Emily Mortimer on her Glamourous role

Emily Mortimer thinks voicing an animated car is the most “glamorous” role she has ever had.

The British actress voices sexy sports car Holley Shiftwell in forthcoming sequel ‘Cars 2’ and was relieved she didn’t have to appear on screen because of her “bad” hair.

She said: “I’m convinced this is the most glamorous I’ll ever be in celluloid on this film.

“And luckily I don’t have any hair because my hair has always been my downfall. My hair looks really bad in all my movies so I was delighted to be a car that doesn’t have hair. I look better in this movie than I ever have or ever will look in any other movie.

“Even my agent complains about my hair.”

Emily’s character is also an undercover spy but she insists she could never have based her portrayal on one of the glamorous women who feature in ‘James Bond’ movies.

She explained: “I couldn’t do that because I knew if I tried to emulate a ‘Bond’ heroine I would just fall flat on my face.

“I just had to be me in that world. My natural instinct was to just do what I would feel, which is just completely dippy and pathetic in that situation and that’s what I was doing.

“Then we realised that if she was out in the field, in this high-powered spy mission, she wouldn’t be quite so c**p as that so we developed it together over time.”

Jim Carrey On The Lookout For Love.

Jim Carrey doesn’t know if he’ll ever find someone to spend the rest of his life with.

The ‘Mr. Popper’s Penguins’ actor – who split from girlfriend of five years Jenny McCarthy in 2010 – admitted after having had to “erase” a number of former flames from his life, he doesn’t know if he will ever commit to another person fully.

He said: “I’ve been erased and I know what it’s like to erase someone. You know the feeling when you loved somebody and it ends and you feel as if they’ve moved on or maybe even none of it ever mattered? It’s a terrible feeling.

“But everything in my life comes to me for a reason, to step me up to another level and to make me learn. Every single relationship has brought me a little bit closer to realising what I want and what I don’t want, and teaching me the value of love.

“I don’t know if I’ll ever actually find somebody I can hang with for the rest of my life.”

The 49-year-old star – who has battled with depression in the past – explained he has on occasions veered into a “bad neighbourhood” in his life.

Jim added to the Daily Telegraph newspaper: “I veer off the road once in a while and take the off-ramp into a bad neighbourhood and live there for a while, but it’s not usually very long.

“Everything starts to go wrong and you can only stay in that mode for a short time if you’re awake and sober and looking at the universe.”

Andy Serkis and Host Of Stars Celebrate Young Actors Theatre

Who and Where The launch of Alice’s Adventure in Wonderland audio book along with the all star cast including Simon Callow, Chloe Moretz, Andy Serkis, Sandi Toksvig, Paul Whitehouse, Celia Imrie, Dexter Fletcher, Asa Butterfield and other members of The Young Actors Theatre, Islington.

When On Wednesday June 15 / 18:00 / Young Actors Theatre

Frost had a wonderful time at YATI’s launch for the Alice in Wonderland audio book, the theatre made us feel like we had fallen down the hole after Alice, the cast did a reading and performed some songs, and all the while we sipped cocktails and munched canapes. It was a fun (alcoholic) tea party indeed.

I had a chat with the wonderful and polite Andy Serkis, who told me that the Young Actors Theatre had given him his start when he was 18. Asa Butterfield, fresh from a Martin Scorsese lead, put all his success at the door of the theatre, saying that he would never be where he is now without them.

In a bid to raise much needed funds and awareness of the continuing work that Islington’s YATI carries out with budding actors and performers from within the local community, the non subsidised community theatre and acting school has given its young professionals the chance to experience the demands and fun of recording this enduring classic, alongside some of the country’s best-loved actors and performers, all of whom have generously donated their contributions to support this fund-raising initiative, to support the launch of the developing potential fund and create a brand new audio book version of Alice’s Adventures in Wonderland

In the current climate, it is more important than ever for small, community based organisations such as YATI to be pro-active in generating the income to continue to fund an environment where young people from all walks of life can transform their lives

‘YATI is not only an important part of the local community’ says Andy Serkis, (The Mock Turtle), ‘but is also an invaluable resource for young actors and performers from all walks of life to get an introduction into the acting profession’ before adding;

‘How better then to celebrate the ongoing achievements of the theatre than to bring members past and present together with some of the country’s best actors working today to record a new and fun version of Lewis Carroll’s classic Alice’s Adventures in Wonderland’

Andrew Harries, Artistic Director of YATI, says; ‘This is a pivotal time for YATI and we want to celebrate the achievements of the theatre. We have more classes and opportunities for young people in the community than ever before and our members are experiencing an impressive amount of professional success with appearances in The Kings Speech, Attack the Block and Horrid Henry – and that’s just the past 12 months.

And what better way to raise awareness of the theatre, gain the support of the wider community and invest in the futures of as many young people as possible than with the launch of this exciting and fun new version of Alice’s Adventures in Wonderland. It is great to see YATI students acting alongside some of the nations best loved talent.’

The Young Actors Theatre deserves public funding for all of the hard, amazing work they have done over the years.to support them, buy the CD, volunteer or give them some much needed cash, Young Actors Theatre

Apprentice Felicity Jackson Gives Frost the Low-down on ‘Surviving Actors’.

Felicity Jackson has been known in the acting industry for years now thanks to her awesome Surviving Actors convention. This year she also came to the attention of Alan Sugar, becoming one of his apprentices. She gives us the goss on business, acting and her apprentice experience.

1) What was the idea behind Surviving actors?

Surviving Actors was a initially going to be a recruitment fair for actors to find those “in between” jobs. We then added the two other key areas to the event – Develop and Create. We believe that all three areas are important to a successful career!

2) How did you make surviving actors a success?
Surviving Actors was a success from our first event because I made sure that I spoke to as many actors as I could to form an event that would be useful to all those involved. We also gained support from Fourth Wall Magazine who were a huge help with our website and marketing.

3) The last surviving actors was a resounding success, everyone I knew was there, how does that feel?
It was an incredible feeling – the event doubled in size, and the response was phenomenal. It definitely inspired me to carry on running my events and to work on what I have already achieved.

4) What is your background?
I went to Drama School to train as an actress which I enjoyed immensely. After graduating I was fortunate to work in a couple of tours, and also did various “in between jobs” which is where I gained a lot of my contacts that I share with the Surviving Actors visitors. I then came up with the idea to set up my own business, and now that is what I do full time!

5) What is the most important thing you have learned in business?
I’ve learnt that in order to maintain a successful business you must build good relationships with other similar companies who are the same stages – you really can help each other out!

6) What is the most important thing an actor can do to help their career?
I believe that planning for those ” in between ” times is extremely important – finding well paid work that utilises your acting skills. I also believe in taking chances, putting your own work on and not sitting back and waiting for the phone to ring!

7) How was your Apprentice experience?
Wow – it’s hard to summarise it in just one sentence! It was a crazy and surreal experience, but I loved every second of it! The board room is pretty scary – no amount of auditions can every prepare you for those nerves! I was inspired by the other candidates I worked with, and learnt from all the tasks I was involved in! My favourite point was when we were doing the graphic design for “Ampi Apps” – it was refreshing to use my creative skills!

8) How can companies get involved with Surviving Actors?
Companies can become involved by exhibiting at our next convention in Manchester on July 23rd. It’s a great chance to meet actors who could benefit from the services that they offer. The day is well thought out, and always keeps the actors needs at the fore front of every decision. It’s created by actors, for actors!

9) What’s next?
Well our next event is at Manchester University, Renold Building on July 23rd 2011 – you can register for a free e-ticket here @ http://survivingactors.com/register.html
We are back in London in January 2012!

Thanks Felicity

Leoni Kibbey Finishes Short Film Bird Brain.

In an highly competitive industry Leoni Kibbey is flying high indeed. She has a successful career as an actress, casting director and now, producer. Leoni just finished her short film Bird Brain.

Leoni Kibbey, age 35 from St Albans is a Casting Director and actress who is now producing her own movies. She has plans to make feature films but must first prove her talent with short movies. The first short she produced ‘Chasing’ was screened at the East End Film Festival and 2Days Laughter short film festival. Leoni’s work as Casting Director is flourishing… she is currently working on five feature films including Shakespeare’s Daughter a $25million feature for which she has interest from Renee Zellweger.

Bird Brain will be a steppingstone to producing her own feature films. Leoni knows it is all about the ability to pull together the best team around you and she has a fantastic crew attached and is now raising the funds to produce her movie to the best standard possible. The Director is Giles Greenwood whose last two short films were qualified for the Academy Awards and who is about to shoot his first feature – a thriller in Sri Lanka. Ilan Eshkeri is the composer on the film – he worked on the films Kick-Ass, Centurion, Layer-Cake & Stardust and the post production is being done by Ridley Scott’s Post Production House. A team which bring high hopes for the film winning awards at prestigious festivals!!

Leoni says: “I have always been in awe of the process of filmmaking. Over the last few years I’ve learned so much about the process with my casting & acting work and I feel ready and able to tell my own unique stories..our feathered friends have always held a special place in my life – I was lucky enough to be brought up around some beautiful wildlife in the lake district which is why, when I saw the first draft of the script Bird Brain written by co-writer Colin Moody, I saw a gem that could be developed into something quite special. It is no easy task to produce a film while bringing up two young daughters and continuing my casting work but this is one challenge I am very excited about. In the film world there are a lot of delays and I figured the best way to get ahead in this tough industry is to do it yourself!”

So what is the film about?
Bird Brain is a 20minute short film about a famous birdlife TV presenter and his wife. It is a thriller/film noir. It will be shot on the RED Camera to achieve a beautiful look. The script has received great praise. You can see the full synopsis and more info the film website. www.birdbrainmovie.com .

Would you like to invest?
Everyone can be involved. There are levels of investment from £6 to £10,000 and no matter how much you donate you will be a part of the film and get something in return.

Producer Leoni Kibbey is offering a part in the film or to be a crew member on the film for anyone who comes on board at associate or exec producer level as well as the opportunity to be involved in deciding which birds we feature in the movie. Other ways you can help are to share this article and campaign with anyone who you think may be able to help.

For more information and to find out how to donate email birdbrainmovie@gmail.com

Frosts interview with Leoni is here.

Become a Cannes VIP and Star in a film for Stella Artois

Would you like to star in a film that will premiere at the Cannes Film Festival? Actors all over the globe dream of an opportunity like this.

Stella Artois has launching the ultimate film fan’s competition offering would-be stars the chance to play Jacques d’Azur, the legendary ‘King Of Cannes’, in the highly anticipated biopic of his life. In addition to playing the leading role in the film, the lucky winner willalso attend the prestigious Cannes Film Festival where the movie will premiere, and will receive movie star treatment throughout their trip. Would-be leading ladies need not miss out on all the fun – the online casting call alsooffers the opportunity to audition for a starring role playing opposite the legendaryJacques d’Azur.

Following Jacques d’Azur’s mysterious disappearance in 2010, Stella Artois launched a search for his rightful heir who was treated to Jacques’ week at the Cannes Film Festival.

Having been missing for over a year, Jacques is presumed dead, and all of Hollywood eagerly anticipates the movie of his life. But the greatest challenge still lies ahead – noactor can be found to play the leading role.
Stella Artois is now kicking off the search for the perfect leading man, using the latest in digital technology to ensure would-be Jacques’ from far and wide have the chance to audition.

The winner of this once in a lifetime opportunity will jet off to Cannes to film their part,and will then be treated to a five star experience befitting their newfound celebrity.
In true film star style, the premiere will be followed by a star studded party at Chez Jacques’, Stella Artois’ luxury, invitation-only lounge at the Carlton Hotel’s exclusivebeachfront property in Cannes.

To enter, budding movie stars will need to film their scenes on their webcam and this footage will then be seamlessly added with the leading lady’s scenes to produce a casting film which would-be Jacques’ can share with their friends and family online. On April 1st, all submitted casting tapes will be put before our panel of distinguished judges who will select a short list of 200 Jacques’hopefuls, to be announced on April 5, 2011. The star of the film will be chosen from this short list.

Visit www.stellaartois.com for details and to apply. Good Luck!

Where goes the Sisterhood?

Every Wednesday, for a few weeks now, I have been in pain. Not through an exercise class, but through watching those awful, bitchyl ‘women’ on the Apprentice. It’s excruciating TV at it’s most excruciating. The embarrassment, the disappointment I have in them; it’s actually almost too much to bear. The women I know do not act like this. The vast majority of them anyway.

Which leads me into the million dollar question: Where goes the sisterhood? I am an actor (They don’t like it when you use actress, I really don’t care), I am also a business women, a writer, a daughter, a friend. I do not have an actual sister. I am over expecting women to give me a hand up in my acting career. In business, maybe. In writing, very probably. I have had advice from other female writers. But the acting? No, there is far too few roles. They put so much pressure on us to be young and thin that it feels like we end up hating each other. The patriarchal society wins again – but only because we let it.

Which is a shame, as I think one of the reasons that I have the luck to be a working actor is because of how I relate to other people. I have given advice to a lot of women wanting to be actors. Both younger and older. Some of them do not even know what Spotlight is. For the non theatrical amongst you, Spotlight is an online directory of actors. Most castings come through it. If you are an actor who is not on Spotlight, success is about nil.

I can’t say I have felt the same back. I mostly feel that the more successful I become, the more other women hate me. Not just jealousy, I hate jealousy but it’s forgivable- No, actual hate. They hate me for being younger than them, thinner or for having a better agent. I did a bit part in a very popular show recently and one of the main actors, a female, incredibly famous, some might say an institution, was so horrendous to me I questioned my life choices. Why spend your life on a film set with assholes? I could be travelling around America, doing aid work, writing a book. But, no, I am having lunch when a millionaire, far more powerful than me, who is trying to get me to move from the seat I am on because she wants to sit there, and then huffs off with her cronies when I refuse. It’s Mean Girls – with middle aged women.

Then there is the younger women, or the ones my age. I went an audition only to see a (now ex) friend. It was the third or fourth time I had seen her at an audition in a few months. She looked horrified as I walked in the door. Loudly exclaimed: ‘Oh, YOU’RE here. You’re at EVERYTHING. ‘ and then stalked off. She then preceded to bitch about me to every other women there. I had no idea what she was saying, but none of them would talk to me. There is a bitter sweet end: I got the part.

All of this reminded of me of a quote that I recently read: ‘With men it’s their enemies that tear them apart, with women it’s their friends.’ It’s depressing because it is largely true. I have a young playing age. I still get cast as teenagers. And nothing is more cruel than a teenage girl. Except maybe an ageing actress.

I was recently told on a film set that: ‘You will not be beautiful forever, you will lose your beauty, everything will leave you, you will have nothing left. You will become just like me.’ by a mad foreign actor. I doubt I will end up like you love, as I am not bitter and full of hate. Thanks anyway.

This is not to bring all women down. I got my start in writing through females. I have had advice and friendship. I have an amazing circle of female friends. But it took until my 20’s for that to happen. And sometimes I learn the worst of them. I grow up amongst men. The women I tend to not get along with are sensitive. The male ego is more fragile, but sometimes it seems that you can’t say anything to a women without her taking it the wrong way. All my female friends are laid back, down to earth, genuine people. I love them dearly. My life would be grey without them. I am aware of my luck.

So what do the women of The Apprentice have to learn? That they are holding themselves back. Melissa Cohen blamed the two men on the boardroom who were ‘picking on her’ for her swift exit. Her lack of self awareness was astounding. She was fired because she deserved to be. Unless women stop fighting with each other, stop being competitive and bringing each other down, this will always be a man’s world. Because, after all, should we really be fighting against sexism and each other?

Catherine Balavage

Click and Submit Services for UK Actors {The Film Set}

We’re constantly being told that 90% of an actors job is looking for work. While that’s a massive sweeping generalisation, it is in most ways true. Some of that 90% counts for marketing yourself and going towards making you a more appealing “brand” (so I’m counting going to the gym as work…certainly feels like it). A large proportion of the active looking for work involves click and submit websites. All of these suit different Actors at different stages in their careers but are valid in their own ways…but here’s what we’ve found out.

Starnow

{ Genevieve } Suits people beginning their career or with a really unusual look. Starnow doesn’t have any minimum requirements to join and because of this, there are always loads of people willing to work for free on the site trying to gain experience. It attracts low budget productions or small independant production companies trying to maximise their margins. There’s a huge number of irrelevant jobs on there but it’s usually the first point of call for producers looking for people with very unusual (character) or glamour model looks.

Occasionally there’s a gem of a job in amongst the hubub and I’ve been told that producers post jobs on there because they like the easy user interface.

{ Catherine }  I have been on Star Now for years and people wonder why sometimes as I am no longer a beginner. The answer is above. Occasionally, it has a gem of a job. In my case, a Placebo musiv video I did that has had millions of views. I get recognised a lot from it.

£35.94 for 6 Months

Shooting People

{ Catherine } Shooting people is amazing. Relatively cheap, a hubbub of film making. A lot of the castings are unpaid but you will be in contact with the next Spielberg or Scorsese. It has a good community and some good castings. You can also put up your showreel and films and share with other film makers. Well worth it and affordable. They also do monthly meet ups.

£30 per year

Spotlight

{ Genevieve } The huge majority of professional Actors are on Spotlight’s database. Your page can be viewed by anyone you give the link to or by casting professionals. It’s also published in book form yearly. The book deadline is such a massive event that photographers create special discounts before the deadline to give themselves a competitive edge. The criteria for being listed on the database are fairly strict, it’s limited to professionaly trained or experienced performers. If you have have an agent on your Spotlight profile you won’t even need to submit yourself for breakdowns. They already do that for you. A chat recently with someone in the Spotlight offices recently revealed that unrepresented actors only get 5% of the breakdowns sent. A represented actor will get an additional 75% of the breakdowns sent and there are a few Producers or Casting Directors that prefer to work with Agencies they have established a business relationship with so they choose who to send their breakdowns to…you might think this is unfair considering all the Performers pay the same subscription rate but this selectiveness ensures Spotlight retains the custom of the most productive Casting professionals. Casting professionals pay a subscription too and it’s this level of flexibility and vetting that means Spotlight breakdowns are always from the higher end of the market. If you don’t have an agent then Spotlight can act as a forwarding service for you, giving you some distance from crazed fans. Having a Spotlight card also gets you discounts from a number if retailers and services.

{ Catherine } Spotlight is invaluable. If you are not in it, you are invisible.

Cost varies depending on what time of year you join and what book you want to be listed in but roughly around £177 for one year for Actors and Actresses.

PCR – Production and Casting Report

{ Catherine } Every actor has had PCR at some point in their life. It used to have the hold of Spotlight and be essential. A rite of passage. Again, your agent will get this. It is posted to you and then you post off your CV and headshot or email. Depending on the casting directors preference. It comes on red paper and a lot of the castings will not be happening for a while. It is great for building up contacts. If you can afford it, get it.

£22.46 per month

Casting Call Pro

{ Genevieve } Easy to use website for Actors where you can have your profile online and submit yourself to acting jobs. The membership options are clear and upfront. It’s free to have a profile on the site and apply to unpaid jobs. To register on the site you need to have professional experience or training. Premium membership will allow you to apply for paid jobs, have more photos online and more attachments (Showreels, voicereels etc.) The database is searchable and employers do and will search for you. You can chose to be listed in Google searches or hidden from it and they provides statistics so you can see who’s searching for you online and viewed your profile. There’s a huge mix of jobs on the site, mainly as it’s free to post a casting call and easy to use.

The site also has a huge resource section with details of agents, photographers and services and makes it really easy to find a headshot photographer you like by automatically linking actors headshots with the photographers profile page. There’s an active forum which makes you feel like part of a community, constantly looking for work can be a bit isolating. The yearly socials are good fun and the team behind the website are really friendly.

{ Catherine } Been on it since the beginning. Good for a sense of community and gets good castings.

£117.50 a year for premium membership, free for basic membership.

CastWeb

{ Catherine } Castweb is different from the other services as you get emails about castings,’breakdowns as we call them, and then email the casting director your CV and headshot. It is mostly for agents but I have had a lot of luck with it. It is quite expensive. However, one good job will pay that off. If you can afford it, get it. Your agent will already have it. So ask them if it is needed if money is very short.

£139.95 for 12 Months

Mandy.com

{ Genevieve } A TV and Film production website with a casting section. Free to register as an Actor and upload your photo and CV and also to apply to all the casting calls. Anyone can register but there are few paid opportunities. Fantastic if you are looking to build a showreel. The profile’s arn’t searchable but it’s really easy to submit your details to a job if you’re interested in it.

{ Catherine } Definitely worth it. Free and has the occasional amazing job.

Free

Talent Circle

{ Genevieve } Another free site that allows you to submit yourself for jobs. The site mainly has unpaid student productions of the odd researcher looking for something obscure and has already tried everywhere else. You can choose to receive notifications of new jobs daily via email which makes it really easy to stay on the ball. Sadly though it never saves any of your details which makes applying for jobs an enormous chore. When you’re applying for hundreds of jobs a week you want it to be as painless as possible. However…it is free.

{ Catherine } Also worth it if you have the time. At the beginning of my career I got some very good jobs from it.

Free

Gumtree/Craigslist/Buying a role on eBay…Don’t do it kids.

Ciao for now! Genevieve and Catherine

If you have a topic you’d like covered or something to contribute then send it to info@frostmagazine.com.