Category Archives: My Writing Process

Marieke Nijkamp – My Writing Process.

Posted on by

Even If We Break by Marieke Nijkamp is out now in hardback by Source Books.  What you have written, past and present.

I wrote my first book—or what felt like a book at a time—when I was ten or eleven. It was, effectively, fanfiction of my favourite book at the time. It certainly wasn’t a full length book, but once I started, I never looked back. I’ve written books and short stories ever since! 

My first published novel was a contemporary YA called This Is Where It Ends, a story about a school shooting. It takes place over the course of fifty-four minutes and follows four teens who all have a reason to fear the boy with the gun. I followed it up with Before I Let Go, a YA murder mystery set in a creepy Alaskan town full of secrets, where one girl is trying to uncover the truth behind her best friend’s death. And now Even If We Break, a geeky YA thriller, but more on that later!

I also write comics and graphic novels, most recently The Oracle Code (with art by Manuel Preitano), a DC graphic novel about a young Barbara Gordon who has to solve the mysteries of a spooky Arkham mansion, all while adjusting to life in a wheelchair. And currently ongoing, Goosebumps: Secrets of the Swamp (with art by Yasmin Flores Montanez), about three girls, one swamp, and a whole lot of werewolves.

And just to complete the line-up, I also write short stories for MG and YA anthologies, and had the distinct pleasure of editing the anthology Unbroken: 13 Stories Starring Disabled Teens.

•            What you are promoting now?

My most recent YA, Even If We Break is a cabin-in-the-woods thriller about five friends who plan to spend the weekend together to play the RPG that brought them together one last time. But their friendship has grown strained, there are secrets between them, and this is where the game turns deadly. Even If We Break is geeky, terrifying, and at its core a story about friendships and growing up.

•            A bit about your process of writing.

I’m a fulltime writer, and I generally write every weekday. Regular office hours, with the evenings for administration, email, interview questions… and occasionally some gaming! I try to be sensible about keeping my weekends a little freer, because work-life balance is important too.

•            Do you plan or just write?

Oh no, I plan, in detail! I’ve plotted books with spreadsheets and flashcards and entire character profiles. These days, I usually create a story bible in advance and a full outline with scene and character beats. It’s quite a bit of work beforehand, but I love it. If gives me a feel for the shape of the story and what needs to happen when. Even if some details end up changing between the outline and the story—or the balance between chapters changes just so.

•            What about word count?

A rough idea of word count is absolutely part of the planning, but that also very much depends on what the story needs!

•            How do you do your structure?

Chapter-by-chapter, question-by-question. 

•            What do you find hard about writing?

Writing is incredibly personal, and that’s terrifying sometimes. Whether it’s exploring parts of myself in characters or staying vulnerable to approach the emotional truth of a story, writing can be highly intimidating. 

It isn’t easy, but then again, it doesn’t have to be.

•            What do you love about writing?

I love stories. I love exploring new worlds. I love taking story threads and weaving them into narrative. Above all else, I love how stories shape us and how we can shape stories. I absolutely believe storytelling is what makes us human. 

Even If We Break by Marieke Nijkamp is out now in hardback by Source Books.

 

My Writing Process Glenda Young

Posted on by

Glenda Young, author, writer, The Girl with the Scarlet Ribbon by Glenda Young is published 1st October (£7.99, Paperback, Headline)

1.      A bit about you.

My name’s Glenda Young and I’ve loved writing ever since I was a child. I live in the northeast and my novels are set in the coalmining village of Ryhope where I was born and bred. You don’t need to know the village to enjoy the books, which are gritty and dramatic and have a feisty, young heroine at their core. All of my books are stand alone books and you can read them in any order. 

I’m a life-long fan of the soap opera Coronation Street run two Coronation Street fan sites – Corrie.net online since 1995 and the Coronation Street Blog which was launched in 2007.
2. What you have written, past and present.

I’ve written six novels to date published with Headline. The first four are now available and these are Belle of the Back Streets, The Tuppenny Child, Pearl of Pit Lane and The Girl with the Scarlet Ribbon. Still to come are The Paper Mill Girl and novel six which has the title to be confirmed. The novels are gritty sagas, inspired by my love of soap opera, really dramatic with lots of action and some great women characters!

I’ve also built an impressive reputation as an award-winning short story writer.  Plus, I have an unusual claim to fame! I’m the creator of the first ever weekly soap opera Riverside to appear in The People’s Friend, the longest running women’s magazine in the world. My short fiction has appeared in magazines including Take a Break, My Weekly and The People’s Friend. In 2019 I was a finalist in the Clement & Le Frenais Comedy Award.

As a life-long fan of the soap opera Coronation Street I’ve written TV Tie-In books about the show including Coronation Street: The official colouring book, Deirdre: A Life on Coronation Street, A Perfect Duet. The Diary of Roy and Hayley Cropper in Coronation Street, and have written major updates to Coronation Street: The Novel and Coronation Street: The Complete Saga.

3. What you are promoting now.

My fourth novel is The Girl with the Scarlet Ribbon. It’s a dramatic, gritty story set in a small village in 1919. It begins with a new born baby girl being left on the doorstep of a very grand house. The baby is left in a basket that has a scarlet ribbon tied around the handle. The housekeeper of the wealthy McNally family takes the baby into her care and names her Jess. Sworn to secrecy about the baby’s true identity, the housekeeper brings Jess up as her own, giving Jess no reason to question where she came from. But when the housekeeper passes away, grief-stricken Jess, now sixteen, is banished from the place she’s always called home. With the scarlet ribbon the only connection to her past, will Jess ever find out where she really belongs? And will she uncover the truth about the ruthless McNallys?

4. A bit about your process of writing.

I write in the mornings when I can concentrate better. I stop for coffee and have a break, do some thinking and then return to writing. I try to write 2,000 words per day. I find I’m much more able and creative in the mornings than in the afternoon. I live close to a lovely beach so I walk on the beach in the afternoons or go for a bike ride. This helps clear my head after writing all morning.

5. Do you plan or just write?

I always plan, even if it’s just a short story I’ll make a list of say, ten things I want to include from start to finish. I plot and plan loosely as I think all writers know that once you start writing your work takes on a life of its own and you should go with the flow to a certain extent. I liken my plotting and planning to building a frame on which to weave my words. It’s always flexible to change as I go but I always have a structure in place so I know what I’m doing and where I’m going, even if sometimes I go off on a side road for a little while.
6. What about word count?

For novels it’s usually around 100,000 words and for short stories for women’s magazines, it can be anything from 700 words up to 3,000 and beyond.

7. How do you do your structure?

For my novels I take sheets of A4 paper, one for each chapter and lay them out on the floor. Then I take my plot points and spread them out on post-it notes across the book, moving them around until I’m happy. Then I type up chapter plans, just a couple of paragraphs for each chapter so I know what I’m doing within each one. Then once I start writing, characters appear I never planned for, incidents happen I never envisaged and the book takes on a life of its own. It’s quite scary how it happens and I don’t truly understand it. Perhaps that’s the secret?

8. What do you find hard about writing?

Switching off. When I’m writing a novel it’s all encompassing, my entire concentration goes into my work for the duration I’m writing it. I’m living in that world and I love it, it’s all I can think about as I immerse myself into the story.

9. What do you love about writing?

Everything! From getting that initial spark of an idea to seeing my books on the shelves of the bookshops and getting amazing reviews online and in the press and on radio, etc. There’s nothing I don’t like.

10. Advice for other writers?

Never give up. Never.

http://glendayoungbooks.com

@flaming_nora on Twitter.

My Writing Process Alex Hart

Posted on by

Alex Hart, my writing routine, my writing process, author, writer, Take Me Home, My Writing Routine:

I’ve written since an early age, whether it was short stories, poems (dreadful ones!), or novels. I read voraciously and love many genres. I have worked in the film and television industry for over twenty five years and have always felt passionate about story telling whether on screen or in books. To be able to disappear into someone else’s world, even temporarily and experience a different life is something that will never lose its thrill.

What you have written, past and present.

I’m currently working on a couple of novels, one which is the next in the series of Take Me Home, and another which is a standalone thriller. 

What you are promoting now.

Take Me Home is a mystery thriller. The main character Harper finds a young girl left alone in a New York store and sets out to find out where she has come from. No one has reported her missing yet the little girl May says she misses her mom. Harper is someone who is strong and feisty. She paints outside of the lines, yet relentlessly strives for the truth. Despite her outwardly spiky edges, she is sensitive and warm-hearted. I hope she is someone the reader enjoys spending time with, along with her friends TJ and Reggie (the yin to her yang, the cheese to her macaroni) as they try to unravel the mystery along with her. It raises the questions, ‘What would we do in that situation?’ ‘How far would we go for strangers and those we love?’ and ‘What constitutes family?’ 

A bit about your process of writing.

I’m pretty disciplined when I have a project I’m working on. My day usually starts at the gym (before Covid!) where I am waking up my brain and beginning to think about the task ahead. Once I am at my desk, I often turn off my phone so there are less distractions and set to on that day’s goal. If I have the book planned out, I’ll always aim to write a chapter a day; even if I know what I’m writing is trash. If I started to edit as I went along, I think I would come to a grinding halt. If there is something on the page, I at least have words to play with. 

Do you plan or just write?

I always plan. I don’t know any other way. For me, a plan is a safe way of being able to go off piste sometimes, as I know I can always refer back to it. Things often change when you’re writing; either something you are sure was going to work, suddenly falls apart in your hands, or you get further inspiration meaning the story changes direction. I think, so long as you have a plan you can explore these options without going off on a tangent too much. 

What about word count?

I really don’t think about it in the first draft. I just want to get the bones of the story down and I’ll worry about word count later. Often or not, it just works out at the right length. 

How do you do your structure?

I always work with paper and pen at the beginning, just writing down notes, random thoughts, character traits etc and once I am able to formulate a basic beginning, middle and end, I begin to scratch out a structure. If I get stuck, I always refer back to the usual; Joseph Campbell, Christopher Vogler, Robert McKee, Syd Field, Dan Harman. I’ll re-read what they’re saying and think how my story and characters fit and start penning out a potential paradigm. 

What do you find hard about writing?

When I lose confidence! There’s nothing worse than facing the day thinking ‘something isn’t working’, ‘I’m the worst writer known to man’, ‘what was I thinking even attempting this?!’ I think this happens to all writers at some point of their journey. You’re all alone in this room, with your imaginary characters (who you have become close to and feel you are letting down) and you only have yourself to argue with. When those days come, (and they do!) rather than give up and beat myself up further, I make myself write 100 words. Often or not, I’ll end up writing more and suddenly you’re up and running again. 

What do you love about writing?

Everything except for the above days! 

Advice for other writers.

The same any writer gives, read, read, read, write, write, write. For me, there is no other way. My motto has always been, ‘Get it down, then get it done. Get it written, then get it right.’

 

TAKE ME HOME by Alex Hart is published by Orion (Paperback, £7.99) on 1st October.

 

My Writing Process Diane Allen, author of The Girl in the Tanners Yard

Posted on by

I was born into a farming family that had a sheep farm which was very remote within the Yorkshire Dales. My early years were spent roaming the fells and dales, often by myself as I was the youngest of four and my older siblings had already spread their wings leaving me as an only child. I made my own entertainment and had a good imagination but also had a great love of losing myself in a good book which I still do to this day. The love of reading continued into my teenage years and could often be found reading to the early hours of the morning. When I left school I found a job in the local glass engraving firm, which I did enjoy but left to marry my husband, Ronnie who after forty-eight years I am still married to. After raising a family of two and nursing an ill father, I finally found my true niche in life at a local large print book firm. I soon rose through the firm and eventually became manager, negotiating rights with authors and agent and loving every minute especially when the books I had chosen came into the warehouse to be distributed to the libraries we supplied. It was that which started me thinking that I could perhaps be lucky enough to be able to write myself and the rest is history. 

I have written nine books now for Pan Macmillan. All are based in the Yorkshire Dales and I hope to portray the Dales and the people within them. I have family connections with the Settle to Carlisle Railway so that features quite a bit in my books. For A Mother’s Sin’s was a fictional account of the building of the line, featuring the building of the Ribble Head viaduct, while the Windfell trilogy is set around Settle and the Cotton Mills. 

My latest title is THE GIRL FROM THE TANNER’S YARD, this is set in West Yorkshire, around Haworth and Keighley. It tells the tale of lowly born Lucy Bancroft and ex-military man Adam Brooksbank and the unlikely love affair that springs up between them. Adam lives on the wild moors above Keighley and employs Lucy as his maid and finds just how strong and caring she is when he befalls an accident. Lucy thinks her love can never be returned by Adam, she comes from the Tanner’s Yard, a filthy dirty place and thinks that he will never treat her as an equal. However, with a little help from Adam’s old friend Ivy loves blooms, and Lucy’s dreams will be fulfilled despite what life puts between them. 

In the morning after breakfast, I usually disappear into my office, answering e-mails and promotional things and then go on to edit the previous day’s writing. After lunch I write for a solid four hours, trying to write at least 2,000 words. Sometimes it does not always go to plan, I feel I can’t write or I get stuck in a plot. Walking around my garden usually helps out along with plenty of cups of coffee supplied by my husband. 

Usually, when I’m nearly finishing my latest title I start thinking about the next. I visit where the book is to be set, research the area, picking up any history so that I can include it in my writing. I have notebooks that include loads of my scribbles within them just noting anything that I think would be interesting to be included. I then plot a rough start, middle, and end, this may alter as I once get writing. I let the characters take me where I should go as they develop in the book. 

My officially set word count is 100, 000 words, however, I usually find this hard to reach, so most of my books are around the 95,000 mark. I can’t see the point of padding a book out with things that have not relevance to the story.

When structuring my book, I give most though to the two main characters within the story, their occupations, and the setting of the book. I then make a note of their age, their looks, their hair and eye colour and any unusual features. Their surrounding is also noted along with any place names and local names to the area.

Some days you just can’t write and those days you are better walking away from your keyboard. Your characters will draw you back to them when the time is right. My biggest failing is following timelines, no matter how I try, I always seem to be out with age or length of a pregnancy. I get too carried away in the plot. 

I love writing, I can’t live without it now. If I give myself a fortnight break between books by the end of it I am the most frustrated person on the planet. I’m always hatching a plan in my head and looking for new ideas. It is a break from the real world, I can be where I want and who I want. Through these hard months of COVID, it’s been a welcome escape, I can go back to more simpler Victorian times and forget the heartache outside in the real world.   

The Girl From Tanners Yard is available here.

 

My Writing Process Paul McCartney

Posted on by
Paul McCartney, interview, book, author, children's book

© MPL Communications/Paul McCartney & Kathryn Durst

My Writing Routine

 Where did the idea for the book come from?

One day one of my grandkids, instead of calling me Grandad, called me Grandude: “Grandude, can we do this . . . ?” I thought, Well, that’s nice, I like that, so I started to think of stories about this character Grandude. I thought, I’ll make him magical. The kids say, “Hey Grandude, can we go somewhere?” and he takes them on magical adventures. That’s how it started – one of my grandkids just called me Grandude one day, and that was it.

Will there be more adventures of Grandude?

Well, you know, maybe we’ll see how this goes. If people like it, then I’ve definitely got a few more adventures up my sleeve – or Grandude has – so it would be quite nice to continue. I’m ready to write more if people do like it.

Paul McCartney, interview, book, author, children's book

© MPL Communications/Paul McCartney & Kathryn Durst

How did you collaborate with Kathryn Durst?

I was shown the work of a few illustrators, and because I read a lot of children’s books to my own kids when they were growing up, I know the styles that are out there and I liked her style very much. I thought it suited Grandude perfectly. It was slightly unusual and bohemian, and she made him a bit of an eccentric character, so she was really good. But there was one thing that happened during the making of the book. She’d do an illustration and it would come to me to approve it, and I’d say, “Oh yeah, it’s great.” I loved what she was doing. There was just one funny little detail: in one of the adventures the kids and Grandude were all riding horses and their stirrups were just hanging down – their feet weren’t in the stirrups. So I said to the publishers, “They’re riding horses – their feet should be in the stirrups, shouldn’t they?” And they said, “You know, that’s funny – the American publishers picked up on that too,” so we had to ring Kathryn and say, “Could you just stick their feet in the stirrups?” If you look, you will note that they’ve all got their feet in the stirrups now!

Is writing a picture book for children anything like writing a song?

Well, you know, it is a little bit like that, in as much as you’ve gotta use your imagination – you’re making something up. If it’s a song, you’re making up words and music, and maybe a story. If it’s a children’s book, then obviously you don’t need the music but you still gotta have the imagination, and that’s actually what’s fun about it: you’re making stuff up, but if you’re writing a children’s book your story tends to go to more far out places. You can rub a compass and go to Zanzibar – you can go wherever you like. You could do that in a song, but you tend to keep it a little bit more feet-on-the-ground.

The paperback of Hey Grandude! comes out on 17th September and includes a story CD, featuring narration and instrumental music by Paul. 

Niall Edworthy: My Writing Process

Posted on by

Niall Edworthy

I have been writing in one capacity or another since I finished studying thirty years ago. I worked as a reporter for broadsheet newspapers and international news agencies Reuters and AFP in the 1990s. In 1996 I was commissioned to write the Official History of the England football team. The following year I was invited to ghostwrite a travelogue for actor David Jason. Soon after I gave up journalism and focussed on books. I live in the Downs above Chichester, commuting down 14 steps to my, ahem, fancy office (converted shed, no sun after 11). When I’m not writing, I tend to be reading although I’m suffering a little reader’s block right now, unable to settle on a title and bouncing back and forth between half a dozen on my Kindle. I pursue all the boring middle-aged activities, sometimes with passion, more often with relief after a day at the computer. I cycle a lot up in the hills, and I have grown to love gardening and cooking – semi-mindless activities that allow my brain to drain after writing. If the Test cricket’s on, I have to chain myself to the desk and resist the temptation.

What you have written, past and present.

I have written over 40 books, roughly half of them ghosted for well-known public figures or ‘ordinary’ people who have had extraordinary experiences. I have written memoirs, military history, sport, humour and natural history.

What you are promoting now. 

My first novel, Otto Eckhart’s Ordeal. It is hard to slot into a genre but if you were in a bookshop (remember them?), you’d probably find it in Historical Fiction. Set in 1937 and based on a true premise, it tells the story of an aimless, young historian dispatched by the Nazis to go fetch the Holy Grail for the glory of Germany. It is a coming-of-age, adventure story with a dash of romance and, dealing with some grim characters at a grim period of history, I have tried to write it with dark humour.

A bit about your process of writing. 

I’m reasonably methodical. Once all the research is done and the story laid out loosely but with direction, I go at it every day if I can. I need momentum and I need to be deeply immersed in the world I am describing or creating. It’s no good grabbing an hour here or there. I need a good long stretch for each session. I start early, between 7 and 8, and tend to work through to a late lunch. If I have written a good amount I often feel drained and don’t go back to my computer. If it’s been a frustrating effort and I haven’t got much down, panic propels me back to my keyboard.

Do you plan or just write?

I am a planner, but the plan changes a little every day. I think it’s important not to plot too hard, and to keep all options open. I read a good description recently that sums up my approach: Starting a book, you are at John O’Groats heading for Land’s End but not entirely sure of the route you are going to take.

What about word count?

Big difference between fiction and non-fiction. If all the research is at my fingertips, I average about 1,500 words a day for non-fiction, but can push to 2,500. With fiction, I’m delighted if I have 1,000 words in the bank at the end of a session.

How do you do your structure?

As clearly as possible. Structure is everything in building a story. You are reminded of the challenges facing the architects and engineers of skyscrapers – if they are an inch out at the bottom, it won’t be long before the building starts to lean and they have to demolish it and start again. In fiction, structure is more flexible because the characters will soon start to take you to places and scenarios you hadn’t foreseen.

What do you find hard about writing?

Where to start? Lack of company – not being able to wander over to the water-cooler for a good moan from time to time. Anxiety about money – it’s not the path to fabulous wealth. Fretting about the next project while I’m deep in the current one. The time it takes to set up new projects, writing proposals, pushing them on publishers, knowing all the effort may come to nothing. (The writing itself is the easiest and most enjoyable part of the process.) The occasional jerk on Amazon, who writes an ignorant, cowardly and malicious review. Why bother torpedoing someone’s huge effort to produce a book? It’s not personal.

What do you love about writing? 

Again, where to start? I like the independence. I like not having to commute, to set my own agenda. I’m writing this in my shorts and slippers with very un-combed hair wondering where I might cycle this afternoon in the glorious autumn sunshine. On the actual writing, it’s a great feeling when you know in your bones you have written a passage that will stand the reader’s scrutiny. A cricketer who has played the perfect cover drive will recognise the feeling.

 

Advice for other writers. 

Know what you want to say before you write. Short sentences. Be bold. Find your voice. Get up early. Trial & error is the only way to learn – most writing is more effort than inspiration. If you have a setback, dust yourself down and keep going. Have a second source of income. Read as much as you can to immerse yourself in words and expand your range of reference.

 

My Writing Process Angie Lake

Posted on by

author Angie LakeHow I Write 

  1. A bit about you.

After moving around chasing the rock n’ roll lifestyle, my partner and I decided to settle with our toddler on the Spanish Costa Blanca, which is where I grew up. He’s a musician and I’m a writer, so we knew that life was going to be challenging. We decided that we might as well live somewhere pretty as, chances are we’ll never be able to afford a holiday.

  1. What you have written, past and present.

I started out with a short stint doing reviews and interviews for a Heavy Metal magazine. Over the years I’ve written articles and worked on translations and subtitles for the music industry.

My Dad and I collaborated on two series of children’s books The Diaries of Robin’s Toys and The Diaries of Robin’s Travels, published by Sweet Cherry Publishing.

I then went on to write the middle-grade book series Danny Dingle’s Fantastic Finds, and its spin-off series Mina Mistry Investigates, also published by Sweet Cherry.

I’m currently working on the plot for another children’s series.

Aside from that I have some unpublished work including a trilogy of novels and a series of children’s books for adults (also comedy).

  1. What you are promoting now.

Sweet Cherry Publishing are launching Mina Mistry Investigates this September. It’s a series about a witty schoolgirl detective and her half-hearted attempt to fit in with the kids around her as she puts her energy into solving mysteries while maintaining her secret identity.

  1. A bit about your process of writing.

I went through a very draining phase of writing for up to 22 hours a day for two months on the trot, but once my hair grew back I decided to keep to a less lethal schedule.

I write 5 or 6 days a week, always in the mornings unless I’m up against a deadline.

I have notebooks where I jot down random ideas, then when I “go into production” with a pitch or a series I write everything on a project board to help me visualise the emerging universe.

I take time out to clear my head and come up with ideas: I run or hike most mornings before work.

  1. Do you plan or just write?

I think that if I didn’t plan everything with painful intricacy, my brain would disintegrate. I find that I’m more creative when I’m breaking rules; I impose my own strict rules on myself, then break them and feel awful about it. A typical work day should include an hour and a half of coming up with ideas, about an hour of planning and adapting plots and storylines and three to four hours of writing. There are also meetings, editing and other tasks. Usually my day will get hijacked by just one task though, and then I’ll panic.

  1. What about word count?

My current projects have a set word count, so I divide that into the time allowance I have for each project and then struggle to meet my own deadline.

  1. How do you do your structure?

Very rigidly. I’ll come up with characters and a concept for a series and I write as if I were working on episodes for a cartoon. I come up with a plot and a subplot for each episode, and then I divide that into eight scenes. I write a draft for each scene and then work towards the ending. I never drift; I always know how a story is going to end before I start writing it.

  1. What do you find hard about writing?

The financial uncertainty and having no one but myself to blame for it; that’s the problem with being your own employee and manager – what are the chances that you’re going to be good at both of those things?

  1. What do you love about writing?

That it comes more naturally to me than resurfacing roads or working in a call centre. Also that all the worlds and characters you create give you somewhere to escape to when you’re stuck resurfacing a road or working in a call centre.

  1. Advice for other writers.

In order to get anywhere you’ll have to take it seriously, but while you’re doing this you shouldn’t forget how ridiculous writers who take themselves seriously seem to the rest of the world. Embrace this and start collecting hats.

 

Mina Mistry Investigates: the Case of the Missing School Dinners will be published by Sweet Cherry Publishing on 10 September.

My Writing Process Taryn Leigh

Posted on by

writerMy Writing Routine

I try to write whenever I can have moments alone, which are long enough for me to take my mind into the world of my characters.

Because writing currently isn’t my full time profession, this means that I cannot have a formal writing routine, but instead have to write when I get the chance.

My name is Taryn Leigh, and I’m a South African based Author, whose first book was published in the UK.

Although I write books that are considered to be romance or contemporary fiction novels, I try to ensure the reader can walk away with something of value after reading the book. Because of that, my books deal with real life struggles that women endure.

My first book was called Perfect Imperfections, and is available in Paperback, Audiobook and on Kindle.

My current book is called The Secret Letters and launched on 09 August in Paperback and Kindle.

What you are promoting now. 

My latest novel, The Secret Letters, which deal’s with real topics of gender based violence, and the mental battle that comes with that.

It’s also a story of love and hope, and how to overcome your worst nightmares, especially in the arms of someone who loves you.

A bit about your process of writing. 

I look out for stories that peak my interest, and then I let them mull over in my mind for a while, as I start to imagine the lives of the characters, as if they are real people. Only once I feel that they feel real to me do I start to put pen to paper and plan things more formally.

Do you plan or just write?

I have a very broad plan. Mostly the main characters and main events. I normally know how it should start, when the big reveal should be, and how it should end.

The rest, I just write and see how the characters develop over time, who they meet, and what additional relationships are formed.

What about word count?

I am conscious of it, but more towards the end of the book, because if I worry about it the whole time, I won’t get the story out.

I aim for 80,000 words or more, that can then be edited down during the editing process.

What do you find hard about writing?

Finding time to be alone, the rest, I absolutely look forward to.

The other part is editing and writing a blurb. It seems so hard to condense over 400 pages into a few lines.

What do you love about writing? 

Meeting my characters. Might sound strange, but they feel like real people to me. They make me laugh and cry as I write their stories. They take me on adventures, I just love it.

Advice for other writers

Find your own voice and be authentic. Don’t try to write for the mainstream. You need to believe in what you are writing and the story will just flow.

Also dont give up, even when you feel stuck in the book, just keep going, it will all come together eventually.