The Theory of Everything Review by David Evan Giles

Posted on February 23, 2015 by David Giles

The Theory of Everything is, quite simply, brilliant. In the same way that director Steven Soderbergh lifted Erin Brockovich from being a legal procedural TV movie to its position as a major motion picture, Oscar-winning documentary director James Marsh has taken what could have been an awkward mix of impenetrable science and a terrible disease and made a deeply human story that is moving, inspiring and so totally engaging that audiences often sit right through the end credits as they take in what they have just seen.

It is the humanity, the frailty, the warmth, the humour, the kindness and – to use a very old fashioned word for an unfashionable quality – the decency of the story, played by a faultless cast with such little apparent effort or strain, that makes The Theory of Everything the most memorable film in a rich field at this year’s Oscars.

Eddie Redmayne’s transformation from a slightly awkward ‘natural scientist’ (the traditional expression at Cambridge University for a ‘geek’) to the towering brain caught in an unco-operative body is little short of miraculous. This is not a star turn, where the dribbling is designed to win prizes for being ‘confronting’. Redmayne plays the man and not the disease. The character of Stephen Hawking stays vigorously alive as more and more of his body fails and what Jane, his wife played so delicately by Oscar-nominated Felicity Jones, fell in love with is still there in his eyes though his voice is gone, replaced by the American accent in a box that most of us have heard. His family and friends are brave, supportive and accepting. As played by Redmayne, Stephen Hawking inspires love because of the man he is, alive and laughing, inside the body he no longer controls.

A recent article in a national newspaper carried a cynical headline, asking that no more films be made about white, male, British geniuses. It was a painful bit of smartypantsness, because the two movies that could fall into that category this year are both brilliant pieces of filmmaking – the other film is The Imitation Game, for which Benedict Cummerbatch is also deservedly Oscar-nominated. Between them, these two films are likely to do more to wash away prejudice against homosexuality and the disabled than a thousand pages of legislation ever could. Their heroes are both great men, great minds and in great pain. They are treated by the writers and directors with enormous respect and played faultlessly by young actors reaching the top of their game. In the English-speaking world, the film culture has lately been dominated by endless sequels, remakes, stories based on comic books, gross-out comedies and cynical violence. The Theory of Everything proves that complex stories about real people can still be told and the audience is rewarded by the feeling that the human journey can still be an ennobling experience, in which we are not limited by our bodies, but only by the barriers we set up in our minds. Don’t miss this film.

Naomi Watts: I Was Ready To Quit Acting

Posted on February 12, 2015 by Frostie

Some actors find success easy and others struggle for years. Naomi Watts definitely falls into the latter category. The Oscar nominated actress used to drive for hours to pick up bad scripts people refused to send her. She regularly doubted that she would ever have a career after moving to Los Angeles as things were so tough.

“[I went from playing leads] to being someone who had to drive for two hours to get two pages of really bad dialogue in some TV movie, just because they couldn’t be bothered faxing me the pages. And I did that for pretty much ten years. When it was like, you know what, I can’t handle it, I’m giving up. But every time my bags were packed, I’d get a call saying, ‘You’ve got this part.'” she told InStyle magazine.

The 46-year-old actress took anything she was offered when she moved to LA.

“Oh, listen, I did not have any snobbery about anything. I just wanted to work. I always had the attitude that work begets work and one thing would roll to the next, I think I knew I had something. But I certainly had plenty of doubt.”

The star did not get her big break until David Lynch cast her in Mulholland Drive solely from her photograph.

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Best/Worst Movies of 2014

Posted on February 12, 2015 by Owun Birkett

Wahey! It’s that time of the year where movie critics get to round up their list what made 2014 great and. . . . well, not so much! As always, I will be listing the movies in alphabetical order rather than rank them because they’re all different from each other, and feel unfair when it is like comparing apples and oranges. Lastly, I like to apologise for being late on submitting this list. So with that being said, let’s get right to it!

BEST

This critically acclaimed Australian horror movie is nothing short but brilliant! Not a single jump scare was used, it’s all about tension building and atmosphere and that’s something you don’t find in a lot of horror films nowadays. Never has a horror movie made my skin crawl from start to finish and all credit goes to writer and director Jennifer Kent (making her directorial debut). You know you’ve done something extraordinary when the director of The Exorcist declares your horror movie to be the most terrifying movie he has ever seen. Seriously, it puts The Conjuring to shame!

This is an extraordinary piece of filmmaking! Immensely innovative with its direction and execution and could be Iñárritu’s most ambitious film to date. It deals with themes about the media, society and celebrity culture in such dark but satirical perspective that it’s both hilarious and tragic. Michael Keaton delivers an outstanding performance that more or less mirrors his own career and supporting cast do equally amazing jobs. Though the star was Emmanuel Lubezki, the cinematography is mesmerising and keeps you hooked to the very end.

This is quite possibly Richard Linklater’s masterpiece. How on earth can he top this inspiring movie that deals with time and told a coming of age story like none other before? It could’ve been easily done by hiring different actors to play different ages of the same character. Though Linklater decides to go with the ambitious route; capturing 12 years of one boy’s life to adulthood. It’s mind boggling the movie is 2 hours 45 minutes long and yet feels we only scratched the surface. This is my bet to win big during awards season because all the hard work deserves to be rewarded.

Probably one of the most talked about movies of 2014. That and also quite possibly the worst date movie of 2014. David Fincher yet again takes an average novel and turns it into one of the most entertaining yet bleak thrillers. Ben Affleck is actually good as a guy being constantly scorned by the media, yet it’s Rosamund Pike who steals the show as the most bat-shit insane wife from hell. I think the amazing feat is having Tyler Perry actually being amazing and not another one of his cringe-worthy Madea performances. The movie raises questions more than answers and it is more fascinating with that in mind.

Who’d knew that a Marvel Comics property that non-comic fans never even heard of would become a smash hit AND receive critical acclaim? This film was an absolute blast and wasn’t just from the kick-ass soundtrack. The entire Guardians team from Christ Pratt, Zoe Saldana, Dave Bautista, Bradley Cooper as Rocket and Vin Diesel as Groot all managed to make the whole thing work. Though writer/director James Gunn is the one to applaud to, as he managed to turn this sci-fi space opera something worth investing. Joss Whedon, it’s your turn to shine!

One of the most gorgeous looking movies of 2014. This hilariously stunning movie couldn’t be in better hands than Wes Anderson and he makes his best film to date. Ralph Fiennes delivers a genuinely funny performance that surprised me, and many others as we were accustomed to his serious roles from his previous work. The whole look of the movie played out as it was a pop-up book but with as much love and care you’d expect from Anderson. All the Wes Anderson regulars (from Jason Schwartzman, Owen Wilson, Bill Murray, Willem Dafoe etc) continue to make great performances but newcomers as Saoirse Ronan, F. Murray Abraham, Jude Law and Harvey Keitel all make a strong presence.

This may not be one of Christopher Nolan’s best movies, though I can’t deny the movie’s ambitions and scope. This is reminiscent to science fiction novels of 50s-70s, dealing about humanity and its venture to the unknown. Matthew McConaughey gives us a protagonist full of determination, even when put against all odds. Though both Mackenzie Foy and Jessica Chastain steal the show as the young and adult Murph. The visual effects are mind-blowing and Hans Zimmer’s score is refreshing with its church-organ score. This is definitely a sci-fi movie worth exploring.

Hey, another movie with Chris Pratt being on my list! If there was one movie I would pick as my favourite, this is the movie. Phil Lord and Chris Miller (same duo behind 21 Jump Street and 22 Jump Street) have made a genuinely hilarious and charming animated movie. Everyone thought this would be a quick cash grab for LEGO but they delivered something special. Immensely creative and not only my favourite animated movie of 2014 but one of my top favourite animated movies of all time!

I must admit, I wasn’t really a fan of The Raid: Redemption. So I walked into this one with not a lot of expectations. My god, this movie blew me away! Not only is this one of the best action movies of 2014 but one of the best action movies I’ve seen in the past 5 years. Gareth Evans is a competent director and doesn’t hold back from the brutality this movie has in store. Sure, the story is something we’ve seen from a dozen other crime movies such as Infernal Affairs (and even the remake, The Departed) but it’s all done in a refreshing way. Just be warned, this movie will make you wince from its pain-inducing action.

The first movie I watched in New Zealand and it was the biggest surprise of 2014. Jemaine Clement and Taika Waititi creates a mockumentary that makes a unique and hilarious take on vampire lore. You fall for these characters as they are somewhat likeable and still come across being human than monsters. Definitely one of the funniest movies of the year and North American readers should definitely check this out when released in cinemas.

Ever imagined dealing with a school teacher from hell? Okay, a bit of an exaggerated question to ask but this movie shows us a teacher you pray you don’t come across. This film has such flair and energy that’s impossible not to get involved. Miles Teller is becoming an incredible talent and he truly shines as the emotionally tortured student on becoming the best drummer. Though not mentioning J.K. Simmons’ outstanding performance would be a crime, it is utterly electrifying that you’re preparing the unexpected.

WORST

This new Spider-Man series is anything but amazing. If the first movie didn’t make it clear that Sony Pictures had no idea what to do with Spider-Man franchise, this movie shows it clear as day (didn’t even need a hacker to prove that). This movie is not interested on telling a story with compelling characters, it’s more interested for the studio to keep the licence so it can make more sequels and spin-offs to make an easy cash grab. It’s heart-breaking that everyone’s top favourite Marvel superhero is treated this way. Edward Garfield is wasted with this directionless series and the villains were just cringe-worthy. This movie even makes Spider-Man 3 look good. . . . think about that!

This movie left me feeling uncomfortable. The movie comes across wanting to view this tragic but honourable soldier. However, it feels it is very one-sided and not having a clear direction on what story to tell. Is it an anti-war movie? Pro-war? It doesn’t really give any insight about the man, other than he wants to protect his country from the “savages” and those “savages” are purely evil (something I feel Paul Greengrass would’ve been a better director to handle this material). The movie doesn’t tell anything new and has been done better before in terms about the conflict and biopic about a military soldier (such as The Hurt Locker and Born on the Fourth of July).

Remember how The Conjuring terrified audiences and almost side-tracked with the doll that kinda went nowhere? Well they decided to make this movie and got the director of Mortal Kombat: Annihilation. What we got was a horror movie with boring characters that have zero chemistry and investment whatsoever. If you find jump scares scary, this will absolutely terrify you. However, they grew tiresome and extremely irritating with each one that popped up. Anyone can make a jump scare, though that does not mean your movie is scary!

Imagine two of your favourite film series based on popular books (in this case, Harry Potter and The Hunger Games) and turn it into the most bland, generic movie you could imagine. It also reminded me of Equilibrium, though they left all the boring parts in this movie. Shailene Woodley has been in my radar since her performance in The Descendants and was also fantastic in The Spectacular Now. This breaks my heart to see her involved in this series that feels so contrived, it left very few surprises and ended up bored out of my mind.

Just to make one thing perfectly clear; Sleeping Beauty is one of my all-time favourite Disney animated movies. This movie, however, takes everything you loved about it and went with the completely wrong direction. The reason we loved Maleficent was she was purely evil, it even scared me when I was a child and didn’t hold back on killing the princess. Here, they decided turn her story into a tragic one and something I, quite frankly, thought we didn’t need. Though what shocked me was the adult subtext and kinda turns into a rape revenge story. None of the characters were developed enough to be invested and the whole movie was a complete mess.

A remake that didn’t need to be remade in the first place. The original 1987 movie by Paul Verhoeven still holds up today as being one of the best sci-fi movies of the 80s and wrote the book about action movie satire (something like Gamer failed to deliver). This was a dull, directionless remake that got neutered down to an audience friendly PG-13 rating and was worse for it. This movie also wastes talents like Gary Oldman, Michael Keaton and Samuel L. Jackson. This movie should get a life sentence!

You know when somebody says “it’s just a kids movie”? Let me ask you this; would you let your kids watch a movie that’s based on a kids property that has one of our heroes saying this line when he first lays eyes on Megan Fox as April O’Neil “she’s so hot, I can feel my shell tightening”? The answer should be “no”! This movie is everything on what you should not do when making a blockbuster, especially based on a franchise everyone knows and loves. Director Jonathan Liebesman continues to deliver uninspired movies that have been done better. There’s absolutely no reason we should not even put enough effort to tell a basic story with characters we should care about.

This is probably the top contender of the most boring science fiction movie in recent memory. Wally Pfister’s directorial debut thinks it is making a thought-provoking sci-fi tale about technology, though when the movie’s extremist group can’t even make a logical reason why we should hate Will Caster and the technology he’s creating but instead pretty much say “technology is evil”. . . . okay, care to expand on that? None of the characters speak naturally and the third act’s action scene feels almost out of place. Sorry Wally, you aimed just a little too high with this one.

Both Boyhood and this movie are 2 hours and 45 minutes long. The former was engrossing, this one was a drag! Not the worst of the series (that still belongs to Revenge of the Fallen) but it is still lifeless and tedious. Even replacing Shia LaBeouf with Mark Wahlberg wasn’t enough to improve the things that are still wrong with this movie. This is probably the first movie that made me want John Goodman to stop talking! Also, they spent an awful amount of time explaining the ‘Romeo & Juliet’ act between the two teenage lovers and it pretty much encourages under-age love (even to the point of sex. . . . thank you Mr. Bay, that’s exactly what we wanted in a Transformers movie). When we do finally get to the Dinobots (after 2 hours and 20 minutes in), we’re beyond caring on what’s going on! This series does need to die out soon but it’s not soon enough!

Kevin Smith is one of those filmmakers I admire; he’s a symbol of everything about geek and no shame to it whatsoever. Unfortunately, the days of Clerks and Chasing Amy are long lost with this dreadful horror film. Based on a fake Gumtree ad and Smith let fans vote whether to make this film, it is a complete pretentious mess. Justin Long’s character is unlikable, so it’s hard for us to feel sorry when horrible things start happening to him. Also a certain cameo from an A-list star goes for far too long than needed. Definitely not worth the hype.

DISAPPOINTING MOVIE OF THE YEAR

Remember when Guillermo del Toro was, at one point, going to direct a two movie adaptation of The Hobbit? That’s what has been on my mind since watching the first movie and stayed with me till the end of this final entry of Peter Jackson’s trilogy. Stretching it to three movies was unneeded, the second movie had huge pacing issues. Though those issues for being too long were reversed, the 2hr 24min duration went by and actually made me say “oh, that’s it?” Those emotional moments in The Return of the King is completely missing in this movie. When characters get axed off, there’s little investment to care and it’s a real shame. The Hobbit could’ve been spectacular, instead it feels average in comparison to The Lord of the Rings (which I do admit is unfair to compare). Not terrible by any means but could’ve been so much more than it is.

MOST ANTICIPATED MOVIE OF 2015

It would be really easy to say Star Wars Episode VII: The Force Awakens and it is definitely up there. Though choosing from the line-up was incredibly difficult. You have from Avengers: Age of Ultron, Terrence Malick’s latest Knight of Cups, and return of James Bond in Spectre. I finally narrowed it down to this sequel to one of the most influential post-apocalyptic action movies of all-time. George Miller finally returns after having his run on making those penguin movies (have to admit, I wasn’t a fan) and Tom Hardy takes over from Mel Gibson as the titular role. Co-starring Charlize Theron, Nicholas Hoult and Hugh Keays-Byrne (returning to series since Mad Max). The movie looks edgy, raw and unbelievably fun! Looking forward to going back on the road.

Selma – Movie Review

Posted on February 10, 2015 by Junior Smart

There are three things that this movie absolutely gets right. Firstly you have the subject matter. This is a film about Dr Martin Luther King; powerful, complicated, legendary. A leader almost completely untouched by modern day film-making, yet a leader who deserves respect. Why? Because he chose non-violent resistance in the face of utter brutality; if there ever was a time for a film about his legacy, it is now. The marches from Selma to Montgomery that took place in Alabama in 1965 over the right to vote must rank as one of the most iconic moments in history. Make no mistake, sometimes it is difficult to watch this film; visceral but not gratuitous, anger inducing at times but not ever condoning. In many ways as a historical story it’s beyond criticism, especially when so much reflects the world we live in today.

Selma marks the first big-budget film from black independent director Ava DuVernay; she pulls no punches by filming in the very places where these historic events took place. She keeps things brisk, crafting each scene like an elegant dish to be served; she doesn’t waste any time on screen. Everything from a telephone ringing to an intimate conversation has purpose. For a motion picture epic such as this it comes in at little over two hours yet you never get the feeling that anything of value has been lost in transition.

Which leads us to the second thing this movie gets right; the approach. Rather than going for the customary ‘from the cradle to the grave’ biopic approach, Selma wisely concentrates on the events in Alabama, occurring just over a few weeks in February and March. 10 years after King’s first major civil-rights action. By the time the film starts he has already risen in power, delivered the ‘I have a dream’ speech and received the Nobel Peace Prize. This gives the film real focus as the series of atrocities which caused Dr King to be present in Selma can be covered in real depth. When King scores a victory, no matter how small, it is a victory for everyone. By the time the film finishes you may be on such a high that you fail to realise that just three years later Dr King will be assassinated at the age of 39. Such is the emphasis on the moment to moment reality, and the inner conviction of him and his many followers.

Thirdly you have the casting. Many of these actors could hold down a movie in their own right and they seem to be in roles that they relish. Tim Roth as racist governor George Wallace, Tom Wilkinson as President Lyndon Johnson, Oprah Winfrey (may she never ever quit acting) in her portrayal of the indomitable Annie Lee Cooper and David Oyelowo, a British actor who just seems to go from strength to strength and steps into Dr King’s shoes with ease, easily outdoing Idris’ portrayal of Mandela in just sheer power and presence alone. The supporting cast are strong, too, with Carmen Ejogo lending warmth and courage to the key role of Coretta Scott King the continual strain on their marriage is a central theme, Stan Houston is assured as the embittered, trigger-happy sheriff Jim Clark, and Dylan Baker fleetingly creepy as J Edgar Hoover, whose FBI wire taps and intercepts provide some genuinely testing scenes. The actors really lend themselves to making this film a success. A huge thanks too should go to Brad Pitts Company Plan B in backing this film. It’s no wonder that its snubbing in the Oscar nominations (up for Best Picture but not for director or acting) has caused almost complete outrage.

I noted that some reviewers have criticised the film for being too grandiose in nature. I feel these comments are completely unfair; grandiose compared to what? Titanic, Gladiator, Les Miserables, even Man of Steel had a sense of identity, something to live up to and all of these are works of fiction. Selma has an identity because it is embedded in history. It’s understandable and only right that the actors desired to do the film justice.

Selma is one of those films that need to be seen, it’s compelling viewing because it’s a quality film that was deserved to be made for a generation that needs to see it. In a time where true values are easily forgotten Martin Luther King’s dream endures. If his truth were ever to be realised then the future can only be brighter for us all.

‘Damascus Cover’ Starring Sir John Hurt … Filming Begins This Week in Morocco

Posted on February 2, 2015 by Corinne Tuddenham-Finn

Hotly anticipated espionage thriller, Damascus Cover, commences production from this week in Morocco starring Jonathan Rhys Meyers (Stonewall, Dracula, The Tudors, Mission: Impossible III) with confirmed cast including: Olivia Thirlby (Juno, No Strings Attached, Dredd), recently knighted Sir John Hurt (The Elephant Man, Tinker Tailor Solider Spy, Alien), Igal Naor (Green Zone, 300: Rise of an Empire, Munich), Jurgen Prochnow (Das Boot, The English Patient, The Da Vinci Code) and Navid Negahban (Homeland, Brothers, The Stoning of Soraya M, Charlie Wilson’s War).

Produced by UK-based production company, Big Book Media, Damascus Cover is based on the best-selling 1977 novel by Howard Kaplan. Directed by Daniel Berk (Sometimes They Come Back For More, Public Enemies), and produced by Hannah Leader (Lucky Number Slevin, Gosford Park, Before the Devil Knows You’re Dead, Spider), the film is a tense espionage thriller, steeped in historical references and rich colour about the Syrian capital with furious action throughout. The screenplay is written by Samantha Newton and Daniel Berk.

Berlinale 2015 will mark the official sales launch of Damascus Cover when London-based Carnaby International, who are handling worldwide sales, begin pre-sales negotiations. With buyers recognising the film’s appeal as an intelligent action spy thriller, pre-sales interest has already been particularly strong with deals struck in several major territories, soon to be announced.

Producer, Hannah Leader said: “Damascus Cover is a great script – believable and brilliant. The characters and situations are vividly drawn and the Middle East setting really brings to life this spellbinding moment in history, which is both topical and timely. With Daniel at the helm, it’s going to be a beautiful picture.”

Fresh from filming Stonewall, a hotly tipped Oscar contender, Jonathan Rhys Meyers takes the lead in this fast-paced action thriller. Jonathan said: “I’m enormously excited about this role. This was a hugely significant time in the conflict in the Middle East, post-cold war and with the collapse of the Berlin Wall when an amount of spies were redeployed to the Middle East, where the theatre of covert operations would now take precedence. With a highly thoughtful and intelligent script by Daniel Berk and Samantha Newton I’m thrilled to be a part of this project and can’t wait to start shooting with a very gifted international cast and crew.”

Olivia Thirlby added “I’m thrilled to be a part of Damascus Cover. It’s an honour to collaborate with and work alongside such a diverse and talented group of individuals on a project that looks closely at a fascinating time in history. I am extremely excited to begin the shoot.”

Set in 1989, as the Berlin wall falls in Europe, the plot focuses on a veteran spy sent undercover in Syria to smuggle a chemical weapons scientist and his family out of Damascus. Within days of his arrival he realises he’s being followed. His partner doesn’t show, his local contact disappears, and a group of men are trying to kill him. It’s not long before his routine mission unravels to reveal a string of murderous conspirators. Marked for death and caught in a maddening puzzle, he must race for survival. The events and people in the script are based on true life events.

Damascus Cover commences principal photography in Casablanca, Morocco from 5th February – 23rd March. Supporting Big Book Media is local Moroccan production company, H Films, who recently shot Queen Of The Desert starring Nicole Kidman and Robert Pattinson, which has been selected in official competition for Berlinale 2015.

Join in the conversation @DamascusCover #TrustInNoOne

Some People Actually Have a Problem With The All-Female Ghostbuster Cast

Posted on January 29, 2015 by Catherine Balavage

Upon hearing a piece of modern music my Grandfather always used the line, ‘You kids today, you don’t even know you’re born.’ Well if you are a young thing and you have not seen Ghostbusters then let me tell you: you don’t even know you are born. The same goes for most 80s & 90s films. The 80s and 90s were great decades for film. Fact. Which is super exciting because not only are they doing a remake of Ghostbusters, but it has an all-female cast. Yes people, you heard it right: an all-female cast. Kristen Wiig, Melissa McCarthy, Kate McKinnon and Leslie Jones will star in the 2016 remake. Problem is, even though it is 2015, some people actually have a problem with this.

Director Paul Feig tweeted the news of the new cast and confirmed the new Ghostbuster film release date: July 22, 2016.

pic.twitter.com/LBtv2YXfv6

— Paul Feig (@paulfeig) January 27, 2015

Paul said: “It’s official, I’m making a new Ghostbusters & writing it with @katiedippold & yes, it will star hilarious women. That’s who I’m gonna call.” Not everyone is as enlightened as Paul however. Social media was awash with sexist comments about the all-female cast. Funnily enough, no one had a problem with the all-male cast. Some Tweets were funny:

Making all the ghostbusters female is a terrible idea, they made all the dinosaurs in Jurassic Park female and remember what happened there.

— Keri (@kerihw) January 29, 2015

Anyone criticizing the all female #Ghostbusters cast is obviously sexist. It’s going to be great to watch these ladies nag ghosts to death.

— L.T. Vargus (@ltvargus) January 29, 2015

The most depressing thing is that in 2015, the new Ghostbuster film having an all-female cast is actually a thing. While I won’t be giving any trolls publicity here there was one important person who gave it the thumbs up: the original Ghostbuster himself, Dan Aykroyd. A statement read:

“The Aykroyd family is delighted by this inheritance of the Ghostbusters torch by these most magnificent women in comedy. My great grandfather, Dr. Sam Aykroyd, the original Ghostbuster, was a man who empowered women in his day and this is a beautiful development in the legacy of our family business.”

Dan Aykroyd is obviously a very awesome and evolved man. As is (@JohnRossBowie)

If your ‘childhood is ruined’ by an all-female Ghostbusters then don’t worry you still have several years left to your childhood.

— John Ross Bowie (@JohnRossBowie) January 28, 2015

Bill Murray hasn’t said anything about the project but the other surviving member of the original, Ernie Hudson, doesn’t seem happy about it; he doesn’t think it should carry on the Ghostbusters name as it will have “nothing to do with the other two movies.” and while he said he was not against the idea of an all-female cast his first reaction to the casting news on Facebook was “No comment”. There are more brilliant reactions in this excellent Radio Times article.

Ghostbusters all-female cast: good or bad idea? Have your say.

Great Movies For a Couple’s Night In

Posted on January 26, 2015 by Frostie

The daily drag can become rather monotonous at times. Wake up, go to work, come home, eat, sleep, repeat; such a routine could make even the most positive individuals among us screech with boredom. For couples, this monotony can be even more tedious, repetition ruining an otherwise blissful co-habitation. If you need an injection of fun though, getting your fix isn’t difficult- just pop on a movie, tear open a bag of popcorn and have a couple’s night in! Here are some of the top films if you’re struggling which to pick.

Romance

A genre often reserved for couples that feature a man who is highly permissive, romantic films aren’t all painful watching for guys and there are a host out there that both partners will enjoy. For those dabbling in hipsterdom, Scott Pilgrim Vs. The World is a fun, rock-filled bet, or perhaps you’d both like to go classic with the Woody Allen original Annie Hall. Failing these two, Lost in Translation is a great flick that dabbles in romance whilst still preserving the humour of Bill Murray that any film-lover will enjoy.

Action
The opposite of romance flicks, most guys would be stunned if their beloved offered to watch an action film, but the experience doesn’t have to be a Michael Bay explosion-fest. The Bourne Trilogy- they’re all very good- is a great mix of action and espionage, plus a little romance for the ladies, whilst Johnny Depp’s drug docudrama Blow will enthral both of you. Oceans Eleven and Twelve are also two pretty good picks; both paint a very true picture of the high-stakes, dangerous lifestyles of casino thieves, and are naturally a great choice if you or your partner are interested in the new craze of online gambling sweeping the globe! If you’re enthused after watching, a great, fun idea could be to join Euro casino games lounge for a few online rounds of poker together; you won’t be able to card count, but hey- don’t let that ruin the fun!

Horror

Scary films are a great divider when it comes to date nights. Having one spook-averse member of the couple regularly stops the notion in its tracks, though if both of you love a little scare. The Shining is a classic that’s not too gory, so could be a good choice, plus the performances by Jack Nicholson and Shelley Duvall. 28 Days Later, a haunting zombie flick that still keeps a nice bit of indie filmmaking swagger, is also a lot of fun to watch, Oscar-winning director Danny Boyle not getting too bogged down in zombie killing, gore and action, instead focusing largely on emotion and character development.

Charlize Theron Negotiates $10 Million Pay Rise After Sony Hack Revealed Male Co-Star Was Paid More

Posted on January 15, 2015 by Catherine Balavage

The Sony Hacks revealed a lot of unpleasant things, and one of them was the unequal pay between men and women, even in Hollywood. One, amazing, ballsy, actress was having none of this however. Charlize Theron negotiated a $10 million pay rise after reading that male co-star Chris Hemsworth was to be paid millions more for The Huntsman. She will now be paid the same as her male co-star. What an inspiration. We need more honesty about pay so more women can get paid what they are worth, and certainly as much as men. The pay gap between men and women is still significantly unequal.

The hacked emails from Sony showed vast pay gaps between male and female stars. In American Hustle all of the male stars, and the male director, got 9 per cent of back-end profits. The two female stars, Amy Adams and Jennifer Lawrence only got 7 per cent. This is despite the fact that Jennifer Lawrence was an Oscar-winning actress and that Amy Adams had been nominated four times.

At Sony things were not any better. Out of 6,000 employees, only one of the seventeen who made over $1 million or more was a woman. Even worse, while Michael De Luca and Hannah Minghella share a job as co-presidents of production at Columbia Pictures, De Luca makes almost $1 million more than Minghella.

In the UK the pay disparity between men and women is so great that women effectively work from November 4th until the end of the year for free. There are a number of social and feminist movements trying to make a difference. We must join them and do what we can. Find out how much men doing the same job are being paid and negotiate a better deal.

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