BUSINESS OF BOOKS: FIRST, LAST, EVERYTHING – MAGAZINE FICTION WRITER WENDY CLARKE

My very first piece of writing advice wasn’t from a writer or about writing but it was advice that would one day help me in my writing career. I was twenty-two and had just taken up my first teaching position at a junior school with open-plan classrooms divided only by bookcases. Being very new to teaching, and still finding my feet (or my voice, if you like), I was always looking for ways to make my teaching more effective. In the classroom area next to mine was a more experienced teacher who, because of the way the classrooms were laid out, could easily be heard. I was impressed with her control of the class and the attention the children gave her. Realising it was something in her voice (her tone, her inflection, her choice of words) I decided that if I copied her style of teaching, I too would achieve success. How naïve! Of course, it was a disaster – a bit like being on stage and being cast in the wrong role.

Back in the staffroom at break time, the teacher I’d been trying to copy could tell something was wrong. When I told her what had happened, she was very kind, sitting me down and making me a coffee before telling me that no two teachers taught in the same way and the children wouldn’t expect them to. In time I would find my own voice. One that I felt comfortable with. One that would be true to me. When I started writing for magazines, I remembered this advice. I didn’t try to copy the style of any other authors, I just wrote stories I loved – in my own way. My first sale came quickly and I have that teacher to thank!

The most recent piece of writing advice I received was from the writing community on social media. It was during a period when I had become disillusioned with the long and tortuous road you needed to travel in order to get your novel published. With magazine writing, you write a story, sub it, forget about it and start on another. There is no middle man (the agent) and, because I have several stories being considered at one time, it feels as though things are always happening. With a novel, you submit to agents and then wait, sometimes many months, for the inevitable rejection. Even if an agent requests the full manuscript (which happened to me six times) it can be months before hearing anything… if at all. In fact, I am still waiting. The readers of my Facebook post heard my sorry tale. Their advice was to submit directly to the publishers who accept manuscripts without the need of an agent. I did and it’s the best advice I could have been given.

Finally, the piece of advice I’d like to pass on is easy. Be kind to yourself. Set reasonable goals (if that’s the type of writer you are) and don’t beat yourself up if you don’t manage to achieve them. Also have breaks from your writing. If I go on holiday, I leave my writing equipment behind. The rest recharges my battery and helps me put my writing into perspective. This doesn’t mean that my brain isn’t still working behind the scenes though. Often, when I switch off from writing, an idea for a story, or the answer to a difficult plot problem, will float into my head as if from nowhere. Writing isn’t something to be forced but to be enjoyed and, if it isn’t, maybe it’s time to ask ourselves why we’re doing it.

 

Wendy Clarke has had over two hundred short stories, and two serials, published in national women’s magazines such as The People’s Friend, Take a Break Fiction Feast and Woman’s Weekly. She lives with her husband in Sussex and has just finished writing her debut novel.

 

https://wendyswritingnow.blogspot.com/

How to Win at Feminism Reductress Interview And Book Review

how to win at feminism, reductress, feminism How did you come up with the idea of Reductress?

 

Sarah: We were both writing and performing sketch comedy, and realized there was a lack of spaces for women to create comedy for and about us. Then Beth came to me with the idea for a fake women’s magazine, and we were happy to find that nobody had really done it before.

 

Beth: Yeah, plenty of people had made fun of women’s media before but it felt like there was so much more to cover in a more expansive way.

 

It is such a smart site and we love the book too, is it easy to come up with new ideas?

 

Sarah: Yes and no! Comedy is always hard, but fortunately the bizarre nature of women’s media and the internet at large have given us a lot of material to work with.
Beth: Yeah, luckily we have a team of super funny contributors and they’ve had plenty of experience reading women’s media and existing as women in the world to draw on.

 

What advice to you have for anyone who wants to follow in your path? 

 

Beth: Use your disadvantages to fuel your work. In comedy your frustration is part of your voice.

 

Sarah: Don’t give up on a good idea. Don’t be afraid to fail. It’s part of the process, and there’s always something to learn from it.

 

Do you think women’s magazines are damaging to women or helpful?

 

Sarah: Somewhere in between. Obviously a lot of what Reductress does is comment on the ways in which they have been harmful, but women’s media has definitely made a lot of strides since our mother’s generation.

 

Beth: Yeah it really depends on the magazine and the writer and the how they’re writing about a given topic. When it’s done in a one-dimensional way that speaks down to women, it’s harmful.

 

Describe a typical day.

 

Sarah: Answer emails, post everything on social media, bitch to everyone about whatever’s happening in the news? Order salad. The rest is a salad-eating blur.

 

Beth: Email, hide my private email server, pump breast milk, write, edit, eat salad furiously.

 

How do you run the site?

 

Sarah: Efficiently.
Beth: Girls.

 

Tell us about writing the book.

 

Sarah: We wanted to write a book about how women’s media has co-opted feminism. So, we wrote a proposal in early 2015 and got our editor-at-large Anna Drezen on board and we did the thing!

 

Beth: It was exhausting but fun. Lots of weekends sitting in a Starbucks thinking about the patriarchy.

 

What is the biggest issue affect women today?

 

Sarah: I don’t really think there’s one issue, and it definitely depends on which part of the world we’re talking about. In the states, I think the treatment of marginalized women (women of color, transwomen) and lack of representation overall is a huge issue.

 

Beth: If you mean biggest in terms of how many people it affects, I think subtle sexism is really insidious, but if biggest means most serious, then I think reproductive rights and the maternity leave policies are huge in the impact they can have on women’s lives.

 

What’s next?

 

Sarah: We’ve got some things cooking! For now, check out our podcast, Mouth Time!

 

Beth: We’re gonna go eat more salad!

 

How to Win at Feminism is an awesome and original satirical book on feminism written by the subversive women’s magazine Reductress. Which is read by an audience of over 2.5 visitors a month. It will make you laugh out loud and nod your head in agreement.

UK and Commonwealth rights were bought by HQ Senior Commissioning Editor, Anna Baggaley, from Harper One in the US.

Beth Newell and Sarah Pappalardo, the authors of How to Win at Feminism, said: “we are excited to bring our book to the UK and hope that British readers will enjoy it half as much as they do Pippa Middleton’s bum!”

Anna Baggaley said: “As someone who is been a huge fan of Reductress and their sharp observational comedy for a while I am so thrilled to have the opportunity to publish such a funny, wry and necessary book”

Filled with tongue in cheek humour, colour illustrations, bold graphics, and hilarious photos, How to Win at Feminism teaches readers how to battle the patriarchy better than everybody else. From the her-story of feminism to how to apologise for having it all, and by using celebrity studies such as Beyoncé and Taylor Swift, How to Win at Feminism is a fresh take on women’s rights through the lens of some of funniest women in comedy today.

How to Win at Feminism is out now in paperback original £12.99 and ebook £9.99.

The Art of Feminism by Reductress is published by HarperCollins.

Reductress has discovered a rich, deep seam of comedy.” 

Graham Linehan, co-writer of Father Ted, Black Books and The IT Crowd

“People say women can’t be funny. WRONG… I love Reductress.” 

Sam Bain, writer of Peep Show

 

Reductress is a fast-growing satirical website that delivers mischievously hilarious, on-point criticism wrapped in hilarious headlines and feature articles. Referred to as the “feminist Onion,” it pokes fun at the messages fed to women from an early age and throughout adulthood. Since its creation in 2013, it has exploded in popularity, with over 2.5 million monthly visitors. Reductress was founded by Beth Newell and Sarah Pappalardo, the authors of this book.

 

 

 

 

Why We Have To Get Rid Of The Notion of a Bikini Body Forever

Catherine Balavage, feminism, bikini body, the myth of a bikini body sexism, love your body, Women Either Have To Exercise, Diet and be Subjected to Photoshop, Or Be Told How “Brave” They Are For Having “Real” Bodies. And that has got to stop.

It’s summer and with that comes dieting, exercising, fake tanning, dry body brushing, exfoliating, waxing and moisturising. It includes hundreds of products and doing our hair and make up just perfect. Oh, and shopping for bikinis and sandals. Except THANK GOD it doesn’t. There is only one way to get a bikini body: put on a bikini. There you go. You already had the body.

In the run up to summer, magazines are full of articles on how to detox and lose weight for summer. I have read so many articles on fake tanning on auto-pilot that it actually made me angry that I did not stop reading these “how-to’s” years ago. I don’t even use fake tan. I love my pale skin and I will not let society and the media tell me how to ‘fix’ it to conform to their ideal of beauty. Ditto the dieting, waxing and detoxing articles. In fact, one of my biggest girl crushes, Mindy Kaling, has said the following: “Most people want to ask about my size and how brave I am. I’m like, ‘I’m not brave, I’m just not really skinny”. Because being a successful and beautiful woman is not enough, right? You also have to be skinny and conform to a certain ideal of beauty. Usually a tall, thin white woman.

The truth is, a women’s body is always politicised and objectified. We either have to work out, eat healthily and be photo-shopped into oblivion, or  flaunt our ‘real women’ bodies (how I hate that phrase!) and get told how “brave” we are. We get bullied into insecurity because that is how the beauty industry, how capitalism, makes billions from us.

Making women feel bad about themselves is an industry in itself.

I am not attacking women’s magazines, but I am saying that those ‘bikini body’ articles have to go. Sure, tell us how to be fit and healthy. Tell us about the latest beauty products and give us great articles on health and recipes for good, nourishing food, but stop with the bikini body myth. It is damaging all of us. There is no such thing as perfection. It seems like it is a secret that women’s bodies are not perfect. That they don’t have marks on them. Well they do. Women have cellulite and stretch-marks. But here is the thing: men do too! They just can’t make money out of making men feel bad about it so they don’t bother. Hell, even babies have cellulite! Frankly, can you think of anything more dire than the pursuit of physical perfection? For one, it doesn’t exist. Even for the most narrow of beauty ideals, and because we all have better things to do. Can you imagine what women could achieve if they spent the same amount of time getting ready as the average man? We could take a course, work, even just relax for a while. I would rather carry some extra pounds and enjoy my life than have a ‘perfect’ body (and let’s be honest, those don’t exist).

In my life I have been everything from a UK size 4 to a UK size 12/14. And here is the thing: I always felt fat. I hated it if my stomach was bloated, if my skirts were tight around my hips. Then I freed myself. Because, to borrow a phrase from another wise woman, fat is a feminist issue. My body has made another human being. It has been good to me and I love it. And I love it even though I have been taught not to. Despite the lack of fake tan, waxing and expensive ‘firming’ creams. I love it because loving your body as a woman is a revolutionary act. And I have always been a bit of a rebel.