Pimms Royale with a Twist

With the promise of a Wimbledon cocktail recipe the other day I have discovered the ultimate Pimms drink. We love good champagne and we love Pimms and the two together is called a Royale. Well now its been know for a while you can add elderflower cordial to Pimms….soooo we thought hell why don’t we just add the lot and see what we get! By now you must know we like to experiment and cocktails are the perfect way to have a dabble!

Pimms Royale with a Twist P1160307 P1160308You need the usual ingredients, tons of fruit and well just throw it all together, however you darn like!

Just add a good champagne instead of lemonade and a dash of cordial with tons of ice. P1160309 P1160316 P1160323Murphy and Ambers favourite treats are strawberries. Amber keeping her pretty eye on Mr Murphy, then having a cheeky sniff!P1160329 P1160332 P1160339They are potent and perfect for the last day of Wimbledon when we will be celebrating anther fine win we hope! Go and make a sneaky batch now and try it out, I won’t tell anyone! P1160342

For more fun recipie ideas check out our site www.slbstyle.com and drop me a happy tweet at @sarahbacchus and have the best tipsy weekend!!

Review: Educating Rita – Minerva Theatre, Chichester

Educating Rita
Minerva Theatre, Chichester
Until 25 July
Box Office: 01243 781312
www.cft.org.uk

Picture credit: Manuel Harlan

ichesterFestivalTheatre'sEducatingRita.PhotoManuelHarlanzpfile000

In her quest for choice and betterment would Liverpudlian hairdresser Rita throw herself into an Open University degree course today? Nah. More likely that she would develop an app for stylists.

Written and set in the early 80s (and with more than a little doffing of its hat at Shaw’s Pygmalion), what Willy Russell’s play lacks in modern relevance is more than compensated for in the performances of Lenny Henry and Lashana Lynch.

As Frank, the disillusioned tutor and one-time poet whose career is now just a means of funding his drinking, Henry could be a shade more embittered. But visibly relaxing into the second act, first night nerves squarely dealt with, he hits his stride.

Frank’s passion for teaching is reignited when Rita explodes into his office with a desperate thirst to learn. His feelings for her grow fonder and when he realises that she has all but achieved her dream of being educated the ensuing bender upon which he embarks is not inspired by a wish to toast her success. Beautifully pitched by Henry, who is well paired with his co-star – their chemistry gives the production a palpable boost – the final scenes are especially touching.

Lashana Lynch is on track for Big Things. Exuberant, warm, funny, ambitious, determined and childlike in her wonder of academia, Lynch manages to convey it all, stealing the hearts of the audience while she’s about it. A two-hander is a huge mountain for any actor to scale but Lynch makes it look effortless.

Not so the transitions from scene to scene. Limited to a point by both script and Ellen Cairns’ bookshelf-lined set, Rita’s arrival to each tutorial at the start of each new scene is clunky.

But this is a minor grip and overall this production, in educational terms, falls only slightly short of getting a First.

Luna Gale at the Hampstead Theatre Review

Taken by Manuel Harlan

Taken by Manuel Harlan

Luna Gale is undeniably an intelligent, thought-provoking and memorable play which is debuting at the Hampstead Theatre this summer after receiving mass acclaim over in the States.
Playwright Rebecca Gilman expertly draws the audience to judge each character almost immediately, but their thoughts are shown to be misconceptions as the play unwinds.

For it starts off with young couple Karlie and Peter sitting in a doctor’s waiting room; he’s fading in and out of consciousness and she’s twitchy, abusive and violent.

Social worker Caroline tells the couple that their baby daughter, Luna Gale will be taken into care while they seek help for their crystal meth addiction.

At that point, we’ve already judged the couple – dirty drug-taking low life’s who have endangered the life of their vulnerable, innocent baby, which has forced the state to intervene.

And we’ve made up our minds about Caroline too – the veteran social worker – who strives to do things by the book.

But as the play unravels, we warm to Karlie and Peter who show their devotion to each other and in cleaning up their acts to get their daughter back.

At first, Karlie’s mum Cindy is portrayed as a good, stable figure and it’s almost inevitable that Luna Gale will be placed with her grandmother in ‘kinship’, despite Karlie’s protest over this (we learn Karlie had a rocky relationship with her mum).

However, Caroline mocks Cindy’s faith in God and the more she hears Cindy speak of the ‘end’, the less inclined she is to let her have Luna.

That is until the straight-talking Caroline asks Karlie if she was abused as a child which is why she acted out as a teenager. She answers ‘no’ and the curtain closes with Caroline asking ‘but what if it did?’.

In an interview about the production, playwright Rebecca Gilman says the play isn’t dark and she doesn’t want it to seem like a miserable night out.

It covers the disturbing subjects of childhood sexual abuse and drug abuse and Gilbert explains she wanted to bring this to the mainstream stage to show that it can and does happen.
But there are comedic and touching moments too – which would be a shame to reveal here – making Luna Gale a fantastic all-rounder. Directed by Michael Attenborough, the cast were flawless, passionate and truly inspiring in their roles.

Luna Gale is showing at Hampstead Theatre until 18 July.

The Avon Guard Forget | Music News

avon, music, newsonestown
12 June 2015

The Avon Guard is Dominic Silvani (vocals and lyrics) and Andy Mitty (music, artwork and photography). Following a close friendship spanning twenty years, this band represents the first time the duo have recorded together.

Dominic was vocalist/lyricist for 90s Midlands band Penelope’s Web who released a single ‘Potboiler’ on Cherry Red Records. Andy was the frontman for Transistor, a Camden based indie glam band.

‘Forget’ is a record that sits somewhere between Nick Cave and Lloyd Cole, it’s an accomplished debut from a band that has taken twenty years to form, but The Avon Guard have certainly proved to be worth the wait.

Early Miscarriage by Dr Patricia Thompson

miscarriage  A miscarried pregnancy can be a devastating experience. The woman has already experienced pregnancy – nausea, swollen, tender breasts, just ‘feeling pregnant’.  The couple are sharing a cosy, exciting secret – visualising their anticipated offspring, they may well have chosen some names.

Then, abruptly, hopes are shattered. It can happen in several ways – sometimes there is bleeding, cramping pain, the woman may just not feel pregnant anymore, an ultrasound scan may show that the baby has stopped growing, or there is no heart-beat.

However it happens, both partners usually feel devastated.

And yet, approximately a fifth of pregnancies end as early miscarriages, meaning during the first three months. Sometimes the woman didn’t know she was even pregnant, just experiencing a ‘late period’, other times the couple are very aware, and can experience deep pain and loss.

The baby frequently has a serious genetic/chromosomal abnormality in these cases, and would have been incapable of surviving.

An early miscarriage is usually a one-off event, and the next pregnancy will be successful. However, if it happens during the first one, the couple may feel uncertain whether they can have a child. Nothing will convince them except a subsequent normal birth.

A few couples (around 1%) have recurrent miscarriages – defined as at least three in a row. Even then, three-quarters of these will eventually have a normal baby.

A few unfortunate couples may never succeed – possibly due to a particular genetic problem, but often a reason isn’t found, and it is very upsetting.

Late miscarriages – during the middle third of pregnancy, are less common (only one pregnancy in fifty), and may be due to illness in the mother, or womb or cervix abnormalities. Depending on the cause, treatment may be possible for future pregnancies.

So what if you have an early miscarriage? Firstly, nobody is to blame.  Too much exercise, stress, or having sex, for example, do not cause miscarriage. Healthy pregnancies are pretty resilient.

The pregnancy tissue may be lost naturally, through your vagina. However, the hospital may suggest removing any remnants, using a gentle vacuum under anaesthetic. This prevents possible infection, which can be serious, and could compromise future pregnancies.

The experience can impact both partners for a considerable time. The woman experiences physical changes, and both are affected emotionally. The man sees the distress of his partner, and feels he should be the strong one, and yet he is suffering too.

It is important to talk, and grieve together, and, if possible, to share with close friends and family. People can appear to forget very quickly, or don’t even know you’ve had a miscarriage. They expect you to be ‘back to normal’ and don’t always understand your continuing pain.

Specialists and groups are available should you experience difficulty in getting through the grief.

Importantly, don’t forget, if you have had a miscarriage, you are highly likely to have a successful pregnancy next time.

Useful information sites:

http://www.nhs.uk/conditions/miscarriage/Pages/Introduction.aspx

http://www.babycentre.co.uk/a252/understanding-miscarriage

Home

 

These articles express personal views. No warranty is made as to the accuracy or completeness of information given and you should always consult a doctor if you need medical advice.

 

 

And So To Bath Part 2

Thermae Bath Spa, image (C) copyright by Robert Slade 07890 564889In her second article about the city, author and Frost contributor Jane Cable dips more than a toe in those famous waters

I can think of very few cities whose names are synonymous with their raison d’etre and Bath certainly tops the list. Since Roman times, and possibly before, that little hot water spring gushing out from the ground a few hundred yards from the river has been responsible for the prosperity and even the very existence of the place.

Bringing the concept right up to date is the Thermae Bath Spa in, most appropriately, Hot Bath Street. From the moment I saw pictures of its stunning architecture and roof top pool the spa was close to the top of my bucket list and as I wanted to experience it to the full I had booked a couple’s massage and visit package some weeks before.

Seeing the queue snaking from the building I was very pleased I had. The website warns that weekends are busy, but later a taxi driver told us that arriving at seven o’clock in the evening for the last two hour session – or first thing in the morning – guarantees a quieter time. Even so the spa was not unpleasantly crowded at any time during our visit.

bath2

The massage suite is on the first floor and after changing and putting on our robes and slippers we went upstairs. The treatment rooms are a series of curved pods and the therapists first class. I have rarely known fifty minutes pass more quickly or more blissfully and we floated into the central relaxation area where we were brought herbal tea and plenty of water. Husband was so blissed out he didn’t even pick up one of the array of glossy magazines on offer, just stared dreamily into space.

When we could be bothered to move we went up to the steam rooms on the next floor. The curved pod design continues, and four of them surround a central rain water shower which varies from gentle drizzle to tropical downpour. Each pod has a different scent; lotus flower, ginger, sandalwood or mentholyptus. The last one was incredibly strong and certainly cleared the sinuses but the sandalwood was our favourite.

bathuk3

Then it was up another flight of stairs to the roof top spa pool. Yes, it was busy, but there was plenty of room for everyone and the views over the city and the hills beyond were jaw-droppingly beautiful. We were blessed with sunny weather but even in winter the warm water would keep you cosy. Half the pool is taken up with spa jets and we dabbled here for a while before swimming into calmer waters to relax and people watch, just as the Romans would have done. To our surprise we stayed there for almost an hour but by that stage we were so chilled that time just floated past unnoticed.

We completed our visit with a swim around the indoor thermal pool in the basement and a light meal in the restaurant, which was included in our package. I have to say that we wouldn’t chose to eat there again but on reflection it’s probably best to let spas be spas and restaurants be restaurants. What we will be doing is returning the Thermae Bath Spa for more treatments and to soak and steam ourselves into bliss.

The next morning we got up early to visit the Roman Baths before the coach tours and school trips arrived. It’s a real don’t miss attraction with so much of the original roman architecture on show as well as brilliant background information. You can chose to follow audio guides by Professor Alice Roberts or Bill Bryson, with a separate tour for the kids. But what struck us most of all was how our experience the previous day echoed what has been done in the city for centuries; massage, steam room, thermal baths. Those Romans certainly knew how to live.

 

Face The Music at Ye Olde Rose and Crown Theatre, Walthamstow

OLYMPUS DIGITAL CAMERAWhat struck me most about the All Star Productions cast was how much each actor seemed to enjoy their time on stage, despite the show being set against the backdrop of the ‘Great Depression’.

OLYMPUS DIGITAL CAMERA
Face The Music, originally written by Moss Hart with music and lyrics by Irving Berlin, has been resurrected for a twenty-first century audience at the Ye Olde Rose and Crown Theatre in Walthamstow, but it maintains the character, costume and camaraderie of 1930’s America.

The play centres on the ‘make or break’ theatre show to be directed by Hal Reisman, but in an age of austerity, he struggles to find the financial backing to get the show on the road.

Spurred on by love’s young dream, Kit Baker (Joanna Hughes) and Pat Mason (Alessandro Lubrano), the three meet with bent copper Meshbesher and his eccentric wife Myrtle who are only too happy to splash the cash in a bid to avoid having their haul discovered by the government.

In fact the more the play’s a failure – they’re happy to sink 800,000 dollars into the production – the happier the couple are, as it will cover their dodgy money trail.

And so a round of auditions ensues which sees jazz hands, tap dancing and catchy sing-alongs such as ‘On a roof in Manhattan’, ‘My beautiful rhinestone girl’ and ‘If you believe’.

I particularly enjoyed the relationship between plain PC O’Rourke (James Holbrooke) and the sultry streetwalker (Joanne Clifton) as she woos him to avoid being sent to prison and instead is given the opportunity to join the cast.

 

However, the play is missing one big thing – sex. As they say, ‘sex sells’ and once the ladies start to strip off, the show is a success, even with the most critical of reviewers.

OLYMPUS DIGITAL CAMERA

Ultimately, the show’s success is the cause of the Meshbesher’s failure, as they’re dragged to court to answer to the charge, of corruption, extortion and embezzlement.

 

Leading lady, Joanna Hughes, had a serene yet authoritative presence on the stage and James Holbrooke’s facial expressions capture each emotion portrayed by his character perfectly.

 

Directed by Brendan Matthews, Face The Music is a fun and enlightening production and a big round of applause should also go to the orchestra tucked away in the corner of the stage area.

 

Face The Music is on at Ye Olde Rose and Crown Theatre, Walthamstow until 3 July, tickets available from the box office on 020 8520 8674. Ps, you may want to arrive early to sample the pizza from the make shift hut just outside the pub…

 

 

‘We Are The Future’ … A Fusion Of Artistic Talent

10996978_781657255257951_8583944636270410241_o[1]Based in Toulouse and with their last (movie) track featuring at the 2015 Cannes Film Festival, ‘We Are The Future’ is an upcoming duo to keep an eye on.

https://soundcloud.com/we-are-the-future/we-are-the-future-legacy-bande-son

Formed in December 2013, ‘We Are The Future’ is a due featuring Alex CORTAX (DJ / songwriter / radio host specialized electronic culture music) and John COST (professional musician / keyboardist / arranger / sound engineer) using Apple Certified (Apple Certified Pro) on the Logic Pro software.

. This ground-breaking duo, with a passion for electronic music, live and work together, creating ‘We Are The Future’, which they define as a “Futuristic world, a mixture of generations, a fusion of artistic talent, pooling open to the future” featuring as resident DJs on Radio FG USA.

 With a timeless and universal vibe, they work on Pioneer CDJ2000 decks using ‘Seratto’ software and Pro compositions ‘Logic’.

10470811_649481118475566_7942033052567392183_n[1]

Alex Cortax, whose real name is Alexis Costa, is a young French composer of Electro Dance Music ( EDM), Electro and House.  Passionate about music, the electronic music influences came from his mother – Alex defines himself as part of a world that is both modern and futuristic, His steps into the musical arena came at the age of 14, wring strong compositions at the age of 15.

Starting on “Asus” then drifting on “Macbook pro” Alex Cortax is relentless, writing and re-mixing tracks, being influenced by artists such as Gregori Klosman, Sidney Samson, Nicky Romero and Aviccii.

He started on software such as ‘Virtual DJ’, purchasing a controller ‘Nurmark’ with ‘Tracktor’ software, ending up on Pioneer CDJ2000 decks with ‘Serrato’.

When it comes to production, Alex works with ‘FL Studio’, ‘Logic Pro’ and ‘Ableton’.

His visual identity is a concrete example of his artistic influences.  His logo reflects his personality, living in a futuristic environment with strong grey and robotic typology set against a burgundy background – colour dynamics which give a ‘sense of motion’ – watchwords in Alex Cortax’s vocabulary.

10284568_801353209955022_2094375205120368182_o[1]

‘We Are The Future’ collaborations include:
https://www.youtube.com/watch?v=_m6xG9tosjQ

https://www.youtube.com/watch?v=50ltIM83dPg

https://www.youtube.com/watch?v=HtsnnirBErE

https://www.youtube.com/watch?v=HtsnnirBErE&authuser=0

Facebook fan page for Alex CORTAX:
https://www.facebook.com/pages/Alex-CORTAX/117688138334457

Facebook fan page for the group ‘We Are The Future’
https://www.facebook.com/wearethefuturemusic

Soundcloud:

https://soundcloud.com/we-are-the-future