SPOOKS, SPIRITS AND SMARTPHONES, Top 5 Paranormal sightings.

Phone-paparazzi boosts ghostly sightings

With Halloween approaching, research has shown that having the latest technology at our fingertips has caused a surge in the number of paranormal images that have been recorded.

Tesco Telecoms has found that one in three people have noticed spooky goings-on in photos and video clips taken on their mobiles.

This spine-chillingly high figure is driven by the growing popularity of Smartphones which have high quality cameras and the internet and email at the touch of a button.

‘Digging-up’ some consumer research into Smartphone technology and consumer behaviour, Tesco Telecoms found that 78% of people felt that their phones made it easier for them to capture those weird, unexpected moments on the cuff.

Taking their findings to Paranormal Research UK, leading investigator Phil Hayes confirmed that they had seen a 70% increase in paranormal evidence captured by Smartphone cameras or videos.

The research group attributed this rise with the fact that people carry their phones with them everywhere they go, making it easier to record those eerie moments. They also confirmed that submitting evidence has become faster, as the email and social network function on internet-enabled Smartphones, allows material to be shared easily.

Further results from Tesco Telecoms’ spooky research showed that Brits are in fact a nation open to paranormal activity with more than half of the population believing in ghosts and poltergeists.

And despite one in five admitting that if faced with a ghost they would run away, over half of Brits said they would bravely stay put and try and capture the sighting with whatever technology they have to hand.

Frighteningly, almost 60% of those questioned had or knew someone else who had experienced paranormal activity, with one in two saying that they had experienced a shiver down the spine upon entering into a room.

Some of the scariest incidences reported included objects moving by themselves, transparent figures floating across the room and ghostly cackling coming from nowhere.

Some of the male respondents even cheekily cited their wives first thing in the morning as the scariest thing they’d ever seen!

Lance Batchelor, Chief Executive Officer of Tesco Telecoms and Tesco Mobile commented: “Halloween is the perfect time of year to keep an eye out for the ghostly and ghoulish.

“We’d recommend those brave enough to capture any spooky sightings should MMS or email their pics to Paranormal Research UK for investigation.

“Keep your camera phone on the highest quality resolution setting and use the recorder to capture the noise of any spectral sounds.”

Top five most believed-in paranormals

1. Ghosts

2. Aliens

3. UFOs

4. Past lives

5. Out of body experiences

By Catherine Balavage

A Look from the Left at the muddle in the middle. By Richard Wright

Week 1: Change – so simple yet I don’t understand it

I speak to you as an observer of the left wing of British Politics. I am the voice of the loony left of Britain as certain elements of this fine publication would call it. And I sit in anticipation of what will happen to The Labour Party. The grand design to sweep Labour back into office? Change. Labour. A new generation for change. This is indeed a very lucrative if dangerous road to go for The Labour Party.

Recent political shenanigans in American politics should warn the Labour Party of such danger. Barack Obama swept his underdog Presidential campaign all the way to the white house taking Nancy Pelosi and the Democrats with him on a platform of change. Now, in the 2010 mid terms elections to both house and senate; the Republicans are on a mighty surge with a manifesto of, you guessed it, change. Labour be warned: preaching change sometimes gives people such a taste for change that when it’s not instant they look for it again. Much like a coffee hit first thing in the morning. And sometimes once you’ve had that first hit of caffeine it’s simply not enough and you need another one. It’s not the greatest analogy in the world but I haven’t had enough tea today. And I don’t want to have to think of a new one. That’s a potential Slogan for Ed Miliband to think about “Labour – it’ll do”. Maybe not.

The cynic in me says “change? You’re barely out of office surely you’d be changing what the previous Labour government was responsible for?” Well to put a convoluted and fence sitting answer to that – yes and no. As with all political theory it’s not really that simple. Take for example this little issue called simply “no it was your fault”. Well that’s what I call it anyway. As any good Labour supporter knows, and if you watch Allan Johnson speak in parliament are still constantly reminded, any failing of the previous administration was really a result of the previous administration to that which is ultimately all the fault of Thatcher. Basically to put it in political caveman talk – Labour made good thing but bad thing was that lot before us. Not me. Nope. We did good thing. Bad thing not us. Bad thing them. Anyway getting away from the translated rhetoric of the finest political minds this country has to offer we are left with this question – what I just said, right, that’s correct surely? Well…yes and no. Again it’s really not as simple as that. I wish I had better answers to these questions but I’m a socialist – answers aren’t my job okay, questions are.

Now, saying that Labour might have needed rebranding after the disaster that was Gordon Brown is probably about as big an understatement as saying the movie Avatar made a nice few quid. They needed re-branding. Oh how they needed re-branding. They needed dynamic leadership, a new energy, a new approach and…..oh dear. What we got was a new leader who looks like the work experience boy from a Wallace and Gromit movie and a shadow Chancellor who looks like a cross between former cricket umpire Dickie Bird and that old uncle you hope doesn’t come at Christmas cause his flatulence and racist jokes are annoying. As for Harriet Harman, well, she’s fine. I’m not saying anything negative about a lady who looks like she could knock me into the middle of next week and then somehow still be there to tell me all about the news I missed out on.

My concern is this – Is the Labour Party devoid of genuinely inspiring Leadership? Well, as much as I hate fence sitting, yes and no. The simple fact is that the entire Labour Party is slap bang in the middle of change. There’s that word again. Change. Mr Miliband is a different type of politician. In as much as he is very much like David Cameron and Nick Clegg. But he’s very different for the Labour Party. In as much as he’s not all that far removed from Tony Blair c.1994. It’s all very confusing. Change. No one really likes change because well it’s different. It’s something we haven’t had before. It’s new, New Labour. But not New Labour. Just a new Labour Party. But not The New Labour Party. Just the Labour Party but a bit different. And more new…but not in that way.

I may have to get back to you on this one.

The Londoners Life, October. By Phil Ryan.

The Londoners Life. October.

To be a Londoner. It’s strange thing. A kind of love hate relationship. The underground round here seems permanently closed. Most weekends at least. The chilling signs of doom proclaiming that fearful message. Replacement bus service. What this means is some bloke who doesn’t know where he’s going takes you on a long and slow mystery tour. You get to your station. Just four hours later. But you learn to accept these things. It’s part of being a Londoner. A bit like being a Satanist really. You know it’s crazy but it works for you. And as my out of town friends say. It’s a London thing.

A bit like the mad prices. I work on my tea and cake index. To judge an area, simply find a café and have tea and cake. If you’re in Hampstead or Chelsea say it’ll be the price of a full meal somewhere else. But then again the somewhere else could be a charming greasy spoon on a crack dealing run down sink estate. In the parade. Next to the launderette. Kebab Shop. And Pound Shop. Tea and jaffa cakes. Two quid mate. Oh and d’you need any blow? Gun perhaps? Alibi? Fake passport? Exotic snake? Very London.

My favourite recent experience was flat hunting. My old lease expired and they sold the building. And being London you get two months to vacate. How terribly reasonable. So I hit the estate agents. Rentals. The desperate home of lies. I can see why people hate estate agents. They don’t listen. And I met Richie. Smiling lying Richie. His accent indeterminate. Sharply dressed. Blackberry glued to ear. “I can find you exactly what you need”. So onto my fifth dank dark and damp lower ground floor flat (basement) with a handy bijou garden (with the look and feel of an abandoned child paupers grave) We went down the lower ground floor steps. The house from the outside resembling a poorly constructed mental asylum. I watched him enter. Then I followed. The damp smell almost making me gag. Richie? No expression. Constantly receiving texts. There was a stain on the floor. A large bloodstain. I looked at it. He didn’t. I turned sideways to enter the half size bathroom door. I looked at the bath. Ideal if you were a hobbit. He said. Compact and easy to clean. I pointed to the fact that the kitchen had a service hatch into the bedroom. Handy for midnight snacks he instantly answered. I thought of the bloodstain. I fancied adding another. His.

And of course the costs. Eye watering deposits. Security deposits. One months rent in advance. And then the paperwork. “It’s just a formality really. But we’ll need the following”. Bank Statement. Credit card Statement. Savings account statement. Mobile phone bill. Passport. Tax bill. Council tax bill from last property. Letter from an authorised person. Letter from another authorised person authorising the first one. Letter from the Doctor. Birth certificate. Car registration papers. School reports. Screenplay for an unfinished film. Plan for ending world poverty. Directions to Atlantis.

I looked at countless other places. Toilet in lounge place. Place without windows place. Top floor so high you looked down on aeroplanes place. Strangely decorated in mirrors everywhere place. Place that smelt of death place. Richie was replaced by Steve and Harrington. All congenital liars. And congenial liars too. Pleasant but ultimately in control. “You’ll have to act quick, we have ten more people looking at the place” And they did. I met one couple. We arrived at the same time. The girl who resembled an elk in a duvet cover looked at me suspiciously. Her partner a small man with receding legs grinned. “Lovely eh?” I looked at the rust covered windows. I smiled. “No it’s a rat hole”. His face brightened. “It’s perfect for us” he said without a hint of irony. She glared at me. I left them to it.
I found somewhere. Through a business colleague.

But this is London. Not a city but another country. Things work differently here. We have theatre. Art galleries. Clubs. Quick break down. Theatre can mean two women in black leotards in a room above a pub shouting in Czech as a Britney Spears CD plays at half speed. Art gallery can mean people with piercings and curious hair standing around in an old warehouse drinking cheap white wine as the walls appear to be hung with the daubing of a hyperactive chimp. Clubs. Well could be a basement so packed and hot and loud people are paying to leave. But it’s cosmopolitan. Apparently.

Next London life report: Important questions answered – Why are night buses like moving mental health communities? Are you getting into re-cycling difficulties? And why nobody you ever ask for directions ever lives in that area?

Phil Ryan.

Things to do in London this Halloween {Local}

Halloween is almost upon us and Londoners are looking for ways to shed the rainy s.a.d.s.

Here’s just a few ideas of things to do and see. It doesn’t cover everything in this massive city but if you know of anything that we’ve missed, leave us a comment.

Outdoors for the brave:

  • Dance of the Dead – Strangework’s parade in honour of the dead starts at Hoxton Sq on the 30th at 7pm and makes it’s way up to Gillet Sq in Dalston. There’s also an official dance to learn (video below), I say dance, it’s 7 easy moves. Free.

 

  • If that’s far too trendy for you, South-East London Folklore Society are organising walks through the spookiest spots of London. A different location every day – Westminster (Thur £5), Farringdon (Fri £5) and Peckham (Sun £4).

Paranormal Parties

  • The 8th Annual Scary Costume Mash-up from Drop East on Commercial Street will be on Saturday 30th from 8pm. Entry is free.
  • The ‘Lost Souls Party’ is the place to go if you want to count the Captain Jack Sparrows. Being held at the London Aquarium on Saturday, expect “stonking house”, a cash bar and fish. £15-£20.

“Live” Performances

  • Watch a seance. Billed as an “extreme live action walkthrough horror experience”, The 13th Seance runs from 28th – 31st October, £8.
  • For spooky singing, sinister games and dressing to scare the bejaysus out of each other, The Choir With No Name (London’s homeless choir) and The CHC Jammers will be performing at 93 Feet East on Thursday 28th. £8 entrance fee goes to homeless charities. 

Freaky Food

  • Eat Your Heart Out (& the Pretox Potion) – From the people that brought you Cake Britain comes the worlds first 18+ cake shop. Containing horrifying and extreme Halloween edibles. Located in the basement of Maiden and runs fron 29th – 31st October. I always knew cake was evil really.
  • Boo at Bermondsey Square is a Halloween Fair starting from 10am on Saturday 30th. If apple bobbing, pumpkin carving and a hot hog roast arn’t enough to tempt you, then stay for the free open air screening of Tim Burton’s ‘The Nightmare Before Christmas’ at 6.30.

 Scary Screenings

  • For those with the stamina and inclination, Electric Cinema have a Horror All-Nighter from 12pm 30th Oct. Showing The Thing, Re-Animator, Evil Dead 2 and Poltergeist, your £27 gets you a 4 films, breakfast bap, fries, blanket and tea/coffee.
  • If it’s a night of 3d horror you’re hankering after, the BFI IMAX has one on Saturday 30th. Starts at 11.30pm and showing The Hole, Piranha, Resident Evil: Afterlife, My Bloody Valentine and The Final Destination all of course in 3d.

 Got a tip? Contact Us.

Dog Photography by Tim Flach {Art}

These brilliant and funny photographs of dogs are taken by British photographer and St Martin’s Graduate Tim Flach.

Bringing the viewer into close-up proximity with their animal subjects, paintstakingly lit, carefully cropped for maximum graphic impact and animated by telling gestures, Flach’s photographs place us in an intimate relationship with their protagonists. They are far removed from wildlife photography’s documentary images of animals observed in their natural habitat. In fact, the treatment accorded to these particular creatures is not dissimilar from the close encounters with individuals that are the stuff of human portraiture.

These are just a few from Tim Flach’s recently released book ‘Dogs’. And his exhibition will be held at the Osborne Samuel Gallery (London) on the 8th December 2010.

Playstation Move {Technology Review}

I am one huge fan of Sony’s games machines. There you go I’ve said it. That’s because I work hard and I play hard. When I play hard I want an interactive, fun and exciting experience. I have had every single incarnation of their Playstation – yes including the original formidable black Playstation – the one where they gave every nerdy individual the somewhat futile chance in hell of developing and testing games for themselves in their own front room. In my time I have been called a games player and a games technician – work that one out. But don’t ever get me started on the amount of times they have missed opportunities.

Take the Playstation Move for example – Tempting, all so tempting. Waiting in the queue inside my favourite games store I had all that anticipation a young child feels going into a bakery but then upon seeing it I felt unsatisfied and like that kid out of that famous fairy tale ‘The Emperors New Clothes’ – you know the one, the one who spoke up with brutal honesty and said to the emperor “Your naked!”. Because there I was standing amongst people who were going oooh and ahhh and emailing their mates ‘OMG’ at the Playstation Move demonstration only to pipe up and say “But it looks like a Wii control for god sake!”

Stunned silence ensued. “Oh” but the techie with the Matrix style jacket said sternly, “It’s got true 1:1 motion control and a glowing end”. ‘Right,’ I thought out loud ‘so that’s where I got it wrong – how silly of me’
Lets be honest, such is the strikingly similarities between the Wii and the Move remotes that you almost feel like you are being conned. Yes, it does have a round glowing end – an end very reminiscent of an Ambi Pur air freshener which changes colour at regular intervals but true 1:1 technology is nothing new; in fact it is the same technology pushed forward by Nintendo in their recent range of Motion Plus. Arguably where Nintendo have gone wrong is that their games have been made too much for the younger casual gamer, so where Playstation ultimately needs to pull rank is in the games and in the graphics.

To be fair to Sony the Playstation Move has a whole different set up to the Wii; although again very similar. The Playstation Eye camera tracks the movement this time, (those of you who have owned an Eye Pet will know just how sensitive it can be) and with its own on board mic what this brings to the games is a whole new level of interactivity as you can be the star and hear your voice in your own games. Huge thumbs up.

The controllers whilst similar in design to the Wii’s are lighter – thanks to built in lithium rechargeable – which, much like the Playstation 3 controllers are quick to charge yet take ages to run out. This is another plus as games on this machine tend not to be casual affairs – they last for hours compared to minutes and to make it worse you often want to just get stuck in. The controllers are also much more ergonomic too and ‘just feel right’. They also have Sony’s trademark rumble feedback as opposed to mini speakers which you get on the Wii controls which, let’s be honest are pants.

There is however a number of issues that easily emerge. You see, with exception of the Tiger woods game I made a concerted effort to avoid any Move Sports games, purely because I had been there and done it many times with the Wii already and, to be frank, I am sick of it and what’s more I am sure I am not the only games player to say this. Sony has almost left it too long to capitalize on this technology. So failing the sports games how many games are left at launch? Well not many, Start the Party, Eye Pet Move and Kung Fu Rider. Things that make you go hmmm eh? In fact I had to wait until this week to get my hands on Move editions of Resident Evil 5 and Heavy Rain. I just hope every game is not going to be updates of old classics.

Also the technology does need some final tweaks. Whilst the Playstation Eye camera picks up speed and movement very quickly, I spotted that detection of the force behind a gesture is relatively non-existent, and this could cause problems in fighting games. I’m also not sure about so many buttons being positioned on both controllers, this could cause problems against the more simplistic approach offered by the Wii and could prove to be a nightmare should games require lots of button combination.

Another thing is the price – it will cost you around £59.98 for both halves of the Playstation Move controller and Playstation Eye camera and all this comes with just a demo disc. Let’s get this in perspective this is one third of the cost of a complete Wii system – which comes with a game as standard. Tut-tut indeed.

So what’s my final verdict? Well no doubt for many serious gamers and kids this will be the pressie at the top of their shopping and impending (dare I say it) Christmas list however I would advise that you wait to see whether time brings about better games and improved technology. Xbox and the Kenect system are just around the corner…

1:1 Technology – what is it?

In a nutshell – 1:1 Technology is the reading of precise movement. In the earlier days of the Wii you would move your arm and the sensor would pick it up and would play what was essentially an animation for your character on the screen. This could be for your character to punch, jump, move etc in the game and it was a standard animation; that means it didn’t register degrees of movement. (Yes, you were probably flapping your arms about for nothing.) Motion plus and Playstation Move took it to the next level so now not only does the computer recognise that you have done a movement in real life but it also senses how much and transfers this animation to your character on the screen in a 1:1 way. You move – it does it exactly. Hence the term 1:1 Technology.

by Junior Smart

Inside out back on the London scene. {Social Diary}

INSIDE OUT FESTIVAL 2010

When: Monday 25 – Sunday 31 October 2010

www.insideoutfestival.org.uk

The Inside Out Festival is set to return this October in association with New Statesman with an even bigger and better programme of talks, debates, exhibitions and performances.

The popular annual event celebrates the exciting and often unexpected contribution made by London universities to the cultural life of the capital. This year festival-goers will be able to hear from some of the most inspiring and experimental thinkers, writers and artists of the day and get creative themselves.

Goldsmith’s, Birkbeck, Central St Martin’s, the London College of Fashion, the Courtauld Institute of Art and the Guildhall School of Music & Drama are amongst the nine university institutions throwing open their doors for the week of public events which will include film screenings, music and theatre performances, art and fashion exhibitions, and talks with well-known academics and high-profile commentators. The events will take place all over London at cultural venues such as the Barbican, the National Portrait Gallery and Somerset House, and in rarely-seen spaces in the universities.

Sally Taylor, Inside Out Festival Director, said: “There is certainly no shortage of festivals in London but this is an arts festival with a distinct twist. The sheer breadth of talent in the nine universities involved is staggering. We want as many people as possible to come and enjoy the fruits of this talent and passion in October. From the art of Cézanne to the art of war, from the abuses of contemporary history to the history of men’s underwear, this year’s Inside Out Festival will be a feast – a cultural ‘pick and mix’ – for bright thinkers and art lovers, young and old.”

Jason Cowley, Editor of New Statesman, said: “We are delighted to be associated with Inside Out. As a magazine, we like to look beyond the obvious and seek out the unusual, the witty, the irreverent and the thought-provoking. In this festival we have found all of these things and more.”

Festival highlights will include:

* A debate on New Labour Literature with author and academic Blake Morrison, comedy scriptwriter John O’Farrell and Robert Hampson, Professor of Modern Literature at Royal Holloway. Chaired by Jonathan Derbyshire, Culture Editor of New Statesman
* The Art of War – a panel discussion on war as entertainment led by Iain Burnside, Guildhall School academic, pianist and Sony-Award-winning radio presenter, drawing on his current theatre piece Lads in Their Hundreds. With human rights barrister Philippe Sands QC, veteran war reporter Kate Adie and official Iraq war artist Xavier Pick
* An exhibition of Japanese fashion at the Barbican Art Gallery including a talk with experts from the University of the Arts London
* A debate on the uses and abuses of contemporary history with historian and former journalist Peter Hennessy, Tessa Jowell MP, and Professor Timothy Garton Ash, Professor of European Studies at Oxford University

· The launch of a new history of men’s underwear by Shaun Cole, principal lecturer in history and culture at the London College of Fashion

· A Q&A with Harvey Cohen of King’s College London on his new book Duke Ellington’s America followed by music from the Guildhall Jazz Band

* Exclusive late viewing of the Courtauld Gallery’s landmark Autumn exhibition of portraits by Paul Cézanne
* Publishing a first novel – an opportunity to hear from recently published authors Penny Rudge and Kristan Hawkins, literary agents Judith Murray and Caroline Wood and tutors from City University’s highly successful Certificate in Novel Writing, as well as an opportunity to compete to have your work read by a literary agent
* A London film history walk led by expert Professor Ian Christie followed by an illustrated lecture at Birkbeck’s state-of-the-art cinema in Bloomsbury
* Creative writing workshops led by academics and writers from Birkbeck
* Minute Maestro – a conducting masterclass, following which participants have the opportunity to conduct a string quartet

The Festival will open on Monday 25 October with a high-profile panel debate – ‘Should the university survive in its current form?’ – at the University of London Senate House. Panellists will include David Willetts MP, Minister of State for Universities and Science, May Chien Busch, former COO of Morgan Stanley Europe, Professor Geoffrey Crossick Vice-Chancellor of the University of London and Professor AC Grayling, Professor of Philosophy, Birkbeck University. The event will be chaired by political columnist Anne McElvoy.

Booking for the Inside Out Festival is now open at www.insideoutfestival.org.uk

Greening the Screen with BAFTA. {Social Diary}

Where: BAFTA, 195 Piccadilly, W1J 9LN
When: 18 October 2010

At an unseemly early time – 9am – I joined Alistair McGowan, Tim Bevan and a host of other filmmakers to discuss climate change. The film industry can be an incredibly wasteful place and time restraints make recycling hard. However, a number of companies are tackling this, Including Greenshoot. A company who managed to recycle 95% of the sets from Nanny McPhee 2.

The event was chaired by Alistair McGowan, who was on top form.

Other people who were there; Jonathon Porritt, founder director of Forum for the Future and former Chairman of the UK Sustainable Development Commission; Paul Evans, CEO, Greenshoot; Andy Whittaker, CEO, Dogwoof; Fergus Rolfe, Low Carbon Innovation Centre; Tim Bevan, Working Title and Chair of the UK Film Council, but unfortunately Amanda Berry, Chief Executive, BAFTA; couldn’t make it due to illness.

Afterwards there was a educational free market where a list of companies gave free advice and help on reducing the carbon footprint of companies. AECom; BSI British Standards; Carbon Aware Productions; Cinema Exhibitors’ Association; Davis Langdon; Dogwoof Greenshoot; Julie’s Bicycle; Low Carbon Innovation Centre Magnificent Revolution; Nice and Serious; Red Redemption; South East Media Network; Wedlake Bell all made an appearance. I found the people form 10:10 particularly helpful.

Frost Magazine will be doing a series of article on the environment and how to reduce your carbon footprint soon.