Researchers create the first synthetic self-replicating living cell

Researchers at the J. Craig Venter Institute published results yesterday describing the successful construction of the first self-replicating, synthetic bacterial cell. They’ve christened it Mycoplasma mycoides JCVI-syn1.0 (I like to call it Mike). Working from that idea that “In essence, scientists are digitizing biology by converting the A, C, T, and G’s of the chemical makeup of DNA into 1’s and 0’s in a computer. But can one reverse the process and start with 1’s and 0’s in a computer to define the characteristics of a living cell?”; Venter calls it ‘the first self-replicating species we’ve had on the planet whose parent is a computer’.

The scientific team headed by Drs. Craig Venter, Hamilton Smith and Clyde Hutchison spent 15 years working on the first synthetic bacterial cell. Always conscious that the work they were doing was monumental; throughout the course of this work, the team contemplated, discussed, and engaged in outside review of the ethical and societal implications of their work. JCVI say “The ability to routinely write the software of life will usher in a new era in science, and with it, new products and applications such as advanced biofuels, clean water technology, and new vaccines and medicines.”

The genomes were designed on the computer, chemically made in the laboratory and transplanted into a recipient cell to produce a new self-replicating cell controlled only by the synthetic genome.The team have also designed and inserted what they’ve called watermarkes into the cell that don’t create any proteins but contain a hidden code. These are specifically designed segments of DNA that use the “alphabet” of genes and proteins that enable the researcher to spell out words and phrases. The watermarks are an essential means to prove that the genome is synthetic and not native, and to identify the laboratory of origin. Encoded in the watermarks is a new DNA code for writing words, sentences and numbers. In addition to the new code there is a web address to send emails to if you can successfully decode the new code, the names of 46 authors and other key contributors and three quotations: “TO LIVE, TO ERR, TO FALL, TO TRIUMPH, TO RECREATE LIFE OUT OF LIFE.” – JAMES JOYCE; “SEE THINGS NOT AS THEY ARE, BUT AS THEY MIGHT BE.”-A quote from the book, “American Prometheus”; “WHAT I CANNOT BUILD, I CANNOT UNDERSTAND.” – RICHARD FEYNMAN.

Scanning electron micrographs of M. mycoides JCVI-syn1

Incase you’re worrying that the new cell’s going to escape into the outside world JCVI say that “researchers will be able to engineer synthetic bacterial cells so they cannot live outside of the lab or other production environments. This is done by, for example, ensuring that these organisms have built in dependencies for certain nutrients without which they cannot survive. They can also be engineered with so called “suicide genes” that kick in to prevent the organism from living outside of the lab or environment in which they were grown. ”

The potential for this research and the next steps for JVCI’s researchers are exciting. “The team is now ready to build more complex organisms with useful properties.  For example, many, including scientists at SGI, are already using available sequencing information to engineer cells that can produce energy, pharmaceuticals, and industrial compounds, and sequester carbon dioxide.”

Venter maintains that it’s not a second genesis as they’ve not created life “from scratch” but as they’ve used an existing cell; they’ve created a new species. This new cell has around 1 million base pairs into a coherent genome.  By comparison, the human genome contains more than 3 billion pairs, so don’t don’t worry about synthetic mammals any time soon.

[JCVI]

Is it Snake Oil? – Interactive Infographic

It’s hard to know what’s good and what’s guff, should you be taking vitamin supplements? Will my anti-oxident rosehip cranberry echinacia lavender infusion cure my indecision or should I plump for a green tea? Will that weight loss suppliment advertised on Facebook actually work? Afterall, it is on Facebook, so it must be true?! There’s so much confusing and conflicting information what we really need is someone to take all the evidence and put it into some sort of pretty picture.
If there’s one thing the people behind Information is Beatiful have proved that interactive graphics definately improve my attention span.
The creators have this to say about the image and information they used: “This image is a “balloon race”. The higher a bubble, the greater the evidence for its effectiveness. But the supplements are only effective for the conditions listed inside the bubble. We only considered large, human, randomized placebo-controlled trials in our data scrape – wherever possible. No animal trials. No cell studies..”
This visualisation generates itself from this Google Doc. So when new research comes out, they should be able to quickly update the data and regenerate the image. The spreadsheet also references the source of the research; if you’re interested in that sort of thing.
 

Time-Lapse video of Eyjafjallajökull's plume {Misc-uity}

An incredible video by Sean Stiegemeier shot on a Canon 5D mkII. Describing his video he says “So I saw all of these mediocre pictures of that volcano in Iceland nobody can pronounce the name of, so I figured I should go and do better.”

Iceland, Eyjafjallajökull – May 1st and 2nd, 2010 from Sean Stiegemeier on Vimeo.

London Unveils a New Bus Design

The final design of the New Bus for London, based on the Routemaster, was today unveiled by the Mayor of London, Boris Johnson, and London’s Transport Commissioner, Peter Hendy.

The bus will be 15 per cent more fuel efficient than existing hybrid buses, and 40 per cent more efficient than conventional diesel double decks and much quieter on the streets.

The pioneering design makes use of lightweight materials, with glass used liberally to make it feel less claustrophobic. An impressive glass ‘swoop’ at the rear and offside pick out the two staircases and provide a dramatic visual effect. An asymmetric design for the front-end completes the futuristic look.

The new design features an open platform; similar to the Routemaster of old; and allows the reinstatement of a hop-on, hop-off service. Three doors and two staircases will aid speedier and smoother boarding. There will be two conventional doors and an open rear platform, which has the option to be closed off at quiet times for example during the night.

Boris said: “This iconic new part of our transport system is not only beautiful, but also has a green heart beating beneath its stylish, ‘swooshing’ exterior. It will cut emissions, and give Londoners a bus they can be proud of, complete with cutting edge design, and the freedom of an open platform.

“I expect to eventually have hundreds of these on London’s roads, and for cities around the globe to be beside themselves with envy for our stunning red emblem of 21st century London.”

Wrightbus and Transport for London have been working with Heatherwick Studio as a collaborative design partner taking the lead on the styling of the bus to support Wrightbus in the design and development process.

Wrightbus engineers are working on a static mock up of the bus to be complete later this year with the first prototype to be delivered late next year, the new buses will enter service from early 2012.

See the design of London’s New Bus up-close in pictures and video

by Genevieve Sibayan

TV: Lost – The End

Was it really six years ago that LOST first crashed onto our screens? ‘Breaking ground’ all over the place; LOST has since picked up a raft of awards including an Emmy® for Outstanding Drama Series, a Golden Globe® for Best Television Series (Drama), and Screen Actors Guild and Writers Guild Awards.

In 2007, Lindelof and Cuse made the bold decision to announce that LOST would comprise six seasons in total and reach its conclusion in 2010, allowing them to map out exactly how the series would unfold over the final two seasons, whilst also providing dedicated viewers with an endgame.

The sixth season, which debuted on Sky1 HD in February 2010, has answered many long-standing questions posed back in the early days of the show. In perhaps one of the most revealing scenes so far, Jacob (Mark Pelligrino) used the metaphor of a wine bottle to explain the importance of the Island, the true nature of the Man in Black and how and why he must be prevented from fulfilling his wish of escaping. “Think of this wine as… Hell… malevolence, evil, darkness, and here it is – swirling around in the bottle unable to get out, because if it did, it would spread. The cork, is this island, and it’s the only thing keeping the darkness where it belongs.” Now with the Man in Black taking on the form of the deceased Locke (Terry O’Quinn), the final episodes are building towards his potential escape. But will Charles Widmore (Alan Dale) or Jacob’s yet-to-be-decided successor “The Candidate”, be able to stop him?

Executive producers and writers Damon Lindelof and Carlton Cuse recently put the finishing touches on the final script, and explained that answers to the mysteries will continue to unravel. Cuse commented: “It was very profound for us, as we had written a cryptic scene, and we thought, no, these characters are actually at the place where they can have a discussion about what is going on here. It was very weird to take these closely held secrets and actually put them in the scene. It was very liberating and exciting.”

George Lucas sent an open letter to executive producers Lindelof and Cuse the show on its run and offering some words of support. Poking fun at the producers he says: “Congratulations on pulling off an amazing show. Don’t tell anyone … but when ‘Star Wars’ first came out, I didn’t know where it was going either. The trick is to pretend you’ve planned the whole thing out in advance. Throw in some father issues and references to other stories — let’s call them homages — and you’ve got a series.”

If you’ve never watched LOST, I’d love to give you an overview of what you’ve missed, except I’m still not sure myself. Watch this video and anyone would think that even the script writers get confused.

The final season has also introduced the concept of flash-sideways, portraying two parallel universes. The scenes on the island depict a universe where the bomb failed to detonate and the survivors remained, whereas the flash-sideways show a world where Oceanic 815 landed and the passengers never ended up living together. However, destiny appears to be drawing them together regardless as their lives end up colliding despite the reversal of history. Indeed, following a recent meeting with Charlie (Dominic Monaghan), Desmond (Henry Ian Cusick) starts to feel as if he has led another life before and plans to ‘awaken’ the other passengers on Oceanic 815 – starting with crashing his car into Locke as he crosses the road.

On Friday 28 May at 7pm, Sky1 HD and Sky1 will kick off an evening celebrating LOST with a two hour US special entitled LOST: THE FINAL JOURNEY. The documentary will take a retrospective look at the past six seasons of the series and delve into what has transpired during the current season as a primer leading into the finale.

At 9pm, it’s time for LOST: The End, a two and a half hour conclusion to a television phenomenon and an unmissable landmark event in television history. Fans need not despair as at 11.30pm, two of Sky1 HD’s specials, THE END IS NIGH and TOP 10 GREATEST SCENES will follow.

by Genevieve Sibayan

New York City Timelapse Tilt-Shift Video {Misc-uity}

Tilt-shift photography is a style of photography in which the camera is manipulated so that a life-sized location or subject looks like a miniature-scale model. This video ‘The Sandpit’ made by Sam O’Hare is a combination of tilt-shift photography and timelapse. It’s made up of thousands of still photographs, he captures NYC and shrinks it to the size of a model village.

The Sandpit from Sam O’Hare on Vimeo.

To achieve this miniature effect to your photographs, it’s best to shoot subjects from a high angle (especially from the air). It creates the illusion of looking down at a miniature model. A camera equipped with a tilt-shift lens, which simulates a shallow depth of field, is essentially all you need to start. Or you could cheat and do it in post.