Stephanie Manns Come Closer Album Review

Stephanie MannsMy first thought on Stephanie Manns album is how cool the actual CD is; it is designed like a vinyl record. Pretty cool. Next up is how upbeat and happy the album is. Starting with the optimistic and happy ‘Follow You’, singer/songwriter Stephanie Manns has made a truly impressive debut album. She has a beautiful voice and a talent for songwriting. She writes wonderfully heartfelt lyrics.

Country, Americana and folk artist inspired; the use of guitar and ukulele really adds to the (mostly) upbeat tracks. The album is 10 tracks long and there is not even one dud song. An accomplished debut. Impressive.

“Without a doubt, Stephanie Manns is a singersongwriter with the raw talent, and sure promise of future success.” Maverick Magazine

 

Anthemic Americana… Catchy guitar and pristine vocals.”Diva Magazine

 

Stunning Debut Album from Glasgow Based Singer-Songwriter Stephanie Manns

Multi-talented singer-songwriter Stephanie Manns has released her debut album Come Closer – a positively beautiful collection of original songs from the UK’s most exciting new country, Americana and folk artist.

 

From the heartfelt and optimistic tones of opening track “Follow You” to the genuinely moving missive “The Way You Want Me To” and the melancholic yet hopeful “All Over”, Come Closer is an accomplished album of exquisitely performed songs, infused with inclusive and attractive melodies, which also deeply captivates the listener through Manns’ heartwarmingly sincere lyrics.

Refining her skills on the Scottish acoustic music scene, Stephanie has supported Blues Legend Joan Armatrading, Ultravox’s Midge Ure, alt-country troubadours Ahab and Brit award winner Emeli Sandé. It was during this time that Stephanie was discovered by national arts organisation Creative Scotland, who strongly supported her cause, helping Stephanie to fund the album as an independent artist.

Manns’ songwriting has been heavily influenced by Tift Merritt, Madison Violet and Patti Griffin, which is apparent throughout the album and serves to enhance the body of work as a whole. Come Closer illuminates Manns as a brilliantly gifted artist, who writes charmingly enjoyable songs that have the ability to move a diverse array of music lovers.

 

Come Closer is available to buy on iTunes

 

www.stephaniemanns.com/

 

https://en-gb.facebook.com/Stephaniemannsmusic

 

https://twitter.com/StephanieManns

 

Made In Chelsea Trio Front Row At The Ong-Oaj Pairam Show

ONG-OAJ PAIRAM LAUNCHES NEW AW14 COLLECTION FOLLOWING A SUCESSFUL CATWALK SHOW

British-Thai designer Ong-Oaj Pairam showcased his third season yesterday during a successful runway show at Fashion Scout, Freemasons Hall. The show explored a fascination with danger, dreaming up an army of seductive super villains inspired by the designer’s all-time favourite anti-hero Ursula from the Little Mermaid and was attended by Binky, Louise and Mark from Made In Chelsea.

made in chelsea made in chelsea fashion week

Ong-Oaj uses the finest British textiles and original prints, many pieces accented with hours of hand embroidery. The colour pallet reflects the warning markings of dangerous animals, dark sultry dresses are accented with toxic bright outwear and metallic snakeskin accessories. Ong-Oaj developed his prints drawing on inspiration from the darker works of American modernist artist Charlie Harper, and through an exploration of toxic animals and plants.

 

Permanent Make Up Artist Karen Betts Interview

Why are we doing an interview with a permanent make up artist you may ask. Permanent make up isn’t very ‘Frost’ usually, but Karen Betts is different. She gives the gift of confidence to those with illness. Like people who have lost their eyebrows to cancer. Karen has changed the lives of many individuals with medical permanent tattooing. See the photo below as an example. The other two pictures are Karen with Arlene Phillips and Katie Piper.

makeupeyebrows karenbetts katiepiper

When and why did you first become interested in your profession?

I personally ventured into this field in 1996 after a childhood friend was diagnosed with breast cancer. I was not content with being just a pillar of support and wanted to be able to do more. At the time I ran a hair and beauty salon and a conventional tattooist used to rent one of my rooms, I thought to myself if you could adorn people’s bodies with such complex art why could you not develop a technique that would subtly enhance or replace facial features such as eyebrows. That is when I started my research and discovered a micro pigmentation course in the States.

 

 What, if anything, has given you a competitive edge in this field?

 

My desire to always learn more, continuously develop my skills and share this knowledge with all who carry the Nouveau Contour name. I am not precious and love showing my students techniques I have developed that improve the quality of a treatment plus I am lucky to have a fabulous relationship with the manufacturer of the Nouveau Contour equipment and pigments and year on year we work together to develop and improve our products, we now have over 82 fundamental pigment colours to choose from, the largest range in the industry.

 

Describe your typical working day.

 

I am up very early most days and I do a few hours work on the computer managing my 8 brands before catching the train to one of my 3 training academies in Yorkshire, London or Milton Keynes. I absolutely hate to waste any time so once on the train the laptop is back out and I work solid until I reach my destination. I then either prepare for a training class or a full days clinic where I perform on average 10 permanent cosmetic procedures a day. Then you have guessed it, back on the laptop working on promotional plans, critical paths, training manuals, special offers, and budgets… I could go on and on but in essence I work constant all day every day until either my partner or very patient assistant shouts at me to eat something or go to bed. If there was 8 days in a week I would work them all.

 

 What do you enjoy most about your job?

 

The feel good factor you get when you watch someone’s face light up after his or her treatment is just amazing!

 

 What’s been your biggest professional achievement to date?

 

Whilst a lot of my clients are memorable in their own rights 2 clients over the last few years have really pulled at my heartstrings and tested my capabilities. The first is a lady named Julie who was born with a cleft lip. Julie’s cleft lip has affected her confidence for as long as she can remember, aware that the shape of her lip had held her back and prevented her from making the most of her life I wanted to give Julie the perfect lip shape she had always dreamed of. To restore a cleft lip using permanent cosmetics requires a real level of skill that does not come over night but I am happy to state that Julie was overwhelmed with the results and quoted “Karen created the lip shape I had been looking for my whole life”. Her smile and the big hug she gave me at the end of her treatment spoke volumes and I am not ashamed to say, made me cry.

 

The second lady many people will recognise as her recovery from a brutal acid attack in 2008 was documented in the TV series ‘Katie Piper – My Beautiful Face’. I was honoured when I was able to help Katie. Over a twelve month process, I was able to recreate Katie’s lips, brows and eye definition. Over time our personal and professional relationship developed and in 2012 I was announced as the official and exclusive permanent make-up consultant for The Katie Piper Foundation.

What advice would you give to somebody wanting to become a permanent makeup artist?

 

As Permanent Cosmetics is a very precise procedure, the need for the correct training and support is of the utmost importance. I would advise anyone considering a career in this field  to first attend an insight day if the company offers one, this gives the person an opportunity to discover:

What is permanent cosmetics?

Do I have what it takes to be a successful permanent cosmetics artist?

What are the training options?

How long will the training take and how much will it cost?

What equipment do you need to perform treatments?

What treatments can I train in?

What do I need to do to ensure I get return on my investment?

People also need to look for a company that not only listens to what they want from their training experience but whose trainers actively carry out procedures on a daily basis.

Continuous professional development is paramount in this field as techniques and equipment are improving year on year therefore people should look for training providers who offer continued learning with free workshops and shadowing days.

I also recommend that they ask themselves the following questions:

Am I prepared to change someone’s face?

Have I got the determination and drive to make this a success?

 

What skills can people learn at the Nouveau Contour Training School?

 

We offer a developmental training programme designed to turn absolute beginners into elite permanent cosmetics artists. Our foundation courses range from 8 to 31 days long and the student can choose the training option that best suits their lifestyle and financial budget. For a full explaining of our training options visit http://pro.nouveaubeautygroup.com/nouveau-contour/training-options/

 

What are the pros and cons of permanent makeup?

 

In today’s increasingly fast-paced world, it can be hard work looking our best all the time. Juggling a career with home life is tough and our appearance isn’t always a priority. That’s why each year in the UK; thousands of women and men opt for permanent cosmetic enhancements as a timesaving way to look their best with minimum effort.

 

No longer considered a treatment just for the rich and famous, men and women of all backgrounds and social standing are opting for permanent makeup procedures as a way to save time and in many cases boost confidence.

 

Permanent makeup is also ideal for people who take part in sport, have difficulty applying makeup or are allergic to cosmetics. It can also help to camouflage scarring and bring life-changing benefits to alopecia sufferers and to people who have had breast reconstruction work or have experienced hair loss following chemotherapy treatment.

 

The only downside is there is some poorly trained permanent cosmetics artist offering treatments. Research your technician and be very clear about the result you want to achieve. The main risk is choosing a poorly educated technician just because they may be less expensive. Permanent makeup should be considered exactly that – permanent. Whilst designed to fade you should always regard the treatment as irreversible and when deciding on your technician you should always research the company they trained with, the equipment and pigments they use and indeed when they last refreshed their skills. I would also recommend that you ask to view their portfolio and do not be afraid to ask if it is their own work they are presenting to you.

 

Is there any ‘look’ that you’d refuse to do? For example a very unnatural/dramatic look?

 

With permanent make up it is not about following fashion trends but subtly enhancing or replacing someone’s natural features, obviously I can improve area’s, for example, as we mature we loose volume in our lips and I can use clever shading technique to create the illusion of a softer, plump more youthful mouth, but on the whole I do not look to other people to create permanent make up looks as it is more important to understand the individual personality, lifestyle and look of the person I am treating.

 

 As well as Katie Piper, have you had any celebrity clients?

 

Over the last 16 years I have been able to use my skills to help thousands of ladies both for cosmetic and medical purposes and I pride myself on treating every client exactly the same no matter who they are or what their profession.

 

I am discreet and professional and many high profile clients come to be because of that therefore I can not disclose all my celebrity clients. However on my website with their permission you will see that I have treated Amy Child’s and her manager Claire Powell, Coronation Street actresses Sally Dynevor and Cath Tyldesley, Sugababes Jade Ewan, Olympian Jade Johnson, choreographer, TV presenter and judge of Strictly Come Dancing Arlene Phillips, Spanish model Elen Rivas, TV presenter Lizzie Cundy, TV presenter and model Sue Moxley.

 

Do a lot of celebrities have permanent makeup nowadays?

 

Yes they do and in turn these celebrities speaking out about the benefits of permanent make-up has resulted in many new clients coming to see me for a consultation/treatment for both cosmetic and medical treatments.

 

 What’s the most fulfilling thing about your job i.e. Helping survivors restore confidence

 

I feel privilege everyday that I have a skill that can help rebuild so many people’s confidence and nothing I have achieved beats the look on a clients face when I have restored a feature that they have lost through illness or an accident.

 

What’s your motto, or the key premise / message of your business?

 

My motto is always smile, laugh and try to remain positive even when things are going really bad. Life really is too short to be bogged down with negativity.

 

The key message of my business is education, education is a powerful tool and I have built my training schools on the premise that at Nouveau Beauty Group we offer long term careers not just course, we want all our students to be the best they can be and actively promote continued professional development. I have been in the beauty business for over 20 years and still do not claim to know everything, I love surrounding myself with people from other industries that I can learn from and often I implement their advise into my business model.

 

What are the advantages of permanent makeup over regular makeup?

 

The benefits of permanent makeup over conventional makeup are immeasurable, one example is in the summer when the temperature increases and makeup can sweat off or indeed wash off if you are on holiday and fancy a dip in the pool. With subtly applied permanent cosmetics designed to mimic the most natural makeup look, ladies no longer have to worry about pencilling their eyebrows back in or their eyeliner smudging.

 

I also recommend everyone to watch the video testimonials on my website as these are real women sharing their personal experience of why they opted for permanent makeup and defy anyone to not understand the advantages of permanent makeup over conventional makeup for those living with an altered facial appearance as a result of an accident or illness.

http://www.karenbetts.co.uk/

Charlotte Colbert: Writer, Housewife, Madness | A Day at Home {Ones To Watch}

For our Ones To Watch, Charlotte Colbert, is perfect; A fresh young artist who recently married and is also a screenwriter: her work is not just visually beautiful, it is also original, leaving you thinking about the her work for days after. Frost Loves.

A DAY AT HOME

New series by Charlotte COLBERT

Show: 29th November – 12th December 2013

39 Dover St, London W1S 4NN, UK

Charlotte Colbert (nee Boulay-Goldsmith

A DAY AT HOME, the new photographic series by Charlotte Colbert, playfully explores the relationship between the imagined and the real within the context of the home. She loosely parallels the writer and the housewife as figures struggling to distinguish between the two. Their identities dissolving within the huis-clos of their setting and imaginings. The black and white images, shot on medium format film and shown within the context of their original negative, are like surreal fragments of a dream or nightmare. Using long and double exposures as well as props and distorting mirrors, her camera becomes a portal into the mind of a fictional character.

“When I see the pictures I feel the woman is probably sitting in her clean and comfortable living room. The decay around her is existing solely in her head” Mila Askarova. Director Gazelli Art House

 

charlottecolbert image004

With playful nods to Bourgeois’ “femme-maison”, the visuals of ruins and fairy tales, Colbert questions the daily insanity of being human, more specifically within the context of the home. Shot on location, in a derelict house in Bethnal Green, the ruins become a character in themselves, the murky mindscape from which one cannot escape.

“Some photographers take pictures and others make them. Charlotte is most definitely in the second category, her pictures a gateway into… her search for meaning and her very special way of seeing” Dorothy Bohm, photographer and co-founder Photographers’ Gallery in London

Drawing from her screenwriting, Colbert’s photographic work is strongly anchored within the language of film and story-telling. Her pictures originally conceived as a series, a sequence developed in script format before being shot. A Day At Home builds on the story-telling language of her work. A very personal exploration of the relationship between the writer and the home, the real and the imagined, identity and the self. A study of madness, the fragility of our sense of existence, reality and belonging. The writer and housewife coming together in their sense of isolation, solitude and confinement within a space which both closes in on them but also opens up into an epic landscape of surreal imaginings. Here, the use of medium format film allows for the character to be overwhelmed, defined and even disappear in her surroundings. Only a couple of images are shot in 35mm, the ones exploring the relationship and the mystery of self-perception, the woman’s body rendered grotesque as the viewer is placed between the character and her reflection.

“A truly original visual storyteller her images are hauntingly evocative” Laura Bailey, Vogue

Charlotte Colbert’s work will also feature in the British Heart Foundation’s Tunnel of Love auction in November 2013. Her work Lips Study will be sold for the charity alongside other lots including prints by Damien Hirst and Sir Peter Blake as well as Cartier jewellery and clothes by fashion house Mulberry.

“Sometimes it feels like the thread linking us to the world is so frail that at any time it could break leaving us at the mercy of all our repressed confusion loss and fear” Charlotte Colbert

 

Charlotte Colbert (nee Boulay-Goldsmith) is a photographer and screenwriter based in London.

 

She has developed a distinctive narrative to her work, which can be followed from her large-scale triptychs, to her film-noir series and her more recent medium format stills.

 

In her first solo show, Stornoway, shown at the Wilmotte and Tristan Hoare Gallery in the old Lichfield Studios, she explored the concept of narrative within the still image, building around the sequencing of images in order to express a space and a time. She used traditional 35mm black and white film and showed the pictures within the negative, questioning the way one looks at photography and contextualising it as a record of events and patterns in the greater sequence of meaning. By turning the image around and leaving the negative apparent, she aims to allow the viewer to re-acquire the moment at which the photograph was taken and make the memory their own.

 

She then developed a series: D.R.I.F.T., an acronym for Do Reflections Imagine For Themselves? shown at Proud Gallery and at Gazelli Art House in which she created a loose film noir sequence within the gallery space, giving the viewer clues to construct and imagine a narrative of their own.

Sketch To Host Café Intellectual: Reading Robert Hughes

‘The greatest art critic of our time’ – Jonathan Jones
 Robert_Hughes
On Sunday 13th October, The Parlour at Sketch will host Café Intellectual: Reading Robert Hughes. A Sunday evening salon with selected readings and reflections, screenings and sound bites in honour of the controversial figure hailed as ‘the greatest critic of our time’, Robert Hughes.
Curated by The Field and presented in association with the Royal Academy of Arts’ in honour of their highly anticipated ‘Australia’ exhibition. The evening salon will include presentations from a number of Britain’s most esteemed art-critics and artists, whose work has been affected by Hughes’ legacy.
An array of speakers have been invited to toast the work of RA Honorary Fellow Robert Hughes, who was once described by Peter Carey as ‘Australia’s Dante’. Speakers include curator Paul Bayley, artist Dan Davis, Oxford film and television creative director Nicholas Kent, artist Agatha Gothe-Snape and academic and artist Khadija von Zinnenburg Carroll.
The bar team at sketch will be creating cocktails inspired by Hughes’ work. Guests will be able to sample ‘Fatal Shore’ and ‘Shot of the New’ which have heady blends, evoking Hughes’s famous tones.
“They need a place where they can go to meet and drink and talk, preen themselves or simply sit alone with a book … the cafe was the opera of the dissenters. It was also the marketplace of ideas.” – Robert Hughes

Café Intellectual: Reading Robert Hughes will be held at The Parlour at sketch, on Sunday 13th October, 6:30pm – 8pm

What about women? Asks Cambridge Festival of Ideas

Pregnant_woman2Should there be gender quotas in the boardroom? Why is it still hard for women to be single in 2013? What’s causing the different fertility rates in countries across Euro?

Today’s news headlines highlight the inequalities faced by women. Despite decades of social progress, women are still under-represented in top positions in government and in corporate leadership positions, and heated debates continue over women’s role within religions. Even women’s sporting achievements are still not accorded full recognition in society.

These issues and more, including recent developments in tackling the problem of violence against women, feature during a series of stimulating and challenging public events being held throughout the annual Cambridge Festival of Ideas (23 October – 3 November).

Corporate boards, female quotas and political theory. 6pm– 7pm, Tuesday 29 October. How should we allocate positions of power in today’s corporate sector? Aristotle argued that ‘the best flutes should be given to the best flute players’. Such thinking might lead us to reject the EU’s recent draft directive calling for all listed companies to give at least 40% of their board memberships to women. Drawing on various perspectives from the field of political theory, Dr Jude Browne considers the UK debate on corporate quotas.

How to be a single woman in 2013, whether you’re 25 or 60. 5pm– 6.30pm, Saturday 26 October. Times have never been better for single women. Then why is it still so hard? Four women, experts on psychology and relationships, share their insight and suggestions. The speakers are journalist and broadcaster Rowan Pelling; Cecilia d’Felice, clinical psychologist; Susan Quilliam, a Cambridge-based agony aunt and author; and Zoe Strimpel, a journalist and author on lifestyle and relationship topics.

Zoe, who recently completed an MPhil in Gender Studies at the University of Cambridge, commented, “Newspapers warn women not to ‘wait’ to have babies, adding on the pressure to do this in the context of a picture-perfect relationship with a man. Meanwhile, older single women are either called spinsters or – if they express sexual desire – pumas, cougars, cradle-snatchers. Despite considerable advances in other areas, it’s no wonder being a single woman, particularly aged 30 and above, remains a flashpoint for a huge amount of anxiety. In this discussion, we will unpack what’s gone wrong and how to get round it, joyously.”

Is it a feminist position to encourage women to work and study in male dominated fields? 7.30pm– 9pm, Monday 28 October. The beginnings of feminism date back over a hundred years and it’s 40 years since the equal pay act. Yet we still see inequality in our workplaces. Should a greater emphasis be made on the business case for employers to include a fuller range of talents and skills in the workforce?

Dr Jenny Koenig, a founder member of Cambridge AWiSE (Association of Women in Science and Engineering), will be part of the panel. Dr Koenig’s main interests concern the education and training of scientists, as well as the communication of science and she is a supervisor in Pharmacology for Lucy Cavendish and Wolfson College. A member of Cambridge University Students’ Union Women’s officers will also be on the panel to talk about their ‘I need feminism because…’ campaign.

Can Europe reproduce itself? Debating Europe’s fertility. 6pm– 7.30pm, Monday 28 October. Across the EU, people are having fewer children. However, fertility rates vary widely between countries. This panel considers the factors causing regional fertility differences and will debate Europe’s reproductive future. They will also consider what is behind recent headlines about the increase to the UK’s birth rate. The speakers are Professor David Coleman, Professor Sarah Franklin, Professor Richard Smith, Professor Simon Szreter, and Dr Chris Wilson.

Feminine frontiers of faith. 1pm– 2pm on Wednesday 30 October. A session with women of faith in leadership, featuring Laura Janner-Klausner, Rabbi to the Movement for Reform Judaism and Julie Siddiqi, Executive Director of the Islamic Society of Britain.

Laura and Julie met recently when both were taking part in a leadership course for faith leaders. Julie explained, “Laura and I have shared so many stories over the past few months, highlighting to us how similar the debates are in our respective communities around the issue of gender, the role of women, how that transpires at a community level and the importance that an informed debate still has.”

In this session, both speakers will share some of their own experiences of working as women of faith in Britain, outline some of the current thinking around those issues and give their thoughts about where they think the issue is heading in the future. Both women were independently chosen to speak at the Enough Food IF rally at Hyde Park in front of 40,000 last month on behalf of their faiths.  Is that in itself is a change that signifies a shift in attitudes – women speakers chosen to represent both the Jewish and Islamic faith groups in Britain?

How far have we come? Ending violence against women and girls. 6pm – 7pm, Wednesday 23 October. The problem of violence against women and girls has been prominent in media coverage with many distressing cases coming to light over the last year and more. What steps are being taken through legal processes by organisations and academia to tackle the issues involved? Speakers include Norah Al-Ani of Cambridge Rape Crisis Centre.

There’s no stopping her: insights from Paralympian Claire Harvey. 5.30pm– 6.30pm, Thursday 24 October. The inspirational Paralympian Claire Harvey will also be speaking at the Festival, about her experiences of competition during 2012. Claire was captain of Paralympics GB’s Sitting Volleyball Team at last year’s Paralympics, and she will share her experiences of life, managing challenges and reaching the top of her game. This event has been co-organised with the University’s Equality and Diversity team.

Claire, who graduated from Cambridge University in 2006 with a Master’s degree in Criminology, said, “The 2012 Paralympics were an emotional rollercoaster and I feel so proud of every woman in the team and all that we have accomplished.

“The Paralympics opened up a discussion around disability. People hadn’t necessarily given too much thought to disabled people, and the Paralympics changed that. The Games showed people what social cohesion can achieve. It inspired a spirit of being in something together and working towards a positive goal.

“I fundamentally believe that sport changes lives: it’s vital, not just for athletes, but for people involved at any level, be it as a participant, a volunteer or a supporter. It teaches life skills, confidence, friendship and commitment.

“There are hundreds and hundreds of people in every sport, of different gender, sexuality and ability. The most important thing I’ve learnt is just to be yourself, because that is what has helped me achieve my goals.”

This year’s Cambridge Festival of Ideas is bursting with over 200 events for people of all ages. Those taking part include Rowan Williams, the former Archbishop of Canterbury and Master of Magdalene College, academics Mary Beard, Noreena Hertz, Anthony Giddens, Richard Evans and David Reynolds, artist Quentin Blake, MP Frank Field, authors Owen Jones and MJ Hyland and George the Poet.

The Festival was the first public engagement initiative by a UK university to bring together a large-scale free public programme for all ages exploring the diversity of subjects in the arts, humanities and social sciences. Events are held in lecture halls, theatres, museums and galleries around Cambridge and entry to most is free.

Malavika Anderson, the Festival of Ideas Coordinator, said: “The Festival of Ideas has grown significantly over the last few years, in terms of both the number as well as the diversity of events on offer. We were delighted to have welcomed over 14,000 visitors at the festival in 2012 and look forward to welcoming even more over 12 days this autumn. The theme this year, Frontiers, is being interpreted to explore how borders, boundaries and margins are being either challenged or reinforced around the world. The theme has inspired the development of some truly exciting events.”

The full Festival programme, which features a number of outstanding women across all topics, will be available on Monday, 2 September. For more information, please visit: www.cam.ac.uk/festivalofideas and follow us on:

Twitter: www.twitter.com/camideasfest  #cfi2013

Facebook: www.facebook.com/cambridgefestivalofideas

 

Top Art Galleries In London

London has a lot going for it. With an amazing variety of restaurants and cultural events, London really is the place to be for those who want a rich cultural life. When it comes to art, and a great selection of art galleries, London really does not slouch. There is something here for everyone, from the edgy to the classic. Frost has picked some of the top art galleries in London for you to get started. We will be adding more soon. Put your own suggestions below and join in the art debate.

National Portrait Gallery, St Martin’s Place, WC2H
An art beacon of London. A trip here is not complete without a visit to this gallery. And if you live in London and have not been, shame on you.

Tate Britain, Millbank, Westminster, London SW1P
Classic building, great art. Also has some controversial exhibitions which are quite different.

Saatchi Gallery, Duke of York’s Square, King’s Road, Chelsea, London SW3
Beautiful gallery situated on the King’s Road. Lots of great art here. If you are too busy to go to a gallery then the Saatchi Gallery Online is also where you can find art prints for sale.

Saatchi

Reflected (red canoe) SOLD

Painting

 


 

Charlotte Evans
United States

Saatchi online

Gagged

Drawing

 


 

Álvaro Tomé
Brazil

buy art

I Found The Silence (edition of 25; 4 sold)

Photography


Martin Stranka
Czech Republic

White Cube Gallery, 25-26 Mason’s Yard, Off Duke Street, St James’s, London SW1Y
A bit different and edgy. Worth a visit.

Welcome Collection, 183 Euston Road, Bloomsbury, London NW1
Classic art and amazing exhibitions make the Welcome Collection a great stop for art lovers.

Serpentine Gallery, Kensington Gardens, South Kensington, London W2
Will be reopened on Saturday 8th June 2013. Join us in line.

National Gallery, Trafalgar Square, Westminster, London WC2N
Another classic London art gallery. A must visit.

Somerset House: Embankment Galleries, Strand, Covent Garden, London WC2R

Opened in 2008. The building alone is beautiful and worth going to.

Proud Camden, The Stables Market, Chalk Farm Road, Camden, Camden Town, London NW1
Has great exhibitions and events. We recently enjoyed their Withnail & I exhibition.

Sir John Soane’s Museum, 13 Lincoln’s Inn Fields, London WC2A 3BP
Is a treasure trove of artifacts. A great experience.

What is your favourite museum? Make recommendations below.

 

 

 

Music Profile: Marla Mase Announces Summerstage Appearance

marla maseNYC ARTIST MARLA MASE ANNOUNCES SUMMERSTAGE APPEARANCE

New York rock/crossover artist Marla Mase has confirmed that she and guitarist Tomás Doncker will be bringing her “Speak” show to Summerstage 2013, joining a lineup that includes The Zombies, Django Django, Dead Prez, Lianne la Havas and Rakim. The CD “Speak Deluxe” found Marla touring both China and Europe, being honored by Friends of the UN, and receiving top reviews from publications such as The Huffington Post, who said “her feisty message of peace will perhaps wake up the beast in all of us”.

“Speak” is a multi-media concert and dance piece inspired by the songs of Marla Mase’s acclaimed 2013 album, “Speak Deluxe”. Combining live music, spoken word, dance and visual imagery, Marla has teamed up with choreographer Adrienne Hurd, filmmaker James Jankiewicz, and director/producer Sara Berg (who directed A Brief Night Out, Marla’s rock opera about a women going through a mid-life rock-n-roll crisis in 2012) for one of a kind show. “Speak” presents a powerful portrayal of “the universal woman’s” confinement, sexuality, body image, trauma, oppression and freedom, celebrating the raw reality of the human condition as expressed through the eyes, bodies, and voices of women. Through the expressive movements of a troupe of seven dancers, each of whom has a distinct voice and tale in the mini-stories, the dancers will explore the archetypes that make up the idea of what it means to be a modern woman.

The music, co-written by Marla Mase and Tomás Doncker is an integral part of “Speak” and features elements of Rock-n-Roll with World Beat, Punk, Funk, Electronica, Reggae and Soul and will be performed live at each performance with both Mase and The Tomás Doncker Band.

Marla Mase’s “Speak” performance takes place on June 15th, 2013 in Herbert Von King Park and August 17 at The East River Park. Both performances are free to the public. Event information can be found here.

For more information on Marla Mase, please visit www.marlamase.com and www.speaktheshow.com.

Artist: Marla Mase (backed by Tomás Doncker Band)
Location: New York, New York
Styles: rock (alternative/classic), punk, spoken word, global soul, funk, reggae, experimental
Similar to: Patti Smith, David Byrne, Frank Zappa, Iggy Pop, Ian Dury, GTO’s, Jim Morrison, Henry Rollins
CD: SPEAK DELUXE

Marla Mase is a writer/performer/producer/singer/songwriter from New York City. She writes songs, plays, monologues, short stories, erotica, blogs, and poems. Marla is known for her provocative, raw performance style and intelligent lyrics and is regarded by her peers as being a true musical pioneer of our time. She is backed by the Tomás Doncker Band. Just off her first tour in China where she was invited by the Friends of the UN to perform for UN GLOBAL PEACE DAY in Linzhou City, Marla was given an honorary Messenger of Peace award for her visionary work as a songwriter and performing artist. Her fans span the globe.

Marla is about to release the DELUXE Edition of her album SPEAK (on Feb 28, 2013) which will include the 10 songs on the original 2010 album plus 6 new tracks including Piece of Peace, AnnaRexia (a reggae track featuring
Garrison Hawk from Bill Laswell?s Method of Defiance), and Bill Laswell?s dubmix version of AnnaRexia. AnnaRexia is spearheading the StayImperfect Project or Love Your Butt Campaign, which Marla created to empower women to not only accept but love themselves and their bodies. Proceeds from AnnaRexia as well as emerging artist, Lael Summer?s track, The Good Fight (whose EP Marla co-produced with Doncker) will go towards theprojectheal.org, a non-profit organization founded by two teenage eating disorder survivors, that raises scholarship money for girls whose families cannot afford to send them to treatment.

Mase is currently developing THE SPEAK SHOW, a multi-media concert/performance piece using music (from SPEAK DELUXE), spoken word, dance and visual imagery to explore the themes of confinement, sexuality, body image, trauma, oppression (internal/external) and freedom as a means of celebrating the raw reality of our human condition as expressed through the eyes, bodies, voices of women. It was recently booked for NYC Summerstage 2013.

Her debut album, the rock opera, A Brief Night Out (BNO), tells the story of a woman, having an affair, breaking-down, obsessing on war and re-assessing her life. It is also the soundtrack to a theatrical version of the same story that has been performed in New York City with Broadway Veteran Martin Vidnovic playing all the male roles and also as a one-woman show directed by Sara Berg.

Marla’s play, The Canarsie Line directed by Kathryn Rossetter, ran at The Bank Street Theatre to sold out audiences in 2002. Her play Man/Woman was work-shopped at the Abingdon Theatre in 2004.

Marla has her MA in writing and performance from NYU and is a member of the Phi Beta Kappa Society.

Most importantly Marla is the mother to two beautiful souls.

Members/Instruments:
Marla Mase – Lead Vocals
Tomás Doncker:  guitars, vocals
Josh David :  bass, vocals
James Dellatacoma:  guitars, computer (sounds, etc)
Damon DueWhite:  drums
Alan Grubner:  violin
Heather Powell:  back-up vocals
Manu Koch:  keyboards
Daniel Sadownick:  percussion

Production:
Produced by Tomás Doncker and James Dellatacoma
Engineered by James Dellatacoma of Orange Studios
Mastered by Michael Fossenkemper of Turtletone Studios