London Art Fair Returns

London Art Fair, the UK’s largest art fair for Modern British and contemporary art will return to the Business Design Centre, Islington, between 16 and 20 January 2013. The 25th London Art Fair will feature galleries presenting the great names of the 20th century as well as exceptional recent works from established artists and emerging talent.

 

 

Highlights will include:

 

Main Fair

Galleries from across the UK and overseas will exhibit work by artists covering the period from the early 20th Century to the present day. Museum quality Modern British art will be presented alongside contemporary work from the best leading and emerging artists.

 

Art Projects

Established as one of the most exciting sections of the Fair, Art Projects captures a snapshot of the current practice and concerns of contemporary artists.

 

Art Projects is a curated showcase of the freshest contemporary art from across the globe and will feature large-scale installations, solo shows and group displays from selected galleries.

The Art Projects Film Programme will host a selection of experimental film and video work.

 

Photo50

A showcase for contemporary photography that highlights the richness and diversity of photography today, Photo50 will feature 50 works presented in an exhibition curated by Nick Hackworth of Paradise Row Gallery.

 

 

London Art Fair tickets will be on sale at £12 (plus £1.50 booking fee) in advance, including a copy of the 2013 Fair Guide (to be collected at the Fair). Tickets on the door are £16.

 

For a full list of galleries and the latest London Art Fair news visit: www.londonartfair.co.uk

Roman Abramovich Wins Court Battle

The clash of the titans has finished and Roman Abramovich has come out on top, winning his legal battle against exiled Russian oligarch Boris Berezovsky.

The Chelsea FC owner was said “to be a truthful, and on the whole reliable, witness” by Mrs Justice Gloster.

Mr Berezovsky had said that Abramovich had intimidated him into selling his shares in Russian oil giant Sibneft and was claiming £3bn in damages. Mrs Justice Gloster said the 65-year-old had not been an “inherently unreliable” witness.

The judge said in her ruling “On my analysis of the entirety of the evidence, I found Mr Berezovsky an unimpressive, and inherently unreliable, witness, who regarded truth as a transitory, flexible concept, which could be moulded to suit his current purposes.”

She dismissed Berezovsky’s claims that 45-year-old Abramovich had broken a promise on a deal which involved the Russian aluminium company RusAl “in their entirety”.

Mr Berezovsky said he was “shocked” at the decision and that Mrs Justice Gloster had rewritten Russian history.

There was a certain amount of mud-slinging during the three-month trail with Berezovsky calling Abramovich a “gangster” and Abramovich saying Berezovsky was “something of a megalomaniac”.

Abramovich was not in court but in a statement issued on his behalf said: “There were many serious allegations made against Mr Abramovich by Mr Berezovsky, including attacks on Mr Abramovich’s honesty and integrity.

“We are pleased that the judge has firmly rejected all such allegations and has described Mr Abramovich as a truthful and frank witness who showed a responsible and honest approach when giving evidence in this case.”

At one point the Queen watched the trial and talked to Mrs Justice Gloster

Squatting Becomes Criminal Offence

Squatting will become a criminal offence in England and Wales on Saturday. Squatting in a residential building would mean squatters could face six months in jail or be fined £5,000, or both.

This would bring better protection for homeowners Ministers said, and “slam shut the door on squatters once and for all”.

At the moment squatting is considered a civil matter and homeowners have to go to civil court and prove that squatters trespassed before they can be evicted. After the 1st of September squatting will become a criminal matter and homeowners can complain to the police. If the police think the claim is genuine they can arrest the squatters.

The new law will also protect vacant residential properties.

The law will also apply to existing squatters to “stop trespassers rushing to occupy residential buildings before the offence comes into force”.

The housing minister Grant Shapps said: “For too long, hardworking people have faced long legal battles to get their homes back from squatters, and repair bills reaching into the thousands when they finally leave.

“No longer will there be so-called squatters’ rights. Instead, from next week, we’re tipping the scales of justice back in favour of the homeowner and making the law crystal clear: entering a property with the intention of squatting will be a criminal offence.”

Campaigners have criticised the new law saying it does not fix the fact that squatters have nowhere to go but Justice minister Crispin Blunt said homelessness was at the lowest level for 28 years and the government was spending £400m on homelessness and £164m on bringing about 10,000 empty homes back into use.

In Scotland squatting is already illegal. Homeowners in Scotland have right to eject squatters without serving notice or applying to a court for an eviction order.

Shadow justice minister Andy Slaughter said: “Homeowners around the country are concerned about squatters and rightly want assurances from this Tory-led government that their properties will be protected.

“The distress squatters can cause to families, as well as the financial damage they do, is completely unacceptable.”

Glass Ceiling “Is a Myth”, Age is the biggest hurdle

The glass ceiling is dead as a concept for today’s modern career apparently. But women are still being held behind in the workplace. Here are the depressing facts why….

Ernst & Young poll of 1,000 UK working women says there are multiple barriers to career progression

The concept of a single glass ceiling is an outdated model and no longer reflects the realities of modern working life for women, according to the results of a poll released today by Ernst & Young.

The survey of 1,000 UK working women between the ages of 18 – 60, revealed that two thirds believe they faced multiple barriers throughout their careers, rather than just a single ceiling on entry to the boardroom.

Four key careers barriers throughout a woman’s career

Based on the results, Ernst & Young has identified four key barriers to career progression for today’s working women. These barriers are: age, lack of role models, motherhood, and qualifications and experience.

The professional services firm says that the barriers aren’t chronological and can be experienced at anytime; often several at once. And while they aren’t exclusive to women, it believes it is clear from the research that employers need to provide better support to help women overcome them.

British business losing best and brightest female talent

Liz Bingham, Ernst & Young’s managing partner for people, says, “The focus around gender diversity has increasingly been on representation in the boardroom and this is still very important – as members of the 30% Club we are committed to this.

“But the notion that there is a single glass-ceiling for women, as a working concept for today’s modern career, is dead. Professional working women have told us they face multiple barriers on their rise to the top. As a result, British business is losing its best and brightest female talent from the pipeline before they have even had a chance to smash the glass ceiling. We recognise that in our own business, and in others, and professional women clearly experience it – that’s what they have told us.”

Ernst & Young’s head of advisory, Harry Gaskell, agrees. He says that the barriers identified in the survey reinforce Ernst & Young’s belief that encouraging and supporting women into senior positions is a talent pipeline issue. As a result he believes that organisations need to ensure they are supporting women at every stage of their career lifecycle, not just as they are about to enter the boardroom.

Age is the biggest hurdle

Delving into the findings behind the barriers, the survey identified age – perceived as either too young or too old – as being the biggest obstacle that women face during their careers. 32% of women questioned said it had impacted on their career progression to date, with an additional 27% saying that they thought it would inhibit their progression in the future.

Most markedly it was women in the early stages of their career that seemed to be most acutely impacted – with half of all respondents between 18 and 23 saying age had been a barrier they’d already encountered in their career.

“Age is a very complex issue, especially when it’s linked to perception. It’s concerning to see that women seem to be most vulnerable during the formative stages of their careers, when they are working their way through the ranks,” says Liz.

She argues that businesses need to be aware of pervasive attitudes towards age as a barrier within organisational culture, and suggests that one way of managing this is to encourage diverse role models within an organisation, who can visibly demonstrate that age is not an inhibitor to opportunity and progression.

Exploring the experience and qualifications barrier

Barriers related to a lack of experience or qualifications also featured strongly in the survey. It was the second highest factor that had inhibited women’s careers to date (according to 22% of respondents), and the third highest factor cited as a future inhibitor (19%).

Reflecting on the results, Harry says, “Women, and men, often need to give themselves more credit for the experiences and expertise that they have, while businesses need to look past the piece of paper.

“There is acknowledgement that high academic performance is still part of selection criteria in some organisations, especially at graduate level – and there is a wider issue here about fostering social mobility. But much greater value is being placed today on non-academic achievement and on diversity of experience and perspectives.”

The impact the experience of motherhood can have…

The impact of becoming a mother on a career is well rehearsed and therefore it was unsurprising, if disappointing, that this was identified as a key barrier. Nearly one in five (19%) of those questioned said it had impacted on their career to date. While a further 25% said they thought it was the second biggest inhibitor to their future careers, after age.

Liz says, “I think the only way that organisations can really tackle this is through positive intervention. This includes the provision of supportive programmes that help women to transition back into work after maternity leave and empowers them to take control of their careers and make informed choices.”

Ernst & Young has trail blazed a number of initiatives for working mothers aimed at increasing retention levels and ensuring that women feel supported through-out their career life-cycles. This includes a maternity coaching scheme providing one-to-one counsel with a consultant before, during and after maternity leave.

“Coaching schemes are very valuable,” says Harry. “But I also think there’s an important part that can be played by women role modelling their success and demonstrating by example how they balance the demands of home and work life.”


The value of role models

Three out of four (75%) of those questioned said that they have few or no female role models within their organisations. With some respondents (8%) going as far to say that a lack of role models had had a detrimental impact on their career to date. And therefore role models were identified as one of the four barriers.

Liz says that a lack of role models was a consistent theme across all the age groups polled. “I was really surprised and concerned by these findings. From my own experience I have seen how good role models can have a transformational impact on an individual or team.

“I think one of the big problems is the misconception that you have to be perfect in order to be a role model. Whereas in reality we all have skills, attributes or experiences that would be valuable to share with others.”

But it’s not just down to business…

Ernst & Young says that managing these four barriers is about personal responsibility, appropriate and targeted support from business and positive government intervention.

When respondents were asked to identify what three things their organisations could do to remove these barriers, or better support women’s career progression, the top answers were:

* More support after returning to work from having children (32%)
* More support at every stage of my career lifecycle (24%)
* More visible female role models (19%)

When asked the same question in relation to what government could do, they said:

* Enforcing companies to reveal the ‘pay gap’ between men and women (45%)
* Affordable child-care/ tax relief for childcare (43%)
* Policy guidance on flexible working for UK businesses (28%)

Harry concludes, “Gender diversity transcends the responsibility of government, business and individuals. There is no quick fix or magic bullet; it will take a combined effort, but the focus has to be on the talent pipeline rather than just on the boardroom.

“Positive interventions can work. But we think one of the most fundamental aspects of managing barriers is role models – for people to actively demonstrate that barriers can be over-come. If we can get this right, then perhaps the other barriers will become more manageable and less marked over time.”

With Your Hands You Clap Clap Clap!

Co-opera Co presents Hansel and Gretel at John McIntosh Arts Centre

I thought I wasn’t familiar with this opera before last night: as a child studying music, Humperdinck was not one of the composers I learnt about, and I’m afraid I encountered the music of the 1960s Englebert before I realised he was named after an eminent musical predecessor.   However, upon hearing that I was attending Hansel and Gretel that evening, a colleague advised me that I would recognise lots of songs from my childhood.  He was right, the aria which provides the title of this piece being but one of them (I have been singing it all day).  This, of course, added a lovely sense of recognition to my enjoyment of the evening.

The action was initially set in 1950s Britain, but later seemed to move forward in time; with the witch using an overhead projector and a camera vintage 70s or 80s, and marking the contents of her fridge “Best Before 2013.”  The set was broadly based around the mother’s washing business, and some of the garments from the washing line were used as Chinese lanterns at the end of the story to great effect.

Musically, this was of a high standard, starting with the orchestra (conducted by Stephen Higgins), whose overture set the tone for the night, being both beautiful and haunting.  There was no chorus, so the production was the work of only five singers (mother doubling with witch).  All five gave excellent vocal performances, with Rahel Moore’s Sandman being particularly evocative.

The show was very well choreographed, and the cast’s movement skills were wonderful, especially Carris Jones drag queen witch, and Gretel’s jerky puppet steps.  Lone man Stephen John Svanholm played the exuberant, drunken father very well, and Susanne Holmes portrayed Hansel with all the exuberance of boyhood.  With such a tight cast and consistent performance, it is difficult to pick out a favourite, but personally I was particularly impressed by Llio Evans (Gretel).

When an adult woman plays a small child, there is a very real danger of her ending up looking like Baby Jane.  The audience had nothing to worry about on that score, however, as Llio’s physicality perfectly captured that of a little girl.  The way she stood, walked, moved her arms, and her facial expressions were all ideally calculated to convey Gretel’s emotions (her terror in the forest at night is a good example).  Her singing was consistently skilful and accomplised: I especially enjoyed her opening aria of Act II.

All in all, Co-opera Co have done a marvellous job with Hansel and Gretel, and much credit is due to director James Bonas, working with the company for the first time.  As he said when I interviewed him prior to the performance, (Hansel and Gretel is) “an absurdly brilliant opera.  It’s full of music so delicious you want to eat it and it’s joyfully short but densely written so that it’s packed with action.”  The same can be said for this production.

Hansel and Gretel, along with Don Giovanni and The Magic Flute will now go on a nationwide tour.  For more information, please visit www.co-opera-co.org.

First Man On The Moon Neil Armstrong Dies.

Neil Armstrong, who was the first man on the Moon, has died aged 82.

The US astronaut set foot on the moon on 20th July 1969 and uttered the famous words, “one small step for man, one giant leap for mankind”.

His family released a statement saying he died from complications from heart surgery.

US President Barack Obama said Amstrong was “among the greatest of American heroes – not just of his time, but of all time”.

Armstrong received the Congressional Gold Medal in November last year, the highest US civilian award.

Armstrong spent three hours walking on the moon with fellow astronaut Buzz Aldrin.

Buzz Aldrin said: “It’s very sad indeed that we’re not able to be together as a crew on the 50th anniversary of the mission… [I will remember him] as a very capable commander.”

In 1971, he left NASA to teach aerospace engineering.

Armstrong was born in 1930 and was raised in Ohio, he caught the flying bug at six and flew Navy jets in the Korean War, he joined NASA in 1962.

His family called him a “reluctant American hero” who had “served his nation proudly, as a navy fighter pilot, test pilot, and astronaut”.

Neil Armstrong
famously said:

“I think we’re going to the moon because it’s in the nature of the human being to face challenges. It’s by the nature of his deep inner soul… we’re required to do these things just as salmon swim upstream.”

“I believe every human has a finite number of heartbeats. I don’t intend to waste any of mine.”

Twiglets, Cocaine and Formaldehyde

Co-opera Co presents Don Giovanni at John McIntosh Arts Centre

This is the second production of Mozart’s Don Giovanni I have seen this year (I reviewed the production at Heaven back in April – see One Night in Heaven). Although Co-opera’s was not as hilariously smutty as the gay offering, it was nevertheless a very sexy, and funny, performance.

Right from the outset the orchestra set the tone – the playing was flawless and evocative throughout the evening, led by conductor Tim Murray.

The standard of acting in this performance was high from the start: David Milner-Pearce played the Don as a dissolute Damien Hirst-type artist to perfection, whilst Yair Polishook (Leporello) made an excellent sidekick. The opening rape scene was very effective with Lisa Wilson (Donna Anna) playing the victim very well. Susanna Fairbairn (Donna Elvira) made a good jilted lover, whilst Jerome Knox (Mazetto) gave a solid performance throughout the show, with the stage combat between him and David Milner-Pearce being particularly well executed.

I had been told that the production was to be anything but traditional, and that was certainly the case. Much of the action was set in the Don’s art gallery where naked shop dummies (with pubic hair) continued the Hirst theme. There were many amusing and interesting touches such as the Don photographing the dead father on his mobile phone; a smartphone ap (Leporello’s) which keeps a record of all the women the Don has seduced – Yair Polishook singing very well on this aria; the Don singing a serenade to the backing of a ringtone (aptly rendered by the orchestra); the Don’s lines “I find the working class is only turned on by clothes that come from Primark” and “Since I’m spending so much money, I expect to be amused” as he is eating take away chips and pizza from yellow plastic boxes. Twiglets and cocaine also make appearances.

Vocally, there were many wonderful moments. Some of my favourites were Donna Elvira’s “Rip out that Heart with Glee”, the chorus number “Pleasure Tonight”, Robyn Allegra Parton (Zerlina)’s first duet with the Don, Don Ottavio, Donna Anna and Donna Elvira, disguised Ali-G style, singing “Avenge my broken heart,” Don Giovanni and Leporello’s “Glorius I shall return.” For my money the best male vocal performance was by David Menezes (Don Ottavio), but overall the women outshone the men, with Donna Anna’s solo “The God I cherish will come and grant me rest” being hauntingly beautiful.

The opera finishes with Il Commendatore (Matthew Tomko) returning to the grave to drag the Don down to hell, and this he does in a suitably menacing and eerie manner. The chorus close by singing “That’s the fate of evil men” as Don Giovanni goes to join his own artistic creations, becoming yet another glass case dummy in a rather Roald Dahl-esque ending.

Don Giovanni’s second night is 24 August 2012, Hansel and Gretel is on 23 and 25 2012, all shows at 7.30pm at John McIntosh Theatre, Seagrove Road, London SW6 1RX. Tickets are priced between £10-25 and can be purchased online at http://www.ticketweb.co.uk/user/?region=xxx&query=schedule&promoter=co-opera. The theatre is wheelchair accessible, and free parking is available next to the John McIntosh Arts Centre. Both operas, along with The Magic Flute, will then go on tour nationwide. For more information, please visit www.co-opera-co.org.

Berlin Offers Best Value For Fashionistas On A Budget


Berlin is Best Value

German capital is most affordable whilst New York’s cut-price clothing couldn’t offset its pricey hotels

 

Berlin was the most affordable shopping destination of the top ten fashion cities in the world, according to the latest Hotels.com Hotel Price Index™ (HPI®). The iconic style capital, New York was ranked as the most expensive despite its popularity amongst retail tourists for securing brands on a budget.

 

The Index, now in itseighth year, chronicles the actual prices paid by travellers in 2011 in more than 142,000 hotels around the world.

 

As the pound continued to strengthen against the Euro, the German capital provided the best value forboth the cost of its hotels and its fashion. The average cost of a hotel room was only £73, allowing British shoppers to make the most of their budget in the popular Berlin style scene.

 

Tokyo (£102) and Barcelona (£104) were the second and third lowest priced cities providing spendthrift style alternatives for savvy shopping tourists. The retail tourist’s staple destination, New York, was undeniably the most expensive at an average of £173 per night, despite providing some of the most affordable shopping.

 

City Country

Average room rate in 2011

Average room rate in 2010

% Rise or fall
New York United States of America

£173

£166

4%

Singapore Singapore

£136

£123

11%

Paris France

£125

£122

3%

Hong Kong China

£119

£101

18%

Rome Italy

£116

£114

2%

London United Kingdom

£115

£114

1%

Los Angeles United States of America

£111

£104

7%

Barcelona Spain & Canary Islands

£104

£96

8%

Tokyo Japan

£102

£103

-2%

Berlin Germany

£73

£75

-3%