Iman, Jourdan Dunn and Joan Smalls.

Beyonce Chanel Iman

Who: Beyoncé

What: Hervé Léger by Max Azria One-Piece Swimsuit (HUV9B480-Peach Blush)

Who: Chanel Iman

What: Hervé Léger by Max Azria Skyler One-Piece Swimsuit (HUV9C391-Grey)

Where: Beyoncé’s “Yoncé” Music Video

Released: Thursday, December 12, 2013

Jourdan Dunn Wears Joubi At W Party

 

Jourdan Dunn wears JOUBI jewellery

at W Party during LFW

Jourdan Dunn Jourdan Dunn

ADHARA BODY CHAIN: £599

Cara Delevingne Gets On Stage With Rita Ora at The Belvedere Vodka DKNY Art Works Party

Last night saw celebs turn out for the Belvedere Vodka DKNY Art Works party hosted by Cara Delevingne and saw performances by Rita Ora, Iggy Azalea and a surprise appearance by Wretch 32. 
 
Cara Delevingne joined Rita Ora on stage during her performance and showed off some dance moves as well as her rapping skills as she rapped along to Notorious BIG’s ‘Juicy’.
The party was sponsored by Belvedere Vodka and held at the Old Firestation on Lambeth High Street.
Club DKNY In Celebration of #DKNYARTWORKS Club DKNY In Celebration of #DKNYARTWORKS Club DKNY In Celebration of #DKNYARTWORKS Club DKNY In Celebration of #DKNYARTWORKS Club DKNY In Celebration of #DKNYARTWORKS