56th BFI London Film Festival: What’s On

The programme for the 56th BFI London Film Festival in partnership with American Express launched today under the new creative leadership of BFI’s Head of Exhibition and Festival Director, Clare Stewart, bringing a rich and diverse programme of international films and events from both established and upcoming talent over a 12 day celebration of cinema. The Festival will screen a total of 225 fiction and documentary features, including 14 World Premieres, 15 International Premieres and 34 European Premieres. There will also be screenings of 111 live action and animated shorts. A stellar line-up of directors, cast and crew are expected to take part in career interviews, master classes, and other special events. The 56th BFI London Film Festival will run from 10-21 October 2012.

This year sees the introduction of several changes to the Festival’s format. Now taking place over 12 days, the Festival expands further from its traditional Leicester Square cinemas – Odeon West End, Vue West End, Odeon Leicester Square and Empire – and the BFI Southbank to include four additional new venues – Hackney Picturehouse, Renoir, Everyman Screen on the Green and Rich Mix, which join existing London venues the ICA, Curzon Mayfair, Ritzy Brixton and Ciné Lumière.

GALAS

The Festival opens with the European Premiere of Tim Burton’s 3D animation FRANKENWEENIE, whilst Mike Newell’s visually stunning adaptation of GREAT EXPECTATIONS, starring Helena Bonham Carter and Ralph Fiennes will close the Festival, with key talent from both films expected to attend. Among the highly anticipated Galas is the American Express Gala World Premiere of CROSSFIRE HURRICANE, a documentary celebrating 50 years of rock legendsThe Rolling Stones who are also expected to attend the Festival. For the first time this year both the Opening Night Gala and the American Express Gala red carpet events and screenings will be screened simultaneously to cinemas across the UK. Other Galas include the American Airlines Gala of Dustin Hoffman’s directorial debut, QUARTET, featuring an outstanding British cast including Dame Maggie Smith, Billy Connolly and Michael Gambon; and Ben Affleck directs and stars in the Accenture Gala presentation of political thriller ARGO which he also produced with George Clooney. British film directors making their mark this year include Paul Andrew Williams with London-based comedy drama, SONG FOR MARION, which screens as The Mayfair Hotel Gala and features a sterling cast headed by Vanessa Redgrave, Terence Stamp, Gemma Arterton and Christopher Eccleston; and Roger Michell, whose HYDE PARK ON HUDSON is the Centrepiece Gala supported by the Mayor of London, stars Bill Murray, Laura Linney, Olivia Colman and Olivia Williams and is set on the eve of WWII when the King and Queen of England make a visit to see Franklin D Roosevelt in upstate New York. Nintendo Gala THE SAPPHIRES, is an inspirational Australian musical comedy set in the 60s starring comic man of the moment Chris O’Dowd, who appears alongside Australian Idol star Jessica Mauboy; and THE SESSIONS, is a moving drama, based on a true story with superb performances from John Hawkes, Helen Hunt and William H. Macy.

AWARDS AND COMPETITIONS

The BFI London Film Festival Awards have undergone a significant change this year by introducing competitive sections that are given much more prominence in the Festival campaign and programme. The Best Film Award in partnership with American Express; the Sutherland Award for Best First Feature and the Grierson Award for Best Documentary will now be presented to the winning films from three programme sections: Official Competition, First Feature Competition and Documentary Competition. Each section is open to international and British films and 12 films have been shortlisted for each Competition.

Official Competition

The inaugural Official Competition line-up, recognising inspiring, inventive and distinctive filmmaking, includes four European premieres:

· Michael Winterbottom’s EVERYDAY

· Sally Potter’s Ginger and Rosa

· Deepa Mehta’s Midnight’s Children

· Martin McDonagh’s Seven Psychopaths

Together with UK premieres of

· Michel Franco’s After Lucia

· David Ayer’s End of Watch

· Rama Burshtein’s Fill the Void

· Daniele Ciprì’s It Was the Son

· François Ozon’s In the House

· Cate Shortland’s Lore

· Pablo Larraín’s No

· Jacques Audiard’s Rust and Bone

Titles in consideration for the First Feature Competition recognising an original and imaginative directorial debut are:

3 European premieres

· Masaaki Akahori’s The Samurai that Night

· Anand Gandhi’s Ship of Theseus

· Barry Berk’s Sleeper’s Wake

and 9 UK premieres

· Benh Zeitlin’s Beasts of the Southern Wild

· Tom Shkolnik’s The Comedian

· Maja Miloš’ Clip

· Gabriela Pichler’s Eat Sleep Die

· Sally El Hosaini’s My Brother the Devil

· Kleber Mendonça Filho’s Neighbouring Sounds

· Scott Graham’s Shell

· Andrey Gryazev’s Tomorrow

· Haifaa Al Mansour’s Wadjda

In the Documentary Competition category, in partnership with the Grierson Trust, recognising documentaries with integrity, originality, and social or cultural significance, the Festival is screening:

4 World Premieres

· Charlie Paul’s For No Good Reason

· Nick Ryan’s The Summit

· Sarah Gavron’s Village at the End of the World

· Greg Olliver’s Turned Towards the Sun

1 International Premiere

· Sébastien Lifshitz’s Les Invisibles

4 European Premieres

· Jay Bulger’s Beware of Mr Baker

· Shola Lynch’s Free Angela and All Political Prisoners

· Alex Gibney’s Mea Maxima Culpa: Silence in the House of God

· Amy Berg’s West of Memphis

3 UK Premieres

· Katja Gauriloff’s Canned Dreams

· Ken Burns, David McMahon and Sarah Burns’ The Central Park Five

· Ulises Rosell’s The Ethnographer

Closing the Awards section is the prize for Best British Newcomer, in partnership with Swarovski, which highlights new British talent and is presented to an emerging writer, actor, producer or director. The recipient of this prize will also receive a £5,000 bursary, courtesy of Swarovski.

This year’s nominees are:

1. Rowan Athale – director/screenwriter Wasteland

2. Sally El Hosaini – director/screenwriter My Brother the Devil

3. Fady Elsayed – actor My Brother the Devil

4. Scott Graham – director/screenwriter Shell

5. Eloise Laurence – actor Broken

6. Rufus Norris – director Broken

7. Chloe Pirrie actor Shell

8. Tom Shkolnik – director/screenwriter The Comedian

STRANDS / PATHWAYS

This year significant changes have been made to the structure of the Festival programme with new focused categories that are clustered around the themes of Love, Debate, Dare, Laugh, Thrill, Cult, Journey, Sonic and Family. With over 200 features screened during the Festival this new approach is designed to help Festival goers find the films that mean the most to them and to open up entry points for new audiences.

LOVE

Sweet, passionate, tough – LOVE is a complex and many splendoured thing.

The Love Gala is Michael Haneke’s Cannes Palme d’Or winner AMOUR, with Haneke making a welcome return to the Festival this year.

Other titles in this section include: BROKEN starring Tim Roth and Cillian Murphy; Ira Sachs’ KEEP THE LIGHTS ON; Xavier Dolan’s LAURENCE ANYWAYS; Liz Garbus’ documentary tribute to Marilyn Monroe LOVE, MARILYN; ROBOT AND FRANK starring Frank Langella and Susan Sarandon, and Ursula Meier’s SISTER with Léa Seydoux and Gillian Anderson.

DEBATE

Riveting films that amplify, scrutinise, argue and surprise screen in the DEBATE section and this year’s Gala is the European Premiere of THE PERVERT’S GUIDE TO IDEOLOGY an absorbing documentary sequel to THE PERVERT’S GUIDE TO CINEMA from Sophie Fiennes featuring renegade philosopher and bionic cineaste Slavoj Žižek who also takes part in an ‘In Conversation’ event during the Festival.

Other highlights in this section include Marco Bellocchio’s DORMANT BEAUTY featuring Toni Servillo and Isabelle Huppert, Thomas Vinterberg’s THE HUNT featuring Mads Mikkelsen’s Cannes award-winning performance, and the European Premiere of ZAYTOUN.

DARE

In-your-face, up-front and arresting, the films in DARE will take audiences out of their comfort zone. The Dare Gala is Mira Nair’s Venice-opener THE RELUCTANT FUNDAMENTALIST, starring Kate Hudson, Kiefer Sutherland, Riz Ahmed and Liev Schreiber.

Other highlights in this strand include: the European Premiere of HELTER SKELTER featuring Japanese supermodel Erika Sawajiri, the World Premiere of KELLY + VICTOR Kieran Evans’ adaptation of the acclaimed novel by Niall Griffiths, and the International Premiere of Antonio Campos’ SIMON KILLER, Carlos Reygadas’ Cannes-winner POST TENEBRAS LUX, Pablo Trapero’s gripping and intelligent drama, WHITE ELEPHANT, and Sergei Loznitsa’s critically celebrated IN THE FOG.


LAUGH

From laugh out loud through romantic comedy to dry and understated – humour in all its forms can be seen in the LAUGH section. A romantic caravan trip quickly descends into chaos when a young couple’s dream holiday takes a wrong turn in acclaimed British director Ben Wheatley’s dark comedy SIGHTSEERS which has its UK premiere as the Laugh Gala.

Other titles in this strand include the International Premiere of Bollywood-meets-Tollywood Amelie style AIYYA, the UK Premiere of romantic comedy CELESTE AND JESSE FOREVER starring Rashida Jones and Andy Samberg and the European Premiere of Stephen Gyllenhaal’s GRASSROOTS, and the International Premiere of Australian cricketing ‘bro’mantic comedy SAVE YOUR LEGS!

THRILL

The films in THRILL are nerve shredders that will get the adrenalin pumping and keep audiences on the edge of their seat; The Gala presentation for this section is the World Premiere of Bollywood action epic CHAKRAVYUH, directed by Prakash Jha who will be attending the Festival.

Other highlights in this section include: controversial Sundance hit COMPLIANCE, Nordic Noir double bill of EASY MONEY and its sequel; the Berlin Golden Bear winner CAESAR MUST DIE and Korean box office smash NAMELESS GANGSTER: RULES OF THE TIME.


CULT

The CULT section features films from the mind-altering and unclassifiable, to fantasy, sci-fi and horror. The Cult Gala is the European Premiere of A LIAR’S AUTOBIOGRAPHY chronicling the life of Monty Python’s Graham Chapman through multiple animation styles and featuring Chapman’s fellow Pythons in the voice cast.

Other highlights in this section include: ANTIVIRAL, the feature film debut of Brandon Cronenberg; the International Premiere of Actress Katie Aselton’s directorial outing, the survival horror BLACK ROCK; Japanese maestro Takashi Miike’s FOR LOVE’S SAKE and Juan Carlos Medina’s fantasy horror PAINLESS, along with documentaries MY AMITYVILLE HORROR, THE JEFFREY DAHMER FILES, and ROOM 237.

JOURNEY

Whether it’s the journey or the destination, the films in JOURNEY will transport and shift perspectives.

Celebrated Romanian director Cristian Mungiu returns to the Festival with BEYOND THE HILLS screening as the Journey Gala . The film won Best Screenplay at the 2012 Cannes Film Festival, where actresses Cristina Flutur and Cosmina Stratan also shared best actress award.

Other titles in this strand include: riveting Moroccan drama HORSES OF GOD, Raymond Depardon and Claudine Nougaret’s documentary JOURNAL DE FRANCE, Jem Cohen’s MUSEUM HOURS, Michel Gondry’s THE WE AND THE I and the World Premiere of Marc Isaac’s new documentary about the A5 –THE ROAD: A STORY OF LIFE AND DEATH

SONIC

Music inspired films and events that will have audiences dancing in the aisles can be discovered in SONIC.

Highlights in the Sonic screening programme include Mat Whitecross’ coming-of-age story SPIKE ISLAND about an Indie band of 1990 vintage, who are determined to see their heroes The Stone Roses; GOOD VIBRATIONS, the biopic of Terri Hooley, Belfast’s Godfather of Punk, which was declared the best Irish film at Galway Film Fleadh earlier this year; and world music is represented with films from Africa and Chile, KINSHASA KIDS and VIOLETA WENT TO HEAVEN.

The Festival is delighted to include two popular events from the year-round programme at BFI Southbank for the first time – BUG and Sonic Cinema, both celebrating the links between music and film. Sonic Cinema presentations include a focus on the Sigur Ros Valtari Mystery Film Experiment featuring premieres of new clips and, in celebration of Warp Films’ 10th Birthday, a special presentation of Shane Meadow’s THIS IS ENGLAND screening with a live score from composer Ludovico Einaudiand and musician Gavin Clark. Regular BUG host Adam Buxton will present a special artist focus with talent to be announced.

FAMILY

The Festival showcases films for all ages in its FAMILY section and this year’s Family Gala is ERNEST & CELESTINE, the delightful animated story of an unlikely friendship between a bear and a mouse from the directors of A TOWN CALLED PANIC. In addition to Opening Night Gala FRANKENWEENIE, there are five other animated features screening in the Festival as well as an animated shorts programme. Three of the family features are hand-drawn films from France, and WOLF CHILDREN is the new hotly anticipated animated title from Japanese director Mamoru Hosoda.

SHORTS

An original and innovative line-up of short films and animation that will enthral audiences young and old make up this year’s SHORTS programme including a dedicated section for younger audiences. Animated shorts for children include THE SANDPIXIES: DA CAPO GEORGE, THE MISSING MEATBALLS and I WANT TO SEE DWARFS.

Short film compilation programmes include Crime & Punishment with films featuring criminals, their actions and the consequences; Blood is Thicker Than Water with films examining interactions and relationships between friends, lovers and families and Obsessive and Compulsive with films that examine far-from-healthy obsessions.

Once again the London Calling section features a selection of shorts from budding filmmakers from across the capital and this year student films from some of the UK’s best film schools will be showcased in Back to School

These short films feature a host of well known faces including: Alison Steadman, Ralf Little, Tom Hollander, Martin Freeman, Stephen Graham and Julia Louis-Dreyfus.

EXPERIMENTA

This year’s the Festival will present its largest ever series of artists moving image programmes, culminating in the annual EXPERIMENTA Weekend from 19-21 October 2012. In collaboration with the ICA, the Festival will also present several screenings of artists’ films to coincide with the Frieze Art Fair, from 10-13 October 2012. Peter Kubelka’s new work ANTIPHON will screen with ARNULF RAINER in an expanded projection event – Monument Film. Both films will be physically installed on the walls of the BFI Southbank Atrium for the duration of the Festival. The extraordinary presentation of Monument Film in the NFT1 cinema forms the centrepiece of an Experimenta Weekend which is full of outstanding visions. Thom Andersen, Nathaniel Dorsky and Laida Lertxundi return with new films, whilst Mati Diop introduces her award-winning work in London for the first time, and Beatrice Gibson premieres THE TIGER’S MIND.

TREASURES

Treasures brings recently restored cinematic treasures from archives around the world to the Festival.

This year’s previously announced Archive Gala is the World Premiere of the restoration of Alfred Hitchcock’s THE MANXMAN at the Empire Leicester Square with a live accompaniment by Stephen Horne. The Gala marks the grand finale of the BFI’s The Genius of Hitchcock project which commenced in June 2012 and is currently screening at BFI Southbank.

Digital restoration can have spectacular results, as shown in, David Lean’s LAWRENCE OF ARABIA, the full length director’s cut of the brand new 4K digital restoration which will premiere at the NFT1 showcasing BFI Southbank’s new 4K projector for the first time. The screening will be accompanied by a presentation from Grover Crisp, who will give a talk about the restoration work. Sir Laurence Olivier’s iconic RICHARD III also benefits from a fully restored print which will be screened at the Festival. Other highlights include silent movie THE SPANISH DANCER, a lavish costume romp with a live piano accompaniment; the BFI-backed revival of Roman Polanski’s TESS; a newly made documentary BERGMAN & MAGNANI:THE WAR OF VOLCANOES screening alongside a restoration of Roberto Rossellini’s VIAGGIO IN ITALIA and the latest restoration by Martin Scorsese’s World Cinema Foundation, AFTER THE CURFEW which is a political commentary on what happened after Indonesia was liberated from Dutch occupation.

EVENTS & EXHIBITIONS

The EVENTS programme features the highly anticipated Screen Talks and Masterclasses.

This year’s Screen Talks in partnership with American Express, includes celebrated author Salman Rushdie whose adaptation of his own novel MIDNIGHT’S CHILDREN screens in Official Competition and Academy Award-winning documentary filmmaker Alex Gibney who is at the Festival with his new film MEA MAXIMA CULPA: SILENCE IN THE HOUSE OF GOD in Documentary Competition.

The Masterclasses, presented in partnership with Swarovski, feature leading music supervisor Ian Neil (SPIKE ISLAND) and production design team David Wasco and Sandy Reynolds-Wasco who designed Martin McDonagh’s SEVEN PSYCHOPATHS. Time Out continues to support the free access ‘In Focus’ events, which this year sees four events with a focus on British Cinema.

The Art of Frankenweenie Exhibition supported by American Express is taking place at the Festival Village, Southbank Centre. In addition, the Festival is proud to be working alongside the V&A’s major autumn exhibition Hollywood Costume with two events celebrating the role of costume on film and featuring the exhibition’s senior curator, the Academy Award- nominated costume designer Deborah Nadoolman Landis.

The Festival will announce its complete guest line-up in early October.

Justin Bieber Flirts with Rihanna at NBA Game

Stars watch NBA All-Star Game

Justin Bieber, Jay-Z, Beyonce Knowles and John Legend were amongst the celebrities in attendance for the 60th NBA All-Star Game, while Rihanna, Kanye West and Lenny Kravitz performed at half-time.

Justin Bieber made the most of being sat beside stunning Rihanna by chatting her up all night.

Other stars in attendance at Sunday’s game at the Staples Center in Los Angeles included Arnold Schwarzenegger, Ciara, Gabrielle Union, Spike Lee, Snoop Dogg, Sean Combs, Steve Tyler, Dustin Hoffman, Lil’ Wayne, Gene Simmons, Ellen Pompeo, Kelen Lutz, Drake and Piers Morgan.

The celebrities though had turned up to watch the stars on the court and the National Basketball Association’s best did not disappoint. Kobe Bryant led the Western Conference All-Stars past their Eastern Conference opponents in a high-scoring 148-143 game.

Los Angeles Lakers guard, Bryant, who played in London in October as part of NBA Europe Live, scored 37 points and added 14 rebounds to take the MVP award in front of his home fans.

The Eastern Conference put up an impressive fight and produced a fantastic comeback to nearly snatch a victory. LeBron James, of the Miami Heat, was particularly impressive recording a triple double. He had 29 points, 12 rebounds and 10 assists.

The 2012 NBA All-Star Game is set for Orlando, Florida.

10 random things you pick up on set as an actor.

Catherine and Genevieve on the weirdness of their careers….

howtobeasuccessful_actor_book_cover

I had the idea for this article when an old friend asked me what I had been up to. The answer was: lots of stuff that seems very weird if you’re not an actor. I called Genevieve and she agreed. We have to let people know how bloody weird our lives get. As an actor you always have those moments when you’re dressed like someone else, on a set that is made to look somewhere else, saying lines that a writer wrote. It is utterly surreal and you realise that this is my life. So, here is our top ten in no particular order…
1. Don’t drink the props…
I once watched an actress drink half a bottle of neat blackcurrant cordial as the production person in charge of getting grape juice couldn’t find any on time. Of course she felt incredibly sick. You never know what’s going to be in your glass or cup, it’s like drink roulette, it could be sparkling apple or it could be ginger beer. It might be cold coffee, or it just might not have sugar in it. It might be one take, or it might be twenty. It’s just not worth the risk.
[Genevieve]
2. How to pickpocket.
Filming can be boring. Incredibly so.  It was while sitting on a Pokerstar commercial ( a shoot that was actually fun. Mostly due to the amazing cast and crew. ) that I learned a rather old school trick that should help if the acting work ever dries up. How to pickpocket. Basically, you ‘bump’ into someone. Then you apologize. When you bump into them you swiftly grab their wallet  out of their pocket. They are so distracted that they don’t notice. Also they do not feel it as you hit them somewhere else. Genius!
Note: I take no responsibility for anyone actions or legal issues that come from trying this.
[Catherine]
3. How to dance like a drunken youth…
…In freezing subzero conditions, in a mini skirt in the dead of night no less. There I was literally contracting hypothermia on the set of The Imaginarium of Dr Parnassus, I was vaguely aware of the Director; Terry Gilliam; telling us to be more lively and act more drunkenly…in the same way I was vaguely aware of my toes. Before I knew it, I was being used in a drunken dance demonstration; being swung about by a be-hatted Terry who was doing a brilliant impression of a raucous drunkard.
[Genevieve]
4. How to stamp on the original Eighth Dr Who’s head without hurting him.
At the beginning of the year I was cast as a 17 year old thug. I complete stretch if you know me. I got a part in the up coming TV series ‘Luther.’ I had to stamp on Paul McGann’s head. Because Paul is such a big star I had to first meet up with the stunt coordinator so I didn’t actually smack him in the face. Or worse. Kill him.
So at a brewery in East London I met up with the stunt coordinator. Who promptly hits me in the face. It hurts. I get the irony but I laugh it off. So, on set – kep out of the way of the stunt coordinator’s elbows.
[Catherine]
5. No matter how good your work is, nothing is sacred.
I spent a good hour in a Holby City make-up chair while various injuries were applied to me. My unfortunate character; Shazia Khan; was supposed to have been in a car crash and as a result had a horrible head and leg injury. The leg injury was pretty spectacular and grossed everybody out. I get on set and was so disappointed when they decided to give me a blanket and the wound got covered up.
[Genevieve]
6. How not to embarrass yourself in front of Dustin Hoffman.
The title is actually a lie. I did not manage this, I have met Dustin Hoffman a few times now and he is quite lovely. On the set of Last Chance Harvey I saw Dustin waving and smiling. I smiled and waved back. Only to realise that he was waving at the person behind me….Mortified to this day. He was nice about it though.
[Catherine]
7. How to survive a zombie apocalypse…
In an apocalypse, the only thing you need is well trained zombies and a fight coordinator!! Especially when fighting zombie hoards with nothing but your bare fists and a toy banjo. In all seriousness, the last thing you want to do is damage yourself/other actors/a grade II listed building. Some inexperienced actors can get carried away and not realise that what they’re doing could be dangerous. So always listen to the person in charge.
[Genevieve]
8. How to motivate an actor to push you down the stairs.
On the set of ‘Zombie Apocalypse’ I not only decapitated a zombie ( lots of fun, done with special effects and precise spade movements ) I had to throw a zombie down the stairs. This is obviously not a real zombie. it’s a person and I don’t want to kill him. After two takes he is not feeling it. So, he says to me ‘If you hurt me I will buy you a drink.’ The next take the director gets his shot and the zombie comes up to me limping and says: ‘I owe you a drink.’ Oh well. All is fair in love and film-making.
[Catherine]
9. How to work with imaginary characters and scenery…
…in front of a green screen, when the other actors can’t be bothered to sit in as they assume they’re not in the shot, working with fictional monsters, people materialising a meter in front of you. You may or may not be provided with a tennis ball on a stick. You’ll look and feel ridiculous but remember…it’ll look amazing in the end.
[Genevieve]
10. Brian Moloko will show you how to put a drip in your hand.
At Three Mills Studio in East London, with make up that makes me look like a junkie, I met a childhood hero. Brian Moloko and he showed me the correct way to put a drip in my hand. Doubt I will use this skill but if a career in nursing ever beckons….
[Catherine]

For more on acting and how to be a successful actor, check out my book: How To Be a Successful Actor: Becoming an Actorpreneur.