Tag Archives: Business of Books

BUSINESS OF BOOKS: FIRST, LAST EVERYTHING – EDITOR AND READING RETREAT ORGANISER CRESSIDA DOWNING

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What was the first piece of book business related advice you were given?

I was told to read widely, but it wasn’t advice I needed to be honest, I’ve been a voracious reader since my early years.  When I was starting out as an editor, I learnt that a book has to be more than just ‘good enough’ to be taken on by agents and publishers.  It needs a spark or something just that little bit more for them to get enthusiastic about it.

 

What was the most recent piece of bookish advice you gave or received?

I was talking to a young person who wanted to get into publishing, and I suggested they try and get a job in a bookshop.  There is no better training ground for understanding the book industry today and for meeting readers.  Readers should be at the heart of everything publishers do, but they can get side-lined!

I think everyone should make friends with their local bookshop.  Booksellers have a wealth of knowledge that they love to share, and bookshops are such beautiful places to spend time in.

 

What piece of advice would you most like to pass on?

Never have a reading pile bigger than your head – actually I can’t say I follow that!  Prioritise reading, it’s really good for your health (many studies have shown) and it’s one of the first things that gets put aside in busy lives.  It can be as simple as setting aside an hour at the weekend as your own personal book moment, and you’ll find it spreads!  Of course if you’re struggling, you can always come on a Reading Retreat…

 

Biography – Cressida Downing is a freelance editor who has worked in bookselling and publishing for over 25 years.  She runs www.readingretreat.co.uk with her business partner, Sara Noel, dedicated to taking readers away and letting them fall back in love with reading again.

BUSINESS OF BOOKS: TAKE FOUR WRITERS – EVENTING, TALKING, PLAYING, UPLIFTING

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JACKIE BALDWIN… EVENTING

Hello, again! This month has been super busy as my son got married on the 11th August. The week before I was so stressed I thought I might spontaneously combust but the day itself was utterly magical! I am now trying to keep the peace between my son’s cat and our two dogs who are not his biggest fans.

On the writing front, the paperback of Perfect Dead will be released on Thursday 23rd August. I am not having a launch as the day before that I am doing an event in Waterstones, Dumfries, with the fabulous Lin Anderson, who is ‘Tartan Noir’ royalty. The event has only recently been confirmed, so imagine my shock when I was meandering along the High Street in Dumfries and came face to face with a large poster of myself and Lin Anderson out on the pavement!

After that, it will be time to knuckle down and get on with the next book in the series.

Have a great month!

 

CLAIRE DYER… TALKING

This month I want to talk about talking. I don’t mean chatting to our friends over coffee or a nice cool glass of Chablis but talking about our books on our hind legs in front of other people.

It’s a very odd thing to do. After all, most writers are notoriously private people and so, to be exposed to actual readers and other writers is odd. Well I find it so anyway.

Why should this be so? Well, I’ve grown used to my books. They are incredibly special but it’s kind of embarrassing to talk about something so familiar, it’s like describing an old pair of jeans, you wonder whether anyone else will really be interested.

After all, by the time a book is published, its author has read it about a million times (OK, I might be exaggerating, but it feels like it), it has been pulled apart, put back together, tweaked, cajoled, buffed and polished to within an inch of its life and therefore, when asked, ‘What’s your book about?’ or ‘How did you think up your main character?’ or ‘Why did you end the book that way?’, it is, strangely, sometimes hard to find the right words.

 

ANGELA PETCH… PLAYING

This month, after the excitement of RNA Conference, I moved south to the Sussex Downs to stay with our eldest daughter, waiting for the birth of her third child. The heat was comparable to our hot weather in Tuscany but the surroundings very different. I had no time for writing, immersed as I was in the world of two and four-year old toddlers. Lego, cars, story reading, bottom wiping, cooking and washing filled my time. We played pretend games, which is not a million miles from being a writer, and all the while, I stored snippets in my head for future stories. It was a privilege to be in England when baby Finn arrived on August 1st.

Instead of creative writing, I’ve managed to squeeze in admin for the first Write Away in Tuscany that takes place at our Tuscan home from September 11th – 18th. I’m back in Italy now, finalising details. Mavis and Dot are being honed in the meantime and Cancer Research is supporting my campaign for funds for the launch of these two ladies.

 

LUCY COLEMAN… UPLIFTING

The arrival of the school holidays means coping with weekly sleepovers, then frenetically trying to catch up with a growing ‘to do’ list. But it’s important to me to grab as much quality family time as possible.

Writers spend a lot of their time living in a world they’ve created. I’m lucky in that I write about life, relationships and the pursuit of a happy ending. I set the mood by playing soft music and having an essential oil diffuser wafting out rose geranium and lavender. It’s uplifting.

This month has been all about preparing for the release of Lucy Coleman’s ‘Snowflakes Over Holly Cove’ on the 18 September 2018. But it’s also a nervous time for an author.

It’s a story about loss and finding love, and as cosy as a mug of hot chocolate! Set in Caswell Bay on the stunningly rugged Gower Coast, it’s one of my favourite places to walk…

 

BUSINESS OF BOOKS: FIRST, LAST, EVERYTHING – ROMANCE AUTHOR CASSANDRA GRAFTON

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What was the first writing advice you were ever given?

If I think back to when I started to seriously consider writing full-length stories, the first piece of advice I recall was ‘just keep putting the words on the page’. After all, you can’t polish and edit a blank page, can you?

At the time, I’d only ever completed short stories, mostly co-written, for online communities. A solo writing project was a challenge in itself, but I didn’t really think of it as ‘writing a novel’ because of the serial nature of posting online.

It was the encouragement (and above advice) from those communities that helped me to get started, and it’s down to their on-going support and feedback that I managed to keep going, no matter what life threw at me. I just kept putting one word after the other, until eventually I’d finished telling the story I wanted to share.

 

Photo copyright is Adrea Scheidler Photography

What was the most recent writing advice you were given?

I follow a lot of writing blogs on Twitter, and many of them have wonderful snippets of advice, one of the most practical of which in recent months was about removing redundant words from your manuscript.

I discovered there were plenty of lists out there, once I’d put ‘redundant words in your novel’ into Google, and soon I was working my way through my extremely long manuscript and culling them (thank you, Word, for the Search and Replace function). In the end, nearly 10,000 redundant words sailed off into the blue yonder; not one of them was missed!

It turns out, however, that my biggest overuse of anything is not a specific word, but a punctuation mark. It was pointed out to me at a writing retreat last year that I need to ‘kill the exclamation mark.’ When I looked into it, I was appalled by how often I used them. I did, indeed, have a bit of a fetish going on. Hopefully, I’ve managed to keep them to a minimum in this blog post!

 

What is the piece of advice you’d most like to pass on?

There are variations on these words, but it boils down “don’t wait for your boat to come in; row out to meet it”.

It’s something I wish I’d taken on-board (if you’ll excuse the pun) earlier in my life. It can, of course, relate to all aspects of life, but with regard to my writing, it translates into this: Don’t let time slip away from you.

I’d wanted to write all my life, but always I made excuses: “no time, children to look after, piles of marking to get through, got to work late, too tired”. Even when the children were teenagers and didn’t need the same level of attention, even when I had an unexpected year of not having to work full time, always I seemed to have an excuse for actually sitting down and doing it.

I was 50 before the realisation struck that I needed to heed this advice – when it almost felt too late. I’d had a recent run-in with cancer, which led to a couple of rather unpleasant years, and as my milestone birthday approached, I started to re-evaluate my life. If I didn’t get my act together and produce a book sometime soon, perhaps I would never fulfil my lifelong dream?

It would be another year (2013) before I finally took the plunge into publishing my first novel. The story had been seven years in the making, for all the aforementioned reasons, but I did it.

It had still been a challenge. I was working full time, long hours, and any writing time was limited to weekends and holidays (thankfully I have a very patient and supportive husband, who would hoover around my chair at weekends as I sat at the computer, or read the paper in a pub when we were on holiday as I scribbled away at scenes in my notebook).

In more recent years, having moved to Switzerland and no longer having a day job, I have had the time to write, but still I procrastinate. My New Year’s Resolution this year was to treat my writing like a job, not a hobby, and I’m improving, but there’s a way to go yet.

So please don’t do as I do, do as I say: don’t let the time slip away from you!

 

Cassandra has published two historical romances and has co-written and published a contemporary cosy mystery/romance. She is currently working on a series of contemporary feel-good romances set in Cornwall. She loves traveling, reading, cats and dry wine and splits her time between Switzerland, where she lives with her husband, and England, where she lives with her characters.

 

https://cassandragrafton.com

BUSINESS OF BOOKS: SENIOR SERVICE

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Jane Cable gives a talk at a local retirement community and finds the learning experience is mutual

It was Liz Fenwick who put me up to it. Since moving to Cornwall I’ve been lucky enough to fall in with a fabulous group of writers who give each other a great deal of support in every conceivable way.

When Liz told our little band she’d had a wonderful afternoon giving a talk at an independent living retirement community and they were looking for more speakers, I jumped at the chance. For two reasons, really; it was just down the road and Liz used those incredibly motivational words: “They give you cake – and they buy books.”

Luckily the talk was to be an informal one. I say luckily because I was also in the middle of preparing for an appearance at Helly’s International Festival with another of our happy Cornish band, historical fiction writer Victoria Cornwall. We’re tackling the serious subject of setting in novels and that’s required thinking, research – and rehearsal.

So on a Thursday afternoon a couple of weeks ago I pottered up the road with a few notes and a rucksack of books on my back. I arrived early and was welcomed by the book club organiser and the community manager and given a Jackanory (for those old enough to remember) style armchair in front of several rows of seats in the elegant dayroom. Slowly but surely the rows started to fill and looking around the room I wondered if I would be able to keep so many elderly people awake.

I needn’t have worried. After my brief introduction and a slightly stuttering start, the questions flowed. When did I write? What was my inspiration? What about editing? There was quite a lively discussion about the use of commas at one point – lively and well informed. These people were serious readers.

But when I mentioned I was researching World War 2 the tables turned and I was the one asking the questions. Some of the residents had very clear memories and two had actually been in Lincolnshire at the time – which made me very excited because it’s where I’m setting my book. Listening to their tales of watching for returning planes from Lincoln Castle, or visiting a cousin based at RAF Scampton, brought the war alive in the way no other research could have done.

This is a generation we’re on the verge of losing. Or if not losing, writing off as too geriatric to make a contribution. How very, very wrong. They were interesting, amusing and fun to be with. Not only do they want to read, but some of them want to write as well. Rather rashly I volunteered to help them start a creative writing group and there are already ten people signed up for the autumn. To be honest I’m feeling just a little out of my depth but I know if I go in with the attitude we’ll all learn from each other then we’ll have a fabulous time.

At the end of the talk I was given tea and the promised cake. Gluten free cake, which the community manager had gone to the trouble of buying specially. I spent so long chatting and signing books that I had a text from my husband asking where I was. I sold so many I had to go back the next day to fulfil the orders.

Since then I have persuaded three more of my Cornish writer friends to book themselves in and the book club calendar’s full until Christmas. And then, I hope they have a party. And I hope I’m invited!

BUSINESS OF BOOKS: FIRST, LAST, EVERYTHING – MAGAZINE FICTION WRITER WENDY CLARKE

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My very first piece of writing advice wasn’t from a writer or about writing but it was advice that would one day help me in my writing career. I was twenty-two and had just taken up my first teaching position at a junior school with open-plan classrooms divided only by bookcases. Being very new to teaching, and still finding my feet (or my voice, if you like), I was always looking for ways to make my teaching more effective. In the classroom area next to mine was a more experienced teacher who, because of the way the classrooms were laid out, could easily be heard. I was impressed with her control of the class and the attention the children gave her. Realising it was something in her voice (her tone, her inflection, her choice of words) I decided that if I copied her style of teaching, I too would achieve success. How naïve! Of course, it was a disaster – a bit like being on stage and being cast in the wrong role.

Back in the staffroom at break time, the teacher I’d been trying to copy could tell something was wrong. When I told her what had happened, she was very kind, sitting me down and making me a coffee before telling me that no two teachers taught in the same way and the children wouldn’t expect them to. In time I would find my own voice. One that I felt comfortable with. One that would be true to me. When I started writing for magazines, I remembered this advice. I didn’t try to copy the style of any other authors, I just wrote stories I loved – in my own way. My first sale came quickly and I have that teacher to thank!

The most recent piece of writing advice I received was from the writing community on social media. It was during a period when I had become disillusioned with the long and tortuous road you needed to travel in order to get your novel published. With magazine writing, you write a story, sub it, forget about it and start on another. There is no middle man (the agent) and, because I have several stories being considered at one time, it feels as though things are always happening. With a novel, you submit to agents and then wait, sometimes many months, for the inevitable rejection. Even if an agent requests the full manuscript (which happened to me six times) it can be months before hearing anything… if at all. In fact, I am still waiting. The readers of my Facebook post heard my sorry tale. Their advice was to submit directly to the publishers who accept manuscripts without the need of an agent. I did and it’s the best advice I could have been given.

Finally, the piece of advice I’d like to pass on is easy. Be kind to yourself. Set reasonable goals (if that’s the type of writer you are) and don’t beat yourself up if you don’t manage to achieve them. Also have breaks from your writing. If I go on holiday, I leave my writing equipment behind. The rest recharges my battery and helps me put my writing into perspective. This doesn’t mean that my brain isn’t still working behind the scenes though. Often, when I switch off from writing, an idea for a story, or the answer to a difficult plot problem, will float into my head as if from nowhere. Writing isn’t something to be forced but to be enjoyed and, if it isn’t, maybe it’s time to ask ourselves why we’re doing it.

 

Wendy Clarke has had over two hundred short stories, and two serials, published in national women’s magazines such as The People’s Friend, Take a Break Fiction Feast and Woman’s Weekly. She lives with her husband in Sussex and has just finished writing her debut novel.

 

https://wendyswritingnow.blogspot.com/

TAKE FOUR WRITERS: TEACHING, THANKING, VENTURING, BOPPING

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CLAIRE DYER… TEACHING

This month I want to talk about what teaching teaches me. Like many other authors I don’t actually spend ALL my time sitting in splendid isolation in a writing garret. In fact, I spend precious little time actually writing, as life tends to get in the way!

And, one such distraction is teaching Creative Writing at Bracknell & Wokingham College. Whilst I relish the chance to encourage and inform my students, what is of perhaps greater benefit to me is the chance to practise what I preach. In my Beginners’ classes we cover the basics tools of writing and in my Improvers and Advanced classes, we take this up a notch. And what I find is that in teaching these topics I get a timely reminder to apply the techniques we cover to my own writing.

I also give my students examples of my early work to critique and this shows me how awful some of the stuff I used to produce actually was! A salutary reminder to keep the writing muscle flexed and working and mark my own writing much as a teacher would: 6 out 10 Claire, could do better. See me after class!

 

LUCY COLEMAN…. THANKING

It’s been a month in which to be very grateful and to say thanks, by running a series of competitions for my amazing readers.

With Lucy Coleman’s ‘The French Adventure’ wearing best seller flags in the Holiday Romance charts in Australia and Canada, hitting #53 in the main UK Kindle chart, and #1 in the iBooks Romance chart, I did celebrate.

One glass of wine, toasted by my other half, then straight back to work because it’s been a month of non-stop writing.

Next up? 4th September 2018 Lucy’s second novel will be released. Still no cover and the excitement builds… but I can share the title for the FIRST time: ‘Snowflakes Over Holly Cove’.

My Christmas stories are never solely about Christmas, but this one has a dusting of snow and a lot of heart. And it was written last summer, but it wasn’t quite as hot as this July!

 

ANGELA PETCH… VENTURING

Writers live within their heads most of the time, amongst imagined scenes and characters. In Italy, far from distractions, I have plenty of time to dream up plots and conflicts. But sometimes, like a tortoise, I need to pop my head out of my carapace and venture into the real world.

So, last week I boarded a plane from Bologna for Leeds and my first RNA Conference. All apprehensions were swept away as soon as I entered Leeds Trinity University and was warmly welcomed. It was a buzzing weekend, packed with interesting and sometimes hilarious talks (how to write sex scenes foremost), food and wine a-plenty and many new friendships. How good it was to talk writing without the fear of boring non-writers. I pitched to three different publishers and came away from Bookouture and Harper Collins with encouraging advice.

Back in Sussex, I joined self-published fellow CHINDI authors as we held our ghost tour around the fascinating seaside town of Littlehampton.

This tortoise is almost ready to retreat again. But first of all, I have granny duties. Our fifth grandchild is due any day now. I feel a children’s story coming on.

 

JACKIE BALDWIN… BOPPING

Hello again! The first half of this month I spent in Greece hiking, swimming and reading books, which was a welcome change. A few days after I returned it was time to go to Harrogate Crime Festival! I was also lucky enough to be invited to read at Noir at the Bar on the Thursday evening along with some amazing authors. The venue at The Blues Bar was packed with readers, writers and bloggers so the audience was amazing!

Highlights of the festival for me included hearing John Grisham interviewed by Lee Child and bopping away to ‘Fun Lovin’ Crime Writers,’ including Val McDermid and Mark Billingham, I also loved the New Blood panel. I shall be sneaking new books into the house the way other women sneak in shoes!

I had such a great time that I have already paid a deposit for next year!

 

 

 

 

BUSINESS OF BOOKS: FIRST, LAST EVERYTHING – MENTOR AND NOVELIST CATHIE HARTIGAN

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What was the first piece of publishing advice you received?

The first piece of publishing advice I received wasn’t offered directly, but came in the form of a question. It was over ten years ago now and I was in my first one-to-one with an agent. After she set the timer ticking for ten minutes, and put it on the table between us, she said. ‘Tell me, when do you write?’ This took me completely by surprise; but I understood that she was looking for my commitment to being a professional author.

It also reinforced in my mind, that publishing is an industry, and unless you are that very rare literary writer who sells in large numbers, the commercial market is very likely to want you to write one, or even two books a year.

My answer to the agent by the way was all the time. Not that she took me on. I was disappointed at the time, but thankful now. I had yet to finish my first novel, and I’ve learned a great deal since.

 

What was the most recent publishing advice you gave or received?

Don’t be in a hurry to self-publish. I’m often approached for advice on the back of my own self-publishing success with my debut novel Secret of the Song. It’s impossible to predict how a book will fare once it’s out in the world. I was very fortunate, but I was also well connected within the writing community, as a creative writing teacher, co-author of a successful textbook, and organiser of the Exeter Novel, Story and Flash prizes. I feel sad for people who put so much effort into writing a novel, and then see it become plankton in the ocean of books available. Having said that, self-publishing can be a brilliant option for books that have a limited, but ready-made market, such as family memoirs or books about very niche subjects.

 

What is the piece of advice you’d most like to pass on?

If you’re going to self-publish, it’s important to go through the same steps as a mainstream publisher would prior to publication. Think carefully before using free resources unless you’re convinced about the result. It’s usually worth paying professionals for edits, proofing and cover design.

 

Cathie Hartigan is a novelist and founder of www.creativewritingmatters.co.uk which offers a range of services for writers, including competitions, mentoring and manuscript appraisals. Cathie’s novel, Secret of the Song, was recently shortlisted for the inaugural Hall & Woodhouse Dorchester Literary Festival Writing Prize.

REVIEWING THE PERFECT CRIME

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Jane Cable reviews the latest novel by one of Frost’s four writers

As regular readers of this column will know, to my shame I don’t read many books. The problem being that when I’m in my own characters’ heads I don’t want to be in anyone else’s. And with a good book I like to totally immerse myself in the world that the author has gone to so much effort to create.

It speaks volumes for Jackie Baldwin’s Perfect Dead, set in a freezing Scottish winter, that I actually felt cold reading it during a Cornish heatwave. I saw the ice on DI Farrell’s windscreen, experienced the damp chill of the remote cottage where the murder victim, artist Monro Stevenson, is found. The setting was brought so vividly to life that I was actually walking through the streets of the little coastal village, the salt tang of the sea in my hair, and driving down twisting lanes to remote country houses.

I have to admit that crime fiction is not my usual genre these days, although I do rather love watching re-runs of Midsomer Murders (I won’t call it a guilty pleasure because I fundamentally refuse to accept that any pleasure should be guilty). Cosy crime. Count the murders, find out who did it, save the last potential victim in a dramatic crisis then all go home for a cup of cocoa. Perfect. But not Perfect Dead.

What I am never sure about is whether it’s a good or a bad thing to be able to guess the perpetrator. Writing mysteries myself, I know only too well how hard it is to seed the story with just the right number of red herrings and clues. And Baldwin has a superb red herring in Perfect Dead – one I didn’t see coming until right at the last moment and which adds an extra layer of emotion to what is already an intense and gripping story.

This is a book where the characters’ internal journeys are as much an incentive to read on as solving the crime. Not just DI Farrell, working with the pull of the Catholic church in and around him, but the issues in the lives of his various colleagues are beautifully drawn and you find yourself caring as much about how these work out as you do about having the murderer brought to justice.

Perfect Dead is the second book in the DI Frank Farrell series so the characters’ lives are bound to pan out over time. This, and the quality of Baldwin’s writing, would in itself be enough to bring readers back for book three and my one argument with the Perfect Dead is that a major strand is left hanging, and far from being intrigued it left me feeling frustrated and a little short changed.

There’s something else I’ve discovered about crime books during this process – it is almost impossible to write a review of any length without giving away spoilers. So I won’t. Read the book for yourself and find out what happens. I promise you it’s worth it.