Category Archives: Writing

My Writing Process Joe Thomas

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psycho, joe thomasWhat you have written, past and present

I am the author of a quartet of standalone but connected novels set in São Paulo, where I lived for ten years – Paradise City, Gringa, Playboy, and Brazilian Psycho. I have also published Bent, a historical crime novel set in Soho in the 1960’s and behind the lines in Italy during the Second World War, based on the life of war hero and notorious detective Harold ‘Tanky’ Challenor, who was in the SAS with my grandfather.

What you are promoting now

My latest novel, Brazilian Psycho, is an occult history of the city of São Paulo from 2003 – 2019, told through the lens of real-life crimes. It reveals the dark heart at the centre of the Brazilian social-democrat resurgence and the fragility and corruption of the B.R.I.C economic miracle; it documents the rise and fall of the left-wing – and the rise of the populist right.

The novel features the chaos and score-settling of the PCC drug gang rebellion over Mothers’ Day weekend, 2006; the murder of a British school headmaster and the consequent cover-up; a copycat serial killer; the secret international funding of nationwide anti-government protests; the bribes, kickbacks and shakedowns of the Mensalão and Lava Jato political corruption scandals.

psycho, joe thomas

A bit about your process of writing

I am a crime novelist interested in fiction based on fact, inspired by true stories of structural inequality. My fiction addresses the discourses of power and the specificity of crime, why something happened precisely where it did, and is an attempt to illuminate the reasons why. 

I tend to plan my novels loosely and read a good deal before beginning the writing. Once I have a defined structure, then I write in earnest. At this point, I will research, plan, and write at the same time. What this means is that I write one section of a novel and read around the section that follows. I find that this keeps everything fresh! 

In terms of structure, I tend to think in units of time, so do I want each chapter or section to cover a day, a week, six months, etc. As so much of what I write is based on reality, these units of time are often defined for me; I simply follow what happened and when! I find this both an anchor and liberating, too, in terms of having that tightly defined framework to exploit fictionally.

I want to be thought of as a writer pushing the form and writing political, meaningful, literary crime fiction. My goal is to build a body of work and I am very lucky to have the opportunity to do just that.

What about word count?

I have a very irritating habit: whenever I stop writing, or even pause for a moment, the word count has to end in either zero or five. I will tinker with sentences for this to be the case! In some ways it helps with editing; in others it is likely counter-productive!

What do you find hard about writing?

Having to overcome my own irritating habits! I used to think that I had to write first thing in the morning to produce anything of quality; since having a son – who is now twenty-months old – I am learning to use any part of the day I can. This is not always easy!

What do you love about writing?

I love that the days when I do it feel better than the days when I don’t.

Brazilian Psycho by Joe Thomas is out now in hardback by Arcadia.

 

WELSH WRITING WEDNESDAYS: ALEXANDRA WALSH ON APPLYING MYTHS TO FICTION

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Wales is a land rich in mythology and here Alexandra Walsh explains how she researched and applied some of it to her latest novel.

In The Wind Chime, my main character Amelia Prentice is sent on a quest by her dying mother, Joan. Requesting Amelia should tidy the attic of their family home before she made any decisions about selling it, Amelia discovers a box of Victorian photographs, with a hand-drawn family tree. The annotations on the back of the images names them as the Attwater family from Cliffside in Pembrokeshire.

Amelia has never heard this name before but she is intrigued by the family and is drawn to the youngest daughter, Osyth Attwater. When she discovers Osyth’s journal among her mother’s papers, she feels compelled to visit Cliffside and find out more.

The Mythology

At night, the Attwater family of old would gather on their veranda, listening to the wind chime and watching the sun set into the roaring ocean. They told each other stories and Osyth revelled in the tales her Uncle Noah wove around them, using them as a guide to her life.

In order to make to create Osyth’s interior life, I drew on tales far and wide. These included old fairy stories, local legends and Celtic mythology. At the beginning of the book, Osyth is in her late teens and is letting go of her childhood as she enters the adult world, yet she cannot fully abandon the magical world of her childhood. Throughout, I was aware the tales needed to fit in with Osyth’s story rather than distracting from it, so the fairies invited to join the party were chosen with great care.

Tylwyth Teg was the most important tale. This is the Welsh translation for the Fair Folk or Fairy Folk and their magical home can take a number of forms, from the underground land reached through the doorways of the Celtic stone circles or in mysterious green lands that can be glimpsed off the Welsh coast. Osyth is fascinated with Tylwyth Teg and it is from here she draws on other magical creatures who are her talismans and protectors as she discovers bitter family secrets.

It is during the celebrations of a family wedding, Osyth’s aunt, Hannah, tells the story of how the world of the Fair Folk was created. It is the tale of a woman who hid her children from Jesus when he visited her home as she was ashamed of her fecundity. However, when she searched for her family later, there was no sign of her children. She was told God had taken them as a punishment for hiding the gifts he had bestowed upon her. In the legend, these children were taken underground and became the ancestors of all the creatures in the Land of Tylwyth Teg.

While dressing for this wedding, Osyth references Gwenhwyfar, the fairy of the White Moon Shadows. This fairy dances through the world leaving tiny white flowers in her wake. White flowers became a theme throughout the story, including the name of her perfume, White Rose, from the perfumiers, Floris.

The most interesting creature I discovered was the gwrach-y-rhibyn, the witch of death from Welsh mythology. This terrifying creature with her red eyes, green-tinged skin and dark leathery wings, gathered the souls of the dead and would visit houses whenever a death was imminent. It calls to mind the Irish banshee, which considering the close proximity of the two coastlines is unsurprising.

I hope this small insight into the fairies and their world will make your reading of The Wind Chime – and Welsh mythology – more interesting.

 

My Writing Process Michael Arditti

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Michael Arditti , authorWhat you have written, past and present

I am the author of eleven novels and one book of short stories, all of which have either been published or reissued by Arcadia and all of which I’m pleased (and proud) to say are currently in print.

I began my career writing plays for the radio and the stage, the former with more success than the latter, although I had a very happy experience writing The Volunteer for the National Youth Theatre in the 1980s.  Meanwhile, my play, Magda, about Magda Goebbels and Eva Braun in Hitler’s bunker, is to be produced in Latvia this autumn.  Nevertheless, I hate conflict in any form, and I learnt relatively early that such talents as I have are better suited to the reflective, discursive medium of fiction than to the more confrontational medium of drama.

What you are promoting now

The paperback edition of The Anointed, a novel about King David, narrated by his three most significant wives.  The novel came out at the beginning of lockdown last April and, although sales were hit by the closure of bookshops, it was widely and well received, with the Evening Standard describing is as ‘#MeToo meets the Old Testament.’  That somewhat catchpenny phrase neatly sums up the book, in which three women, Michal, Abigail and Bathsheba, who are side-lined and almost totally silenced in the Bible, are given their voices and enabled to give their views of Ancient Israel’s greatest hero.

A bit about your process of writing

I am a ‘morning person’ and write from 6 or 7 am until 1 or 2 pm, with breaks for breakfast, herbal tea (and sugar-free biscuits!).   I very rarely write in the afternoons, preferring to read, listen to music or see friends.  Until last autumn, I worked as a theatre critic and spent three or four evenings a week in various auditoria.  I’m slowly adjusting to the new rhythm of life.

Like many writers, including my hero, Marcel Proust, I write in bed.  I always have done, since for me it offers the perfect mixture of freedom and constraint.  In 2001, I suffered a severe back injury, which has left me slightly disabled, so lying, propped up by pillows, with my laptop carefully positioned, is my most comfortable position.  Friends, who previously thought me self-indulgent and lazy, now think me practical and brave.  A great relief!

Do you plan or just write?

I feel a mixture of awe and envy for anyone who does things that I can’t (from swallow-diving to fixing computer glitches).  The same goes for writers who open a blank page (or a Word document) and write the first sentence of a novel, without having any idea of what the next will be.  In my own case, I need to know the arc of a novel before I can start.  Of course, the characters lead me in unexpected directions, and we all know what happens to the best-laid plans of mice and men.  But I do need to have a plan in place, to be able to deviate from it creatively.

What about word count?

I pay no attention to word counts whatsoever, either in having to complete a certain quota every day or in requiring a book to be a certain length.  Every novel is different.  My longest, Of Men and Angels, is around 180,000 words, and my shortest, The Young Pretender (about the Georgian child actor, Master Betty, which is to be published next January) is 55,000.  But the majority of my books, including The Anointed, are around 120,000 words.

How do you do your structure?

Structure is very important to me.  It should say as much about the matter of a book as the story itself does.  When I mentioned that I always had a plan before starting, I was referring to a structure rather than a plot.  For The Anointed, I worked to a readymade plot for only the second time in my career (the first was A Sea Change, which tells of the ill-fated voyage of the St Louis, a ship taking almost 1000 Jewish refugees from Hamburg to Havana in 1939).   The biblical Books of Samuel follow the course of David’s life from his gilded youth to his despotic old age, although, from my point of view, what they leave out was as important as what they put in.  

Once I resolved to tell David’s story from the women’s perspective, everything fell into place.  Michal, King Saul’s daughter, bears witness to his youth at her father’s court, his early military prowess, and his relationship with her brother, Jonathan.  Abigail, a wealthy widow who facilitates his rise to power, knows him as a skilful (and ruthless) politician, prepared to betray his countrymen to the Philistines, and usurp his father-in-law’s throne.  Bathsheba, the best known of the three (largely because her nude bathing has been a gift to painters down the centuries), encounters him in old age, raping and murdering at will and unable to control his children.  Their stories intertwine and, at times, contradict each other, reflecting the many inconsistencies in David’s character.

What do you find hard about writing?

I could say ‘everything’, although that would be too glib and not entirely true.  Ever since I published my first novel, The Celibate, in 1993, I have met people who tell me that they too would write a novel, if only they ‘had the time.’  I listen politely but wish that they had both more sensitivity and understanding of how hard a profession it is.  It requires both self-discipline and self-confidence.  It is a long, solitary process, at the end of which you can be harshly judged, both privately by friends and colleagues, and publicly by critics and readers.  It isn’t manual labour but it is often utterly draining.  If the writing is honest (as it should be), it can be very painful both for yourself and those to whom you are close.

What do you love about writing?

Once again, I could say ‘everything’ and, once again, I would have to qualify it.  To be able to create a fictional world is a gift and to have the chance to share it with readers a privilege.  Losing oneself in one’s work so that all outside concerns and distractions disappear is the most glorious sensation, bettered only by reading through one’s writing at the end of a chapter and not knowing the genesis of a particular incident or exchange but knowing that it is absolutely right.

The Anointed by Michael Arditti is out in paperback by Arcadia.

 

5 Books that Changed My Life By The Lucky Escape Author Laura Jane Williams

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The Babysitter’s Club series

My parents had a rule when we were growing up: they’d always say yes to a book. I remember being in Waterstone’s Durham and randomly pulling a Babysitter’s Club of off the shelf, purely to get my dad’s attention and praise. Turns out, it was a gateway drug. Over the next few years I collected all of them, devouring the stories of these incredibly glamourous Americans who essentially ran their own little business. Couple that with starting highs school as The Spice Girls hit number one and a lot of my personality suddenly makes sense!

lucky escape, Laura Jane Williams, books that changed me,

On Beauty, Zadie Smith

I read this when I was about 20, and it opened a secret door within me that I hadn’t known about before. Every character in this book leaps off the page – there is no such thing as a flat or incidental character, everyone is 3-D and complete. It was the first time I remember being aware of not just enjoying the story, but that the story was created by somebody, a writer, who had worked at it and used certain techniques and skills to make their point. I know every man and his dog has been inspired by Zadie, but it really is for a reason. She’s remarkable – she’s got the most smart, intelligent brain.

Heartburn, Nora Ephron

I’ve read and re-read this book, and every time I just cannot get over the self-awareness of it. It’s so funny. There’s not a line wasted. It’s no mean feat, writing a character with so much life in them, with strong opinions and questionable choices who is still utterly likeable. It’s the same for Bridget Jones. I love knowing that the novel is a roman a clef and picking out which bits are slightly less veiled retellings of actual events than others. It must only be about 50,000 words, if that, so it’s proof that not every story needs to be an opus to be impactful.

Homegoing by Yaa Gyasi

This book taught me more about the lasting impact of slavery than anything else I’d ever read up until that point. I remember knowing that whilst the third chapter was some of the most difficult reading I’d come across it was unquestionably important. The novel branches out to illustrate the continued echoes of white supremacy alive today and so much clicked for me, then – my privilege had not allowed me to see so much, and through the gift of this story I could. It was a jumping off point for so much more interrogation into racial inequality.

Last Night, Mhairi McFarlane

I’d never read and Mhairi before this one, but offfft! What a book to get started on! Right from the first page I was sucked in to this world of banter and wholehearted friendship, and whilst I think the sort of rom-com/women’s fiction genre gets deliberately misunderstood (don’t get me started on that!) there’s no mistaking this book as an incisive, accomplished balance between hilarious and heart-breaking. That’s masterful! I read it in awe of her skill, trying to unpick how she’d done what she’d done. That’s how I know I’ve been impressed – I hold the thing up to the light desperate to learn from it!

 

The Lucky Escape publishing on the 10th June, is the third unmissable new novel from the bestselling author of Our Stop and The Love Square. The perfect romcom, and more: full of effortless banter; sizzling sexual tension and, above all, an overwhelming sense of hopefulness – in life as well as love.

WELSH WRITING WEDNESDAYS: INTRODUCING ALEXANDRA WALSH

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West Wales has always held my heart. Although I was born and brought up in London, I have family in Milford Haven and St Ishmaels – Tish to residents and locals – in Pembrokeshire. My memories of holidays here are wide, varied and full of laughter.

My writing, like my links to Wales, have been life-long. There was never any question about what I would do but, as it was necessary to earn a living while trying to fulfil my ambition of being a published author, I toyed first with the idea of acting and writing for theatre. At the age of 18, I set up and ran a touring theatre company, however, acting was not for me and a few years later I closed the company.

Instead, I moved into journalism. My first job was on a local newspaper, from here I progressed to women’s magazines, national newspapers and prestigious launches.

Yet still, I wrote fiction. For a while, I focused on scripts, both film and TV. I sold three film scripts and, for a while, worked in the British Film Industry but it’s an unpredictable and strange place. In the space of two weeks, due to the large companies who were producing my scripts suffering internal upheaval, I saw my dream vanish. My response was to run away to Pembrokeshire.

Using the last of the money from the script debacle, I took the summer off and wrote my first novel, returning to London to find a new agent and sell my masterpiece. Sadly, it didn’t happen, so it was back to freelancing as a journalist.

Things changed again, I became seriously ill, losing my ability to walk for nearly 18 months. My solace as I battled to regain my health was to write. A new manuscript, a new agent, new hope but still no publishing deal. Another book languished.

Then a new idea arrived, in a direction I had never before explored: an historical thriller.

It centred on the Tudors and as I lived not far from Hampton Court and worked near the Tower of London both places issued a siren call. On my commute to work, I researched the historical thriller, then began writing it every morning in a notebook. The Tudor link to Wales, to Pembroke, to the area I knew and loved spurred me on, even leading me to set the book in St Ishmaels.

Life changed again, resulting in a move to Milford Haven. Settled in my purpose-built writing hut, a few miles from my cousins, I took the story from my notebooks and began to polish it. A new agent made all the difference and The Marquess House Saga was born.

Then, one day, the first book I’d written popped back into my mind: The Wind Chime. Rethinking and restructuring it, I pitched it to my agent and publisher and suddenly, I was in the Victorian era, weaving my own family history into the story. The same happened with the book that had sustained me through my illness, The Music Makers. This, too, became a Victorian time-shift with both drawing on the Welsh countryside, the myths and folklore of Pembrokeshire and the endless backdrop of the sea.

Wales is the land of bards, story tellers, of Merlin, Druids and the Fair Folk. The landscape holds magic in its rolling hills, its jagged mountains, its sparkling streams and rivers. It was the place that always held my heart and is now the place I call home and it has helped me make my dream come true.

 

 

 

 

THE DIARY OF A BOOK, MAY 2021

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The first of Jane Cable’s monthly post charts acquisition and initial research

There is always a fascination with how books are written, but so very often when they’re started an author doesn’t know whether they will see the light of day so we’re unwilling to share what could be a disappointing journey. But as I signed the contract with Sapere for my second Cornish Echoes novel, The Lost Heir, in April, I thought I would tell the story of its creation too.

All the Cornish Echoes books will be standalone dual timeline romantic mysteries with one foot in the present and the other in the Poldark era (as I like to think of it), or the Regency period (for the purposes of Amazon classification). It was a fascinating time in Cornwall’s history when mine owners were making fortunes and building houses to prove it but there was still an element of lawlessness in the Cornish spirit. You’ve probably read or seen Poldark, so you will know what I’m talking about.

Each book is based around one of these great houses and at least some of the people connected with them – both in the early nineteenth century and the present day. The first, The Forgotten Maid, takes its inspiration from Trelissick, now owned by the National Trust and open to the public. For The Lost Heir it’s Tehidy, which burnt down in 1919, had a hospital on the site for almost seventy years, and is now a country park.

Sapere acquired the book on the basis of an outline, which for me means a four page summary of the characters, setting, history and plot. I had very little of the 1810 story but had discovered that the daughter of the house, Frances, remained unmarried – most unusual at the time, especially given the baronetcy was drawn up to pass through the female line as well. You could say my curiosity was piqued.

So in May the detailed research began and initially it involved a great deal of walking. Luckily my husband and I really enjoy it, so we tramped paths old and new to us both within the country park and around it; along the fabulous North Cliffs which run a field’s width from Tehidy’s boundary, then heading out to discover the farmhouse where important characters would live, and down old tracks into the harbour village of Portreath. All valuable settings for both timelines.

Alongside this I set out on some internet research into the history of Tehidy and the Basset family in the Poldark era. To my great delight I unearthed the possible existence of an illegitimate son, William. And the more I dug, the more certain it seemed he existed and what’s more, led a pretty colourful life.

His and Frances’ father was no slouch in that respect either, but as one of Cornwall’s most famous landowners it was easy to track down information about him. The online catalogue of Cornwall’s library system has an excellent search engine and through it I discovered books which mentioned him and a slim volume all about him, including accounts of how his household was run and guests’ impressions of the family and their magnificent home. Gold dust for a writer. The era – and the plot – were filling out.

But if these books were gold dust, a footnote in one of them led me to the actual gold. A family memoir of the type I assumed I would need to go to Kresen Kernow, Cornwall’s archives, to ferret out. But no, here it was in the library catalogue and it popped up at Truro branch within a few days. And it started with William. Lots about William. But to tell too much would spoil the story…

 

 

 

 

 

 

 

 

 

ERIC CARLE, 1929 – 2021

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Eric Clarke, author, hungry caterpillar.
‘In the light of the moon,
holding on to a good star,
a painter of rainbows
is now traveling across the night sky’
The Carle family announces with great sadness that Eric Carle, beloved artist, illustrator, and writer, passed away peacefully and surrounded by family members on May 23, 2021  at his summer studio in Northampton, Massachusetts. Eric was 91.

A true creator, Eric Carle is renowned for his multi-dimensional practice, spanning a large body of fine art works in collage, painting, works on paper and fabric, and sculpture; theater and furniture design; and the stories he envisioned in over 70 brilliantly illustrated and designed children’s picture books. The books Eric created across more than 60 decades have sold over 170 million copies and include timeless classics such as Do You Want to Be My Friend? (1971), The Grouchy Ladybug (1977), Papa, Please Get the Moon for Me(1986), “Slowly, Slowly, Slowly,” said the Sloth (2002), The Very Clumsy Cricket (2017), and so many more. His best-known work, The Very Hungry Caterpillar, has been translated into over 70 languages (including Mongolian) and shared around the world since its publication in 1969.

Drawing on his formal training and ongoing practice as an artist (which Eric fondly referred to as his “art art”), Eric quickly developed a distinctive, personal style that he continued to explore and refine in his books, illustrations, and fine art. Numerous artistic influences came together in Eric’s creative output. His art took root in the long tradition of collage, an artistic technique tracing back to the 1900s Dadaist movement, combined with his hand-painted, colorful, and textured tissue papers, which recall the work of abstract artists associated with the Academy of Fine Art Stuttgart (the so-called Stuttgart avantgardists), from where he earned his fine art degree.


Eric Carle. Photo: Motoko Inoue
Eric’s prolific career as a picture book illustrator began by chance in 1967 when author Bill Martin Jr, while in a doctor’s office waiting room, saw a medical advertisement in a medical journal for antihistamines with an illustration Eric had done of a big red lobster. Soon after, Martin invited him to illustrate Brown Bear, Brown Bear, What Do You See? and the experience sparked his interest in creating his own stories, combining his artistic abilities with his experience in the field of printing.

His first original, 1,2,3 to the Zoo, was published the very same year. The book was published by Philomel Books, an imprint of Penguin Young Readers, and edited by the late Ann Beneduce, who Eric has always credited the success of his early works. They would go on to work together for the next fifty years.

Bright collage images, imaginative stories, and little details – die cut pages, a firefly’s twinkling lights, a quiet cricket’s song – made Eric’s illustrations uniquely playful. Eric was the recipient of the 2003 Laura Ingalls Wilder Award (now called Children’s Literature Legacy Award) and held eight honorary degrees, including from Williams College and Amherst College. He remains an important influence on artists and illustrators at work today.

In 2018, Penguin Young Readers established The World of Eric Carle, an imprint dedicated to Eric’s work. Eric is also published by Simon & Schuster, HarperCollins Children’s Books, and Macmillan. In 2020, the World of Eric Carle was the #1 bestselling literary preschool brand, led by The Very Hungry Caterpillar,which was 2020’s 16th bestselling book of the year, and the #1 best-selling board book. Penguin Young Readers continues to publish new books featuring Eric’s iconic and beloved characters and artwork under The World of Eric Carle imprint.

Eric’s career as a creator extended far beyond his beloved children’s books—his independent artwork (or “art art”) is the root of his deeply individual style, reflecting a sense of whimsy, unfettered creativity, and calculated spontaneity. Utilizing materials such as aluminum, silk, glass, including scraps, and objects found in his studio, Eric amassed an extensive body of visual artworks throughout his lifetime including abstract collages, glass sculptures, and works on paper. Part of Eric’s early training as an artist was to treat all the arts, commercial or otherwise, with the same dedication, the same passion, and the same respect.

Eric was a true artist until the end—creating drawings as recently as this spring. Eric’s last drawing series, created in his final years, include several with “50 cents” written onto the image. When asked about this choice, he said that “children should know they too can sell their artwork.” A child at heart, the secret to Eric’s incredible legacy as a creator of picture books lay in his intuitive understanding of young minds—their feelings and their inquisitiveness, their creativity, and their intellectual growth. Besides being beautiful and entertaining, his books always offer children the opportunity to learn something about the world around them and encourage them to engage as artists themselves.

It was in this spirit that Eric and his wife Bobbie Carle (1938­-2015) co-founded The Eric Carle Museum of Picture Book Art in Amherst, Massachusetts in 2002. The Carles envisioned the museum as “a place for young visitors’ very first visit to a museum”, preparing them to develop the habits of museum going and discovery. The first major museum in the country dedicated to picture book art, it is a champion for illustrated children’s literature, collecting and exhibiting original illustration, and encouraging guests of all ages to read and create art. In summer 2020, The Eric Carle Museum of Picture Book Art presented Eric Carle’s Angels: An Homage to Paul Klee, an exhibition of 20 abstract assemblages dedicated to artist Paul Klee (1879-1940), who created over 70 drawings and paintings of angels during his lifetime. Eric’s singular, bold, three-dimensional “Angels”, created from painted cardboard and found objects, are a testament to the expressive power of collage in the hands of a master. His wishes for this series were that they never be conserved. Instead, he asked they be allowed to naturally disintegrate. The series represents a small but notable period of Eric’s extensive work in visual art.

Eric was born is Syracuse, New York on June 25th, 1929, and at the age of six moved with his parents Johanna and Erich Carle, both German immigrants, back to their hometown of Stuttgart, Germany. After graduating in 1950 from the prestigious Academy of Fine Arts Stuttgart (Akademie der bildenden Künste), he fulfilled his dream to return to America—the place of his happiest childhood memories. In 1952, with a portfolio in hand and $40 in his pocket, he arrived in New York City. With the help of the illustrator and art director Leo Lionni, who would go on to become a mentor, Eric landed a job as a graphic designer at The New York Times. He was drafted into the U.S. Army during the Korean War; after discharge he returned to his job with The New York Times and later he became an art director of a medical advertising agency, L.W. Frolich. Eventually, he was promoted to oversee International Hiring, recruiting art directors for the agency’s international offices (London, Mexico City, and Frankfurt), a job that took him away from designing himself. He soon left and began a career as a freelancer designing book jackets, album covers, and eventually children’s books.

Eric is survived by his two children from his first marriage to Dorothea Carle (née Dorothea Wohlenberg), Rolf Carle and Cirsten Carle, and Rolf’s wife Teresa Toro; his sister Christa Bareis, and his sister-in-law Rita Wiseman. Eric was preceded in death by his wife of 42 years Barbara ‘Bobbie’ Carle (1938 – 2015). Eric was a resident of Key Largo, Florida, where he and Bobbie lived since 2004.

An artist till the end, Eric continued to create art until early May 2021. Some of his latest works on paper can be seen here.

Online condolences, memories, and photos may be shared with the Carle family at:

Website: www.ericcarle.art/
Facebook: @ericcarleartist
Instagram: @ericcarleartist
#RememberingEricCarle

My Writing Process Julie Shackman.

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I am a writer of feel-good romance and live to the North of Glasgow with my husband and two sons. I trained as a journalist and studied Communication & Media, but I always wanted to be an author. We  adopted a Romanian rescue puppy, who we named Cooper, just before Christmas and he is often my writing companion!

What you have written, past and present. 

A Secret Scottish Escape is my fifth published book. My first two novels, Rock My World and Hero or Zero, were published digitally by the London based publisher Not So Noble Books and my next novel after that, A Room at the Manor, was released by Allen & Unwin. Book number four, The McKerron Castle, was released in audio by Bolinda.

Years ago, I also had two children’s picture books published in Dublin, but I always wanted to write feel-good, escapist romance and that is the genre I love to read.

What you are promoting now. 

I am promoting my latest feel-good romance, A Secret Scottish Escape, which is being released by the wonderful HarperCollins imprint One More Chapter as an ebook on 21 May and in paperback on 19 August. I can’t wait to share the tale of Layla and Rafe!

A bit about your process of writing. 

I find it very difficult to write straight onto the PC, so I tend to write long-hand in one of my many notebooks (!) and then type it up. I usually go to my favourite tea shop to write, but since lockdown, that hasn’t been possible, so I have been learning to write on the sofa, in the kitchen and whilst staring out of the window in the office! I also have to have music playing. Listening to lyrics seems to work for me as well.

Do you plan or just write?

I used to be a real panster, but have got a little bit better since  my last couple of books. I haven’t been planning everything, but write more detailed notes now on character background, settings and where the story is headed.

What about word count?

I just tend to write the first draft, get it all down and then tweak polish and edit after that. if I can write about 1k-1,500 words a day, I’m pleased with that. The most I have ever written in a day was 4,500 words. I wouldn’t like to do that too often!

How do you do your structure?

I make lots of bullet points in my notebook, referring back to themes and characters. It can look rather chaotic, but it seems to turn out ok in the end!

What do you find hard about writing?

I procrastinate alot! I also have a habit of browsing through social media or reading the paper and then have to have a stiff word with myself.

What do you love about writing? 

I love creating worlds and characters that readers can hopefully lose themselves in. I think we all really need to be able to do that – especially now!

Advice for other writers. 

Don’t ever give up. Keep going, keep writing and keep reading. A published writer is an unpublished writer who never quit.

UK Amazon Link –

https://www.amazon.co.uk/Secret-Scottish-Escape-heartwarming-women-ebook/dp/B08T5WWNDR/ref=tmm_kin_swatch_0?_encoding=UTF8&qid=&sr=

US –

https://www.amazon.com/Secret-Scottish-Escape-Julie-Shackman-ebook/dp/B08T5WWNDR/