Best Endeavours Technical Best: Jane Cable On What Happens After You Sign That Digital Publishing Contract

Jane Cable, publishing, writingBEST ENDEAVOURS

Jane Cable’s blog about what happens once that digital publishing deal is in the bag continues.

TECHNICAL BEST

I feel as though I know every word of The Seahorse Summer off by heart. And that can’t be a good thing. My real battle with editing over a short period of time is coming to the manuscript fresh and able to concentrate on what’s actually on the page, not what I think is there.

It’s just as well I’m on the last lap now, the technical points which are often overlooked. None of them rocket science but mistakes which are all too easy to make and not so simple to spot: a ‘by’ for a ‘my’; a missing indefinite article; and the multiple perils (for me at least) of punctuating dialogue. Yes, I could leave that to the proof reader but I’d like to submit a manuscript which is as perfect as possible.

I have another task for this week too. Quite some months ago I was asked to judge the Autumn Writing competition for one of the better writing groups. The subject matter – A Ghost Story – poetry or prose – and now the entries are sitting in my inbox. To be honest they will be a welcome distraction.

Best Endeavours Technical Best: Jane Cable On What Happens After You Sign That Digital Publishing Contract writing, amwriting, publishing

Most helpfully the group’s website gives a critique guide which can double as a framework when editing your own manuscript and for anyone embarking on the process I thought it would be useful to summarise:

Plot
Is the plot believable? Is it too fast or too slow? Too simple or too complex?

Characters
Too many characters or too few? Are they real people, or flat cutouts? Is it easy to confuse one with another?

Setting
Too many locations or too few? Too much description or too little?

Dialogue
Too much or too little? Do the characters have different voices? Are their words believable?

Viewpoint
Do we stay in one viewpoint, or change? Does the chosen viewpoint work?

Ending
Is the ending too sudden or too slow? Does it follow logically from the story? Does it leave the reader satisfied?

Technical Points
Are there errors in grammar, spelling, layout or punctuation? Are there factual mistakes?

Having some sort of structure helps you to step back from your own work and see it more as others do. Not an easy task, by any means, but an essential part of the writing process. If you don’t belong to a writers’ group you may well have completed your manuscript in glorious isolation. If you aren’t against a deadline, put it down for a few weeks, read something else, get out into the real world for a while so you come back to it fresh.

At the very least, pick up a few ghost stories and settle down with a cup of tea to enjoy them.

Jane Cable is the author of two independently published romantic suspense novels, The Cheesemaker’s House and The Faerie Tree, and a sporadic contributor to Frost. The Seahorse Summer tells the tale of how two American soldiers born sixty years apart help forty-something Marie Johnson to rebuild her shattered confidence and find new love. Discover more at www.janecable.com.

 

 

Cities At Dawn Workshops: A Photographers Dream

asWe are a huge fan of these Cities At Dawn workshops, they teach you how to capture  LondonParis and Venice at dawn. We have a blog from one half of Cities At Dawn Anthony Epes, (the other half is his wife Diana Bird, both are an incredible, talented team) You can also read about ‘the art of seeing’ which is what Anthony wants to help people develop on the workshops alongside all the technical stuff.

An adventure in Paris By Anthony Epes.

Last week a group of talented, eager and inquisitive amateur photographers joined me in Paris for my first Paris at Dawn workshop. It was a truly incredible, intense and inspiring experience.  After four days they had created a great portfolio of photos, we’d had many conversations about photography and walked miles exploring the beautiful, pretty, epic, gritty and sometimes crazy streets of Paris. There were many bars visited and a good amount of delicious food taken in.

On our first morning we met at 4am when Paris was still heavy in darkness and wandered through the beautiful cobbled streets of Montmartre, past the debris of last night’s fun and the many cafes that line the streets that are usually heaving with people. The winding roads and alleys (and many steps!) took us up to Sacre Coeur. We met people along the way – a group of French revelers intent on continuing the night, a painter I know who was out walking his dog, a few workers on their way home – and as is usual when there is no one else around, people were friendly and chatted to us along the way, curious to find out what we were doing up at such an hour and wanting to see out work.By old Shoreditch Station

The dawn didn’t disappoint. We stood on the hill by Sacre Coeur and watched as Paris was lit up by a red and yellow sun. The group were instantly inspired and a furry of activity, running up and down the steps, trying to capture the amazing dawn light as it changed rapidly. I was there to assist, giving tips and providing guidance.

Dawn gives you a tiny window of opportunity to see some of the most beautiful light of the day, you have to be prepared and you have to be quick. Every dawn is different, sometimes you might have an epic sky for a few hours or you can be waiting for hours and then suddenly for 30 seconds  the sky burst with incredible light, only to vanish in seconds. Be prepared or miss out on the best light of your life. It always gives me a thrill to wait and see what each morning will bring.

The next morning we headed down to Notre Dame on the Seine and Ile St Louis. Sunrise over any river, especially one that has so many beautiful bridges like in Paris, is a good opportunity for great photos . I really enjoyed introducing the group to these iconic places, even though I have been to these spots dozens of times, the beauty of Paris is so incredible that even I manage to get new shots each time I visit. This little stretch of the city is one of my favourite places to shoot, the little lamps by the river, the grand imposing Notre Dame, the pretty little bridges.

cad-6Our Parisian adventure also included lots of technical and composition sessions, and a 1-2-1 with each of  the photographers, for me to look over their portfolios and give them some advice about how they can each develop. I love getting to know each person’s body of work and it helps me when I am out and about to give advice that is specific to them.

We also took an afternoon walk from my apartment in Batignolles along Pigalle and the ‘saucy’ bit of the city (and past the Moulin Rouge, which looks much smaller in real life than one imagines), to Rue Barbes which is a heavily north and West African area with a great French and ethnic market and food shops, through the Sri Lankan area around the gritty Gare du Nord (where the smells of curries and parathas coming from the cafes make your mouth water) across Jardin Villemin, one of those pretty parks the Parisians do so well, and ending up at Canal St Martin a sort of London East-Endish cool area. Design shops, cool bars, a couple of galleries line the canal which is beautiful, especially in the morning with its high green bridges and tall trees. We stopped at Le Comptoir General, a very cool bar/cafe that’s down a little unmarked alley way, and had African street food and some much deserved beer.

The workshop finished up at my apartment on Sunday morning, over an indulgent breakfast of buttery croissants and cad-2chocolaty, custard pasties. We looked over the images the group had got, talked about our experiences and discussed any lingering questions. And then reluctantly, we all left to pack up and go home to our real lives. I found it incredibly inspiring to spend this time with these people who were so curious and interested in discovering Paris, taking photos and building their skills. Being with other people who share your passion is such a pleasure. Talking photos, taking photos, exploring, being together – it’s such a joy. We all came away inspired by each other and of course by Paris, at dawn.

 
Workshop dates for 2014 are:
 

 

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