Category Archives: Culture

TWO EVOCATIVE AND INNOVATIVE DUAL TIMELINE ROMANCES FROM ONE MORE CHAPTER

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Dual timeline romances based around the First and Second World Wars are tremendously popular, but these two new summer releases from One More Chapter break the mould: Deborah Carr’s moved between WW1 and WW2, and Eva Glyn’s is set in the former Yugoslavia, a theatre of war in the 1940s that is barely mentioned in modern fiction.

 

The Beekeeper’s War by Deborah Carr, reviewed by Eva Glyn

An unusual dual timeline in that it is set during the First and Second World Wars, but I enjoyed The Beekeeper’s War all the most because of it.

I have read Deborah Carr books before and she is so skilled at recreating believable and accurate historical settings and characters, without ever beating you over the head with it. The history just flows as the natural backdrop for her story, which is of course how it should be but is nonetheless not easy to achieve.

The novel opens in 1916 when two friends from Jersey, Pru and Jean, are nursing wounded soldiers. Despite herself, Pru begins to fall for a handsome airman Jack who visits Ashbury Manor and is a close friend of the son of the house, Monty, who is a patient there. Jack is still very much on active service and the book opens with a scene of him escaping his German captors a year later, so we know this affair is not going to run smoothly.

In 1940 Pru’s daughter Emma finds herself at Ashbury to stay with her mother’s friends, determined to unlock some secrets from the past. To say more would spoil this story and that I don’t want to do, because it is such an enjoyable read I’d like you to find out for yourself.

 

An Island of Secrets by Eva Glyn, reviewed by Kitty Wilson

I raced through this novel over the course of two days and was thoroughly swept into the story of Guy and Ivka, as well as that of Leo and Andrej. The only drawback being that it ended too quickly and I should have savoured it.

It is written as a dual timeline and is seamlessly woven together as Leo goes in search of answers to outstanding questions her elderly grandfather has about his time in Yugoslavia (as it was) in the Second World War. I found the story of Guy as an SOE operative on the isle of Vis truly compelling and Eva Glyn writes with a sensitivity and insight that comes across on every single page. She truly bought home the scenes where Guy witnessed the horrors of war and I was totally pulled into the story as he battled with the choices he had to make.

From the very start of his first meeting with Ivka I was so invested in their relationship, they seemed like a natural good fit and I couldn’t help but respect the courage both of them showed on a daily basis. In fact, all the characters were written in a way that had you aware of their flaws but thoroughly rooting for their success.

But for me the most outstanding element of this fabulous novel was Eva Glyn’s way of conjuring the isle of Vis in the reader’s mind, she had me there seeing and smelling and feeling the scenery and made me feel that I could truly inhabit her characters’ world.

Overall, I found this novel to expertly crafted and cannot recommend it highly enough, it is a deeply impactful and emotionally powerful read and the story of Guy and Ivka in particular will stay with me for a very long time.

 

 

 

 

Mark Ellis My Writing Process

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Q1: I took up writing when I sold my computer services business in the early 2000s, having always had an ambition to be an author. I have so far written 5 books in the DCI Frank Merlin World War 2 detective series. The four published books are Princes Gate (set in January 1940), Stalin’s Gold (September 1940), Merlin At War (June 1941) and A Death In Mayfair (December 1941). Merlin At War was nominated for a CWA Dagger in 2018. My aim is to continue to follow Merlin’s adventures through to the end of the Mark Ellis, author

Q2: The book I am promoting now is the 5th in the series, Dead In The Water, which will be published by Hachette (Headline) on May 19th. It is set in August 1942 and revolves around two artistic masterpieces stolen from an Austrian Jewish family before the war and which end up in London with fatal consequences.

 

Q3: As I am writing a historical series set in a specific period, my principal framework is the timeline. As you can see above, all books are separated in time by 6 to 9 months, so when I finish the latest I know roughly when the next one will be set.When I’m starting work on the new book, I focus intently on the exact time slot of the story. I research that heavily and that process often prompts plot ideas. I am already working on Frank Merlin 6, which I have decided to set in Spring 1943, and plot ideas are beginning to occur to me. When I have roughly formulated what ideas to pursue, I just start writingand see where they take me. I usually do not know who did what until I am about two thirds of the way through the book. I write a first draft straight off without stopping to edit. Then I do many edits before sending the manuscript off to the publishers. I did about 15 edits of Dead In The Water which is about the norm.

 

Q4: As is clear from above, I am not really a planner. I rather think of myself as a sculptor, except that I don’t have a piece of stone or marble to work with. My first draft is the working material. Once I’ve created that I start chipping away.

 

Q5: The word count of the new book is approximately 110,000. The word count of my first draft was over 200,000 so you can see a significant editing job was done. My plots tend to be quite complex and I don’t think I could manage anything much shorter but I think 110,000 to 130,000 is a good length for a thriller.

 

Q6: I am conscious as I write my first draft of teeing up various characters and situations but as I say don’t formally plan a structure in advance. After a while, I tend to find everything comes together in its own way. I seldom make major structural changes when I get down to editing.

 

Q7: I find writing the first draft very hard work. Also waiting for comments on the submitted manuscript is tough.

 

Q8: Editing is good fun. Also I love creating a fictional world all of my own and then sharing it with my readers.

Dead In The Water by Mark Ellis is out now in paperback by Headline Accent, £9.99.

 

 

 

CARIADS’ CHOICE: MAY 2022 BOOK REVIEWS

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K T Dady’s Lemon Drop Cottage reviewed by Carol Thomas

This is the first book by K T Dady that I have read and, therefore, my first visit to Pepper Bay. As each book in the series is standalone, this didn’t spoil my understanding of the story.

I enjoyed meeting Scott and Dolly and spending time in this close, friendly community as their feelings developed. Dolly’s son, Dexter, is a great character who shone through; it was nice to see a teenage boy represented in a positive, caring way. There is an interesting sub-plot with the local retirement home being under threat and a good cast of secondary characters – I liked Giles, who has a close link to Scott and his secretive past. Having visited the Isle of Wight, I enjoyed the setting. Overall, this is a warm-hearted novel full of kind, caring characters who will make you smile.

 

Vicki Beeby’s A New Start for the Wrens reviewed by Morton S Gray

Loved this book! I binge read it as I wanted to know what would happen. The three main female characters Iris, Mary and Sally are all so easy to relate to and care about, as is Rob. Love the glimpses of Orkney and the poignant history. Cottoned on to the baddie early on and kept shouting warnings at my Kindle lol. Loved Vicki Beeby’s Ops Room Girls series and was worried this might not be as good but it is! Can’t wait for the next instalment in this series.

 

Rosemary Noble’s Sadie’s Wars reviewed by Jessie Cahalin

I have been idle for two days and it is Rosemary Noble’s fault. I travelled from innocence to experience with her character, Sadie.  She had my ear as soon as I walked into this thrilling family saga.  This hard-hitting, realistic document of challenging times deals with: propaganda, inequality, domestic violence and loss. Insight into Australia and England placed me in the centre of the historical periods.

Strategic juxtaposition of Sadie’s life during World War One Australia and World War Two Grimsby is brilliant.  Noble explores how our experiences make us react in the future thus providing depth to Sadie’s character.  Wounded by past troubles, Sadie makes decisions that made me want to sit her down and give her advice.  Tempting questions hang artfully in each chapter of this novel. Noble shows the inequalities between men and woman at the turn of the century and contrasts it with changing attitudes in post Second World War Britain.  Historical events, attitudes and politics are artfully woven into the narrative fabric of the novel. Noble explores love so beautifully in the novel.

An intelligent, powerful and deeply moving novel from Rosemary Noble.

 

Caroline James’s The Spa Break reviewed by Jane Cable

How marvellous to have a book about four women in their sixties going away on a girls’ weekend. It happens in real life quite a lot (some young people would be amazed to hear), but rarely between the pages of a book, and frankly I’d like more of it.

Caroline James’ characters are brilliant; fully rounded, far from perfect and never, ever, falling into the trap of being stereotyped. Each of the four women has their own story to tell, their own future to grab hold of and change, and it seems that a spa break is the best place to do it.

This is a gorgeously warm, witty book and I would totally recommend it as a feelgood weekend or holiday read.

 

 

 

 

 

 

 

SUNDAY SCENE: CATHERINE KULLMANN ON HER FAVOURITE SCENE FROM PERCEPTION & ILLUSION

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Burlington House, London, 1 July 1814

 We are guests at that famous masquerade given by the members of Watier’s club to the cream of the English nobility and demi-monde in honour of peace between Great Britain and France.

This is a favourite scene of mine for two reasons. First, it is a pivotal scene in my Perception & Illusion. Lallie’s and Hugo’s marriage is in difficulties. Here, they dance together, although he does not know who she is.

 

Lallie hastily inspected the surrounding gentlemen. There was Luke Fitzmaurice, dressed as Hamlet with a skull-mask on a stick—poor Yorick, she assumed. He would be a good choice, but before she could gather her courage and beckon him to her, a sister Muse called imperiously, “Prince Hamlet,” and he immediately obeyed the summons.

Others had also chosen their partners and, panicking a little, Lallie sought Hugo’s eye. She did not know whether to be pleased or annoyed when a coquettish glance paired with a seductive curve of her finger brought him to her side.

“Clio,” he bowed. “I am honoured.”

It was different dancing with him when she didn’t have to conceal her reactions. The Grecian gown permitted only the lightest of stays and she shivered when his hands clasped her waist and she had to mirror the position for the jetées of the valse sauteuse. She felt his every movement beneath her fingers and had to resist the temptation to pull him closer to her. To her relief the music slowed and they could move again into more open attitudes, revolving about one another in seductive harmony.

Who was she? Although the fast waltz did not permit much conversation, her voice was tantalisingly familiar but Hugo could not match it to any woman of that height. She danced very lightly and followed his lead so exquisitely that he conjectured she had come from the ballet. If only he could waltz like this with Lallie. Then he felt guilty for thinking of his wife with another woman in his arms. He didn’t know what impulse had made him obey the unspoken invitation. Perhaps it was because the Muses’ entrance had provided a welcome distraction from his cheerless thoughts. He was sick of London, sick and tired of the Season, but dreading the return to Tamm. How would he and Lallie fare once back in its cold halls? If it were not for that cursed duel, he might have had some hope, but she still held herself aloof. He had never thought he would miss that little sigh of hers.

“Ah, Clio,” he said as they took a turn about the room afterwards, “how fortunate we would be if you only recorded our victories, but sadly our defeats and lack of judgement must also be noted in your scrolls.”

“If I were to remember only his victories, man would look continuously to the past, seeking to repeat it. But he may learn from his mistakes, sir, and perhaps even earn forgiveness or, at least, a second chance.”

“To err is human?” he asked seriously.

“Indeed, sir and are we not all called upon to forgive? But see, my sister comes for me.” As she spoke, another Muse took her hand and pulled her from him to disappear into the crowd.

“The carriage is outside if you still wish to leave early,” Thalia whispered.

“I do. And you?”

“I think I’ll stay awhile.”

 

This brief exchange between Lallie and Thalia is the other reason I love this scene. I simply had to know what happened when Thalia returned to the party. This led to The Murmur of Masks. Although written after Perception & Illusion, it was published first as my debut novel.

 

www.catherinekullmann.com

The World’s Smallest Publisher Fair Is Coming to London This June

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The Uncorrected Independent Publishers’ Fair

Peckham Pelican | Saturday 11 June, 11am-6pm | Free admission

Tangerine Press is delighted to announce the return of The Uncorrected Independent Publishers’ Fair (TUIPF), the world’s smallest publisher fair, showcasing a selected number of independent presses from across the UK. The fifth Uncorrected Independent Publishers’ Fair will take place on 11 June 2022 at Peckham Pelican, as part of the Camberwell Arts Festival.

Featuring seven of the most exciting and innovative indie publishers operating in the UK, the line-up features the following presses: flipped eye publishing (powerful poetry, fiction and prose in affordable volumes), Les Fugitives(contemporary literary fiction & non-fiction translated from the French), Prototype (fiction, poetry and interdisciplinary projects), Repeater Books (radical books for a wide readership), Rough Trade Books (sister to the pioneering independent record label), Strange Attractor (celebrating unpopular culture) and Tangerine Press.

 

Taking place at the café and art space the Peckham Pelican – an open, friendly bar serving good quality beers, ciders, wine, coffee and food available all day – TUIPF is free to attend and open to all. This unique literary feast caters for all genres and needs: prose, poetry, fiction and photography books will all be on sale, with special event prices on paperbacks, hardback limited editions, artist books, broadsides, screen-prints and letterpress gems.

 

 

 

In addition to book sales and general merriment, TUIPF is proud to present a line-up of indie entertainment: live readings by authors published by the seven indie publishers will start from 2pm, including Erica Van Horn (Les Fugitives), Astrid Alben (Prototype) and Arianna Reiche (Tangerine Press). From 4pm, the special guest Unexplained Podcast, the popular story-based podcast in which host and creator Richard MacLean Smith explores a different unexplained mystery each week, will perform a live reading of their episode “Hexham Heads”, examining strange events in 1970s Northumberland. From 4.30pm, there will be an acoustic set by the alternative indie UK-based band Lilies in by Brain.

 

Michael Curran, Founder of Tangerine Press, said: “It’s wonderful to be back at the Peckham Pelican with The Uncorrected Independent Publishers’ Fair for the first time since 2019. We have seven of the best indie presses in the country all under one roof in relaxed surroundings. It isn’t a stuffy hall! You can order a beer, chill out and listen the readings from authors and poets representing each of the publishers. Then perhaps sit up and be drawn into a rare live performance of the Unexplained podcast. Finally round it off with an acoustic set by promising indie newcomers Lilies in my Brain. All the while you can browse at your leisure through the stunning selection of books on sale, at special event prices. And it’s a free event!”

 

Find out more about The Uncorrected Independent Publishers’ Fair here, and for the latest updates follow #TUIPF22 and @TangerinePress

 

 

Event details:

 

The Uncorrected Independent Publishers’ Fair

 

Date:               Saturday 11 June, 11am – 6pm

Venue:             Peckham Pelican, 92 Peckham Rd SE15

Tickets:           Free

Social:             #TUIPF  |  TW: @TangerinePress  |  IG: @Tangerine_Press

Website:         https://thetangerinepress.com/TUIPF/

 

SUNDAY SCENE: VICTORIA SPRINGFIELD ON HER FAVOURITE SCENE FROM THE ITALIAN HOLIDAY

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Choosing a favourite scene from my debut novel The Italian Holiday was rather like choosing a favourite pasta sauce or flavour of Italian gelati – impossible not to keep changing my mind!  My unlucky-in-love heroine, Bluebell has always wanted to visit Italy but taking her granny’s place on Loving and Knitting magazine’s trip isn’t quite what she had in mind.  When she realises she has picked up the wrong suitcase at Naples airport, Bluebell is horrified – until she discovers the colourful, confidence boosting dresses inside fit like a glove.

Bluebell and her unlikely new pals stay at the fictional Hotel Sea Breeze in Minori, a charming seaside town just along the coast from Amalfi.  I first visited Minori in 2015, and my then-boyfriend and I loved it so much we ‘eloped’ there to get married two years later.  Exploring the area whilst on honeymoon, I knew that it would make the perfect setting for a story of unusual friendships, finding love when you least expect it – and how the right dress can change your life.

My protagonists explore the gardens in Ravello, take a boat trip to Positano and visit unforgettable Capri but I have chosen a day trip to Sorrento, in the first part of the book, as my favourite scene.  The women are up early ‘despite their late night dancing on the seafront’ and assemble ‘by the reception desk, chatting away, clutching a mixture of sun hats and cardigans just in case the fine June day turned out to be too hot or too cold.’  Bluebell and her new friend, 72-year-old Miriam, holidaying abroad for the first time since her husband’s death, swap stories at the back of the coach whilst little Evie is busy with her ‘top-secret knitting project.’

When the guide they are due to meet in Sorrento is taken ill, down-to-earth Brenda comes to the rescue and leads the others on her own tour, exploring the via San Cesareo where ‘boxes of soft peaches and oversized knobbly lemons were piled up beneath canopies hung with waxy red chillies…Italian mothers bargained with stall holders and remonstrated with recalcitrant children.  Overhead, strings of colourful flags criss-crossed the narrow street.’  Down in the marina, they feast on ‘bruschette fragrant with oil and garlic, topped by the brightest chopped tomatoes with shredded basil…peppers and aubergines cooked until they were soft and velvety.’

The women, near strangers until now, begin to gel and the reader gets a hint of the adventures that lie ahead.  Spotting a wedding in the cloisters where the glamorous outfits are a far cry from ‘the sturdy pastel two-pieces worn at a typical English wedding for fear of upstaging the bride,’ Bluebell wonders if she is quite as cynical about love as she likes to think she is.  Meanwhile Miriam gets a ‘faraway look in her eyes’ perhaps thinking of handsome Tommaso who runs Minori’s Trattoria di Napoli where the women ate the previous night.

After their busy day in Sorrento, the ladies are looking forward to an early night except for Bluebell who has a date with ‘tight-trousered’ hotel waiter Andrea.  Bluebell plans to wear a special outfit from the mystery suitcase: ‘the prettiest dress of them all.’  Later that evening, the ‘orange, full-skirted number covered in big white poppies’ will attract the attention of an intriguing young man, sending Bluebell and Miriam on the trail of the mysterious girl in the poppy-print dress.

 

The Italian Holiday and A Farmhouse in Tuscany are published by Orion Dash.  Victoria’s new book, set in Lucca, The Italian Fiancé is out August 2022.

Twitter: @VictoriaSWrites

 

 

 

SUNDAY SCENE: MISA BUCKLEY ON HER FAVOURITE SCENE FROM ARCHANGEL

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I love writing romance. Throwing two people who are often poles apart and watching the sparks fly. In my novella ARCHANGEL, my leads are as different as you can get. Gabriel is an ex-criminal who used to deliver questionable packages, while Abigail is a sculptor selling her art in a L.A. shop. Gabe is practical, level-headed man who doesn’t believe in much. Abigail is a medium and believes in heaven and hell, and all that entails.

So how do two such opposing people even meet? Well, ARCHANGEL is a paranormal romance. The antagonist has sold his soul to the devil for power, sealing the deal with a series of grisly murders – that Abigail “sees” happen. Gabriel is the guy sent to protect her… though it ends up being a lot more.

In the following scene, Gabe has taken Abigail for dinner, then a stroll around the hotel they’re staying at. At the pool side, they’ve gotten talking about his sketchy past, and Abigail decides to move things along. Not only is this their first kiss, but here we see her absolute belief that Gabe can be a better man.

 

“I trust you, Gabriel,” she said, her voice soft but earnest. “I know you think I’ve every reason not to, and perhaps you’re right. But I didn’t ask for good. I didn’t ask for perfect. I asked for someone to protect me, and you have. You will.”

“You need more than that.”

“You are more than that. You just don’t give yourself enough credit.”

I told hold of her wrists and pulled her hands from my face. “With good reason. You’ve no idea what’s going on in my head.”

Her laugh shocked me. It bounced off the tiled walls of the pool room, rich and pure. Still laughing, she tugged her wrists free and then wrapped her arms around my neck. Her floral scent filled my senses. Her body against mine shut my brain down.

“It’s probably similar to what I’m thinking,” she murmured, then her lips were on mine, firm yet sweet.

 The temptation to taste her overwhelmed me, and I gave in with very little resistance, if any. Her lips were fruity from the wine we’d drunk. I licked them and they parted, giving me access to her mouth. I slid my tongue in and her groan vibrated against my teeth, sending shocks of desires though my bones.

 My determination to keep things professional evaporated like dew in the desert. I carded the fingers of my right hand into the thick silk of her hair. My left hand found her hip. I pulled her close, and she moulded against me, her arms tightening.

 Warning bells rang. I told them to go to hell. For once I just wanted to lose myself in someone who wasn’t being paid to make me feel good. In someone who believed in me, even when I couldn’t.

 

What I really love about this scene is Gabe’s shift from cynical disbeliever, opening up – even if it’s just a little – to someone else and the possibility of being loved. I think most people deserve that in their lives.

 

 

 

 

PUBLICATION SPECIAL: SUMMER AT THE FRENCH CAFE BY SUE MOORCROFT

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As the saying goes, this is the first Sue Moorcroft book I have read, but it won’t be the last. On the face of it, Summer at the French Café is a happy ever after holiday read, but actually the book is far more.

So, what makes it stand out? The sense of place, certainly, and I love that. As I read I could actually see every place the author described; Parc Lemmel, the bookshop café at the story’s heart, the local villages… and without a single sentence of overblown description. All I needed to know was dropped seamlessly into the narrative in an exceptionally skilful way.

But more than the quality of the writing, I love the fact there is a very serious issue at the heart of the book, one that isn’t squashed or skimmed over in the search for a happy ending, one that is dealt with in a sensitive and realistic manner. That issue is emotional control; how it can be used in relationships, the reasons people accept it, and the dangerous patterns that mean it can echo across generations and years.

I asked Sue Moorcroft why she decided to tackle this insidious form of coercion…

“I’m interested in human behaviour, so when I read about control within relationships, I wanted to write about it. It provided the perfect secret behind central character Noah giving up his life in Dordogne and moving across France to Alsace. I write love stories, so the mystery had to be nuanced rather than a simple jeopardy.

I remembered someone who, when she lost her husband, refurnished and redecorated her home. I’d never come across that reaction to widowhood. She explained, ‘He liked to be the one to choose. But now I can.’ To me, this put their relationship in a whole new light. When we’d invited her out and she’d said, ‘I’ll have to check,’ had she meant with her diary? Or with her husband? When we’d picked her up, he escorted her to the car and looked inside to say, ‘Good evening’. How old-fashioned and courtly, I’d thought. But was he checking she was going out with who she’d said she was? If so, did this behaviour make her feel cherished?

Or did she resent it and feel controlled?

She also once mentioned that she’d married young and that her (by then deceased) dad had been a similar man to her husband…

I’ll never know if I jumped to conclusions, but my suspicions informed the background I gave Noah’s ex, Florine. When Florine’s controlling father died, she felt adrift. Attentive Yohan came along, telling her what she looked best in what he liked so that she could like it too, and she felt secure again. But leaving Noah for Yohan pitched her into a very different relationship.

The interesting thing about control, and which provided the nuances I was after, is that it doesn’t have to involve a traditional bully. Yohan doesn’t hit Florine or her daughter Clémence – he loves them. In fact, he almost suffocates them with his love, wanting constant knowledge of where they are or to have them with him, using his anxieties over them to cut them off from others, so he can bask in their undivided attention. His behaviour stems from his own insecurity and immaturity. Mix in a little self-importance and selfishness, and you have a controlling man. Yohan isn’t a main character, which means that Summer at the French Café is not his story – but the plot around Noah won’t work without him.”

 

Jane Cable