Fashions Finest | London Fashion Week 2012

Fashions Finest

 

The strong tribal theme last seen in AW12 was resurrected in the collections showcased by Europe’s emerging designers.

 

Creative graduates were given an opportunity to exhibit their latest projects at the Fashions Finest event that sidelined the main London Fashion Week schedule.

 

And as some of the female designers played it safe with key black trends, others attempted to make their collections stand out at The Westbury in Mayfair on Sunday.

 

Here’s a summary of each designer’s catwalk lines:

 

Blackpearl’s Secrets

Elegant and formal, the runway featured shimmering floor-length dresses and fitted men’s suits with tribal motifs etched on the pockets, elbows and lapels.

 

Blackpearl’s collection imitated the split-at-the-thigh gowns worn by Angelina Jolie and the hip-revealing dresses first adorned by Cheryl Cole.

 

But the contemporary was intertwined with the past, with square buckles nipping in at the waist and lace-up detail to the front and back of the dresses.

 

The catwalk line showed off the female form, with deep v-neck lines, high-rise slits and pieces which exposed the back.

 

Agatha Hambi

Black is the signature style of the Hambi designs as each model walked out to the chilled beats of the music.

 

Sticking to a black colour scheme with silver zips for all her pieces, Hambi’s collection was again floor-length but loose fitting against the frames of the models.

 

Halter necklines were prominent but there was little in the way of detail apart from a couple of dresses with feathers on the straps at the base of the neck.

 

To make each dress unique though, she incorporated different materials, such as netted, see-through textiles to the arms, shoulders and chest area.

 

Ella Bethel

A refreshing splash of colour delighted the audience in the next line-up by Bethel.

 

With the first model dressed in fruity reds, oranges and yellows in a skirt and blazer combination, the designs that followed were anything but consistent.

 

They were glam and cute with a look of ‘cocktails in the summer’.

 

All skirts were above the knee and Bethel experimented with materials, distinguishing the top and bottom halves of her projects.

 

There was also a hint of the tribal with delicate designs at the waist to the bolder print dresses. 

 

Tribal Gem

As the name suggests, Tribal Gem featured statement tribal motifs printed on blazers.

 

Models were dressed in black leggings so the eye was drawn to the bright designs on the jackets.

 

Sitting at the waist in either a straight or curved cut, the suits often featured a single button below the breasts, exposing the midriff.

 

The standout blazer was one that looked somewhat like a pillowcase – see the picture.

 

Mademoiselle Aglaia

Using black as the base of her designs, Aglaia’s collection was more experimental than her fellow designers.

 

The male models were dressed in a futuristic, street goth trend, while the women sported soft-flowing skirts, juxtaposed with crude short cut shorts and mini-skirts exposing the flesh.

 

A memorable piece was the half sequined, half feathered ball gown with a zig-zag design to the front which wouldn’t look too out of place on the high-street.

 

Established Beauxtique

Formal but with cheeky, playful undertones, the designs also incorporated the ongoing tribal theme.

 

Bold print jackets in deep yellows and reds were matched with elegant black skirts and dresses.

 

There were gasps as a model wearing a frilly dress and sheer turquoise bodice strutted down the catwalk.

 

Eva Cammarata

As a finalist in Britain’s Top Designer, Cammarata’s collection had to match her glowing introduction.

 

And she didn’t disappoint.

 

Unusually, her collection stuck to thick-threaded/woollen jumper dresses and belly tops teamed with tweed three-quarter length trousers.

 

Sticking to rusty gold and bronze colours, there was also a touch of S&M in her clothing.

 

Belt-like straps clung to the shoulders and hugged the area below the chest in a couple of her pieces.

 

And one of her more unusual designs included white lace teamed with a thick blue-layered woollen skirt. 

 

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Overall, Fashions Finest gave a good glimpse of the collections London Fashion Week followers can expect from future generations of designers. The model’s timing when entering the runway and the narration of the event may not have been perfectly executed, but their projects were promising

 

Swearing at Motorists – Burn Down the Wire EP | Music Review

Swearing at Motorists – Burn Down the Wire EP

Dave Doughman is a tough man to please if Wikipedia is to be believed. According to the website, always an infallible source of information, the Swearing at Motorists singer has seen 16 changes of drummers during the band’s 17 year existence.

S@M were originally formed in Dayton, Ohio in 1995 when Doughman teamed up with Don Thrasher, formerly of lo-fi kings Guided by Voices and since then he’s averaged one new drummer per year. Impressive too considering that “Burn Down the Wire” is the band’s work since 2006.

This four-song EP begins with the lovely Stop, Drop & Roll, which is typical S@M, built around Doughman’s scraggly voice with him strumming away with a beautiful melodic guitar sound. This is trademark ‘motorists. A cover of The Smiths’ “Please, Please, Please, Let Me Get What I Want” gets put through the mincer and comes out rather nicely with the trademark S@M sound – often described as “the two-man Who”. I know I’m supposed to but I couldn’t have put it better myself.

It’s a lovely offering and one that you hope will be followed by more. And more. What the band do best is good songwriting, vocals that are at times angry and at others fragile and a mix of melodic guitar and skuzzy garage rock riffs. Imagine Thin Lizzy mixed with Queens of the Stone Age and you’re close.

Has it been worth the 6 year wait? Burn Down the Wire’s splendid but a mere morsel at four songs short and so hard to judge on that basis. A bit like when you’re thirsty – the quality of the water’s hard to tell with any clarity, you just need to ingest it quickly. Anyway, I’m still thirsty – more please Dave!

Burn Down the Wire is out now via http://swearingatmotorists.bandcamp.com/album/burn-down-the-wire