A rare day out with Mr P by Alex Bannard Bangkok Correspondent

Posted on June 30, 2016 by Catherine Balavage

With the children at school Alex and her husband have a chance to go tourist.

Mr P is on gardening leave. Which since we, the kids and I, have not even been here a year is a little alarming but we have been through worse so we’ll get through this. So before his new job takes him off again and in the spirit of making the best of things, we decided to explore beyond Bangkok. After all two month’s in one another’s company is a long time, so better we do these things before we are fed up with one another.

I had always wanted to go to Ayutthaya – the second of the two original ancient capitals of Siam and heralded as the Angkor Wat of Thailand. Thankfully Mr P agreed. We dropped the kids off at school and headed out of the city, noses in our iPhones clearing emails, returning messages and playing Candy Crush. Ok Candy Crush, that was just me. I like to make use of the exquisite privilege of being driven everywhere by using my time wisely. Gawd forbid we might strike up a convo and run out of things to chat about by mid morning.

We arrived at the Unesco World Heritage site early before the mini vans and tourist coaches but failed to secure the bikes we had dreamt of. Never mind. The site didn’t look that big and there’s nothing wrong with our legs. So off we set. Within minutes we had come across the famed Buddha in the tree roots. ‘Great,’ announces Mr P, ‘We can go home now.’ He’s not the best tourist. Sightseeing is not his bag. He once described Petra as ‘cr*p’. It was shaping up to be a long day and it was barely 9:15.

I want to say ‘and it did not disappoint’, except it did a little. Wat Maha That is stunning without question. And one can not help to marvel at the skill of the ancients who built the complex but it somehow just did not have the majesty and splendor of Angkor.

We wandered through the historical gardens and over the road to other ruined temples and buildings which were not open. I pondered on the irony of some of these ancient ruins amidst modern day Ayutthaya as many of them are. Again something different from Angkor – or it certainly was more than a decade ago when I visited it. In Angkor you feel like you have stumbled across something magical, in Ayutthaya it feels like the ruins are struggling to compete with the pace of modern living. Although I had to smile at all the bike helmets left on the wall of one ruin as chickens clucked in nearby pens and the drivers swung in hammocks hung between the trees.

We crossed the road briefly stumbling across the paths of elephants carrying a hoard of Chinese tourists around the periphery of the gardens. The mahouts did not take kindly to Mr P patting the elephant’s trunks, oblivious to this being our first ‘official’ elephant experience so far on our Thailand adventure. I suspect these are not the ethical elephants we dream about introducing the kids to at some point.

We discovered a modern temple where a recently renovated Buddha resides, one of the largest in Thailand and one the Queen herself has helped restore to its former glory. In the gardens surrounding the temple the bushes were shaped like elephants – probably more ethical to be honest than those up the road. The Ancient Palace and Wat Phra Si Samphet nearby were more impressive. A little off the beaten track, they had more charm somehow.

By now it was time for lunch and we settled on a quaint restaurant over looking the river where we both inhaled a Singha and enjoyed a delicious meal.

Afterwards we drove out to Wat Chaiwatthanaram over the river. I loved this set of ruins. Here there was a majesty and splendor as we explored the cloisters and the decapitated Buddhas that surround it. It was here that I took a quiet moment of solitude in front of the huge restored Buddhas that overlook the river surrounding this island of ancient temples, monasteries, palaces and statues destroyed by the Burmese in 1757. And here that I realized that none of it disappointed. I had arrived with expectations and they had disappointed. The temples and palaces, statues and stupas were all splendid and don’t deserve to be compared to Angkor which I fear in the intervening years since my first visit has possibly lost some of it’s magic as chain hotels creep into its being.

And I remembered why I love Thailand. I love places that are not completely touristy (it was midweek and still blissfully quiet) and still retain a rustic charm. I love that real life juxtaposes right next to stunning temples and glorious ruins, that everyday people, often on the brink of extreme poverty, live right next door to these fabulous and stunning spiritual reminders. I hope they find it as spiritually uplifting as I do.

Looking at the map of Ayutthaya I realized we barely scratched the surface of all the ruins. But I did the same in Angkor. Once can get a little templed out. It doesn’t mean the memories aren’t vivid and wonderful. And I have no doubt our memories of this day will be the same because in the end it did not disappoint. And we didn’t run out of conversation either.

The Lazy Guru’s Guide To Life by Laurence Shorter Reviewed by Frances Colville

Posted on June 22, 2016 by Margaret Graham

An amusing and at first glance lighthearted book, but one with serious undertones, The Lazy Guru’s Guide to Life by Laurence Shorter takes a fresh look at the very current subject of mindfulness and offers suggestions for de-stressing, and making life flow as it should. By using the simple techniques described in the book and learning how to embrace your inner Lazy Guru, you can improve your quality of life and understand how to achieve more by doing less.

You can read this book (and appreciate the beautifully simple and very effective line drawings) at one sitting in less than an hour, or you can take it one page, one thought, one session at a time. It’s the sort of book you can return to again and again. The way of the Lazy Guru is to make space in your life by stopping, tuning in and letting go. Learn how to beditate, or to clear out the crud or to dump your shoulds (I should be doing this or I should be liking that). I particularly enjoyed the illustrations of a thunderous herd of shoulds (aka wildebeests) first shown charging through our hectic lives and then slinking away quietly once they have been tamed.

Laurence Shorter is an author, leadership coach and stand-up comedian and this book successfully combines those diverse elements. Recommended for anyone in your life suffering from depression, or those energy-sapping, life-affecting illnesses like fibromyalgia or ME, but also one to buy for yourself if you want to improve the quality of your own life.

The Lazy Guru’s Guide to Life is published in hardback by Orion Books, priced £14.99 and available now.

Torbay Poetry Festival 2016 Competition. £700 1st Prize

Posted on June 21, 2016 by Margaret Graham

As Frost Magazine readers know, we are always supportive of writing events, and here’s one for all the poets out there.

Torbay Poetry Festival 2016 Poetry Competition is open for entries now. Poems submitted must be original, unpublished and not accepted for publication. They should be written in English and not exceed 50 lines. To give you an idea of the standard, please take a look at John Greening’s report on the Torbay Poetry Festival Competition Winners 2015 on the Torbay Poets Website website. All entries must be received by 6.00pm on 28th August 2016. Very best of luck!

Judging

Sue Boyle won The Poetry Business pamphlet competition in 2010 with Too Late for the Love Hotel and has a poem in The Forward Poems of the Decade, 2011. Her book Report from the Judenplatz was performed in full at the Torbay Festival of Poetry in 2014. Her first full collection, Safe Passage from Oversteps, came out last year.

Sue runs regular Writing Days for the Bath Poetry Cafe and organised the Cafe’s Short Poem Competition in 2015. Her wordpress site Sue Boyle features the ongoing story of last year’s Cafe Competition, with reviews of many of the successful poems and helpful insights from the twelve experienced Cafe judges for competition poets who aspire to win.

Prizes

£700 FIRST PRIZE, plus free weekend at the poetry festival, (27th – 31st Oct 2016), including accommodation and Festival Pass.

£400 second prize plus a free Festival Pass.

£200 third prize plus ticket for the Festival supper for two.

ENTRANCE FEE: £5 per poem or 5 poems for £20 for entries received by post. Online entries are £5 each because of additional admin costs in time and printing.

Closing date: August 28th 2016

Winners to be announced at the PRIZE-WINNERS’ PARTY on Saturday 29th October, at the Torbay Poetry Festival, Livermead Cliﬀ Hotel,Torquay, Devon where short-listed poets will be invited to read their poems.

For further information: http://www.torbaypoetryfestival.co.uk/competition/

From West Coast to West Country by Maya Pieris

Posted on June 21, 2016 by Margaret Graham

Antonia Squire is building up a loyal clientele for the Bridport Bookshop including dogs- they love the classy doggy biltong available and not just with a book buy. Brought up in Surrey and educated in Harrogate, Antonia upped sticks aged 20 for California, married an American and was happily living in the world of independent bookshops in San Francisco- first Kepler’s and then The Reading Bug- where she was the children’s book buyer amongst other roles.

Until a holiday in the UK in 2014 when they did a progress from Yorkshire to Cornwall and became one of many smitten with the idea of the south-west and Cornwall. She came across the sale details for the Bridport Bookshop, voted one of the Guardian’s top 50 indie bookshops, took a detour on the way back to Heathrow and discovered the delights of the town and the potential of the shop, one of several book emporiums including two excellent second hand/antiquarian shops, a Waterstones and a wonderful Oxfam which has a brilliant range of “loved” Penguins.

The result was changing coast and country but still keeping the west bit and, with husband and dogs in tow, becoming a bookshop owner. And discovering the challenges involved in running a business in a new country! Small but vital changes were made to the shop’s geography, not quite Hogwarts, but involving moving the counter to the back of the shop so the customer can see in and the staff can see out and increasing the size and range of the stock. “I’m a bookseller. The stock is the most important element of the shop and knowing what people are going to want to read and not just what a publisher wants to see displayed is more art than science”.

She sees no problems with co-existing with the variety of other booksellers, her goal is to be the place people come to find the things they don’t know they want. Almost a year on, she is well on the way to establishing that indie bookshops are an invaluable resource to a town. So many people want the individual experience that can only be achieved by a true “shopkeeper” and, she has observed, people are very loyal, although she has had to tone down the “hi my name is kelly how are you today?” customer service style – less touch feely than she’s been used to but she still says hello!

And she is aware of the potential of the indie bookshop as a grassroots support for the community, working more closely with schools in supporting their curriculum needs as well as providing a venue for local authors to promote their works and judging local poetry and fiction slams. In particular she has developed links with the Open Book festival, a festival for and by the local community about literacy rather than literature which is more the remit of the more formal Bridport Literary Festival (which she is also working with to help develop the Children’s Programming). The shop will be supporting the Bridport Big Read as well as a pop up drama production. So over halfway through her first year she is restoring an independent bookshop into the literary and literate heart of the town. And she giftwraps the books too!
* Frost would love to hear about other Independent Bookshops – contact: frost@margaret-graham.com

Anthology shows off North East’s poetic prowess

Posted on June 13, 2016 by Margaret Graham

A SPECIALLY commissioned anthology of North East poetry is set to be launched by the Northern Poetry Library.

‘Among Woods and Water’ is a collection of poems penned by Northern Poetry Library poets in residence and celebrates the region’s poetic legacy, and future.

The works also reflect the experiences of the poets in residence who have spent time with members of the public across the library’s native North East, working with the community groups to explore different poetic forms and encourage more people to create poetry.

The anthology features one original poem by each of the six poets and separate collaborative pieces devised by groups.

Lisa Matthews, the Northern Poetry Library’s lead poet in residence, said: “Among Woods and Water is a beautiful exploration of North East poetry.

Our poets were commissioned to create pieces that speak about the region and most importantly the people who inspire all of the works in our library.

“This anthology is an important record of the communities they worked with, and their poetic experiences and feelings.”

Pieces in the anthology span a wide range of subjects from landscapes, identity, and mortality.

A series of live readings will help to launch the anthology in the North East.

The events include:

June 9, John Challis at Newcastle University Percy Building G.05 – 5-7pm
July 7, Jo Colley and Lisa Matthews at Morpeth Library, The Chantry – 3:30pm
July 12, Carolyn Jess-Cooke at Alnwick Bailiffgate – 7pm
July 14, Degna Stone at Berwick Library – 2pm

More information about the anthology and the events programme can be found on the NPL’s new website http://northernpoetrylibrary.org.uk

Review: Ross at Chichester Festival Theatre

Posted on June 10, 2016 by Vicky Edwards

Joseph Fiennes leads the cast in in Terence Rattigan’s bio-drama about TE Lawrence

Photographs: Johan Persson

When it comes to writing repressed and complex characters Rattigan is something of a dab hand. The life of TE Lawrence, therefore, gives him plenty to work with.

The story is well known, not least thanks to David Lean’s epic (if not strictly accurate) movie, Lawrence of Arabia. But while the play is light on Hollywood glitz, the writing is pure class. Rattigan’s account of how Lawrence (who was routinely beaten as a child and was a repressed homosexual) rose from being a civilian in the Map Office to a celebrity who led the unconventional but effective 1916-18 Arab Revolt against the Turks is both compelling and disturbing.

The play opens in a far less exotic setting than the Middle East. Having chosen to hide himself away from public scrutiny by assuming a false name and joining the lowly ranks of the RAF, at a base in Uxbridge Aircraftman ‘Ross’ is being charged with insubordination.

Asked to explain his unauthorised absence of the previous night, his insistence that he was dining with Lord and Lady Astor, The Arch Bishop of Canterbury and Mr and Mrs George Bernard Shaw is deemed outrageous cheek. But while his superiors don’t believe him, one of his fellows does. Having assured himself of Ross’s real identity, the opportunity for blackmail is too easy to resist. Cue the beginning of Lawrence’s Arabian story, told through a malaria-induced flashback.

Designer William Dudley uses every inch of Chichester’s thrust stage to evoke the sense of desert expanse, with occasional black and white film footage aiding historical context.

There is much to admire in Adrian Noble’s polished production, but one of the greatest joys is the casting. Without a single ‘slightly less than’ contribution, the overall result is absolutely cohesive and effortlessly fluid.

Joseph Fiennes is superb. Perfectly judging Lawrence’s complexities and contradictions, every nuance is beautifully captured.

Michael Feast is terrifyingly brilliant as the Turkish Military Governor (his vile orders being audibly carried out make for uncomfortable listening and saw theatre-goers shifting awkwardly in their seats), while Paul Freeman as General Allenby and Peter Polycarpou Sheik Auda Abu Tayi also achieve gear changes between light and shade with dexterity and conviction. But it is undeniably a magnificent Team Effort.

A maverick, the conquering hero, an intellectual who was profoundly driven, what is perhaps most interesting about the Lawrence story is the essence of the man himself; someone plagued by demons who waged their own war on him. And someone who longed, more than anything, to fit in and belong.

Highly recommended and with a short run, this ticket looks likely to be as hot as desert sand. Get in quick.

Until 25 June. Box Office: 01243 781312 www.cft.org.uk

Words for the Wounded: Review of the Third Place Entry

Posted on June 9, 2016 by Margaret Graham

The Secret of Skara Vhore, by Jennifer M Calder by Margaret Graham

(published by Matador)

‘A great setting and good tension between a real and fantasy world… the loneliness of an unwanted teenager discovering a world where good and evil battles… great concept and world building…’ Felicity Trew. (Caroline Sheldon Literary Agency)

Katie is a lost and troubled teenager who is claimed by distant, unknown relatives and is dispatched to a remote Scottish island. Distrustful of the world, she slowly accepts the friendship of perceptive Morag, mischievous Robbie and the reticent Kirig, a strange boy who lives in the hills. But sinister and ghostly events threaten them as past time spills into the present. Katie struggles to uncover her forgotten history but then is asked to risk the lives of those she loves in order to battle against the forces of chaos and fulfil her destiny. Set in the highlands of Scotland, The Secret of Skara details the battle between good and evil, as well as the loyalty among friends.

Judge’s comments: This Young Adult novel (the first of a trilogy) has a perfect setting – the loneliness of an unwanted teenager discovering a world where good and evil battle. It opens with an anonymous boy stumbling through a moorland landscape with no clue to its time or place. The next chapter gives us an unnamed girl in an all-too-real – and equally desolate – contemporary England town. The origins of these two children, their coming together and its consequences, form a great setting and tension between a real world and fantasy world.

Katie is a troubled teenager with a buried past and Kirig is a strange and almost silent boy. Together with two other children, perceptive Morag and impish Robbie, they must find their way through the confusion of past and present to a new understanding of who they are.

Calder creates both the wilderness of a Scottish island and the equally bleak desert of a run-down English town with a confident use of detail and it is so nearly ‘there’. However, with an eye to any forthcoming novels in the series: sometimes the writing can be quite dialogue heavy which unravels the pace and sometimes the Young Adult voice doesn’t grab and pull in the reader, (essential in this genre). Maybe change the title – it must speak to the audience.

An interesting novel, a great concept and world building. A worthy 3^rd place.
About Jennifer M Calder:

Jennifer studied English Language and Literature at Edinburgh University. From childhood she has had a fascination with words and story-writing and during her time as a full-time mother she wrote for her own children.

On returning to the classroom Jennifer taught in inner-city schools in England, where her expertise lay in the field of children’s literacy. Later came a career-change into another area of ‘word work’: copy-editing and proofreading for academic publishers.

But when Jennifer returned to her home in the Scottish highlands – coming back to the sea, heather and hills of the magnificent landscape that inspired The Secret of Skara Vhore – she made the decision that she would concentrate on her own writing.

While teaching Jennifer had met many pupils with chaotic lives who deserved to be rescued from their situations. At least in fiction she could make it happen for one troubled girl.

Happily, the novel has been very well received by reviewers and readers. Although officially aimed at the teenage market the novel is being enjoyed by anyone who is into the dark supernatural.

The Secret of Skara Vhore is Jennifer’s debut novel. She is now working on the second novel in this trilogy.

Words for the Wounded: Review of 2nd Place Winner

Posted on June 8, 2016 by Margaret Graham

Words for the Wounded: review of 2^nd Place winner.

The Man Who Didn’t Go To Newcastle by Alison Clink

(published by Matador)

‘Lovely pace and voice… It’s a really moving exploration of siblings across their lives and most importantly, mortality.’

Felicity Trew (Caroline Sheldon Literary Agency)

‘In June 2007 whilst out walking my dog, I opened a text from my brother saying: Am in St Georges – Rodney Smith Ward. Ring me. A.’ Alison’s brother Adrian had been admitted to St. George’s Hospital in Tooting with a cut hand and low blood pressure. Tests had led to more serious concerns and he was calling on Alison to be with him when the consultant brought results of a biopsy on his lung. Alison heeded his call and took the train up to London the next day, only to find that the results weren’t available. She then went back to Somerset, with no idea of what the next few months would hold for them both. Whilst juggling her home life – at a time when her four children still lived at home – with long-distance hospital visiting, Alison tried her best to cope and make plans when Adrian eventually told her that, following the results, he’d been given a year to live. She had no idea then that he wasn’t being entirely truthful…
Judge’s comments: In The Man Who Didn’t go to Newcastle Alison Clink charts her care of her terminally ill slightly older brother, Adrian, with a lovely pace and voice and creates a really moving exploration of siblings across their lives and most importantly, mortality. This is a situation which unearths not only memories of the past they have shared, but an awareness of their separate adult lives, especially as friends of his arrive to cheer him on. With each visitor it seems, another puzzle piece is put in place. Throughout this memoir Clink weaves the present and past together with a honesty which reveals the difficulties of caring for someone who is no more perfect than the rest of us. There is not only sadness but humour, and implicit tension but it was felt that the diary structure was a little constricting. A more complex play with point of view rather than the date and time of the diary might have made it stand-out more.

It is interesting to consider how Clink’s undoubted and empathetic writing skills would be translated into fiction. She already writes short stories so let’s hope we don’t have to wait too long for an Alison Clink novel. Bravo. A worthy 2nd place.

About Alison Clink:

Alison Clink is a writer and creative writing teacher living in Somerset.

Over fifty of her short stories have been published both in the UK and abroad. Several of her stories have been broadcast on Radio 4 and two short plays have been performed in Frome and Bristol.

Alison runs a drop-in creative writing group at Babington House near Mells, Somerset on Wednesday mornings 10am – 12. This is for members of Babington House, guests of the house and my guests.

She also write critiques for aspiring writers, and gives talks to writing groups.

Her memoir, The Man Who Didn’t Go To Newcastle, is now published by Troubador and her first novel, Two Blackberry Lane is close to completion. You can find her on facebook and twitter.
Alison says:

‘I am delighted to be supporting the ‘words for the wounded’ charity.’

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