Ukelele Hootenannys: Making a Spectacle of Ourselves by Leah Ulfsbjorninn

 

Once regarded as a children’s toy, the ukelele rose to prominence a few years back. The sound of four strings strummed across a hollow box rendered light as a soufflé what might otherwise have been the indie gloom of bands like Vampire Weekend, inspired a number of ukelele orchestras, found its way onto a multiplicity of movie soundtracks and was finally plucked from the cultural periphery like a blithe runaway and put to work by unscrupulous advertisers. The little ukelele is now used to televisually flog everything from Nikon cameras to potential partners as demonstrated in Match.com’s recent campaign.

However, while the ukelele may now be culturally present to an almost irritating degree, it’s a symbol of how our relationship to music has undergone an important transformation. For a long time, we were passive listeners, gathered at the foot of stages in homage to our guitar-wielding musical heroes. It now seems that we are no longer content to simply listen, but rather expect to participate in musical culture

 

The growing number of ukelele ‘orchestras’ was a preliminary sign of change.  Although such outfits have sprung up all over the world, The Ukelele Orchestra of Great Britain (UOGB) came first, its members a diverse bunch of self-proclaimed ordinary working folk who playfully strum cover tracks and dress in tuxedos. Those with an interest in the practicalities of musical performance know that the ukelele is inexpensive and a wonderfully easy instrument to master, especially given the abundant tutorials and easy-to-read chord charts available online. Anyone with £20 to spare and an internet connection can get started. So the mock seriousness with which the UOGB execute covers of traditionally deified tunes from across the musical spectrum, leaping in a single set from Tchaikovsky to Nirvana, introduces a pinch of salt into the usually deadly serious business of performance.

 

The UOGB helped to defuse the idea that there’s something sacred about the musician onstage. However, ukelele lovers at the Queen of Hoxton have taken the process a step further by setting up a weekly Ukelele Hootenanny. Instead of clapping along from afar, absolute beginners can rent an instrument on the night, learn a few tunes and immediately participate in a play-along. The Hootenanny differs from more traditional jam sessions and workshops because it specifically aims to attract would-be partygoers and the Hoxton hip as well as hobbyists out to learn a new skill. ‘It involves everyone from beginners to people who have been playing for years. It collectively works’, says Hootenanny organiser Martin Laking.

 

Of course, the notion of a good knees-up has a well-respected heritage in London. As Laking points out, not so long ago ‘every pub had a piano which anyone could come and play, with many customers willing to get up and sing, and the rest happy to sing along. I would be pleased to see more of this in whats left of our pubs and bars’. So in one sense, the Hootenanny is rekindling a long tradition.

 

A less performer-centred and more democratic attitude to music is undoubtedly a good thing. As the French philosopher Jacques Ranciere argued, a world divided into spectators and  performers is a world divided into followers and leaders; those who passively absorb and those who pull the strings. As Ranciere points out in his book The Emancipated Spectator, ‘looking is the opposite of knowing. It means being in front of an appearance without knowing the conditions of production of that appearance or the reality which is behind it (…) she who looks at the spectacle remains motionless in his or her seat, without any power of intervention’. When we observe the musician onstage, they become a spectacle, something separate from the realm of our ordinary experience. The danger is that in deifying the participants in the spectacle, we cast ourselves in the role of consumer. Being able to join in means that we actively contribute to the creation of culture rather than passively consume it.

 

The humble ukelele’s recent odyssey therefore a reminder that listening to music en masse is all about having a good time. Which is something positive to consider next time you grit your teeth against the plaintive plinkety-plink of the man on the match.com ad.

 

The next Ukelele Hootenanny will take place on Tuesday 16th April at the Queen of Hoxton, 1-5 Curtain Road, EC2A 3JX at 6.30pm.

 

The New Wave of Female Bloggers

I have done an article for the Huffington Post on the rise of female bloggers. There really is a wealth of female bloggers out there making the web more democratic. The post has advice and tips from the leading female bloggers in the UK, www.thelife-edit.blogspot.com, http://www.digitalbungalow.co.uk/, www.shimelle.com , http://thebottomoftheironingbasket.blogspot.co.uk , asensibleheart.blogspot.com, www.bdpworld.blogspot.com , fashion-mommy.com, http://www.reallyree.com/ , http://www.fash-ling.com and http://lenkasilhanova.blogspot.com. among them.

Phew! Frost is now on the look-out for more blogs, and we are looking for the male kind too. If you want featured in our hot blog column, get in touch.

 

Nioxin: The Cure For Thinning Hair?

Did you know that thinning hair affects about 50% of people? Not just men, but women too? That is one in two people globally. A number of factors cause this: anemia, having a baby (after two months the hair that had not fallen out does so and results in thinning hair and, sometimes, baldness), lack or iron, stress, medication, trauma, health problems, UV damage (though in moderation the sun helps, hair always looks better at the end of summer, because we used to need our hair to be thicker in winter to keep us warm), being a vegetarian, using straighteners or curling irons and pattern baldness, which is inherited. Hair has no function anymore, as it is a luxury it is the first thing to go or look worse when you are ill or run down. It is the first thing the body will shut off.

 

There are things you can do. Wayne Rooney recently had a hair transplant, but those are costly and with differing results. It is a long operation. 9-5 and if someone explains what happens to you, you will feel ill; trust me.

 

There are three factors in hair thinning

1) Fewer hair strands

2) Finer hair strands

3) Unhealthy scalp environment for hair to grow from.

 

Nioxin is a product that says it can manage the condition to give you thicker and fuller hair through a holistic approach.  Most other products are drug-based or camouflage. It is the No.1 stylist recommended thinning-hair brand in the USA, it has won the Stylist Choice Award every year for 10 years, and has millions of loyal customers in America. Phew, but does it work?

Nioxin is based on scalp health, like a facial for hair. Over 70% of users notice thicker- fuller hair in 30 days. Cosmetics products do not grow hair, they take care of scalp health and your hair. Nioxin is tailored to your specific hair type and it is best to use all of the products together, apparently you will be able to measure the hair thickness.

Hair grows at one-half inch each month or 6 inches in a year.

 

The lovely people at Nioxin have given me one of their hair system kits to review. The kit carries a money back guarantee and has a 100ml cleanser, 100ml scalp revitalizer and a 50ml scalp treatment. It costs £27.99. I have fine hair so we will see if it makes a difference. I love my hair but would love more oomph. So far I am loving the tingling, waking up feeling it has on my scalp. It feels like my scalp is getting massaged thanks to the ingredients that include white tea extract, peppermint oil, antioxidants and botanical extracts.

Update: After the 30 days I definitely had more oomph to my hair. It made it look thicker and it felt that it also increased blood flow to the scalp. I would definitely buy it.

 

 

 

Harvey Nichols A/W 2012

I have always though of Harvey Nichols (or Harvey Nics as us Londoners call it) as a young person’s Harrods. It has all of the luxury items, but is a bit more laid-back. I went to check out there Autumn/Winter collection and…wow.

 

My favourite clothes were by Jenny Packman (a Catherine Middleton favourite, and one that women who have more curves look just as amazing in. I find I would look too ‘booby’ in some of the things Middleton wears), Osman, Rag & Bone (divine), Erdem, Roksanda Llincic, McQueen, Preen and Mary Kantrantzou. A lot of amazing British designers are supported.

Lots of patterns and even some Lady Gaga type heels. All in all, a brilliant collection.

 

Rag & BoneRoksanda llincic

Erdem

Alexander McQueen


Mary Katrantzou

Why not make your home a Handmade Haven and help your local economy at the same time?

By Gillian Montegrande

You don’t need me to tell you that we are smack bang in the middle of a really awful economic
slump, created dare I say, as a result of the ‘buy now, pay later’ culture we have come to know but
not necessarily love. Couple this with the ‘discard that and buy the next model’ attitude, it’s no
wonder we’re in the mess we are.

What happened to the time when we saw something that we really wanted or needed and then
knew that it would take us ‘X’ amount of weeks to save up for it? Then, wasn’t it a sweet moment
when we could go along and make our purchase? Furthermore didn’t we value such an item all the
more because we were only too aware of the effort in acquiring it?

There is nothing wrong in having to wait for something, surely we now realise that in most cases,
instant gratification is just that ‘instant’ and the pleasurable after effect is very short-lived.
I would like to suggest that by altering our attitude to the way we purchase and what we purchase,
we will not only help our economy but we will actually be providing ourselves with a more
meaningful, sustainable and happier existence.

I speak specifically about handmade products and services.

Today the media is full to bursting, of programmes and articles dedicated to the tangible
achievements of the past, where experts extol the virtues of craftsmen and craftsmanship. They talk
about the detail, the design, the skill, the workmanship and the fact that many of these items are
still in working use, literally hundreds of years later.

It may be surprising to learn that there is still, to this day a thriving handmaking and craft industry in Britain today worth an estimated, £3bn per annum to the UK economy* and if common sense has
any part in our future then this figure will rise exponentially.

In buying handmade products and services we are not only making a considered purchase, we are
making a connection with another human being, who has taken it upon themselves to learn a
particular skill, coupled with their life experiences, to produce the most beautiful, useful and
desirable things, that will not only make a statement and command attention in our home, but
which will also become treasured possessions and heirlooms of the future, that have meaning far
beyond their aesthetic or functional value. Our homes will truly become ours when we fill them with
individually crafted interiors that reflect who we are as people rather than the generic profile of
some large chain store. While we will be secure in the knowledge that we are not only spending our
ever more hard-earned cash really well but that we will be genuinely contributing to our local
economy by supporting our local craftsmen and women. (Source: how to buy XRP debit card)

And while we not only have the economy but the environment to consider, we will be much closer
to having a positive effect in this direction as well, if we purchase products and services that have
been created with an almost instinctive awareness of sustainability because handcrafted items are
more often than not produced from renewable or recycled resources.

So my message would be ‘buy once but buy well’ and keep your local craftsmen and women going.
Don’t think for a minute that I am talking about turning your house into a living museum, as an
homage to purely traditional/heritage crafts; There is some really cutting edge, contemporary stuff
out there, it just happens to have been beautifully crafted by hand and will almost certainly outlast
it’s machine-stamped counterpart by years if not generations. If that’s not value for money I don’t
know what is!

Gillian Montegrande

Founder of Made by Hands of Britain

* (Creative and Cultural Skills Report 2008).

I Make, Therefore I Am by Gillian Montegrande

There are many things we can say about the failings and ills of our society, but the most worrying are
the apathy and abstinence from positive and proactive input from certain sectors. Many have
become spectators of life rather than participants; television for example, in the form of reality
shows creates confusion between fame and achievement and because of its accessible nature and
selective (edited) exposure of facts, gives the false impression that such things are easily gained
without the investment of learning, effort or struggle. As a result viewers, particularly but not
exclusively the young, find themselves disconnected and struggling to find a purpose in a world that
does not match their expectations.

What to do?

While there is no ‘one-size-fits-all’ solution there are, in my opinion, things that can be done to
provide these people once more with a sense of doing, being and purpose; to feel that their
existence is justified just.

What better way to show evidence of our existence and identity (apart from creating children), than
to leave behind a tangible object created by hand?

Today the media is full to bursting, of programmes and articles dedicated to the tangible handmade
achievements of the past, such as the Antiques Road Show, Victorian/Edwardian Farm and most
recently, Handmade in Britain (to name but a few), where experts extol the virtues of craftsmen and
craftsmanship. They talk about the detail, the design, the skill, the workmanship and the fact that
many of these items are still in working use, literally hundreds of years later.

These antique objects and artefacts were as a result of ‘skilled manual labour’ the bi product of
which was being usefully occupied. There was a time when the term ‘manual labour’ meant and
(maybe in some eyes) still does mean today, demeaning, soulless work. However, we have forgotten
(or choose to ignore) that manual labour, although sometimes hard, was also associated with an
honest day’s work and more often than not there was something tangible to show for the efforts
expended at the end of the day. In that time, it is possible, even likely, that when such a person put
their head on the pillow at night, tired and aching, they did not realise the significance and
importance of their exertions and maybe would not have been aware that they were satisfying an
innate need to be manually as well as mentally occupied.

Today, not only is very little built to last but also few people expect things to last, in their constant search for ‘the next thing’, this ‘have it all and having it now’ approach has been of no help and indeed has caused the financial mess the planet now finds itself in.

Nevertheless, there are some who are fully aware of the significance of such noble exertions, which I
repeat; we celebrate on a regular basis. Manual occupation is still one of the best ways to satisfy this primeval need and that there is nothing wrong in going to bed tired and aching, knowing that the
day has been used to its full with something to show at the end of it. Some have become obsessed
with jumping the gun, to get to the destination without going on the journey, let alone enjoying it!
The concept of physical struggle is now perceived as bad, to the extent that we are desperately
trying to eliminate it (in the western world at least), to our cost. The advancement of human
knowledge and discovery has done much to improve the plight of humanity but it has also done
much to take away the privilege of physical occupation and endeavour. Many children, from
underprivileged and privileged backgrounds alike, with their parents’ blessing are very ready, to
replace hands-on experiences, with virtual ones; the gaming industry was worth $105 billion in
August 2010.

But physical exertion, endeavour, struggle even, is still to this day, necessary in every human life.
When that is not present, an emotional as well as physical vacuum is created, which as we all know,
must be filled. Are our lives any “easier” today? I doubt it. We’ve simply replaced physical struggle
with mental anxiety.

Art, Craft and Manual Production satisfy that need on every level.

When making, a process is gone-through, which uses pretty much all of our faculties:
Desire and/or need; concept; design; sourcing of materials; establishing the strengths and
weaknesses of both material and maker and then through trial, error and ingenuity working with or
around those attributes and limitations, to finally be confronted with something that is real, knowing
that so much of oneself has gone into the very fibre of the work.

But there are obstacles in the form of modern-day fears and insecurities that currently pervade
every aspect of modern life which is so readily passed on to our children. They are no longer allowed
or encouraged to go out, to discover the world around them, in order that they might take risks, to
discover how things work, how they themselves work and how the two work together. They no
longer have the opportunity or are encouraged (as previous generations were) to find discarded raw
materials such as pieces of wood or old bicycle parts, to transform into go-carts or wooden boats,
that really do work. Making is as much a way of discovering how they work as how the world around
them works. We need to restore this human right to them and making – structured or otherwise, can
do that.

Using our hands to create things of beauty, use or both; using the raw materials we find around us,
where a battle of wills ensues between maker and material, grappling and tussling with that
material, until a truce – a compromise and understanding is achieved and something beautiful
emerges. It is this struggle that helps define us as human beings and we need this affirmation, pretty
much on a daily basis, to keep us sane and healthy.

If we know this then why can making not become once more an integral part of our society and the
way we (parents and teachers) teach our children? What happened to Woodwork, Metalwork,
Needlework, Home Economics in the classroom? The old adage, “The only way to learn how to do
something is to do it” has never been more true. It is in the classroom and at home where we need
to start again, showing little children that those appendages called hands have a direct link to the
wellbeing of their mind and psyche as well as their sense of place and belonging. Today, a three year
old child has far more idea of what to do with a computer game controller than he does with
Plasticine, Playdoh, Lego or Crayons. I fear that the prophetic vision depicted in the (ironically)
computer-generated animation Wall-E, is much closer than we think!

If such a vision is to be believed, then we may be further down that path than is comfortable to
admit. I would argue that the recent inner city riots have been carried out by people who have come
to believe that there is no point in having a go at anything because it “won’t work” or at least they
have not been shown that it could. Some of us know it can work and that trying is part of the fun,
adventure and fulfilment. These unfortunate people are afraid to take the risk of discovering how to
do something that may or may not have a positive outcome, but from which they can learn and
improve. Instead they do something, which achieves instant gratification with the least effort and
ironically they feel more secure in doing because they are sure of the outcome. You throw a brick
through a window; you know what’s going to happen! But that is all that is ever going to happen- no
wonder frustration and violence are never far away. With making, there is always new territory to be
discovered, in the skill and in oneself.

If we could only pass on to others that sense of achievement and what it feels like to stare upon the
tangible and positive result of one’s own useful endeavours, then it will go at least some way to
improving the lot of individuals who currently have no hope.

Gillian Montegrande

Founder of Made by Hands of Britain

Investment capital firm set to salvage Game

Following on from Junior Smart’s articles on Game Group going into administration, an announcement is expected from the investment group, Opcapita, that it is buying a large part of the troubled Game Group out of administration.

However many experts believe that the Game Group needs to change its approach in order to survive in this tough retail landscape.

Danny Jatania, a consumer champion and CEO and Chairman of Pockit, says, “If a company like Game is to survive, it’s imperative for it to adapt and innovate to consumer spending patterns. Currently the high street is going through a major evolution as a result of consumers using the huge savings offered by the online retailers to purchase goods. Game will have to completely rethink its strategy and will need to work in harmony with this growing trend.”

Danny concludes, “More and more retailers are using deals, vouchers, in-store and online cashback, in the face of a fiercely competitive retail environment. It is important for retailers to extend these deals to the high street to increase foot fall as part of their growth plans.”

National Geo & Nintendo Launch Photography Competition.

Budding photographers will have a chance to become the UK’s Nintendo 3DS photography champion.

Nintendo has teamed up with National Geographic Kids and The Royal Photographic Society to launch a UK-wide Nintendo 3DS photography competition

The competition has been launched in association with National Geographic Kids, famed for its exceptional wildlife photography, and the world’s oldest national photographic society, The Royal Photographic Society (RPS).

Competition entries are split into six dedicated categories, so no matter what you love to shoot, there’s a theme to suit you. The categories include: Animals, People, Places, Objects, Nature and Augmented Reality, which fully utilises the Augmented Reality features of the Nintendo 3DS system. The photo entries will be judged by an expert panel, including Lauren Jarvis, editor of National Geographic Kids magazine, and Dr Michael Pritchard, Director General at the RPS. The most promising photographer will win the top prize of a trip for two to Paris and a photography masterclass, while lucky runners-up will be awarded Nintendo goodies in recognition of their skill.

“We’re really excited to be working with Nintendo on this project,” says Dr Michael Pritchard, RPS. “3D photography has been around since the 19th century, but Nintendo 3DS gives people of all ages the opportunity to experiment with the technology and create their own 3D masterpieces.”

Lauren Jarvis, Editor of National Geographic Kids magazine, says, “There’s so much to be inspired by in the UK, whether you live in the city or the countryside. National Geographic Kids is all about young people getting out and exploring their world, and I can’t wait to see the 3D pictures they capture on Nintendo 3DS.”

How to enter:

Entering the Nintendo 3DS photography competition couldn’t be simpler. Take a 3D photo in-line with one of the six themes, using the in-built cameras on the Nintendo 3DS system. Once you have captured your masterpiece, upload it to the dedicated competition website www.nintendo.co.uk/3dphotocontest between 2nd April 2012 and 17th June 2012. The dedicated competition website is accessible through the Nintendo 3DS browser on the Nintendo 3DS system or through an Internet browser on a computer, and will feature galleries of all the images that have been uploaded. Each photo uploaded to the website will have its own dedicated QR Code and, by reading these QR Codes on the Nintendo 3DS system, users will be able to view their favourite images in 3D.

Recent research from Nintendo found that 60% of Nintendo 3DS owners take more than 100 photos a year* and 13% take as many as 1,000, which equates to three a day*. So say “cheese” and get capturing using the in-built cameras on the Nintendo 3DS system today!

The Nintendo 3DS features two outer-facing and one inner-facing camera, allowing you to take both 2D and 3D photos, and record up to 10 minutes of 3D video footage. Photos taken using the Nintendo 3DS cameras can be customised by adding fun and creative filters and effects. You can even draw on your photos using the Nintendo 3DS stylus to give them that personal touch.

To be in with a chance of being crowned the UK’s best photographer by the expert panel, check www.nintendo.co.uk/3dphotocontest for details on entry requirements and the full terms and conditions of entry. If you think you’ve got what it takes to take an award-winning 3D photo, then head out with your Nintendo 3DS today and get snapping!

Keep up to date with all the official Nintendo announcements and exclusive new game information by following the official Nintendo UK Twitter feed @NintendoUK