Body Shape 101

Now to get the most out of any wardrobe or any shopping experience you need to know what body shape you fall under and understand some very simple rules. Following on from my DIY Style Capsule Wardrobe from last week here are the key elements of shape for the 5 main body types and how you can dress to enhance, conceal and fake the perfect silhouette.
Body shape
Their are 5 basic shapes the Pear, Inverted triangle, Rectangle, Hourglass and Apple with the Hourglass being the most desired. Or the most balanced shape that every stylist will tell you is the shape you need to aim for or fake if you can.
pear
The Pear has a tiny top half with a heavier bottom and thicker legs. Loose fluid trousers and long maxi skirts should be sort after, an empire line dress works wonders for the pear and dive into the belt section to really accentuate that tiny waist. Avoid puff selves and skinny jeans at all costs. You will just be adding on the pounds and not realising it. Skirt lengths need to kept below the calf too. If you are searching for the perfect shape then you need to be careful that the hem falls around the thinnest part of the leg, or just where it starts to become thicker. Hems that stop at the thickest part of the thigh or calf are a huge No No! For any shape for that matter!!
body-type-inverted-triangle
The Inverted Triangle has a larger torso and arms with slim legs. Stay away from the puff selves ladies. You will be bigger busted too so it’s a good idea to avoid polo necks. This will just make your bobbies look 10 times bigger. V necks are perfect for you. Long necklaces to draw the eyes down in nice lines. Slightly fitted crisp shirts over pale coloured jeans with darker colours always on the top to balance the figure out. Avoid at all costs the dreaded large patterned tops and pale jackets. You will need to find fab tailored jackets with no shoulder pads, or take them out! Then wear skinny jeans and flat pumps to create your chic silhouette.
banana
I’m a Rectangle i.e. the Banana and that basically means I am straight up and down with a slightly thicker middle. Now this shape is harder to dress than you would think. We need to be very careful we don’t accentuate our middles too much as we could look a little lumpy!  We have slim arms and slim legs so skirts that fall around the midi calf length will make our legs look like they go on forever and a day. We can wear minis in abundance but not too short! When thrift store shopping we need to look out for dresses that can be shortened and have a slightly gathered waist to create the impression of curves. Flared skirts, jeans and trousers will make the waist look slimmer but avoid thick waist belts. This will only enhance the bigger waist. Darker colours should be worn near the mid section and large statement necklaces to bring the eyes away from the waist. This in turn will also give the impression of a larger bust, thus balancing out the shape.
hourglass
Now the Hourglass has a tiny waist, perfect curves in all the right places. Some hate their larger bottom but all you need to do is find Aline skirts, or fuller 50s style items. Little cropped jackets that nip in at the waist. Belts of all descriptions are perfect for you. Master the are of the dart on your sewing machine and you will be able to create an abundance of stunning outfits. Avoid the tube mini skirts and baggy unfitted jackets as all this will do is make you look disproportioned.
Brightly coloured fabrics and draping looks sensational on the Hourglass. Just think Jessica Rabbit!
appleheader2

The Apple body shape has slim arms and legs with a more rounded tummy. Slim trousers with no pleating is needed here and stay away from the double breasted jackets. Opt for clean long lines down the centre of the torso avoiding belts around the middle as this will enhance what should be concealed. With the Apple it’s important not to try too hard to fake the hourglass figure as all you will do is bring attention to your larger waist. Pay more attention you your lovely slim legs and arms. Wear long necklaces that draw the eye downwards. Just think nice long lines. Keep jackets longer and always keep them open to create the illusion of a slim figure. Long line Waistcoats are a must so search for single breasted jackets that the arms can be removed.

Fashion is fun and sometimes the rules are there to be broken so if you see something you like just try it. If it works then that’s amazing, if not think about adapting it. If you can’t do the DIY Styling yourself then find a seamstress that can. Most dry cleaners offer an alteration service, but just keep in mind things can fairly easily be made smaller. Not so easily made bigger.

Happy DIY Styling ladies and for more styling looks and DIY advice hop on over to SLB Style or follow Sarah on Twitter here.

 

*google images

 

Different Styles Of Wedding Dresses

So you are trying to choose a wedding dress but there are so many styles to choose from, and so much jargon, I mean, what the hell is a trumpet? We decided to put together a visual reference guide to help you along the way. Let us know what your favourite is, we had so much fun writing this article and looking at endless pictures of wedding dresses. If you want help and advice planning your wedding then buy our editor, Catherine’s, wedding book, it is full of great advice and lots of tips.  If you are off wedding dress shopping soon then also check out our editors experience of buying her wedding dress. Happy shopping!

Strapless white-strapless-wedding-dresses Sweetheart Neckline Sweetheart neckline wedding dress Halterneck satin-sweetheart-neckline-halter-strap-trumpet-wedding-dress-with-lace-applique-accents  V-Neck

v-neck wedding dress.spring-2013-wedding-dress-monique-lhuillier-bridal-gown-simple-lace-V-Neck-Rustic-Wedding-Dress-Ideas

Plunge

lace-plunge-neckline-a-line-wedding-dress

One-Shoulder

one strap, one shoulder -wedding_dress

Mermaid tulle-lace-mermaid-bridal-gown-sweetheart-neckline A-Line or Princess

Beading A line Strapless Satin Ivory Haute Couture  Wedding Dress organza-sweetheart-neckline-a-line-wedding-dress

Empire

Empire wedding dress

Ballgown chic-organza-sweetheart-neckline-ball-gown-wedding-dress Trail / Train

lace-sweetheart-neckline-a-line-wedding-dress

Short

short wedding dress

Trumpet

trumpet-wedding-dress-with-lace-embellished

The trumpet silhouette is different to the mermaid as the skirt gradually flares about mid-thigh. It has a close-fitting bodice.

Backless backless wedding dress Lace Back

Lace-Back-Wedding-Dress-Style lace back wedding dress

Straps Taffeta-A-line-Corset-Back-Gentel-Sweetheart-Neckline-with-Straps-Pick-up-Skirt-with-Chapel-Train-White-Wedding-Dress-WM-0024 Sleeves

lace-v-neck-ball-gown-sheer-laced-sleeves-wedding-dress-with-chapel-train-ab8874

Cap Sleeves perfect-a-line-wedding-dress-with-lace-cap-sleeves-and-sweetheart-neckline

Off-The-Shoulder / Boat Neck

Off The Shoulder A Line Trumpt Train Lace Vintage Wedding Dress SaleWhat one will you choose? What is your favourite?

If you are planning your wedding then get your hands on The Wedding Survival Guide: How To Plan Your Big Day Without Losing Your Sanity. It has great advice on every aspect of wedding planning and lots of great advice on choosing the perfect wedding dress. 

 

 

Spanx Launch Denim Collection | Fashion News

Spanx have some exciting news; they are expanding their slimming empire by unveiling skinny jeans complete with their secret shaping technology. These gorgeous denim jeans have combined the ease of a legging, the classic look of jeans and the shaping power of SPANX to create ‘revolutionary denim leggings that keep you slim and on trend.’

The jeans have a wide, slimming waistband and side sipper to ensure a flat fit, smooth silhouette and comfortable shaping. The faux front pockets make thighs appear slimmer while carefully-placed back pockets have been added to create a more pert rear.

spanx, spanx launch denim collection

nx launch denim collection, spanx,

nx launch denim collection, Spanx

At a cost of £63-£100 these gorgeous styles are available on spanx.co.uk and in Harrods, Selfridges and NEXT. Styles come in the following colourways: Wax Denim, Teal, Indigo Wash, Blue Lapis, Brick and Black.

Will you be buying some?

Peter Lindbergh Interview | Exclusive

Peter Lindberg Interview, Mary Greenwell interviewHe is one of the most famous fashion photographers in the world. Peter Lindbergh, 69, went down in history with his black-and-white photos of the young Kate Moss and group images of the supermodels in the ‘90s. For the Silhouette “An Icon for an Icon” campaign, he shot Hollywood star Cate Blanchett. In this interview Peter Lindbergh talks about his inspiration for the Icon shoot, working with the Oscar winner and why an emotional link is so vital to a good photo.

 

Who are easier to photograph – professional models or actors?

 

Actually it’s easier to photograph models because they’re used to looking directly into the camera. Posing is their job. With actors, it’s often a different story. They aren’t used to looking at the camera front on. But, that doesn’t matter – that’s the challenge.

 

For the Silhouette campaign, you put Hollywood actress Cate Blanchett in the limelight. What was it like working with her?

 

Cate is simply great. She’s so natural and doesn’t act like a ‘star’ at all. That makes working with her so nice. Or maybe it’s because she’s Australian. All the uncomplicated people I have worked with up to now come from either Australia or New Zealand (laughs).

 

Do you have any funny stories you can tell about the shoot?

 

No, not directly. But I remember the first time I worked with Cate: that was 10 or 12 years ago in Portofino. She was with her husband and son. One of my sons also happened to be there. The two boys got along great, spending the whole day with each other; right away it felt like we were family, so I always look forward to working with her.

 

How do you manage to convey so much intimacy in your photos?

 

I’m honest and give people the feeling that they can relax with me. I communicate a certain ease. In most cases, that is the key to get people to open up. And unlike many other photographers, I start shooting early, while things are still being set up and the motive isn’t at its best. So we’re building up the set and experimenting with the light, and my pictures come about organically.

 

How important is an emotional link for a good photo?

 

Very important, but emotions only arise spontaneously. For example, the first time I worked with Nadja Auermann, the atmosphere in the afternoon sunlight in Los Angeles was so intense, that she suddenly began to cry. Photographing people can be very intimate. Sometimes it is so intimate that I feel like I am looking at the woman directly, and no longer through the lens.

 

Of all the personalities you have photographed, which has impressed you the most?

 

The French actress Jeanne Moreau. A few years ago I made a very interesting, but not very flattering photo of her and asked for her permission to publish a lightly retouched version of it. She was then 78, and just exclaimed,  “But Peter, what exactly do you wish to retouch?” That impressed me a lot.

 

You are known as the inventor of the supermodel. Your photos of Naomi Campell, Cindy Crawford, Linda Evangelista, Tatjana Patitz and Christy Turlington shot together are legendary. Did you ever imagine that that would make you go down in the history of photography?

 

No, not at all, something like that can’t be planned. You can’t just go and say: “now I’m going to do something legendary.” It’s a coincidence, something that just happens. Back then, at the end of the ‘80s, I just wanted to do something different. I no longer wanted to photograph women in haute-couture, laden with diamonds, carrying crocodile handbags. I wanted to bring their natural beauty to light, not change the world.

 

What was it like switching to digital photography?

 

It was a real drama (laughs). Time and time again I’ve battled with technology and have had to ask my assistant how something works. The main difference, though, is that photography in the past was a more intimate process between the model and the photographer. Today the camera is hooked up to the computer, and there are a thousand guys on the set. If you are really unlucky, you’ve even got an editor standing at the laptop commenting on every move the model makes, or suggesting how it could be done better. That, unfortunately, doesn’t have much to do with the photography.

 

What advice would you give today’s young photographers?

 

Don’t be an assistant to a famous photographer. It’s hard to free yourself later from their influence. It’s also important to photograph as much as you possibly can. That is the only way that quality and your own personal style can evolve.

 

When does photography become art?

 

The difference between art and business is superfluous in my opinion. For me, a photo is ‘art’ if it causes an emotional reaction or changes an established way of looking at things, or if it’s simply new and original.

 

How have the fashion industry and modeling business changed in comparison to the past?

 

Everything was friendlier and more personal before. Today the entire industry is just one marketing strategy. Numbers are the thing now, not authenticity or personality. I often have the feeling that I’m no longer dealing with people, but with empty shells. I think that’s a real shame.

 

What was your first reaction when you were asked if you would photograph the new Silhouette campaign?

 

I thought, what in the world is Silhouette (laughs)? I have to be honest and say that I had never heard of the brand before. But then I did a bit of research and was quickly very impressed. I had no idea how big and successful the company is.

 

Do you wear a Silhouette yourself?

 

Yes, and with great pleasure because the glasses don’t change my face, and they’re so light that I forget I’m wearing them.

 

Please fill in the blank: Peter Lindbergh is…

 

A really nice guy who is incredibly handsome (laughs). No, seriously. I am someone who tries everyday to take an interesting photograph once again.

 

Thanks Peter.

5 Minutes With Makeup Artist Mary Greenwell: On The Silhouette Icon Campaign & Cate Blanchett

cateblanchette

Interview with makeup artist Mary Greenwell as she works on the

Silhouette Icon for an Icon campaign with Cate Blanchett

 

Q. Is there a difference between working with people who are wearing glasses, and those that aren’t? Are there any techniques you use to enhance the eyes behind glasses?

A. No. There aren’t at all! I always say that the glasses come after the makeup. The glasses, if chosen properly, are the perfect addition to your makeup look. So I don’t manipulate the makeup for glasses at all:

do your makeup up how you want it to look and then put your glasses on. They should just be an extension of your personality! That’s the benefit of the Silhouette Icon specs; they’re frameless so people can look into you, and see your face, so you should wear whatever makeup and clothing you want to wear.

 

Q. Do you think this is different from people who wear heavy frames?

No not at all, it’s exactly the same.

 

Q. And from a makeup artist’s perspective, do you manipulate makeup application to accommodate glasses?

A. Well, the model tends to be chosen as they represent the look or theme the styling team want to achieve, so you work to enhance the face, with either a smokey eye, or a bold lip, or a natural finish, whatever is required and then just add glasses.

 

Q. Do you prefer any of the different makeup looks paired with glasses.

A. Not really, it’s whatever you want to wear! If you want a flicky eye: great. Smokey eye: go for it! The question is ‘does your makeup look good without glasses’?

 

Q. So then your general stance is that the glasses don’t affect your makeup application or use at all?

A. Absolutely! Just don’t worry about it. Focus on finding a pair of frames that suit your face. It’s quite a thing to go out and suddenly start wearing glasses, so the frameless Silhouette glasses are ideal to still show off your face and allow the light to access it, so stick to the makeup that you know.

 

Q. Do you think that glasses draw attention to the eyes, as an ‘accessory’?

A. I guess they can portray your personality if you go for a Barbara Cartland sort of look, but ideally, they just showcase your face and work to enhance your natural personality, especially if you go for a Silhouette frameless pair which allows the light to get to your face.

 

Q. What do you think glasses say about a person?

A. I don’t think they represent a personality trait at all. I wouldn’t like to think that way either. It seems a rather stereotyped process to assume someone is more intelligent because they wear glasses. That’s ridiculous!

 

Q. So do you think there is a general idea that people appear more intelligent wearing glasses?

A. No. Personally, I don’t think so. People wear them that way in down-time i’m sure. I’m sure there are people out there, who put on spectacles and head out to dinner in an attempt to appear more intelligent, but that isn’t the way that I see glasses at all. What shows intelligence is the look in someone’s eyes and mirroring what they’re saying, which is why I love the Silhouette Icon glasses, they allow you to see more of the face and the eyes. I mean, I would love for my glasses to make me look more intelligent, but that just isn’t the case!

 

Q.  Working with Cate, are there any makeup styles that she likes/prefers, or you think suit her best?

A. I work with Cate all the time, and she’s a very beautiful person. She doesn’t need any makeup at all really. But obviously, with photography, you apply makeup to even out the skintone, and make the eyes pop a bit more, and that’s all we did really with this Silhouette Icon campaign. There’s not very much makeup used at all.

 

Q. So were you briefed to use minimal/barely there makeup?

A. Well, Cate just looks great in natural makeup, and this wasn’t about a smokey eye or fuller coverage. That wouldn’t work. It’s not how we work, and it’s not how Peter Lindbergh works. He works in a minimalist fashion, and although this wasn’t minimalist makeup, it was natural makeup. That’s what works in the bright sunshine of LA with the light shining through, and you wouldn’t dream of doing anything else. It’s just about making someone look really good. A small amount of makeup will always enhance the face, and too much just doesn’t work.

 

Q.  Are there any key products that you can’t do without?

A. Oh definitely. I can achieve any makeup look using these products:

YSL BB Cream

Chanel No. 5 beige bronzer for bronzing and contouring

Chanel cream eyeshadow in Eblouis

Illusion D’ombre eyeshadow

Sensai volumising mascara

Suku eyebrow pencil

MAC lipstick in ‘cream in your coffee’

 

With those 6 products, you can make your look either really heavy or really light. You can change the look by applying shadow up to the brow bone, or applying just up to the socket for example. Whether you apply less product for a more natural look, or build it up for more emphasis, these products are definitely my go-to!

 

Q. And is there one key product in your professional kit that you would choose?

A. I couldn’t! Everybody is different, and they need different products because of that.

 

Q. When your clients are wearing glasses is there a particular method used to give the eyes stand-out?

A. Wearing glasses actually focuses attention on the eyes, so you can use this to your advantage and wear a bold lipstick to balance out the features. If you are keen to frame the eyes under thicker lenses, then use a liquid eyeliner along the upper lash line, and create a feline flick at the outer corner for added definition. Finishing the look with volumising mascaras will enhance the eye further.

 

Q. Would you use different focuses or emphasis on makeup with different types of glasses?

To complement a thick-rimmed pair of glasses, I would use minimalistic makeup on the eyes and cheeks, but focus on the lips. The classic pillar box red lends to the seductive secretary look, and immediately frames the face. If you have a full lip, wear a darker shade of red to avoid a clustered feel. Those with thinner lips can wear a bright shade. Line the lips first to give extra shape to the mouth.

 

Rimless glasses allow for more versatile makeup looks. Whether you want to enhance the eyes with a smokey eye, focus on the lips, or colour block the cheeks, the more subtle-glasses wear means that any of this is possible.

 

Q. Do you have any top tips on applying liquid liner and creating the different types of flicks?

A. If you aren’t blessed with a steady hand, then there are definitely tricks to help you on your way. Resting your elbow on a firm surface will support the hand and allow you to trace the lash line smoothly and close to the edge. When creating your preferred flick, place a dot where you want the flick to end, and then join the dot to the liner at the corner of the eye.

 

Q. How would you conceal tired and dark circles under the eyes?

A. An illuminator is the perfect tool! Choose a shade that is slightly lighter than your natural skin tone and apply under the eyes. When blending, smooth the illuminator in clear strokes to ensure an even finish. The illuminator will then reflect light particles off the skin and limit the appearance of bags/dark circles.

Thank you Mary.