Category Archives: Film

Skyfall Review – Bond Falls Back to Earth in this Massively Over Hyped Disappointment

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Skyfall was the most disappointing film I’ve seen for a long time. And it was made worse because this film has been hyped to the rafters by marketers and reviewers alike.

MI6 is in a crisis. A crucial disk containing the identities of all NATOs undercover agents has been stolen and know one knows why. It’s Bond’s job to get it back.

The biggest problem I have with this film is the terrible plot. It lacks any semblance of realism and meanders horribly all over the place. Nothing makes sense.

Bond completely lacks the sharp cool edge he had in Casino Royale and takes on an almost comic role. He lacks any sense of style and its not helped that Craig has unfortunately aged badly in the past six years.

The bond villain, Silva played by Javier Bardem, was utterly ridiculous and unbelievable, his character and his motives made almost no sense. Some of the acting was poor. Bond girl Severine (Berenice Marlohe), overacts one scene with the most bizarre facial expressions, spouting the cringe worthy line, ‘You’ve never known fear like this, not like him’.

The movie is partly saved by the strong performance of Judi Dench (M) who shines at times. She has some great dialogue with Bond. However I felt her character felt too vulnerable, although others may like this.

Product placements appear throughout the film. It gets particularly bad at one point in the first chase scene. The camera focuses on a CAT digger, cuts to Bonds OMEGA watch, cuts to a Landrover, cuts to CAT digger destroying Volkswagen ‘New Beetle’ cars. All whilst Bonds female colleague says, ‘He’s past the New Beetles’ or something to that effect. I don’t usually mind product placement but this was just ridiculous and there are many many examples throughout the film.

Without wanting to give too much  away, the film does improve slightly in the final few scenes. The idea behind the end point is a good one on the 50th anniversary. Unfortunately the way Bond gets there makes no sense and it feels horribly forced.

This is a massive step back from the gritty realism of the brilliant ‘Casino Royale’. People who say this is the best Bond ever should have their head examined. It is at best marginally better than the disastrous ‘Quantum of Solace’. Give it a miss.

3/10

 

 

 

New Star Wars Film – It’s Official

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New Star Wars Film – It’s Official!

George Lucas has sold LucasFilm to Walt Disney for $4.05 billion and now the studio has confirmed it will make Star Wars Episode 7 in 2015.

If you are a fan of George Lucas then don’t get upset, Lucas will be working on the film as a creative consultant.

“It’s now time for me to pass ‘Star Wars’ on to a new generation of filmmakers,” announced George Lucas.

Kathleen Kennedy, who is the current co-chairman of Lucasfilm, will become the president and report to Walt Disney Studios Chairman Alan Horn.

What do you think?

 

First Québec Cinema Showcase for London

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Following the international success of Québécois films including Monsieur Lazhar (Philippe Falardeau), Incendies (Denis Villeneuve) and Café de Flore (Jean-Marc Vallée), a showcase of new cinema from Québec will take place for the first time in London at the Institut Français, South Kensington (2-4 November).

Québec Cinema Showcase is part of the 50th anniversary celebrations marking the opening of the Québec Government Office in London. The programme of five feature-length films and four shorts will present some of Québec’s finest and most recent cinematic offerings, including the latest work from award-winning director, 23-year-old Xavier Dolan, Laurence Anyways.

Québec Cinema Showcase will open with the UK premiere of Ken Scott’s massive box office hit comedy Starbuck (2 November).  Veteran comedy actor Patrick Huard plays David Wozniak, a 40-something delivery man whose life is out of control. But things are worse than he thinks. In his twenties, David was a prolific sperm donor to help pay the bills but the past comes back to haunt him when nearly 150 of his more than 500 offspring, now young adults, collectively take court action for their right to know the identity of their father. The film has been so successful – Canada’s biggest domestic hit in 2011 taking $3.5 million at the box office – that Scott has been asked to direct the US remake starring Vince Vaughn for Steven Spielberg’s DreamWorks Studios. Starbuck is on general release in the UK from November 23.

Laurence Anyways (3 November) is the latest offering from Cannes award-winning director Xavier Dolan, (I Killed My Mother, Heartbeats). Dolan’s success continued in 2012 at the Cannes Film Festival when Laurence Anyways’ female lead, Suzanne Clément, won best actress in the festival’s “Un certain regard” category and the film was awarded the Queer Palm. Laurence Anyways also won the award for Best Canadian Feature Film at Toronto International Film Festival 2012. Dolan made his Cannes debut with I Killed My Mother, a film he made in his teens, resulting in an eight-minute standing ovation and three awards in the Directors’ Fortnight section in 2009. Spanning a decade, Laurence Anyways tells the story of a couple who are passionately in love. But when Laurence (Melvil Poupard) announces to girlfriend Fred (Suzanne Clément) on his 30th birthday that he wants to live as a woman, the consequences are tumultuous – and unexpected.  Laurence Anyways screened at the BFI London Film Festival on 11 and 12 October and is on general release in UK cinemas from 30 November.

“The Québec Government Office in London takes pride in witnessing Québec cinema’s current popularity worldwide. We are delighted to welcome the first edition of the Québec Cinema Showcase as part of our 50-year anniversary celebrations marking the opening of our London office,” says Pierre Boulanger, Agent-General of the Québec office in London.

Other films in the programme include Karakara from Claude Gagnon (3 November), a Canadian/Japanese co-production which follows Pierre (Gabriel Arcand), a retired professor in his early sixties who goes on a short, unsettling trip around Okinawa in Japan with Junko (Youki Kudoh), a 40-year-old runaway wife. Bestiary (Bestiaire) from Denis Côté (4 November) is an intriguing documentary which reflects on human fascination with animals.  Behind Closed Doors (Catimini) from Nathalie Saint-Pierre (4 November), the final film in the Québec Cinema Showcase, is a touching story about a reunion between four girls living under the care of the child protection services.

Across the weekend there will be director Q&As: Claude Gagnon, on Saturday, 3 November after the screening of Karakara and Nathalie Saint-Pierre on Sunday, 4 November after Behind Closed Doors.

Cinema from Québec is currently enjoying the international spotlight with two films – Incendies and Monsieur Lazhar – shortlisted for best foreign language Oscars in the past two years, as well as a BAFTA nomination for Incendies. Québécois director, Jean-Marc Vallée’s Café de Flore starring Vanessa Paradis, has also garnered critical acclaim. Earlier this month (October) at the Raindance Film Festival – Europe’s leading independent film festival – a number of films were screened in a special Québec Strand and Laurentie by directors Mathieu Denis and Simon Lavoie scooped Best International Feature.

François Macerola, President and CEO of SODEC, Québec’s development agency for cultural enterprises added: “For many years, the international market’s interest in Québec cinema and its filmmakers has grown considerably.  New audiences and new possibilities have allowed films from Québec, and our filmmakers’ vision to cross borders, thanks to events such as the Québec Cinema Showcase in London.”

 

Tickets for Québec Cinema Showcase are £10 (conc £8) and are available from the Institut Français website (https://www.institut-francais.org.uk/book)

Québec Cinema Showcase is an extension of the marketplace event Cinema du Québec a Paris which is celebrating its 16th year (6-11 November). Québec Cinema Showcase is also part of the 20th French Film Festival UK, which will present a selection of the best shorts from Québec in Glasgow and Edinburgh . (http://frenchfilmfestival.org.uk/FFF2012/wp/)

 

Québec Cinema Showcase has been organised by the Québec Government Office in London, with the support of SODEC and the Ministry of Culture and Communications, in collaboration with the Institut Français in London and the French Film Festival UK.

The Québec Government Office in London’s cultural services implements market development initiatives for artists and cultural industries from Québec.

For more information:
www.quebec.org.uk
www.sodec.gouv.qc.ca
www.mcc.gouv.qc.ca
www.institut-francais.org.uk
www.frenchfilmfestival.org.uk

 

Starbuck 
Dir: Ken Scott 2011 – 109 mins
Friday 2 November, 8.15pm

The biggest Canadian box office hit in 2011, Ken Scott’s comedy Starbuck follows a likeable middle-aged loser as he wrestles with regret and responsibility. Hapless deliveryman David Wozniak (Patrick Huard) gets parking tickets at every stop along his route, has thugs on his tail for massive overdue loans, and his girlfriend tells him she’s pregnant just before dumping him. These are the least of David’s concerns, however, when he returns home to find a lawyer in his kitchen. The past comes back to haunt him in the form of a class-action lawsuit launched by 142 of the 533 children who resulted from sperm donations he deposited over 20 years ago.

Starbuck will be preceded by Demoni, a short directed by Theodore Ushev.

 

Karakara  
Dir: Claude Gagnon 2012 – 101 mins
Saturday 3 November, 5pm

Gabriel Arcand plays Pierre, a retired professor in his early sixties who has decided to renounce sex and achieve spiritual peace until Junko (Youki Kudoh), a  40-year-old Japanese housewife arrives on his doorstep seeking refuge from her abusive husband. They end up making a short, unsettling trip around Okinawa, Japan, together. Though the confused intellectual would rather not get involved with this unlikely and unexpected lover, he decides to follow his destiny, wherever it may take him.

Karakara will be preceded by Anata O Korosu, a short directed by Phillipe David Gagné and Jean-Marc E. Roy

Laurence Anyways 
Dir: Xavier Dolan 2012 – 159 mins
Saturday 3 November, 7.30pm

The third Cannes award-winning film by 23-year-old writer-director Xavier Dolan (Heartbeats, I Killed My Mother), Laurence Anyways follows the story of Laurence and Fred, his girlfriend – a couple passionately in love who attempt to sustain their relationship and fight the prejudices of their family, friends and society when Laurence turns 30 and can no longer deny his desire to be a woman.  Winning two awards at Cannes including Best Actress in the festival’s “Un certain regard” category for Suzanne Clément and the Queer Palm and, as well as the award for Best Canadian Feature Film at Toronto International Film Festival 2012.he film had its UK premiere at this year’s BFI London Film Festival on 11 and 12 October.

Bestiaire ( Bestiary)

Dir: Denis Côté 2012 – 72 mins
Sunday 4 November, 4.15pm

The documentary explores the fascination humans have for animals, combining footage from a drawing class, a taxidermist’s workshop and a Québec safari park. The poet, essayist and naturalist Diane Ackerman has reflected on animal parks as venues for the discovery of interspecies shared identity, but also as places where humans focus “on the lives of other creatures to dispel the usual mind theatres that plague us.” Those notions are challenged as often as they are reinforced in Denis Côté’s soberly beautiful Bestiaire, but exact conclusions are left for the viewer to form.

Bestiaire will be preceded by Tout va Mieux (Everything is alright) a short directed by Robin Aubert.

Catimini (Behind Closed Doors)  
Dir: Nathalie Saint-Pierre 2012 – 112 mins
Sunday 4 November, 6.30pm

Four girls are living under the care of child protection services: Cathy, six-years-old, arrives in a new foster family, the Bilodeaus; 12-year-old Keyla is transferred into a group home for teenage girls; Mégane, a rebellious 16-year-old, ends up in a detention centre in late winter; on her 18th birthday, Manu leaves her youth centre and moves into her first apartment. In the hope of reconnecting with the few people that have meant something to her, Manu attends a reception honouring the Bilodeaus, one of her former foster families. She bumps into Keyla and Cathy, and ends up hanging out with Mégane. It proves to be a reunion that no-one will forget anytime soon. Behind Closed Doors won the Valois d’or prize at the fifth festival of francophone cinema in Angoulême.

Behind Closed Doors will be preceded by Ina Litovski, a short directed by Anaïs Barbeau-Lavalette and Andre Turpin.

 

A Tale of two Cities

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Good Vibrations and Spike Island at the London Film Festival

I had great plans for the London film festival, with many press screenings marked out on my diary.  Unfortunately timing was against me, as it turned out to be a very busy period in my other two jobs (acting and teaching), and apart from “A Liar’s Autobiography,” which got cancelled (read the article here), I actually only ended up at two screenings.  But they were good ones.

Good Vibrations

My regular readers (if there are such people) will be aware that I enjoy a bit of music from the 1980s, so I was in a positive frame of mind when I turned up to see Good Vibrations – The Story of Terri Hooley.

For every Richard Branson, there are probably hundreds of Terri Hooleys.  Known as the Godfather of Ulster Punk, Terri was the owner of Good Vibrations record shop and label, was responsible for discovering the Undertones, and encouraged punk and alternative music to flourish during a dark time in Northern Ireland’s history.  I imagine that there were people like him in towns and cities all over the UK and Ireland during the 70s and 80s; running record shops, managing and/or playing in bands organising events.  Do these people ever make a profit in the long run or do their charming mix of naivety and idealism work against them in the end?  Good Vibrations never released a top 40 record, and Terri sold the rights to “Teenage Kicks” for £500 and a signed photo of The Shangri Las (which he never got.)  But that isn’t the point, as this film shows: Terri Hooley made a lot of people very happy, which was in itself no mean feat in Belfast at the height of the troubles.

This was a highly enjoyable film from start to finish.  Richard Dormer made an excellent Terri, and I particularly enjoyed Jodie Whittaker’s performance as his wife.  It’s hard to pick out anyone else as cast lists are not given out at press screening, but everyone performed very well.  It would have been nice to have a few more female characters – maybe some girls who hung around the record shop for instance – but apart from that I completely loved it.  One particularly memorable scene is when an RUC officer is hassling a girl in a bar for suspected underage drinking and Terri comes over and tells him he’d like to report a civil war.  Scenes like these show the bravery of the character as well as the naivety and idealism.

Of course, being a film about music, the soundtrack is a major part of the experience.  Set in a fertile time for Northern Irish music, the tracks chosen add to the energy and exuberance of the story, as obviously does the setting with its air of menace just under the surface.

Go and see this if you’re interested in music, Belfast, or just plain enjoy a good film.

Spike Island

Good Vibrations is a true story about a real man, with a real record shop/label, and the punk scene in Belfast, whereas Spike Island, my second choice of film, is a coming of age drama set in Manchester in the 1990s with the music of the Stone Roses providing more of a secondary theme.  As such it worked well, and the soundtrack (a mix of the Roses and the characters own band, Shadow Caster) added greatly to the ambience and power of the film.  The characters did seem to blend into each other a bit at points, and some of what could have been more potent moments could have been better explained (I was never sure why one boy joined the army for instance).  Having more female characters would have added more variety, and this film does not have the excuse of being a true story as a reason for not doing so.  Teenagers since the 1960s or 1970s onwards generally tend to hang around in groups of both sexes (I did) and the whole male bonding theme seemed to me a little old-fashioned.

That said, the music really lifts everything up, and the festival atmosphere of Spike Island and young love is captured perfectly (leaving aside the dubious morality of deserting your father on his deathbed to go to a Stone Roses concert that you don’t even have tickets for!)

Once again, I am hampered by a lack of a cast list, however everyone concerned gave a very competent performance, with Emilia Clarke standing out in particular.

Go and see this film if you enjoy a good coming of age drama with an excellent soundtrack, or want to recapture your youth!

 

Horror Channel Brings Winter Chills

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Friday 9th, Saturday 10th & Sunday 11th Nov, 10.55pm

 

Deep and crisp and bloody! Get ready to be frozen to the bone this November with Horror Channel’s Winter Chills Weekend – featuring some truly snow-filled spine tingling premieres.

 

 

Fri Nov 9 @ 22:55

The hills are alive – with undead Nazis as the season kicks off with the premiere of DEAD SNOW (2009), a beautifully nasty horror comedy directed by Tommy Wirkola (Run Lola Run). With a car full of ski equipment and enough beer to fuel their escape from everyday life, eight medical students head out on their vacation.  Isolated in the snowy hills the group begin to realise they came to the wrong resort, as deep in the hills lay an unthinkable evil.

 

Sat Nov 10 @ 22.55

 

The season continues with BLOOD RUNS COLD (2011). Swedish director Sonny Laguna gives the slasher genre a welcome Scandinavian make-over. Record-producer Winona heads to her hometown on the outskirts of Stockholm for a break… Shortly after settling in, she invites a former boyfriend and a couple to the house. But there is an unknown presence stirring within the house, one that has been waiting for the right moment to strike.

 

Sun Nov 11 @ 22.55

 

Wrapping up the season is sci-fi horror thriller THE THAW (2009) Directed by Mark A Lewis, it stars Val Kilmer as Dr. Krupien the head of a team of ecology students, who are examining a melting ice cap in the Arctic.  When Krupien unearths a prehistoric specimen the likes of which has never been seen, he summons four of his brightest students to take part in the excavation. But the melting polar ice-cap has released a deadly pre-historic par

Dark Hearts Director Rudolf Buitendach On Film & Inspiration

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Frost went along to the world premier of Dark Hearts at the 2012 Raindance Film Festival. We had lots of fun and really enjoyed the film. Here is our interview with the film’s director, Rudolf.

Tell us about Dark Hearts

Dark Hearts is on one level a neo-noir, a film that gives a voice to the dark side – on another it is a film about passion and obsession and the thin line in-between. How some of us will give anything for our art,

Dark Hearts is an impressive first film. Are you happy with the finished film?

I find it very hard to watch anything I’ve done objectively, but thanks.


Dark Hearts reminded me of a film noir. Can you tell us about the general look and feel you were going for?

Yes, as mentioned above I consider it a neo-noir. I based the film’s palette on the rust and decay of Downtown LA’s art district. With the help of Travis Zariwny, a great production designer, Kees Van Oostrum a great DP and Suzanne Barnes, a great costume designer we wanted the ‘mise en scene’ to be portraits in themselves. I think we succeeded quite well in places, despite our modest budget.

Dark Hearts is your first feature film. Was it scary making the leap?

It wasn’t scary at all as I had done quite a few shorts at this point, I just wished I had a bit more time to enjoy losing my ‘feature virginity’

Tells us a bit about you. How did you get into film?

I was studying law when I saw a film that changed my life, Wim Wenders’ Wings Of Desire. I finally knew what I wanted to do with my life and enrolled in film school, I was hooked for life.

What is the hardest thing about directing films?

Everyone with a TV and a Facebook account fancies themselves a critic and no matter how hard you try to be original, someone will always try and rain on your parade

How was the process of financing?

It was very tough and in true indie style we didn’t have an official green light even days before the filming was about to commence. But I was very lucky that I had a brave producer Jack Bowyer who believed in me when push came to shove.

How did you choose the actors?

I had wonderful casting agents Lisa Essary and Heidi Levitt who brought most of the actors to audition and I picked them from there, apart from Lucas Till who came through a brilliant agent Larry Shapiro.

You had quite a short shooting schedule. Do you think that was a help or a hindrance?

It was neither, just a whirlwind.

Who is your inspiration?

I have many, starting with Luis Bunuel, the surrealist painters, the symbolists up to modern filmmakers like Park Chan Wook, Lynch, Gilliam, Cronenberg, Greenaway and Roy Andersson.

The film has an amazing score. Who chose the music?

I did, I’m lucky in that a lot of the artists were my friends. I also had help from a musical supervisor extraordinaire Bruce Lampcov.

What is next for you?

I am in post on my second feature ‘Where The Road Runs Out’ starring Isaach De Bankole, with another 2 scripts ready to roll, any financiers out there?

A Liar’s Autobiography

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Anyone who knows me reasonably well will be aware of my penchant for Python (almost to the point of annoyance sometimes to those who don’t share my sense of humour), so, as you can imagine, I was looking forward to this film enormously. Unfortunately, I am still looking forward to it! Due to technical hitches with both the 3d and 2d versions, the press screening failed to take place at the allotted time, and the press conference went ahead with the majority of journalists present (myself included) not having seen the film. Which could be described as just a little bit silly …..
Director Bill Jones described Graham Chapman’s memorial service as the first time he got drunk, and spoke of the film as a way of celebrating Chapman’s life and achievements. Terry Jones spoke of Graham as a complex individual who didn’t really understand himself and who was looking for who he was. Michael Palin described the film as a homage to Graham, and confirmed that it was as close to a Python reunion as we were ever likely to get. Both spoke of Graham’s sense of stillness, and described him as their leading actor. As the press hadn’t seen the film yet, a lot of the questions from the floor were more generally about the Python oeuvre than specifically about the film in question, which led to some interesting reminiscing such as Terry Jones describing smuggling the tapes of Series I out of the BBC to copy on a Phillips VCR before they were destroyed.
The screening has been rescheduled for 4pm this afternoon, but unfortunately one of my other jobs prevents my attending (plug for The Castle at the Lord Stanley in Camden, opening tonight:) but I can tell you that the film uses audio recordings of Graham’s reading of his book, subtitled The Untrue Story of Monty Python’s Graham Chapman, combined with different styles of animation to reflect the different styles of humour, with fourteen different animation studios being involved in the production. Not having seen it yet, I cannot give an informed opinion as to it’s watchability, but with John Cleese, Terry Gilliam, Michael Palin and Terry Jones all involved (Terry Jones plays Graham’s mother, apparently), not to mention the late Graham Chapman (as himself) I know I definitely will be giving it a viewing as soon as I get the chance.
And now for something completely different.
A Liar’s Autobiography is showing tonight at 9pm at Leicester Square Empire and on Friday at VUE West End at 3pm as part of the London Film Festival.

Win Dark Shadows Blu-Ray Triple Play DVD

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Warner Bros. Pictures is proud to announce the release of Dark Shadows on DVD and Blu-Ray October 15th 2012; along with the Dark Shadows Blog App! And Frost Magazine has teamed up with them to give one of our lucky readers a Dark Shadows Blu-Ray Triple Play.

Just follow Frost on twitter or subscribe to our newsletter for a chance to win. If you tweet then be sure to mention us and say: “I want to win a Dark Shadows Blu-Ray Triple Play with @Frostmag”. Good luck.

 

From the incredible mind of Tim Burton comes the hit film Dark Shadows, based on the classic US television series!  Barnabas Collins has been trapped for two centuries by an evil witch (Eva Green) who just happens to be an ex lover.  Barnabas now has to struggle with the ever changing 1970s and save his family’s business!  With an all star cast that includes Michelle Pfeiffer, Helena Bonham Carter, Chloe Grace Moretz, Jonny Lee Miller and more, Dark Shadows will be sure to whet your appetite for fun.

 


 

Winner will be decided by 30-10-2012. The winner must be located in the United Kingdom.

 

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