Sheila O’Flanagan Five Books That Changed Me.

THE JEEVES OMNIBUS by PG Wodehouse

I’d always loved the look of the hardback books on my father’s shelf, but was aware that they were for grown-ups and I was only ten. But one day, having finished all the adventure books I’d borrowed from the library, I decided I’d have a crack at this. I chose it because I loved the art-deco cover and because I had to look up the word Omnibus in the dictionary. I also had to look up words like valet and feudal, but despite not having the faintest idea of how the British upper class lived, I was absolutely enraptured by the wit and humour of the writing. PG Wodehouse is still my go-to author when I need my spirits to be raised, and when I need to be reminded that English is a language rich in vocabulary and nuance. The Jeeves Omnibus marked my transition from children’s books to books for adults, and my appreciation of elegant, flowing language in the written word. After reading it, I insisted on borrowing every single PG Wodehouse book in the library.

PRINCESS DAISY by Judith Kranz

Most of the books I read during my teens and early twenties were American literary novels by writers like Steinbeck, Hemingway and Fitzgerald. There was a part of me that believed reading for pleasure was somehow a lesser pursuit, and that unless a book was reviewed as a worthy classic, I shouldn’t really be wasting time on it. And then I picked up Princess Daisy in the airport on my way to my first holiday abroad. I don’t know exactly what I was expecting but it had a heroine you could root for, as well as buckets of glamour and larger-than-life characters, and it was an absolute page turner. I’d never been gripped by a novel in quite this way before, and even though the book got some scathing reviews, I loved how invested I was in it. It made me realise that my view of ‘good writing’ was limited by a literary concept of what that should be, and that good storytelling was equally important.

LIGHT A PENNY CANDLE by Maeve Binchy

This novel centres around the relationship between to lifelong friends. During WW2, Elizabeth is evacuated from London to stay with Aisling’s family in Ireland, and even when she returns to England the two girls remain friends. Like many Irish people, we also had family in England who would come and stay with us every summer. My cousin and I, close in age, used to write each other long, detailed letters about our lives, hopes and dreams in the months when she was back in England. I saw this reflected in Light a Penny Candle, and it was probably the first time a novel actually mirrored part of my own life. Until then everything I read was about people very different to me. Now I realised that ordinary readers could see themselves in books too.

ANGELA’S ASHES by Frank McCourt

‘Worse than the ordinary miserable childhood is the miserable Irish childhood and worse yet is the miserable Irish Catholic childhood’. McCourts memoir is a record of his miserable Irish Catholic childhood but it’s told with humour and empathy and, although my Irish Catholic childhood certainly didn’t match his for misery, it made me see that there are many different backgrounds and upbringings and many different stories to be told. Also, like Maeve Binchy, Frank McCourt was writing about Ireland. I’d always imagined that nobody would be interested in books set in Ireland but the location is irrelevant when the story is brilliantly told.

THE POWER by Naomi Alderman

So often in novels and in real life, the world view is set by men, and women are the bystanders, people to whom things happen, rather than people who make things happen. The Power turns this on its head and imagines a world in which women have a force within them with which they can dominate men. As I like to write novels with women front and centre, and shaping their own futures, I loved how this book ramped up the idea of how women could behave if they were physically superior to men. It asks lots of really interesting questions and forced me to think critically about power and how it’s both used and abused.

What Eden Did Next by Sheila O’Flanagan publishes 28th April 2022 in hardback, priced £20.00 (Headline Review)

Three Weddings and a Proposal By Sheila O’Flanagan Book Review

Three Weddings and a Proposal - bestseller Sheila O'FlanaganI have read quite a few of Sheila O’Flanagan’s books now and I am always impressed by the depth of her female characters. They are not your silly carbon-copy women. Delphine is no exception. The main character of Three Weddings and a Proposal will have you cheering her on at every point. She is such a great character and grows so much throughout the novel, it is impossible to not love her.

Three Weddings and a Proposal is a doorstopper of a book and it is such a joy to lose yourself in it. I also loved the fact some of the book is set in Mallorca as it felt like I was on holiday. With all of its twists and turns and fantastic characters, it is impossible not to love Three Weddings and a Proposal. It is an entertaining book full of depth, warmth and happiness. Loved it.

Three Weddings and a Proposal (HB, £20, Headline Review) will become a much-loved staple for readers of Sheila’s books. In her classic style, it’s set between Ireland and Spain, continually transporting the reader straight to the sparkling seas and sun-baked streets of Mallorca. Sheila grapples with the complexities of dilemma and change, gets to the heart of empowerment for women and champions finding your feet. Her books always feature a strong female protagonist, are always fun with characters you really care about and have a big dollop of warmth throughout.

Delphine has worked hard for her success, but her opinionated family aren’t convinced that her lifestyle could truly make her happy. While at a wedding, Delphine hears some shocking news that will make her revaluate all that matters to her – will love, family and compromise come before her career, security and independence?

Out on 20th May.

My Writing Process Sheila O’Flanagan

The Women Who Ran Away by Sheila O’Flanagan is published 16th July 2020 (Headline Review, £18.99). 

 Sheila O'Flanagan author imageI’ve always loved reading and used to write sequels to Enid Blyton stories when I was young because I always wanted to know what happened next. Everyone thought I’d end up, if not a novelist, at least working in a library or a bookshop. However I was offered job in a bank and got side-tracked into the world of finance. I occasionally wrote short stories in the evenings as a way of unwinding but I didn’t think I had the time to write a novel, even though I had lots of different ideas and would think about my various characters whenever I wasn’t working. Eventually I realised that if I wanted to fulfil my dream of being a published author I’d have to make the time to write – unfortunately the ideas don’t magically appear on the page. So I bought myself a laptop, opened a Word document, typed Chapter 1 and wrote every evening until it was finished. I’ve kept going ever since.

2. What you have written, past and present.

My first novel, Dreaming of a Stranger, was published in 1997. I’ve written 25 novels for adults, 3 collections of short stories, 2 children’s books and contributed to both the Quick Reads and Open Door series of short novellas.

3. What you are promoting now.
My latest book is The Women Who Ran Away and is about two women, Grace and Deira, who meet on a car ferry from Ireland to France. Both have reasons for travelling alone but a sudden change of circumstance mean that they end up driving together. As a friendship forms between them, Deira helps Grace try to solve a complicated mystery that her late husband has left her. This takes them on a spectacular journey along the French Atlantic coast and through the heart of Spain to Cartagena on the Mediterranean sea. By the end of the novel they’ve completed both a physical and an emotional journey as they discover that sharing their secrets turns out to be a strength and not a weakness, and that there’s always more than one solution to a problem.

4. A bit about your process of writing.

I try to write every day but that’s not always possible. I generally work for a couple of hours in the morning, then take a break and return for some more writing in the afternoon. I move backwards and forwards through the novel, writing a few chapters and then editing them before moving on.

5. Do you plan or just write?

I wish I was an author who planned! But I can’t. I start at the beginning with a vague idea and just hope for the best.

6. What about word count?

I don’t get hung up on a daily word count, especially at the start of the novel, but I try to write in scenes. If I finish a scene I’ll take a break before moving to the next one. That means sometimes writing a few hundred words, sometimes significantly more.

7. How do you do your structure?

Badly, to be honest. But the process of writing, then editing, writing, then editing helps. I usually come up with a slightly more formal plan about a third of the way through the novel when I have a better idea of the characters and how to move them through the story.

8. What do you find hard about writing?

Sitting at the laptop. It’s physically demanding even though you don’t realise it. Most of my author friends have bad backs and I’m no exception. I try to take more mini-breaks now. Distractions are more of a problem these days than they used to be with social media getting in the way. I’m more easily distracted now than before.

9. What do you love about writing?

Creating characters, seeing them grow and evolve and take control of their own stories. Sometimes the research is good too!

10. Advice for other writers?

Don’t get hung up on trying to write for a genre, or following weird rules about how your book should be structured. Write the story that’s inside you in the way that suits you best. Do remember, though, that while joining various groups about writing and following them on social media can make you feel less alone, the only thing that will get your book written is sitting down and writing it. Talking about writing isn’t actually writing. Reading about writing isn’t writing. The only person who can write your book is you.

Sheila is @sheilaoflanagan on Twitter and follow Headline too @headlinepg

Her Husband’s Mistake By Sheila O’Flanagan

Her Husband's Mistake, Sheila O'FlanaganThere are few things more satisfying to me than reading a book with a layered, well-written female character. Of course, Sheila O’Flanagan is known for writing amazing characters but the pay off remains. Her Husband’s Mistake takes a tale as old as time- a cheating husband- and writes about it in a way that is both satisfying and complex.

Her Husband’s Mistake has more pages than the average book I read and I found myself able to really dive into the story. Women tend to give more of themselves to others and end up in the role of the carer. I found this book picks up on so much about being a woman, how hard it is and how you can lose your identity. It takes strength to find it again. I recommend this brilliant book to anyone who loves to read books about people finding their feet and flourishing.

Dave’s made a BIG mistake. What’s Roxy going to do about it? The riveting new novel from No. 1 bestselling author Sheila O’Flanagan. Perfect for readers of Marian Keyes and Catherine Alliott.

Roxy’s marriage has always been rock solid.

After twenty years, and with two carefree kids, she and Dave are still the perfect couple.

Until the day she comes home unexpectedly, and finds Dave in bed with their attractive, single neighbour.

Suddenly Roxy isn’t sure about anything – her past, the business she’s taken over from her dad, or what her family’s future might be. She’s spent so long caring about everyone else that she’s forgotten what she actually wants. But something has changed. And Roxy has a decision to make.

Whether it’s with Dave, or without him, it’s time for Roxy to start living for herself…

Her Husband’s Mistake is available here.