Spring into Easter Sunday with Lunch at Babylon

Looking to banish winter blues and summon the spirit of the new season? Head straight to the award-winning Babylon Restaurant at The Roof Gardens in Kensington and treat the whole family to a memorable Easter.

To celebrate Easter Sunday, on the 8th April each guest will be treated to a complimentary Easter bunny rabbit shaped chocolate lollipop from a lucky dip. Each lollipop will have an envelope attached to it where guests will find out if they’re one of the lucky ones to win a fabulous mystery prize. Prizes will include 20% off your next Babylon booking, a year’s Club membership for the Private Members Club on the 6th floor, a VIP table for you and your friends in the Club to name but a few.

The delicious Easter menu offers a selection of favourite roast dishes including tender roasted Pork Belly with Bramley Apple Sauce or mouth-watering Roast Beef. All roast dishes are accompanied by sharing platters of seasonal vegetables and roast potatoes. With a menu bursting with equally enticing starters, vegetarian dishes, and indulgent desserts, the whole family will be catered for this Easter. Kids (and adults too!) will also be able to enjoy a visit from The Roof Garden’s very own magician Easter Bunny as they tuck in to a three course children’s menu priced at only £8.00.

The Babylon menu is priced at £26.00 for two courses and £29.00 for three courses. For reservations please call Babylon on 020 7368 3993 or visit Babylon@roofgardens.virgin.com

Women of The Revolution – Book Review.

The idea behind this book is incredibly clever, it is the history of forty years of feminism told through articles from The Guardian. The book was edited by Kira Cochrane who Frost have interviewed. The wealth of talented women in the book is staggering. Maya Angelou, Germaine Greer, Oprah Winfrey, Suzanne Moore, Beth Ditto…the list is endless. It is a fascinating read for women and men alike.

I didn’t like, or agree, with every single article or argument, Lesbianism as a choice and not sleeping with men, because they are the enemy spring to mind, as does ‘are all men capable of rape’. Er, no, they are not.

Beth Ditto gives amazing and funny advice on what to do with catcalls, Andrea Dworkin’s piece on Bill and Hillary Clinton is perfection, and right on. The interview with Maya Angelou is also amazing, she is one of my favourite writers. Germaine Greer comes across as Germaine Greer, people can say whatever they want about her, but she doesn’t seem to care about being liked, and that makes her a true feminist to me.

One of my favourite things about the book is just how many strong women are in it. Suzanne Moore interviewing Camille Paglia, there is an interview with Toni Morrison, Zoe Williams ask if feminism is embarrassing, Julie Burchill writes about her lack of regret for her five abortions. This book shows how far we have come, but also shows our faults, the fault of feminism is that people have a narrow view of what feminism is, and what a feminist does. Women can be their own worst enemy and the in-fighting and backstabbing is disappointing. For reference, read the interview with Naomi Wolf. Why can’t Naomi Wolf be beautiful and groomed and say what she wants? Can you not be glamourous and a feminist? Surely as long as you want equal rights for all anyone can be a feminist, even a man?

The ones I really related to are Jill Tweedie stating that ‘One of the most crippling aspects of being a women- and an Englishwomen to boot- is the continual and largely unconscious compulsion to be nice’. Too true, even for a Scot, and as relevant today as it was in the 1970s. This book is food for the brain; is housework slavery?, should women be paid for it?, the attack on Margaret Thatcher for not helping her fellow women – a very good point- she filled her cabinet with men and seemed to dislike other women. This book is essential reading, I recommend it to everyone.

Some of the book is uncomfortable reading, like when the issue of rape being used as a weapon of war is raised. But that is to the credit of the book. History should never be a comfortable experience, and neither should a revolution.

Ealing Rose & Crown | Places

The Ealing Rose & Crown is a beautiful pub with very friendly staff. I previously said in an interview with the Ealing Gazette that it was my favourite pub in London, and it still is. It also has a great outdoor area. It is the perfect place to spend lazy summer days. The Rose & Crown is definitely a ‘village pub’. I had my last birthday party here (just after the riots in Ealing, let no-one tell you West Londoners are wimps) I had a brilliant time with my friends and the food was amazing. The décor inside is great too, and it is quite spacious.

The Rose and Crown is a traditional pub, just off the main road in South Ealing. The food is fresh produce with a Mediterranean twist. The kitchen serves home-cooked dishes – try the roasted seabass, grilled lamb steaks. Their Sunday roasts are amazing, but it is best to book ahead.

The Rose & Crown is also the venue for the Ealing Tweetup, which is arranged by Mark Hillary, Mark now lives in Rio, but still comes to London for the Tweetup. That’s dedication.

Rose & Crown.
Church Place  St. Mary’s Road, Ealing W5 4HN
020 8567 2811
Email: roseandcrown@fullers.co.uk
Licensee: Tom Tucker
South Ealing (0.2 miles), Northfields (0.5 miles), Ealing Broadway (0.9 miles)
Ealing Broadway (0.8 miles), West Ealing (1 mile), Brentford (1.2 miles)

Theatre Collection present Crime and Punishment by Fyodor Dostoyevsky

Theatre Collection present Crime and Punishment by Fyodor Dostoyevsky

Adapted and directed by Victor Sobchak
 
Crime and Punishment was always going to be an ambitious undertaking, especially with limited stage space and the necessary shortening of the literary epic for the stage. However there is a great deal to like about this production.

 The story itself has always fascinated me, offering psychological insight into the nature of morality, and the many forms of punishment that exist, reaching far beyond simple incarceration. Seeing the play in 2012 also makes me question whether criminals today may be so plagued by guilt and unable to enjoy ill-gotten gains.

 We follow Raskolnikov (played with impressive intensity by Shaban Arifi) an anti hero and our central character. Pressured by the poverty surrounding him, he feels forced to kill and rob a woman who by all accounts is morally bankrupt. In the course of this crime he is interrupted by her sister, whom he also kills.

 The punishment he brings on himself for these heinous acts – despite intermittently justifying them to himself and, at times, others – is enthralling to witness. With money the motivating factor, both for himself and his mother and sister, it is symbolic that he finds himself unable to use the money at all, becoming a miserable and tortured shadow of himself.

 With these issues as the subject, set in Nineteenth Century St Petersburg, the portrayal was always going to be bleak, and while at times the intensive, tortured performances were hard to watch, they felt true to the novel. The use of space, lighting and music was particularly impressive and I really did feel swept away – albeit bleakly – in the performance.

 This won’t be a play for everyone and I wonder if people who haven’t read the novel would get as much from it as I did, but overall I would highly commend such an ambitious and largely successful undertaking.

By Meredith Ettridge

Stars Shaban Arifi and Lucia Edwards.

Women of the Revolution | Kira Cochrane Interview

I love Kira Cochrane’s writing, so I was very excited to interview her about the new book she has edited: Women of the Revolution: Forty Years of Feminism. Thankfully, her answers made me like her even more.


What was the idea behind the book, Women of the Revolution: Forty Years of feminism?

I was in the office between Christmas and New Year 2010, a time when
it’s always incredibly quiet at work, doing some reading for a piece I
was writing about the first ever women’s liberation conference in the
UK, which was held in 1970. It occurred to me that it would be great
to do something big to celebrate this landmark – forty years of second
wave feminism in the UK – and that we had all the resources necessary
at the Guardian to do that. So I started, that day, to put together a
book made up from our archives, featuring interviews with people like
Germaine Greer, Naomi Wolf, Oprah Winfrey, Nawal El Saadawi, Camille
Paglia and Susie Orbach, and articles on all the most important
feminist issues. Altogether I wanted it to provide an introduction to
the movement for those coming to it fresh, and brilliant, wide-ranging
material for those who have lived and campaigned through it.

How did it come together?
It proceeded with me just trawling through our archive, reading
thousands and thousands of articles until my eyes were sore. Given the
wealth of feminist material the
Guardian has published, it was a massive task, but I really enjoyed
it. (I have come to realise that I’m a total feminist geek!)

What is your favourite article/interview in the book?
Well, like any good parent, I don’t have favourites, and there’s so
much great material: Beth Ditto on how to beat street harassment,
on online sexism, Ariel Levy writing about raunch
culture, Polly Toynbee on Spare Rib magazine, Hadley Freeman on eating
disorders, Marina Hyde on pornography, to name just a few. One
I think is as relevant today as it was when it was published 41 years
ago now, is Jill Tweedie’s piece “Why nice girls finish
last”. In it she writes that women have a “continual and largely
unconscious compulsion to be nice. Nice and kind, nice and fair, nice
and tidy. Nice. Always ready to understand the other point of view.
Always careful not to give a wrong impression”. And she warns against
the feminist movement sinking into a great heaving swamp of niceness.
I think that message is still really important, at a time when women,
as much as ever, are brought up to be
accommodating and unpushy. (Have you ever heard the word pushy used
about a man? How about bossy?).

What do women still need to achieve?
Well, you can break it down into specific issues. Equal pay, economic
equality, a fair sharing of tasks in the home, affordable childcare, political
representation, an end to street harassment, to domestic violence and
rape – and, in the meantime, a higher rape conviction rate and strong
support services for women who experience violence. But I think
we also have to recognise that the problem is structural. We live in
a society where there are hierarchies based on class, race, sexuality,
disability and many other factors. Sex is a key one of those, and if
we could create a much more equal balance of power in general I think
we’d have a society that would function much more happily for everyone.

Do you think feminism is used as a weapon against women, like when a
man doesn’t give up his seat and wants to go dutch, even on the first
date? I have a friend who hates feminism because she says it has been
used to take away men being chivalrous, and we still end up doing the
housework.

I’m pretty happy to see the back of chivalry, because it
was based on the idea of women being the weaker sex. That
doesn’t mean I want doors slammed in my face by the man who’s walking
in front of me – just that whoever reaches the door first will hold it
open, whether it’s me or him. In an equal society, I think men and
women should treat each other equally well. (Also, I’m happy to go
Dutch. I think when one partner pays for everything from the start of
a relationship, unless there’s a really good reason, that sets up a
pretty dodgy power dynamic.)

What can be done to convince women that feminism is still relevant?
Well, I think a large proportion of women are already convinced, and
you can see that in all sorts of ways. There are
the feminist protests and conferences that have taken place over the
past few years, the enormous success of Caitlin Moran’s feminist book
How to be a Woman, the extent to which feminist issues are debated in
the media and online, with women really making their voices heard about
issues that make them angry. For any woman not yet convinced, I
suppose I would just put a few questions to her. Do you
want to live in a country where only one in five MPs – the people who
make the major decisions
regarding our lives – are women? Do you want to be paid
less than your male colleagues for the same work? Do you want to live
in a country where there’s a high chance of you being raped or
sexually assaulted – and a very low chance of your attacker being
convicted on those charges? If not, feminism is for you.

Do you think it is possible for a woman to ‘have it all’?
I think what’s true is that women have made huge strides in the
workplace, but still take care of the lion’s share of tasks at home. I
do think it’s possible for everyone, men and women, to ‘have it
all’, but in order to make that happen there needs to be a real shift
in attitudes towards working hours, so that workers aren’t toiling
incredibly long hours and can have a proper shared family life. That’s
easy to say, and much harder to do. At a time of economic crisis,
especially, it’s very hard for people to feel confident in taking
their foot off the accelerator at work. So I do hope these changes
will happen, but clearly it won’t be overnight.

Women are still sexually objectified to a large degree, what do you
think of Rihanna and Lady Gaga who constantly make music videos
wearing pants and a bra? Is this a bad example? Or an example of a
women being free to do what she wants?

I really don’t like the way that women in the public eye, in their
twenties, are criticised for being ‘bad role models’ for other women
in their twenties. It just seems another stick to beat women with. I
personally think that women should wear exactly what they like – so
long as it IS what they like, that they’re following their own desires
and enjoying themselves. I think if they’re doing that, they set a
great example.

What do you hope the book will achieve?
I hope the book will get people thinking about feminism – thinking
about all the women who have fought for our rights in the past, and all that
we still have to do.

How much more do women have to achieve to be equal to men?
There’s so much, but I think the important point is that we’re getting
there in the UK. There are obstacles, and really worrying issues (like
the fact that women’s unemployment is at a 25 year high), but over the
course of time we are moving forward. It’s like a friend of mine said,
a few years ago, when there had been some notable setbacks for women:
people can try to keep us down, but it’s not like we’re actually just
going to go back into the kitchen and make them a sandwich.


What is next for you?

More articles, more books, and much more feminist research! I’m really looking
forward to it.

Thank you Kira.

[The review of the book is here.]

Time Well Spent at Store Street

Contemporary Printmaking: From Andy Warhol to the Emerging Generation

This exhibition by Orion Contemporary combines household names with Orion’s young, emerging stable of artists to promote printmaking as an art form and celebrate the importance of the medium.  To quote Andrés Olow Clase, director of Orion Contemporary: ‘From Andy Warhol’s exceptional print of 1974 to works made in 2012, the show explores the diverse vivacity and technical skill of printmaking.’  Following the inaugural exhibition in 2011, this year’s offering includes a variety of work by Lisa Denyer, Alexander Gough, Damien Hirst, David Hockney, Max Lowry, Dénes Maróti, Will Martyr, Andy Warhol and Giulia Zaniol.

I am not going to talk about the big names here; nobody needs me to tell them about the likes of Hockney or Hirst.  Instead, I would like to focus on some of the less well-known artists.

Alex Gough’s woodblock prints of Levi Mountain are influenced by his Finnish ancestry and are imbued with strong tonal contrasts, reflecting the twilight dancing on the snow, or the midnight hue as the mid-winter landscape melts into long dark nights.  Lisa Denyer’s ‘Range’ continues the mountain theme and uses a mystical combination of silver and black to engage the eye.  William Martyr’s art deco ‘Sweet Spot’ and ‘’Time Well Spent’ employs bright, vibrant colours to excite the viewer’s imagination.  Dénes Maróti pleasantly surprised me by his range: I was startled to discover that the bold, powerful images of repetitive figures were drawn by the same hand as the delicate flower prints.  Finally, Giulia Zaniol’s ‘Angels of London’ series uses a highly advanced two-plate technique of soft and hard ground, litho colours and spitbite to create images with deep and varied tonal harmony.  The combination of colours and images manages to be both haunting and calming at the same time.  Although chromatically I think the finest of the three pieces is ‘Parliament Angels,’ the image of the solitary seraph stood staring across the Thames at the distant ‘Tower Bridge’ will remain with me for some time.

Comtemporary Printmaking opens today at Store Street Gallery.  On the evening of 14th March, Gabriel Angel Moreno, will be reading a selection of his poetry written in response to the works in the exhibition, and Giulia Zaniol will lead an informal talk on the art of printmaking on Saturday 17th March at 4pm.

Contemporary Printmaking is at Store Street Gallery, 32 Store Street, WC1E 7BS.  Opening Times: 13th March – 17th March, 11am-6pm. 18th March, 11am-4pm.  Admission Free.

First Anniversary of Japan Earthquake and Tsunami.


Japan mourned today as the first anniversary of the earthquake and tsunami brought Tokyo to a halt.

Today marks a year since the magnitude-9.0 earthquake struck at 2.46pm local time (5.46am GMT) , people all across Japan bowed their heads and observed a minute’s silence. Millions mourned and sirens were sounded in dozens of coastal communities were 15,800 people have been confirmed dead and there are still 3,300 others missing.

The earthquake devastated the country’s north-east coast and also sparked the world’s worst nuclear disaster for 25 years.

The Prime Minister said that Japan would be “reborn as an even better place”. “Our predecessors who brought prosperity to have repeatedly risen up from crises, every time becoming stronger,” he said. “We will stand by the people from the disaster-hit areas and join hands to achieve the historic task of rebuilding.”

Japanese taxpayers are facing an expected cost of $230bn (£145bn) over the next ten years to rebuild cities, towns and villages.

The emperor, empress, prime minister, foreign dignitaries attended a ceremony at the capital’s national theatre alongside hundreds of survivors.

Britons are prouder of their history, NHS and army than of the Royals.

While 2012 celebrates the Diamond Jubilee and London hosting the Olympics, it is history that makes people most proud to be British.

A survey commissioned by Channel 4 from Ipsos MORI found that more people (45%) are proud to be British due to the country’s history than they are because of the Royal Family (28%). And more people cite the NHS (37%) and the armed forces (36%) as a source of pride than they do the Royals. British sports teams come in at a lowly 10%. Bringing up the bottom of the table is British business, with only 4%.

Overall, which two or three of the following, would you say makes you most proud to be British?

1. Our history (45%)

2. The NHS (37%)

3. British Army / armed forces (36%)

4. The Royal Family (28%)

5. Our culture and arts (24%)

6. Our system of democracy (22%)

7. Having a free press / media (15%)

8. British sports teams (10%)

9. Our position in the world (5%)

10. British business (4%)

Timed to coincide with, Make Bradford British, a documentary series exploring what it means to be British, the survey also found that a ‘good sense of humour’ (45%) topped the poll when people were asked what are the best characteristics of British people, followed by friendly (34%) and tolerant to all sections of society (30%).

But while being funny may be the best British characteristic, of those surveyed, half (50%) said the worst was drinking too much. Ignorance of other cultures (33%) and complaining too much (23%) were also cited. And a fifth of respondents thought the worst characteristic was being lazy (20%).

Tea topped the poll not only as people’s favourite drink (38%) but also what they thought was the country’s national drink (65%) proving that we are a nation of tea lovers.

While fish and chips is seen as the national dish by four in ten Britons (41%) just one in ten (9%) say it is their favourite food. Roast beef and Yorkshire pudding tops the poll as the nation’s favourite dish (33%).

And while 15% enjoy a curry as their meal of choice, only 8% think it’s the national dish.

Make Bradford British continues on Thursday 8 March at 9pm on Channel 4