A young American in a foreign land, ignorant to the culture and the language, at the crossroads of life, in search cheap booze and an ecstatic high. At first impressions, Crystal Fairy seems depressingly familiar. I’ve personally seen enough dopey nonsense about Americans running amok overseas to last a lifetime. Thankfully such thoughts are quickly dismissed in this unpolished original, made as a small off the cuff project next to psychological thriller Magic Magic by writer and Sebastian Silva. Shot in a largely improvised manner, the film centres on Jamie (Michael Cera, also star of Magic Magic), an obnoxious and self centred young man travelling across Chile with a group of local friends. Drunk at a party, he runs into a fellow American going by ‘Crystal Fairy’ (Gaby Hoffmann), an incredibly enthusiastic mystic willing to see the good in everyone and everything. He inadvertently invites her along with his friends to the north coast where they plan to sample the famed San Pedro cactus juice, known for it’s potent hallucinogenic effects. It’s an idea he immediately regrets as her easy going charm rubs his selfish impulses the wrong way and the group gravitate far more towards her than him. Perhaps losing their heads together may be the only way to get on with one another…
In a set up that seems painfully familiar, Crystal Fairy’s primary success is finding a fresh vitality in the worn material. Part of this is down to the beautiful photography of the film. From the urgency of the cityscape to the desolate yet hauntingly beautiful Atacama Desert, the handheld camerawork gives a woozy vibrancy to the films look that matches up with the story tone perfectly. The camera is constantly roving to find detail from the rhythms of everyday local life to fleeting gestures that betray the characters inner thoughts and motives. Its a style that best suits the semi improvisational tone of the writing and characterization. While there is a sense of narrative drift that some viewers may not have the patience for, if they do they will be rewarded by a deviation from the norms you expect from the set up. Jamie and Crystal sound on paper like incredibly two dimensional characters; the ignorant jerk and the manic pixie dream girl. Yet in the midst of the bleak landscape, wry humour and refreshing honesty they come to life in a believable manner that fleshes both of them out.
This characterization is further complimented by the excellent performances of both Cera and Hoffman. Cera’s presence could have potentially drawn more unwelcome parallels with thestereotypical fool abroad trope. Having made his name in nebbish, exasperated roles from Arrested Development onward some would argue that he has acted his way into a typecast corner. It’s refreshing to see him not only acting in such a niche project but also that he embraces such an unlikeable character. Jamie is spiky, attention seeking and outwardly hostile to pretty much everyone he crosses paths with. It’s a credit to Cera that his naive charm manages to overcome Jamie’s imperfections and make the inevitable softening of his edges work. Hoffmann pretty much steals the show, her eccentric energy lightening up the screen in pretty much every appearance and avoiding the pitfalls of annoyance that similar characters have fallen into. Together they see through a film that thankfully sidesteps convention and offers up a telling glimpse of young fears, desires and potential hope.
