Tag Archives: writing

BEST ENDEAVOURS: Jane Cable’s blog about what happens once that digital publishing deal is in the bag continues

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BEST ENDEAVOURS: Jane Cable’s blog about what happens once that digital publishing deal is in the bag continues , writing, getting published, am writing
BEST LAID PLANS

The email came on Monday, via Agent Felicity, with the impeccable timing only achieved by a communication containing deadlines which arrives at the beginning of a holiday. And not a plenty-of-time, relaxing-on-the-beach sort of holiday – a full on archaeological tour of Orkney, with just about every waking hour accounted for.

It was a holiday we’d been looking forward to for over a year: a small group led by a real live archaeologist (a dead, or even half dead one would have been of limited use) around the amazing array of Orkney’s historical sites (see www.orkneyarchaeologytours.co.uk). In just six days we travelled from the Neolithic to World War 2 and back again. Via the ephemeral Picts and the rather more visceral Vikings. We crawled into Stone Age tombs and gazed in wonder at homes lived in 4,500 years ago at Skara Brae. The novelist in me was bitterly disappointed to find the story of the Italian PoWs who built a beautiful chapel from scrap had already been fictionalised, while at the same time storing away nuggets about life as an archaeologist for my current work in progress.

But I digress. The email forwarded to me was from my publisher, Endeavour Press, with an outline timetable for the production phase of The Seahorse Summer: finish the manuscript over the next few weeks, then four to six weeks later they would send me proofs and edit notes. Together? I consulted a writer friend who is published by a rival digital house and yes, that’s the way things are done. Proofs are not final proofs; she received five sets in all and great emphasis was placed on getting things right.

So what I need to get right now is my manuscript. I am delighted to be left to my own devices to do this but at the same time I just know that the “two days’ work” suggested by Endeavour at the pre-contract stage will take me so much longer. Readers are going to part with hard earned cash to buy my book (I hope!) so I owe it to them to make it as perfect as possible.
I guess every writer has their own method of editing. The Seahorse Summer, as a story, is complete. The characters are fully formed but the words aren’t as polished as I’d like them to be. So that’s the first thing I’ll do. Trusty filofax in hand I pencil in Monday and Tuesday next week for this vital task.

Please understand that I am not a full time writer – I also have a business to run. Thankfully my husband (when he gets over his post holiday grump) will be on hand to help, but even so on Wednesday I need to be at a client to deal with their month end – and on Thursday I need to deal with our own. And catch up on all the little tasks that didn’t get done while we were away.

Once these jobs are complete I can return to my editing. Next I’ll work through the manuscript from the point of view of each character, making sure their stories progress logically and their external and internal journeys are sound. For this I’ve booked in five to six days over the next fortnight – each one diarised in between client commitments, training courses, a hair cut and what will doubtless be a much needed massage.

The final read through I’m leaving until I have a clear week later in the month. I can deal with all the loose ends I’ve unearthed (why did the strange rumbling and roaring Marie hears disappear?) and make sure every word is where it should be. All 80,000 of them. And that’s where my meticulous planning should all pay off.

Jane Cable is the author of two independently published romantic suspense novels, The Cheesemaker’s House and The Faerie Tree, and a sporadic contributor to Frost. The Seahorse Summer tells the tale of how two American soldiers born sixty years apart help forty-something Marie Johnson to rebuild her shattered confidence and find new love.

Discover more at www.janecable.com

BEST ENDEAVOURS: what happens once that digital publishing deal is in the bag

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janecablepublishingagreementThe first in a series of blogs about what happens once that digital publishing deal is in the bag!

BEST FRIENDS

If you write, it’s a moment you dream of – the moment you learn that a publisher wants to buy your book. There’ll be champagne, fireworks, violins playing sweet music… Actually – when it happened to me – I didn’t believe it.

I read the email my agent, Felicity Trew, sent about three times and then she called me. I don’t remember much about the conversation to be honest. Then I went downstairs, told my husband, and drove into town to do some last minute pre-holiday chores.

It was only as I walked from the car park that the news began to hit home. Just fifteen short months earlier I would have been straight on the phone to my mother, always the biggest supporter of my work, but who could I share the excitement with now she’s gone? Who would understand? Another writer, that’s who; someone who’d been on the same journey – someone who was a good friend I could rely on to keep quiet. Even though she actually screamed when I told her: “Jane – oh my god – that’s amaaaaaaazing!”

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Bookish bestie and blogger Becky Edwards (walkingnormally.blogspot.co.uk) is the person who’s kept me sane during the two months it took for the contract to be finalised and signed. You need someone to do that. I kept thinking it was all some terrible joke and that Endeavour would change their mind. Every delay… even when the final contract got lost in the post… was agony. But it’s over now: the contract is signed and I can go public.

Part of going public involves writing this blog. Endeavour is one of the new breed of UK digital publishers and must be the biggest in the game, bringing out 25 new titles each week. This deal isn’t going to be like working with one of the ‘traditional’ houses – there will be no waiting a year or more for a book to appear – things are going to happen fast and furiously from here on in.

Digital is a route that many authors seeking publication will be looking to take and so this blog will not only be of interest to the reading public but also to other writers. The intention is to share the reality of the hard graft, sweat, and maybe even tears along the way as I embark on the latest phase of my writing career. I want it to be useful; I want people to comment and ask questions. I also want to give Becky a break!

Jane Cable is the author of two independently published romantic suspense novels, The Cheesemaker’s House and The Faerie Tree, and a sporadic contributor to Frost. Find out more at www.janecable.com.

 

 

 

An interview with Liza Lutz – Bestselling author of The Passenger and The Spellman Files

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An interview with Liza Lutz – bestselling author of The Passenger and The Spellman Files – amongst others.              by Margaret Graham

An interview with Liza Lutz - bestselling author of The Passenger and The Spellman Files - amongst others. by Margaret Graham

What made you interested in writing?

I can’t pinpoint a particular realization or event. I guess it comes down to just being interested in people. And then once I discovered that writing could make my world funnier and more interesting, I was pretty much doomed.

Did you find it easy to become published?

In a way, yes. But in another, much more accurate way, not at all. I wrote screenplays for a decade until a friend suggested that I try rewriting one of them, The Spellman Files, as a novel. I did that and sent it to a bunch of agents. One of them saw its potential. Plenty of work ensued, but once I’d revised the draft, the road to publication was relatively short.

If you hadn’t become a writer, what else would you have liked to do?

Brain surgeon.

What is your writing process?

It’s mostly just sitting down and doing the work. I think I have some structural instincts that allow me to come up with an outline pretty quickly once I have a basic idea. I always end up veering away from it, but having that guide helps me avoid the staring-into-the-void thing that plagues a lot of writers. I save staring into the void for my free time.

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As well as The Passenger, which Frost recently reviewed, you have written the bestselling series The Spellman Files. Does another series appeal?

Not at the moment. I’m embracing the freedom of being able to tell whatever story I want to tell. Each of my last few books has been a big departure from the previous one, and that seems to suit me well.

What are the problems, and virtues of writing a series? 

One problem with a series is that the more successful it becomes, the more tempting it is to write what you think your audience wants to read. If I’m not writing something I would want to read, things are going to get stale for everyone pretty quickly. The chief virtue is that you can get to know characters to a degree that’s impossible in a standalone book. It’s like having multiple seasons of a TV show instead of an hour-and-a-half-long movie.

What do you like to do when not writing?

Read, watch movies, teach seniors Krav Maga.

You have won the Alex award and been nominated for the Edgar Award for Best Novel, so what’s next?

I’m writing a novel that’s totally different from anything I’ve done before. But I’m not ready to talk about it yet.
The Passenger by Lisa Lutz: Titan books. Paperback and ebook.

 

 

 

Ruby Slippers – by Tracy Baines Reviewed by Margaret Graham

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Ruby Slippers – by Tracy Baines Reviewed by Margaret Graham short stories reading, writing, booksTracy Baines has put together a collection of short stories previously published in Woman’s Weekly, My Weekly, Take A Break, Best and People’s Friend.

 

It is fascinating to read short stories written for women friendly magazines, stories that explore the everyday relationships of families, couples and friends.

 

This collection is filled with realistically imagined characters coping with life’s rich pattern, sometimes with aplomb, sometimes almost in spite of themselves, but always with humour and courage. I suppose that’s much as we all do, and this is the key to this collection, because Tracy Baines has a great understanding of women. To this end she has created real worlds with a few strokes of her pen.

 

Baines is such an expert at her craft that she hits the nail on the head for each one of her readers. Indeed, she has real understanding of the women’s magazine market, so much so that the short stories seem to flow effortlessly onto the page, solving the problem for the main character. But not just solving the problems of the main character, but through these stories she brings some sort of clarity to the muddle of our own lives. I said earlier, ‘effortlessly’ but bet it isn’t, because writing is a craft, and it takes time and  application to achieve this level of expertise.

 

Tracy Baines has got this expertise, in spades. Read Ruby Slippers and enjoy.

 

Whether you are a reader or a writer, do note that Tracy will be tutoring a Short Story workshop on September 25th 2016 at High Wycombe – so maybe attend and see behind the scenes of short story writing.

 

Writers’ Short Story Workshop: www.wordsforthewounded.co.uk

 

 

Her book will be available there, or find it on Amazon.co.uk

 

www.tracybaines.co.uk

 

 

 

Day in the Life of Wendy Walker

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Day in the Life of Wendy Walker

Sometimes I think my friends envision me sitting at a well-organized antique desk, nicely dressed, showered, hair blown dry, nails manicured and sipping a gourmet coffee while I effortlessly type page after page. It’s a very nice dream! The reality is that after seventeen years of juggling kids, a house, writing and my day job as a lawyer the last five of them, I find myself in a constant state of disheveled chaos, scavenging for time and still in my pajamas when my boys get home from school!

 

Here is how it unfolded.

 

After I had my first son eighteen years ago, I decided to stay home to raise my children until they were all in school. I felt lucky to be able to do that and so I took the job very seriously. But after about a year, I felt unfulfilled so I started to write whenever I had free time (which was not very often!). I had two more children in five years and all the while I kept writing. I even wrote in the back of my minivan while waiting for them at pre-school! I picked up the pace after I found an agent who thought she could sell my work. Of course, life is never that straight forward. It was a long road getting to the writing and publication of All Is Not Forgotten. During that time, I published other novels, edited, and eventually went back to work as a lawyer (after fourteen years away from the field).

Day in the Life of Wendy Walker2

But I never gave up the dream of making a career as a writer. I used to tell my boys that it was important to always have a dream, but to also be responsible. I did not stop working as a lawyer. Somehow, I also managed to keep writing. I signed with a new agent and she loved my concept of a psychological thriller based on memory science. I was a bit nervous about switching genres, but I had always enjoyed suspense and thrillers and I was very interested in this story concept. So I dusted it off and wrote All Is Not Forgotten.  It was great advice and I am so glad that my children may get to see my dream come true.

 

Of course, “living the dream” for me, and so many other writers, is far from glamorous! I spend my days juggling promotional work with family obligations and staring down blank pages of the next novel that is dying to make its way out of my overcrowded head. I sometimes fantasize about the world coming to a halt for a day (maybe two) so I can catch up. But that is one dream that will never come true! Still, as I sit here in my pajamas writing this, a long list of things-to-do sitting beside me, I know I wouldn’t have it any other way.

 

All is not Forgotten by Wendy Walker. HQ £12.99

 

 

Short Story Author embarks on “World’s Most Insane” Writing Marathon

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In March author Tim Austin began a “Brilliantly Insane” project: to write a brand new 100 word short story every single day for 365 days.  It has since been viewed thousands of times by readers from across the globe – from Sri Lanka to Canada, India and Australia.

With just under 300 more days to go, we talk to Tim about the project, celebrity contributors and what writing fiction means to him.

What is One Word, One Story?

It’s a project where members of the public suggest single words and I use those words as titles for flash fiction short stories.  I read each word, an image forms in my mind and I take that image as inspiration for what I write.  I never, ever know what’s going to come next!  And I’m writing a new story every day for a year over at onewordonestory.org.

It sounds crazy.  What made you do it?

A friend of mine suggested the notion of word association as a way of exploring my imagination and practicing my writing.  I started doing that as a hobby.  At first it was single paragraphs but I enjoyed it so much that I turned it into entire short stories.  Taking it public and doing it every day for a year seemed like a fun next step.

You have a strange idea of fun,….

Haha!  I enjoy taking things too far and I like a challenge.  I think this counts for both.

Why just a hundred words?

I wanted to create something that people could read on the go.  People have little time if they’re on a lunch break or travelling to work and I wanted to write something bite-sized that they could enjoy.  Maybe read two or three in a go.  The other reason was the challenge of condensing a whole narrative into so few words – it really makes every word count.  It’s very pure and I like that very much.

Where did the idea of approaching other authors and celebrities come in?

Yeech, I hate the word “celebrities”!  It sounds so contrived and pat.  I want everyone to be able to suggest words and titles but I thought it’d be fun to approach a few writers and actors I admire.  I’ve been honoured that many of them have been kind enough to donate words.

Such as?

Danny John-Jules (“Cat” in the Sci-Fi classic “Red Dwarf”) suggested “SmegForBrains”.  I’ve also had suggestions from screen writers and authors including Mike Wells, Jonathan Maberry, Eddie Robson (Doctor Who) and Robert Shearman (also Doctor Who – writer of the acclaimed Season One story “Dalek”).  I’m keeping quiet about future contributors.  But I’m always asking.  And I’m always looking for new words – anyone can suggest their own.  Hint.

Did you expect it to become this popular?

To be honest, I thought it’d get a couple of hits a day.  I started the site as a hobby, after all.  But within two weeks I was getting hundreds of visitors a day and thousands of hits a month.  It’s been wonderful to connect with people and hear that they’ve enjoyed each story.  That’s been the greatest pleasure.

You can read, contribute to and support Tim’s One Word, One Story project over at onewordonestory.org now.

 

 

A rare day out with Mr P by Alex Bannard Bangkok Correspondent

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With the children at school Alex and her husband have a chance to go tourist.

Mr P is on gardening leave. Which since we, the kids and I, have not even been here a year is a little alarming but we have been through worse so we’ll get through this. So before his new job takes him off again and in the spirit of making the best of things, we decided to explore beyond Bangkok. After all two month’s in one another’s company is a long time, so better we do these things before we are fed up with one another.

A rare day out with Mr P by Alex Bannard1

I had always wanted to go to Ayutthaya – the second of the two original ancient capitals of Siam and heralded as the Angkor Wat of Thailand. Thankfully Mr P agreed. We dropped the kids off at school and headed out of the city, noses in our iPhones clearing emails, returning messages and playing Candy Crush. Ok Candy Crush, that was just me. I like to make use of the exquisite privilege of being driven everywhere by using my time wisely. Gawd forbid we might strike up a convo and run out of things to chat about by mid morning.

 

We arrived at the Unesco World Heritage site early before the mini vans and tourist coaches but failed to secure the bikes we had dreamt of. Never mind. The site didn’t look that big and there’s nothing wrong with our legs. So off we set. Within minutes we had come across the famed Buddha in the tree roots. ‘Great,’ announces Mr P, ‘We can go home now.’ He’s not the best tourist. Sightseeing is not his bag. He once described Petra as ‘cr*p’. It was shaping up to be a long day and it was barely 9:15.

 

I want to say ‘and it did not disappoint’, except it did a little. Wat Maha That is stunning without question. And one can not help to marvel at the skill of the ancients who built the complex but it somehow just did not have the majesty and splendor of Angkor.

 

A rare day out with Mr P by Alex Bannard2

 

We wandered through the historical gardens and over the road to other ruined temples and buildings which were not open. I pondered on the irony of some of these ancient ruins amidst modern day Ayutthaya as many of them are. Again something different from Angkor – or it certainly was more than a decade ago when I visited it. In Angkor you feel like you have stumbled across something magical, in Ayutthaya it feels like the ruins are struggling to compete with the pace of modern living. Although I had to smile at all the bike helmets left on the wall of one ruin as chickens clucked in nearby pens and the drivers swung in hammocks hung between the trees. 

 

We crossed the road briefly stumbling across the paths of elephants carrying a hoard of Chinese tourists around the periphery of the gardens. The mahouts did not take kindly to Mr P patting the elephant’s trunks, oblivious to this being our first ‘official’ elephant experience so far on our Thailand adventure. I suspect these are not the ethical elephants we dream about introducing the kids to at some point. 

 

We discovered a modern temple where a recently renovated Buddha resides, one of the largest in Thailand and one the Queen herself has helped restore to its former glory. In the gardens surrounding the temple the bushes were shaped like elephants – probably more ethical to be honest than those up the road. The Ancient Palace and Wat Phra Si Samphet nearby were more impressive. A little off the beaten track, they had more charm somehow. 

 

By now it was time for lunch and we settled on a quaint restaurant over looking the river where we both inhaled a Singha and enjoyed a delicious meal. 

 

Afterwards we drove out to Wat Chaiwatthanaram over the river. I loved this set of ruins. Here there was a majesty and splendor as we explored the cloisters and the decapitated Buddhas that surround it. It was here that I took a quiet moment of solitude in front of the huge restored Buddhas that overlook the river surrounding this island of ancient temples, monasteries, palaces and statues destroyed by the Burmese in 1757. And here that I realized that none of it disappointed. I had arrived with expectations and they had disappointed. The temples and palaces, statues and stupas were all splendid and don’t deserve to be compared to Angkor which I fear in the intervening years since my first visit has possibly lost some of it’s magic as chain hotels creep into its being.

A rare day out with Mr P by Alex Bannard3

And I remembered why I love Thailand. I love places that are not completely touristy (it was midweek and still blissfully quiet) and still retain a rustic charm. I love that real life juxtaposes right next to stunning temples and glorious ruins, that everyday people, often on the brink of extreme poverty, live right next door to these fabulous and stunning spiritual reminders. I hope they find it as spiritually uplifting as I do. 

 

Looking at the map of Ayutthaya I realized we barely scratched the surface of all the ruins. But I did the same in Angkor. Once can get a little templed out. It doesn’t mean the memories aren’t vivid and wonderful. And I have no doubt our memories of this day will be the same because in the end it did not disappoint. And we didn’t run out of conversation either. 

Torbay Poetry Festival 2016 Competition. £700 1st Prize

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As Frost Magazine readers know, we are always supportive of writing events, and here’s one for all the poets out there.

 

Torbay Poetry Festival 2016 Poetry Competition is open for entries now. Poems submitted must be original, unpublished and not accepted for publication. They should be written in English and not exceed 50 lines. To give you an idea of the standard, please take a look at John Greening’s report on the Torbay Poetry Festival Competition Winners 2015 on the Torbay Poets Website website. All entries must be received by 6.00pm on 28th August 2016. Very best of luck!

 

Judging

 

Sue Boyle won The Poetry Business pamphlet competition in 2010 with Too Late for the Love Hotel and has a poem in The Forward Poems of the Decade, 2011. Her book Report from the Judenplatz was performed in full at the Torbay Festival of Poetry in 2014. Her first full collection, Safe Passage from Oversteps, came out last year.

 

Sue runs regular Writing Days for the Bath Poetry Cafe and organised the Cafe’s Short Poem Competition in 2015. Her wordpress site Sue Boyle features the ongoing story of last year’s Cafe Competition, with reviews of many of the successful poems and helpful insights from the twelve experienced Cafe judges for competition poets who aspire to win.

 

Prizes

£700 FIRST PRIZE, plus free weekend at the poetry festival, (27th – 31st Oct 2016), including accommodation and Festival Pass.

£400 second prize plus a free Festival Pass.

£200 third prize plus ticket for the Festival supper for two.

ENTRANCE FEE:  £5 per poem or 5 poems for £20 for entries received by post. Online entries are £5 each because of additional admin costs in time and printing.

Closing date:  August 28th 2016

Winners to be announced at the PRIZE-WINNERS’ PARTY on Saturday 29th October, at the Torbay Poetry Festival, Livermead Cliff Hotel,Torquay, Devon where short-listed poets will be invited to read their poems.

 

For further information:  http://www.torbaypoetryfestival.co.uk/competition/