The Wireless Theatre Company Presents THE STRANGE CASE OF SPRINGHEEL'D JACK

The multi-award winning* Wireless Theatre Company proudly presents its first-ever audio serial:

THE STRANGE CASE OF SPRINGHEEL’D JACK

Starring Julian Glover.

Synopsis:

London, 1837. An inhuman fiend stalks the night. With no time to lose, brilliant young police constable, Jonah Smith, must unmask the monster before he strikes again. Follow our hero on a terrifying adventure as he races to solve… The Strange Case of Springheel’d Jack!  

Episode One: http://wirelesstc.wordpress.com/2010/12/24/the-strange-case-of-springheeld-jack-episode-1/

Episode Two: http://wirelesstc.wordpress.com/2011/06/27/the-strange-case-of-springheeld-jack-episode-ii-the-crypt-of-evil/

Episode Three: http://wirelesstc.wordpress.com/2012/01/27/the-strange-case-of-springheeld-jack-episode-iii-the-face-of-the-fiend/

All three episodes of this thrilling, award-nominated** audio serial are available to download free.

 

The Strange Case of Springheel’d Jack Cast:

Christopher Finney, Matthew Jure, Jessica Dennis, Jack Bowman***, Ben Whitehead, Colt Holt, Trevor Cuthbertson, Jamie Cartwright, Ceri Gifford, Simon Walters, Ashley Munson, Lizzie Goodall, Andrew MacBean, Caitlin Birley, Debbie Leigh-Simmons, Mariele Runacre Temple, Charlie Adams, with Jonathan Hansler, Nick Lucas, David Benson and Julian Glover.

Crew:

Writers: Robert Valentine and Gareth Parker.   Editor: Andrew Swann. Music: Francesco Quadraruopolo. Artwork: Jamie Egerton. Producers: Mariele Runacre Temple, Robert Valentine and Jack Bowman. Director: Robert Valentine.

Awards and Nominations:  

*Mariele Runacre Temple; Best Radio Drama Producer, 2009, Fringe Report Awards; Best Entertainment Producer, Best Online Multi Platform Creator, Radio Academy Radio Production Awards

**Mariele Runacre Temple, Robert Valentine and Jack Bowman; Radio Academy Radio Production Awards, 2011, nominated for Best Drama Producers.

***Jack Bowman; Radio Academy Radio Production Awards, 2011, nominated Best Radio Creative.

 

The Wireless Theatre Company’s mission is to keep radio drama and comedy alive and well in the 21st Century by creating original, relevant and exciting audio productions – both for radio lovers and the ‘Facebook Generation’ – which can be downloaded free to computers, iPods or MP3 players directly from the Wireless Theatre Company website. Wireless Theatre creates a platform for fresh new writers, up and coming acting talent and interesting new ways of producing audio theatre.

 

Londoners Life 23 – by Phil Ryan

Yes the cold snap is starting to hit London. Weather forecasts predict us being hit with snow flurries very soon. And we all know what London does when 2 centimetres of snow arrives! And just as we were coming to terms with the white death we then then got more scares over an oil depot going into receivership. Now we get stories about also being hit with petrol prices in London shooting up to £2.00 a litre and all of us freezing in our cars as we ran out of fuel in sub-zero temperatures on the M40. (Although I suspect they are just softening us up as they’ll get to that petrol price level within 6 months at this rate anyway regardless of oil depots closing – not including death on the M40) And for the first time ever I briefly toyed with the idea of one of those electric cars as I am noticing more of those blue charging posts as I whiz around town in my gas guzzler. But to be honest when all is said and done they are just old fashioned milk floats with a bit more comfort and zero style. I mean have you seen those G-whiz things. Is it me but does everyone who drives them look huge and somehow ghoulish – little eyes screwed in concentration as they avoid trying to hit a pigeon or a crisp packet which would probably spell instant death for them and anyone stupid enough to be their passenger. They look like damaged egg cartons with comedy tiny wheels where a human has been forced inside like some novelty act from Cirque du Soleil. And you can feel the smug waves coming off them from a hundred feet away. Look at me I’m saving the planet. But to balance it out they all look very weird and devoid of cool and have the tensile strength of a bowl of porridge. And yes I know the new Renault ones look a lot more cool – but still drive a Renault? However London of course is now leading the way with more and more electric vehicles now being put onto our streets to silently mow down children, the elderly and the slow moving. Many London Councils are rolling them out as Council vans and maintenance cars. Quiet death from your local service provider. Perhaps they’re thinning out the vulnerable in a bizarre cost cutting drive nothing would surprise me where local Councils are concerned. (I think Westminster have introduced recently culling of the poor haven’t they?) But the march of the electric car moves forwards. Green yes but you can’t hear them coming!!!! If I had my way I’d fit them all with a loud clockwork toy noise. That’d brighten up your day wouldn’t it?
One observation I’ll make is about the various foreign embassies we have across London. Some of them are in the weirdest of places. For instance Tonga’s embassy is in a residential street off the Hendon Way – how very glamorous. But others have very swish addresses in Knightsbridge and the West End. But my main thought is the amount of protests outside half of them. Concerned citizens of each country seem to now gather on a weekly basis to shout at those inside. I’m not sure the rulers of the various countries are paying much interest and my guess is they’re not actually in the building. The Ambassadors are probably somewhere else too – you know getting piles of Ferrero Roche at some fancy black tie function. So in effect the protesters are shouting at a bunch of secretaries and cleaners. But I realise they have to show these repressive governments that in London at least free speech is fine and dandy. Good luck I say. Although I do get a bit miffed when the protestors attack the poor police folk who turn up trying to keep the peace. I’m not sure it’s sending a signal to Syria to stop killing their own people by punching Constable Smith sharply on the nose. But when they protest here we’ll protect them which of course is right and proper. But then sometimes they shout about the fact that we in Britain shouldn’t let their bad governments stay in power while often shouting anti-western slogans. All very confusing I fear.
Now a new bugbear with me in 2012 is London Theatre ticket prices. They seem to be heading skywards and I’m not sure it’s healthy for good theatre. I realise that with rising rents and costs these shows are costly but come on. Half the theatres are up to £85 for a seat you can actually see the stage from and don’t even get me started on the cost of drinks and snacks. Just like cinemas and service stations it seems that theatres are now operating an ‘alternative universe’ policy. Whereby the costs of normal things are inflated to such an extent that people hand over the cash whilst still in a state of shock. On what world is a bag of Maltesers £5.00 and a glass of wine £9.50! I’d take all the impresarios knighthoods back just like they did to Mr Fred Goodwin. So Mr Macintosh and Mr Lloyd Weber tell me when is it reasonable to pay £5.00 for two mouthfuls of ice cream and £10.00 for a programme? A paperback novel costs less and has had a damn sight more creative energy poured into it. If you honestly want kids and anyone on a low income to embrace the theatre stop being so damn greedy. I originally thought that Wicked and Les Miserables were show titles not descriptions of how the pricing policy works and makes the audience feel.
Finally more rip off nonsense from The Olympic legacy Company. It seems that us Londoners have paid £93 billion pounds to give away land, housing and stadiums to a host of private companies who will charge us through the nose to either visit or use facilities we’ve already paid for! I think every scrap of Olympic housing stock should be turned over to Social Housing – after all it was paid for by the public. And the stadiums should be free to Londoners who paid for them whether they wanted to or not. And look out for the ridiculous concept of Stratford International Station whose train station doesn’t even connect to Europe directly! Instead you have to slope off back to St Pancras. Shouldn’t they just re-name it Stratford Local or something? But when you ask the locals they just shrug and smile about the whole fiasco. Do they care? No. It’s a London thing.

 

What Recession? How Biomedical Device Companies Thrived in a Bad Economy

New Study Reveals the Secrets to this Industry’s Success during an Economic Downturn

The biomedical devices industry grew, invested, and prospered from 2007 to 2009, flouting an overwhelming trend that saw many of the world’s largest companies collapse during the worst economic climate since the Great Depression. How did they do it? A new analysis of this industry from WTP Advisors, the global tax and business advisory firm, reveals three key traits that helped recession-proof the top independent biomedical device makers around the world, and determines whether or not their success is sustainable over the long-term.

The study is published in the current online edition of the biomedical industry journal MD+DI.

“In short, our study shows that the best of biomedical device makers succeed by making very little, very well, for sale at very high prices,” says lead author, Yair Holtzman, director at WTP Advisors and Global Life Sciences practice leader.

The authors looked at 25 of the top independent biomedical device makers worldwide[1] and analyzed their business strategies, financial results, marketing investment, product portfolios, and research and development to better understand what drove growth and profitability in a time of worldwide downturn.  They found three common characteristics shared by the most successful of the 25 firms that appeared to contribute to their growth during the recession, and are still a factor today, including:

  • High Value-Added Manufacturing: Building advanced technology products in developed markets while adding a very high level of value to base costs has and will continue to do well for this sector.  For highly differentiated products sold as customized solutions, the U.S. and Europe have been great places to establish and grow businesses.
  • Increased Marketing Efforts: These companies continued to increase spend on marketing efforts during the Great Recession of the last couple of years (2008-2010).
  • Investment in Research & Development and New Products: The most successful biomedical device companies developed a robust pipeline of new products and R&D capabilities, which allowed them to navigate challenging times successfully. Even during the great recession they were increasing their R&D spend.

However, Holtzman warns, “Despite the unparalleled success of the biomedical device industry from a 10,000 foot view, our close study reveals operational fissures that, if left unchecked could threaten future growth.”

For instance, some firms, having grown through acquisition of start-ups and by purchasing of piece parts of organizations now have too many plants and too many labs to be efficient.

Holtzman believes that consolidation will be a key driver facilitating growth over the coming years and that companies should sweep up the collections of purchased parts and turn these businesses into coherent and focused companies in order to achieve maximum efficiency.

In the future, the industry review reveals that the big opportunity for the biomedical device business – one already being grasped by the best in the industry – will be to move beyond the sometimes bumpy revenue stream from selling things, and migrate to a business model focused on selling systems that provide a point of control and differentiation (through software) or that yield sustained revenues from related consumable products used in caring for patients.

“This is the kind of strategy that worked for King Gillette when his business first adopted the razor and blades model, and one that has also worked for IBM as it has migrated from a hardware business to one driven by sustained revenue streams from software and services,” Holtzman says.

Going forward, Holtzman concludes, biomedical device companies will need to demonstrate that a particular intervention improves a specific patient outcome and is more cost effective than existing alternative treatments available on the market.

WTP Advisors is a leader in tax and business advisory services for a global marketplace. Our highly skilled professionals equipped with years of industry experience, coupled with our cutting-edge technologies, make substantive and long-term differences to an organization’s profitability. WTP Advisors is headquartered in White Plains, N.Y., with offices across the Americas, Asia and Europe.

[1] The organizations that were examined in this analysis include:  Abbott Labs, Alcon, B. Braun, Baxter, Beckman Coulter, Becton, Dickinson, Biomet, Inc., Boston Scientific, C R Bard, Inc., CareFusion, Covidien, Danaher, Fresenius Medical Care, Getinge AB-B, Hospira, Medtronic, Smith & Nephew, Inc., St. Jude Medical, Stryker, Synthes, Terumo, Tornier, Varian Medical, Wright Medical, Technology, and Zimmer Holdings.

 

SOURCE WTP Advisors

Billie Piper Interview: A Passionate Woman.

A Passionate Woman: Billie Piper plays Betty in the Fifties

 

Are you a fan of Kay Mellor?

“Yes, I loved Band Of Gold – it was my favourite show and one of the reasons I wanted to start acting. I couldn’t believe how compelling Samantha Morton was. It was a great series and Samantha was incredible. I’ve always loved Kay’s work.”

Did you feel pressured playing a character based on Kay’s mother?

“Naturally. It must have been quite emotional for Kay to watch this story being played out before her, however it was helpful and essential to have her around. Kay was able to paint a very detailed picture of her mother and she was keen for me to think about her mum in that situation.”

What drew you to the role of Betty Stevenson?

“I felt profoundly moved by the story. I’ve just had my first child and my marriage is young, it’s a testing time. I think Kay was reluctant to cast me – I begged for an audition. I felt confident with the accent but I’m sure that will be up for discussion! It was a tough job – lots of crying and screaming but well worth it though.”

Tell me about your character?

“Betty is a young wife – quite a peaceful character. She is emotional, sensitive, thoughtful, and compassionate. Not outspoken or feisty. Betty is very poor and lives in a block of flats with her husband, Donald. She loves her son, Mark – and it’s quite desperate love. She absolutely lives for him which plays out in the Eighties episode where Sue Johnston plays the role of Betty.”

Betty’s relationship with Donald seems complex – do you think she has ever been in love with him?

“Betty has an old fashioned relationship with her husband. He goes to work all day, doesn’t really talk to her that much, doesn’t ask her how she is doing – it’s all very practical. They don’t talk about how they are feeling. They both put up and shut up. Betty spent all day at home with the baby – she is not a modern woman, unlike her sister, Margaret.”

Betty seems to fall for Craze immediately…

“Betty is completely bowled over by Craze, this reckless polish neighbour who moves in. He is married to Moira who is the complete polar opposite to Betty. Moira is very liberal, outspoken, sexual – a great spirit which Betty is incredibly jealous of. I don’t think Betty has ever felt love or passion or lust like it before in her life. Craze sexually liberates her and teaches her things she never knew existed. Betty becomes obsessed with him which starts to become quite destructive.

“She has this enormous secret and she eventually confides in her sister Margaret – who is fiercely expressive, a rebel. She hates her husband and is desperate to sleep with someone else! She is so very different and the only one privy to Betty’s secret about Craze.”

Did you get to meet Sue Johnston, who plays Betty 30 years on?

“Yes, I did. We had a day’s crossover during filming – she’s so lovely and an amazing actress, I’ve always loved her. Sue sent me a lovely note to say if there is anything you want to know or talk about regarding the character to let her know.

“People change a lot over all those years and what happens when you are younger really shapes you as a person and so I didn’t want to mimic or do some imitation of her as Betty. We were doing our own interpretation of the character at that time – knowing what they know.”

Tell me about your character’s Fifties-style dresses?

“I really liked them. I find costumes massively helpful especially when you’re playing quite a well turned out character. Betty was obviously very poor although every button was sewn on properly; there were no loose hems, the collars were stiff – the clothes do start to relax after she meets Craze and they become more colourful and passionate! I love costumes and I love period costumes.

“It was freezing up there though and there aren’t enough clothes in the world to keep you warm – cold like I’ve never known it before!”

How do you think you’d have coped living Betty’s life the Fifties?

“I thought about it the whole time and it must have been just so hard. It’s not massively dissimilar to stories my Gran would tell me about how she brought her family up – seven kids, small house. It was so different for wives and mothers then. Never having enough money or having desires outside of the family home.

“Nowadays, we have a lot of opportunities as women to go out and work, socialise, confide in lots of people, network and we are endlessly banging on about how we feel. It was just taboo – those kinds of subjects. I have a very fortunate lifestyle.”


The inspiration for my Passionate Woman By Kay Mellor

The inspiration for my Passionate Woman

by Kay Mellor

I must have been about 28 when my mother told me. She was at the sink washing up at the time and I was drying the pots. It’s hard to remember what’s fact and what’s fiction now, but I’ll try.

“We had a bit of a thing,” was how she described her affair with the Polish neighbour that lived in the two-roomed flat below her. I thought I was hearing things. One minute we were talking about me and my husband having a bit of a fall out and somehow the conversation turned to Mum telling me how she’d committed adultery with a Polish fairground worker.

 

Now you’d have to have known my mum to realise how shocking that was. She was the most ordinary woman, very mumsy, not a vain bone in her body. She wasn’t one to show her emotions, she was strong but affectionate with me and my brothers. She wasn’t a man’s woman, she had three sisters and was, in her own way, a bit of a feminist – way ahead of her time.

My dad had a violent streak and she divorced him when I was three, refused to wear a wedding ring, wouldn’t accept money off him and refused to take ‘handouts’ from the state, preferring to work full time as a tailoress instead. It sounds nothing now, but you’ve got to remember this was the 1950s, people didn’t get divorced. You married and that was it – for better or worse. I remember the other kids off the council estate making fun of me and my brother, saying we didn’t have a dad.

Anyway I digress.

“His name was Craze and I loved him with every breath in my body,” she continued. She’d mentioned a man and the word love in the same breath – it was unheard of for her to say that; even her second marriage had not been successful.

But even more shocking than that, I realised that tears were falling from her eyes into the washing up bowl. I tried to reassure her.

“I’m happy for you Mum, I’m glad you found someone to love.”

“He was murdered.”

“What? In Leeds?”

“In a fairground brawl. I’ve never been able to tell anyone.”

It was hard to take it all in and then I realised that not only had Mum never told anyone about this affair, she’d never been able to grieve properly for the man she’d loved and lost.

For the best part of thirty years she’d held onto this grief – it had been locked in. No wonder her marriages hadn’t worked and she found it difficult to show emotion. She had no trouble showing emotion now – 30 years of tears cascaded into the washing up bowl as she continued with her story. At the end of it she was exhausted.

“You won’t ever tell anyone will you?” She made me promise. And I didn’t – for 10 years. Then it was my younger brother Philip’s wedding and I could see this really pained her as she faced a life alone with my stepfather Alan.

He was a good man and the marriage should’ve worked. He was the same religion (my dad was a Catholic, Alan was Jewish) and he was political – a strong socialist, but they clashed.

 

The look in my mother’s face reminded me of the day she told me about Craze. Somehow these two events – my mother’s affair and her youngest son getting married – were linked.

A play was burning inside of me and I started to write it for the West Yorkshire Playhouse. I called it A Passionate Woman – because I realised that’s what my mother was.

I set it on the day of her son’s wedding. Betty climbs into the loft to escape from all the arrangements and chaos and drops the flap shut! Her dead lover Craze comes to her and she relives her time again with him. Her son and husband realise she’s in the loft and try and coax her down to the wedding, but she’s not going anywhere – except up!

The play went into rehearsal with the glorious Anne Reid playing the middle-aged Betty. Two days before press night, I thought I should take Mum to see the play. It was essentially Mum’s story, but I’d changed loads of things and I was interested to see if she realised it was her story. She absolutely loved it, wanted to see it again.

The second time she saw it, she turned to me at the end and with tears and bewilderment in her eyes she said: “This is my story.”

I reassured her. “Yes, but I’m not going to tell anyone and you’re not, so who’s going to know?”

Then came the opening night of the show. All the press were there. The play went well and as is customary with a new play, the cast, myself and the director David Liddiment all sat on the stage to answer questions. One particular journalist kept asking me where I got the idea for the play – “Did something or someone inspire it?”

I could see my mother sat in the middle of the audience – I had to protect her and keep my promise. I replied: “Yes, someone did inspire me to write it, but I’m not at liberty to say who it was.”

And then from the middle of the auditorium came –

“It was me!”

I looked up. My mother was waving her hand in the air; her eyes were gleaming with pride. “It’s MY story!”

And as the press turned to interview her, I watched the years of shame and secrecy drop away. My mother came out publicly – she’d had an affair, she’d known love, she had a sexual awakening, she was A Passionate Woman.

Two years later the play opened in the West End to rave reviews. The play ran for a year at the Comedy Theatre and has toured extensively all over the world. Film rights were fought for, but I held on to them tightly as I didn’t want Cher playing my mum on a rooftop in Detroit.

It’s still running in Poland I think.

Kay Mellor is the writer of A Passionate Woman.

 

Sue Johnston On A Passionate Woman

 

A Passionate Woman: Sue Johnston plays Betty in the Eighties

 

How easy was it to portray Betty – the character Kay’s mother is based upon?

“Kay told me the whole story about how her mother admitted to a lost love. There is a scene in the second episode where I tell Mark (Andrew Lee Potts) about Betty’s affair and the fact she never loved her husband and that’s what happened to Kay – she came up to me afterwards in tears.

“It added a certain kind of pressure and in a way, the compliment that she wanted me to play her mother gave me confidence and there must have been some essence of her mother that she saw in me.”

What happens to Betty 30 years on from the affair?

“Betty has a mini-breakdown. She leaves her son, Mark’s wedding and eventually finds herself on the roof – you don’t know whether she is going to throw herself off or not…”

How do you feel about Billie Piper playing Betty 30 years younger?

“I was flattered and I kept thinking – as long as they don’t show my nose… Betty must have fallen over at some point and broken it! We both had brown hair for the character and I wore brown contact lenses.

“When I look at old photographs of me at 19 and 20 I don’t look anything like I do now! Billie is lovely – sure she’ll be brilliant. I met her as I was finishing and she starting. We had a drink and had a chat.”

You have played wife to Alun Armstrong before?

“It’s my third time married to Alun Armstrong! Donald is a different character – very loving. He is taken for granted though and is the safe one Betty married. She carries this yearning, and of course she’s put it all into her son – the love that she thought she’d lost.

“The biggest loss is when she discovers he is going to Australia to live with his new wife – that’s the breaking point.”

Do you get the impression that Betty is not happy because of this marriage?

“You get the impression that she’s lived through her son, so she has been happy as she has had him. Donald’s always on the outside and she never realises – when it all comes to a head, that’s his point – Donald is upset as he says to her that she has never needed him, and never wanted him. Betty and Mark have been a tight unit and she’s lived her life through him so now she doesn’t feel that she has anything left to live for…”

Do you think people will identify with the character of Betty and her situation?

“I think they might, I know I did because my mother lived a lot of her life through me and when I left and went to live in London she said: ‘My life’s ended now’, which felt terrible! Not bad enough to say: ‘Well, ok, I won’t go’, though!”

Did you spend any time on the roof when you were doing the shoot?

“I spent about three days on that roof. We had a stunt woman, but I like getting up there and doing it myself and I was well supported. Once you’re up there it’s quite amazing. Alun made me laugh when he was climbing up the roof, I think he was waiting for them to shout cut but they didn’t so he kept going and his face was very funny!”

What are you most passionate about?

“Liverpool Football Club, I’m afraid!”

 

Alfa Romeo Young Designer Award – A sneak preview at the work of the finalists!


 The finalists of the Alfa Romeo Young Designer Award have been announced and we have the winning sketches that are taking this year’s hottest new designers to FS2012!

 

Now entering its 20th year, the St Andrews Charity Fashion Show is a professionally run and high achieving student organisation, which is passionate about both fundraising and fashion. It is currently the largest student-run charity fashion show in the UK. FS2012 will take place on 25th February and will showcase young design talent alongside big fashion brands and as official jewellery partner of this year’s show, Swarovski will adorn models with pieces from its couture jewellery collection, Atelier Swarovski.

 

Nadja Swarovski commented, “The St Andrews Charity Fashion show has a long history of promoting both young and established design talent, which is in keeping with Swarovski’s commitment to supporting creative industries. As a patron I am delighted to be a part of this exciting event which also benefits such a deserving cause as the Muir Maxwell Trust.”

 

FS 2012 are working this year with the Muir Maxwell Trust (MMT), a charity that supports the 70,000 children in the UK with epilepsy and their families. Established in 2003 by Ann and Jonny Maxwell, the Trust is named after the Maxwell’s 14 year old son, Muir, who is profoundly damaged by a severe form of epilepsy that began in infancy.

 

The Alfa Romeo Young Designer Award will function as a platform for UK-based new and emerging young designers. In conjunction with the 20th Anniversary of our show, it will combine the authority of well-known designers with the flare of the country’s best student design talent both on the catwalk and throughout our campaign.

 

The recipient of the Alfa Romeo Young Designer Award will receive:

 

  • The Alfa Romeo Young Designer Award 2012
  • £1000 in prize money, courtesy of Alfa Romeo
  • The opportunity to design a fashion line, worth £500, in support of our chosen charity: The Muir Maxwell Trust
  • Exclusive feature and spread in The FS Magazine, with over 7,000 online readers.

The 2011 judging panel included the PPQ design duo, Amy Molyneaux & Percy Parker, as well as Britain’s Next Top Model Winner, Alex Evans.

Is President Obama Right About Engineers?

Is President Obama Right About Engineers?: Significant Numbers Unemployed or Underemployed

WASHINGTON,  During a recent video chat session, President Obama told a woman that he could not understand why her engineer husband was unemployed because “industry tells me that they don’t have enough highly skilled engineers.” However, in an analysis by the Center for Immigration Studies of the data from the American Community Survey collected by the Census Bureau show that there are a total of 1.8 million U.S.-born individuals with engineering degrees who are either unemployed, out of the labor market, or not working as engineers. This is true for those with many different types of engineering degrees.

For a complete review of the American Community Survey, including a table containing detailed employment figures for specific engineering degrees, visit the Center for Immigration Studies website at: http://cis.org/obama-and-engineers

The 2010 American Community Survey shows:

  • There are 101,000 U.S.-born individuals with engineering degrees who are unemployed.
  • There are an additional 244,000 U.S.-born individuals under age 65 who have a degree in engineering but who are not in the labor market. This means they are not working nor are they looking for work, and are therefore not counted as unemployed.
  • In addition to those unemployed and out of the labor force, there are an additional 1.47 million U.S.-born individuals who report they have an engineering degree and have a job, but do not work as engineers.
  • President Obama specifically used the words “highly skilled.” In 2010, there were 25,000 unemployed U.S.-born individuals with engineering degrees who have a Master’s or Ph.D. and another 68,000 with advanced degrees not in the labor force. There were also 489,000 U.S.-born individuals with graduate degrees who were working, but not as engineers.
  • Relatively low pay and perhaps a strong bias on the part of some employers to hire foreign workers seems to have pushed many American engineers out their profession.
  • There are many different types of engineering degrees. But unemployment, non-work, or working outside of your field is common for Americans with many different types of engineering degrees.
  • The key policy question for the United States is how many foreign engineers should be admitted in the future. Contrary to President Obama’s statement, the latest data from the Census Bureau indicate there is a very large supply of American-born engineers in the country. It would be better for the president to seek more diverse sources of information than simply relying on “industry” to determine what is going on in the U.S. labor market.

Data Source: Figures for the above analysis come from a Center for Immigration Studies analysis of the public-use file of the 2010 American Community Survey (ACS) collected by the U.S. Census Bureau. Figures on degrees and employment are based on self-reporting in the survey and have been rounded to their nearest thousand. The survey asks about undergraduate degrees, so some of the individuals who have a Master’s or Ph.D. may not have their graduate degree in engineering. Also, those who indicated that they have a “professional degree” are not included in the discussion of those with Masters’ and Ph.D.s because a large share have law degrees. The 2010 data is the most recent ACS available.

The Center for Immigration Studies is an independent research institute that examines the impact of immigration on the United States.

 

SOURCE Center for Immigration Studies