Michael Fassbender and Domhnall Gleeson to star in Frank

Michael Fassbender (12 Years A Slave, Prometheus, Shame) and Domhnall Gleeson (True Grit, Harry Potter, Anna Karenina) are attached to star in Lenny Abrahamson’s next project Frank. Frank is written by Jon Ronson (The Men Who Stare at Goats) and Peter Straughan (Tinker Tailor Soldier Spy, The Men Who Stare At Goats) and has been developed by Film4 who will also co-finance the film with the Irish Film Board.

Frank is a comedy about a young wannabe musician, Jon (Gleeson), who discovers he’s bitten off more than he can chew when he joins an eccentric pop band led by the mysterious and enigmatic Frank (Fassbender).

The film is a co-production between Runaway Fridge and Element Pictures and will be produced by David Barron, Ed Guiney and Stevie Lee. Exec producers for Film4 are Tessa Ross and Katherine Butler and for Element Pictures, Andrew Lowe.

Protagonist Pictures are handling international sales. Abrahamson’s current film What Richard Did will premiere in Toronto 2012, and is also being handled by Protagonist Pictures.

Fassbender, who won Best Actor in Venice in 2011 for his performance in Steve McQueen’s Shame, is currently shooting Ridley Scott’s The Counselor alongside Brad Pitt and Cameron Diaz, while Domhnall Gleeson recently finished shooting Richard Curtis’ new comedy About Time, and was recently named as one of Variety’s ’10 Actors to Watch’.

Abrahamson’s past features include Garage, which won the CICAE Cinema Prize at the Directors’ Fortnight in Cannes 2007, and Adam & Paul which played at the Berlinale Panorama in 2004 and won Best Director award at the Irish Film and TV Awards.

Frank is scheduled to commence principal photography late 2012.

56th BFI London Film Festival: What’s On

The programme for the 56th BFI London Film Festival in partnership with American Express launched today under the new creative leadership of BFI’s Head of Exhibition and Festival Director, Clare Stewart, bringing a rich and diverse programme of international films and events from both established and upcoming talent over a 12 day celebration of cinema. The Festival will screen a total of 225 fiction and documentary features, including 14 World Premieres, 15 International Premieres and 34 European Premieres. There will also be screenings of 111 live action and animated shorts. A stellar line-up of directors, cast and crew are expected to take part in career interviews, master classes, and other special events. The 56th BFI London Film Festival will run from 10-21 October 2012.

This year sees the introduction of several changes to the Festival’s format. Now taking place over 12 days, the Festival expands further from its traditional Leicester Square cinemas – Odeon West End, Vue West End, Odeon Leicester Square and Empire – and the BFI Southbank to include four additional new venues – Hackney Picturehouse, Renoir, Everyman Screen on the Green and Rich Mix, which join existing London venues the ICA, Curzon Mayfair, Ritzy Brixton and Ciné Lumière.

GALAS

The Festival opens with the European Premiere of Tim Burton’s 3D animation FRANKENWEENIE, whilst Mike Newell’s visually stunning adaptation of GREAT EXPECTATIONS, starring Helena Bonham Carter and Ralph Fiennes will close the Festival, with key talent from both films expected to attend. Among the highly anticipated Galas is the American Express Gala World Premiere of CROSSFIRE HURRICANE, a documentary celebrating 50 years of rock legendsThe Rolling Stones who are also expected to attend the Festival. For the first time this year both the Opening Night Gala and the American Express Gala red carpet events and screenings will be screened simultaneously to cinemas across the UK. Other Galas include the American Airlines Gala of Dustin Hoffman’s directorial debut, QUARTET, featuring an outstanding British cast including Dame Maggie Smith, Billy Connolly and Michael Gambon; and Ben Affleck directs and stars in the Accenture Gala presentation of political thriller ARGO which he also produced with George Clooney. British film directors making their mark this year include Paul Andrew Williams with London-based comedy drama, SONG FOR MARION, which screens as The Mayfair Hotel Gala and features a sterling cast headed by Vanessa Redgrave, Terence Stamp, Gemma Arterton and Christopher Eccleston; and Roger Michell, whose HYDE PARK ON HUDSON is the Centrepiece Gala supported by the Mayor of London, stars Bill Murray, Laura Linney, Olivia Colman and Olivia Williams and is set on the eve of WWII when the King and Queen of England make a visit to see Franklin D Roosevelt in upstate New York. Nintendo Gala THE SAPPHIRES, is an inspirational Australian musical comedy set in the 60s starring comic man of the moment Chris O’Dowd, who appears alongside Australian Idol star Jessica Mauboy; and THE SESSIONS, is a moving drama, based on a true story with superb performances from John Hawkes, Helen Hunt and William H. Macy.

AWARDS AND COMPETITIONS

The BFI London Film Festival Awards have undergone a significant change this year by introducing competitive sections that are given much more prominence in the Festival campaign and programme. The Best Film Award in partnership with American Express; the Sutherland Award for Best First Feature and the Grierson Award for Best Documentary will now be presented to the winning films from three programme sections: Official Competition, First Feature Competition and Documentary Competition. Each section is open to international and British films and 12 films have been shortlisted for each Competition.

Official Competition

The inaugural Official Competition line-up, recognising inspiring, inventive and distinctive filmmaking, includes four European premieres:

· Michael Winterbottom’s EVERYDAY

· Sally Potter’s Ginger and Rosa

· Deepa Mehta’s Midnight’s Children

· Martin McDonagh’s Seven Psychopaths

Together with UK premieres of

· Michel Franco’s After Lucia

· David Ayer’s End of Watch

· Rama Burshtein’s Fill the Void

· Daniele Ciprì’s It Was the Son

· François Ozon’s In the House

· Cate Shortland’s Lore

· Pablo Larraín’s No

· Jacques Audiard’s Rust and Bone

Titles in consideration for the First Feature Competition recognising an original and imaginative directorial debut are:

3 European premieres

· Masaaki Akahori’s The Samurai that Night

· Anand Gandhi’s Ship of Theseus

· Barry Berk’s Sleeper’s Wake

and 9 UK premieres

· Benh Zeitlin’s Beasts of the Southern Wild

· Tom Shkolnik’s The Comedian

· Maja Miloš’ Clip

· Gabriela Pichler’s Eat Sleep Die

· Sally El Hosaini’s My Brother the Devil

· Kleber Mendonça Filho’s Neighbouring Sounds

· Scott Graham’s Shell

· Andrey Gryazev’s Tomorrow

· Haifaa Al Mansour’s Wadjda

In the Documentary Competition category, in partnership with the Grierson Trust, recognising documentaries with integrity, originality, and social or cultural significance, the Festival is screening:

4 World Premieres

· Charlie Paul’s For No Good Reason

· Nick Ryan’s The Summit

· Sarah Gavron’s Village at the End of the World

· Greg Olliver’s Turned Towards the Sun

1 International Premiere

· Sébastien Lifshitz’s Les Invisibles

4 European Premieres

· Jay Bulger’s Beware of Mr Baker

· Shola Lynch’s Free Angela and All Political Prisoners

· Alex Gibney’s Mea Maxima Culpa: Silence in the House of God

· Amy Berg’s West of Memphis

3 UK Premieres

· Katja Gauriloff’s Canned Dreams

· Ken Burns, David McMahon and Sarah Burns’ The Central Park Five

· Ulises Rosell’s The Ethnographer

Closing the Awards section is the prize for Best British Newcomer, in partnership with Swarovski, which highlights new British talent and is presented to an emerging writer, actor, producer or director. The recipient of this prize will also receive a £5,000 bursary, courtesy of Swarovski.

This year’s nominees are:

1. Rowan Athale – director/screenwriter Wasteland

2. Sally El Hosaini – director/screenwriter My Brother the Devil

3. Fady Elsayed – actor My Brother the Devil

4. Scott Graham – director/screenwriter Shell

5. Eloise Laurence – actor Broken

6. Rufus Norris – director Broken

7. Chloe Pirrie actor Shell

8. Tom Shkolnik – director/screenwriter The Comedian

STRANDS / PATHWAYS

This year significant changes have been made to the structure of the Festival programme with new focused categories that are clustered around the themes of Love, Debate, Dare, Laugh, Thrill, Cult, Journey, Sonic and Family. With over 200 features screened during the Festival this new approach is designed to help Festival goers find the films that mean the most to them and to open up entry points for new audiences.

LOVE

Sweet, passionate, tough – LOVE is a complex and many splendoured thing.

The Love Gala is Michael Haneke’s Cannes Palme d’Or winner AMOUR, with Haneke making a welcome return to the Festival this year.

Other titles in this section include: BROKEN starring Tim Roth and Cillian Murphy; Ira Sachs’ KEEP THE LIGHTS ON; Xavier Dolan’s LAURENCE ANYWAYS; Liz Garbus’ documentary tribute to Marilyn Monroe LOVE, MARILYN; ROBOT AND FRANK starring Frank Langella and Susan Sarandon, and Ursula Meier’s SISTER with Léa Seydoux and Gillian Anderson.

DEBATE

Riveting films that amplify, scrutinise, argue and surprise screen in the DEBATE section and this year’s Gala is the European Premiere of THE PERVERT’S GUIDE TO IDEOLOGY an absorbing documentary sequel to THE PERVERT’S GUIDE TO CINEMA from Sophie Fiennes featuring renegade philosopher and bionic cineaste Slavoj Žižek who also takes part in an ‘In Conversation’ event during the Festival.

Other highlights in this section include Marco Bellocchio’s DORMANT BEAUTY featuring Toni Servillo and Isabelle Huppert, Thomas Vinterberg’s THE HUNT featuring Mads Mikkelsen’s Cannes award-winning performance, and the European Premiere of ZAYTOUN.

DARE

In-your-face, up-front and arresting, the films in DARE will take audiences out of their comfort zone. The Dare Gala is Mira Nair’s Venice-opener THE RELUCTANT FUNDAMENTALIST, starring Kate Hudson, Kiefer Sutherland, Riz Ahmed and Liev Schreiber.

Other highlights in this strand include: the European Premiere of HELTER SKELTER featuring Japanese supermodel Erika Sawajiri, the World Premiere of KELLY + VICTOR Kieran Evans’ adaptation of the acclaimed novel by Niall Griffiths, and the International Premiere of Antonio Campos’ SIMON KILLER, Carlos Reygadas’ Cannes-winner POST TENEBRAS LUX, Pablo Trapero’s gripping and intelligent drama, WHITE ELEPHANT, and Sergei Loznitsa’s critically celebrated IN THE FOG.


LAUGH

From laugh out loud through romantic comedy to dry and understated – humour in all its forms can be seen in the LAUGH section. A romantic caravan trip quickly descends into chaos when a young couple’s dream holiday takes a wrong turn in acclaimed British director Ben Wheatley’s dark comedy SIGHTSEERS which has its UK premiere as the Laugh Gala.

Other titles in this strand include the International Premiere of Bollywood-meets-Tollywood Amelie style AIYYA, the UK Premiere of romantic comedy CELESTE AND JESSE FOREVER starring Rashida Jones and Andy Samberg and the European Premiere of Stephen Gyllenhaal’s GRASSROOTS, and the International Premiere of Australian cricketing ‘bro’mantic comedy SAVE YOUR LEGS!

THRILL

The films in THRILL are nerve shredders that will get the adrenalin pumping and keep audiences on the edge of their seat; The Gala presentation for this section is the World Premiere of Bollywood action epic CHAKRAVYUH, directed by Prakash Jha who will be attending the Festival.

Other highlights in this section include: controversial Sundance hit COMPLIANCE, Nordic Noir double bill of EASY MONEY and its sequel; the Berlin Golden Bear winner CAESAR MUST DIE and Korean box office smash NAMELESS GANGSTER: RULES OF THE TIME.


CULT

The CULT section features films from the mind-altering and unclassifiable, to fantasy, sci-fi and horror. The Cult Gala is the European Premiere of A LIAR’S AUTOBIOGRAPHY chronicling the life of Monty Python’s Graham Chapman through multiple animation styles and featuring Chapman’s fellow Pythons in the voice cast.

Other highlights in this section include: ANTIVIRAL, the feature film debut of Brandon Cronenberg; the International Premiere of Actress Katie Aselton’s directorial outing, the survival horror BLACK ROCK; Japanese maestro Takashi Miike’s FOR LOVE’S SAKE and Juan Carlos Medina’s fantasy horror PAINLESS, along with documentaries MY AMITYVILLE HORROR, THE JEFFREY DAHMER FILES, and ROOM 237.

JOURNEY

Whether it’s the journey or the destination, the films in JOURNEY will transport and shift perspectives.

Celebrated Romanian director Cristian Mungiu returns to the Festival with BEYOND THE HILLS screening as the Journey Gala . The film won Best Screenplay at the 2012 Cannes Film Festival, where actresses Cristina Flutur and Cosmina Stratan also shared best actress award.

Other titles in this strand include: riveting Moroccan drama HORSES OF GOD, Raymond Depardon and Claudine Nougaret’s documentary JOURNAL DE FRANCE, Jem Cohen’s MUSEUM HOURS, Michel Gondry’s THE WE AND THE I and the World Premiere of Marc Isaac’s new documentary about the A5 –THE ROAD: A STORY OF LIFE AND DEATH

SONIC

Music inspired films and events that will have audiences dancing in the aisles can be discovered in SONIC.

Highlights in the Sonic screening programme include Mat Whitecross’ coming-of-age story SPIKE ISLAND about an Indie band of 1990 vintage, who are determined to see their heroes The Stone Roses; GOOD VIBRATIONS, the biopic of Terri Hooley, Belfast’s Godfather of Punk, which was declared the best Irish film at Galway Film Fleadh earlier this year; and world music is represented with films from Africa and Chile, KINSHASA KIDS and VIOLETA WENT TO HEAVEN.

The Festival is delighted to include two popular events from the year-round programme at BFI Southbank for the first time – BUG and Sonic Cinema, both celebrating the links between music and film. Sonic Cinema presentations include a focus on the Sigur Ros Valtari Mystery Film Experiment featuring premieres of new clips and, in celebration of Warp Films’ 10th Birthday, a special presentation of Shane Meadow’s THIS IS ENGLAND screening with a live score from composer Ludovico Einaudiand and musician Gavin Clark. Regular BUG host Adam Buxton will present a special artist focus with talent to be announced.

FAMILY

The Festival showcases films for all ages in its FAMILY section and this year’s Family Gala is ERNEST & CELESTINE, the delightful animated story of an unlikely friendship between a bear and a mouse from the directors of A TOWN CALLED PANIC. In addition to Opening Night Gala FRANKENWEENIE, there are five other animated features screening in the Festival as well as an animated shorts programme. Three of the family features are hand-drawn films from France, and WOLF CHILDREN is the new hotly anticipated animated title from Japanese director Mamoru Hosoda.

SHORTS

An original and innovative line-up of short films and animation that will enthral audiences young and old make up this year’s SHORTS programme including a dedicated section for younger audiences. Animated shorts for children include THE SANDPIXIES: DA CAPO GEORGE, THE MISSING MEATBALLS and I WANT TO SEE DWARFS.

Short film compilation programmes include Crime & Punishment with films featuring criminals, their actions and the consequences; Blood is Thicker Than Water with films examining interactions and relationships between friends, lovers and families and Obsessive and Compulsive with films that examine far-from-healthy obsessions.

Once again the London Calling section features a selection of shorts from budding filmmakers from across the capital and this year student films from some of the UK’s best film schools will be showcased in Back to School

These short films feature a host of well known faces including: Alison Steadman, Ralf Little, Tom Hollander, Martin Freeman, Stephen Graham and Julia Louis-Dreyfus.

EXPERIMENTA

This year’s the Festival will present its largest ever series of artists moving image programmes, culminating in the annual EXPERIMENTA Weekend from 19-21 October 2012. In collaboration with the ICA, the Festival will also present several screenings of artists’ films to coincide with the Frieze Art Fair, from 10-13 October 2012. Peter Kubelka’s new work ANTIPHON will screen with ARNULF RAINER in an expanded projection event – Monument Film. Both films will be physically installed on the walls of the BFI Southbank Atrium for the duration of the Festival. The extraordinary presentation of Monument Film in the NFT1 cinema forms the centrepiece of an Experimenta Weekend which is full of outstanding visions. Thom Andersen, Nathaniel Dorsky and Laida Lertxundi return with new films, whilst Mati Diop introduces her award-winning work in London for the first time, and Beatrice Gibson premieres THE TIGER’S MIND.

TREASURES

Treasures brings recently restored cinematic treasures from archives around the world to the Festival.

This year’s previously announced Archive Gala is the World Premiere of the restoration of Alfred Hitchcock’s THE MANXMAN at the Empire Leicester Square with a live accompaniment by Stephen Horne. The Gala marks the grand finale of the BFI’s The Genius of Hitchcock project which commenced in June 2012 and is currently screening at BFI Southbank.

Digital restoration can have spectacular results, as shown in, David Lean’s LAWRENCE OF ARABIA, the full length director’s cut of the brand new 4K digital restoration which will premiere at the NFT1 showcasing BFI Southbank’s new 4K projector for the first time. The screening will be accompanied by a presentation from Grover Crisp, who will give a talk about the restoration work. Sir Laurence Olivier’s iconic RICHARD III also benefits from a fully restored print which will be screened at the Festival. Other highlights include silent movie THE SPANISH DANCER, a lavish costume romp with a live piano accompaniment; the BFI-backed revival of Roman Polanski’s TESS; a newly made documentary BERGMAN & MAGNANI:THE WAR OF VOLCANOES screening alongside a restoration of Roberto Rossellini’s VIAGGIO IN ITALIA and the latest restoration by Martin Scorsese’s World Cinema Foundation, AFTER THE CURFEW which is a political commentary on what happened after Indonesia was liberated from Dutch occupation.

EVENTS & EXHIBITIONS

The EVENTS programme features the highly anticipated Screen Talks and Masterclasses.

This year’s Screen Talks in partnership with American Express, includes celebrated author Salman Rushdie whose adaptation of his own novel MIDNIGHT’S CHILDREN screens in Official Competition and Academy Award-winning documentary filmmaker Alex Gibney who is at the Festival with his new film MEA MAXIMA CULPA: SILENCE IN THE HOUSE OF GOD in Documentary Competition.

The Masterclasses, presented in partnership with Swarovski, feature leading music supervisor Ian Neil (SPIKE ISLAND) and production design team David Wasco and Sandy Reynolds-Wasco who designed Martin McDonagh’s SEVEN PSYCHOPATHS. Time Out continues to support the free access ‘In Focus’ events, which this year sees four events with a focus on British Cinema.

The Art of Frankenweenie Exhibition supported by American Express is taking place at the Festival Village, Southbank Centre. In addition, the Festival is proud to be working alongside the V&A’s major autumn exhibition Hollywood Costume with two events celebrating the role of costume on film and featuring the exhibition’s senior curator, the Academy Award- nominated costume designer Deborah Nadoolman Landis.

The Festival will announce its complete guest line-up in early October.

Del Toro kicks off World Sinema Season on Horror Channel

Horror Channel serves up three slices of sinful celluloid in its World SINema Season – three premieres that highlight taboo, terror and blasphemy

 

Fridays at 22:55 from 7 Sept, 2012

 

The season kicks off on Friday Sept 7, 22:55 with THE DEVIL’S BACKBONE (2001) from Spanish Pan’s Labyrinth director Guillermo Del Torro.  Beautifully shot and immensely creepy the film explores two different types of horror – the very real horror of war and the exploration of horror experienced through a child’s eyes (Carlos), one of ghost’s and the supernatural.

 

Guillermo has stated this is his favourite work so far, and was a 16 year labour of love. It was influenced by early memories of seeing his uncle come back as a ghost and the creepy spectre that appears to Carlos was based on the pale faced ghosts in Japanese horrors like The Ring.

 

 

Next up on Friday Sept 14, 22:55 is THE ANTICHRIST (1974), which delves dangerously deep into the blasphemous aspects of demonic possession.

 

Ippolita, a young woman wheelchair-bound and sexually frustrated, finds herself under the spell of Satan himself when she becomes victim to an ancestral curse of witchcraft and possession. She starts seducing local men, only to kill them and an exorcism seems to be the only solution to stop the madness

 

The controversial Satanic orgy scene will certainly have a few tongues wagging with its implication of bestiality

 

 

The last in the season on Fri Sept 21, 22:55, is one of the most absurd, gruesome French horrors ever made – BABY BLOOD (1990)

 

Yanka, a young circus performer, is pregnant but morning sickness and fat ankles are the least of her problems when a new leopard from Africa is delivered to the circus – a beautiful beast hiding a hideous creature within.

 

And as the months progress, Yanka suffers from an overpowering appetite… for blood. Or rather, her unborn baby is screaming for it. And she is forced to kill and kill again…

 

 

TV: Sky 319 / Virgin 149 / Freesat 138

 www.horrorchannel.co.uk | twitter.com/horror_channel

Win A Copy Of Curse On DVD

Frost has teamed up with Grayson Pictures to give away a DVD copy of Cursed.

Curse is releasing the rarely seen Singaporean military chiller on Sept 17, 2012.

Set in on the Island of Pulau Hantu in the south of Singapore. CURSE tells the
terrifying tale of a military squad sent to an island to investigate the mysterious
disappearance of a group of soldiers. Accidentally disturbing a burial site, they
unleash a terrifying supernatural curse…

Curse is directed by Esan Sivalinhgam who said of the shoot: “We expected it to
be one hell of an adventure but it turned out to be the adventure from hell”. Facing
torrential downpours, extreme temperatures, venomous reptiles plus censorship
issues and stumbling across a real burial site, it was a miracle the film was
completed in its fifteen-day schedule.

The stellar cast includes Adrian Psang, who starred in rge award-winning
SPIRALLING; SPYGAME, NIGHTWATCH and most recently BAIT 3D.

Curse is available on DVD from 17th of September]

CURSE will be the first release by newly-created Grayson Pictures. For a chance to win, follow @Frostmag on twitter and tweet “I want to win Curse DVD with @Frostmag” or subscribe to our newsletter.

Lauren Laverne interviews David Walliams at BFI Screen Epiphany

Frost has a short video of Lauren Laverne interviewing David Walliams at his BFI Screen Epiphany discussing Bond film: The Spy Who Loved Me. Find out why this is David’s favourite film.

Win! The Pirates! In An Adventure With Scientists Special Screening, Workshop

Frost Magazine has teamed up with Sony Pictures to give some lucky readers and their children (or niece or nephew) a chance to go to a special screening of Pirates! and then attend a special workshop.

Event: The Pirates! In An Adventure With Scientists Special Screening and Workshop
Date: Tuesday 4th September (Exact times TBC)
Venue: The Pirate Castle in Camden, London
Schedule
– Arrivals and pirate-themed food and refreshments
– Aardman Animation workshop – learning how to make the Polly Dodo character from the film out of clay (1 hour)
– Screening of The Pirates! In An Adventure With Scientists (1.5 hours)
– Finish

To win just follow @Frostmag on Twitter and tweet “I want to go to Pirate screening with @Frostmag” or subscribe to our newsletter.

Featuring the Voices of Hugh Grant, Martin Freeman, David Tenant, Imelda Staunton and Brendan Gleeson

The Pirates! IN AN ADVENTURE WITH SCIENTISTS

On Blu-ray™ 3D, Blu-ray™, DVD and Digital Download on September 10

Special Features Include Games, Behind-the-Scenes Featurettes and More! Blu-ray™ and DVD Include UltraViolet™

It’s going to feel like a ‘plunderful life’ when Sony Pictures Home Entertainment debuts THE PIRATES! IN AN ADVENTURE WITH SCIENTISTS on Blu-ray 3D™, Blu-ray™, DVD and Digital Download on September 10. From the Academy Award®-winning Aardman (Chicken Run) and Sony Pictures Animation (The Smurfs), comes the all-new, swashbuckling stop-motion animated film that’s sure to entertain families from beginning to end. This critically acclaimed action-packed comedy adventure follows the luxuriantly bearded Pirate Captain, voiced by Hugh Grant (About A Boy), and his band of misfits (Martin Freeman, Brendan Gleeson, Russell Tovey and Ashley Jensen) as they frolic on the high seas in a madcap quest to win the coveted “Pirate of the Year” award. Along the way they battle a diabolical queen (Imelda Staunton) and team up with a haplessly smitten young scientist (David Tennant), but never lose sight of what a pirate loves best: adventure! The film also stars Brian Blessed (Robin Hood: Prince of Thieves) as The Pirate King, Salma Hayek (Puss In Boots) as Cutlass Liz and Jeremy Piven (TV’s “Entourage”) as Black Bellamy.

THE PIRATES! IN AN ADVENTURE WITH SCIENTISTS, Aardman’s most ambitious stop-motion film to date, is directed by Peter Lord, a founding partner of Aardman, director of Chicken Run (with Nick Park), and a two-time Academy Award® nominee for his short films made with the company. The film is co-directed by Jeff Newitt. The screenplay is by Gideon Defoe, based upon his books. Production Designer is Norman Garwood. Producers are Peter Lord, David Sproxton, and Julie Lockhart. Executive Producer is Carla Shelley.

The Blu-ray and DVD boast hours of kid-friendly extras, including Filmmakers’ Commentary and two behind-the-scenes featurettes: “From Stop to Motion,” taking fans on a journey through the making of the film, and “Creating the Bath Chase Sequence,” a look at the various stages involved with shooting the bath tub scene. Exclusive to the Blu-ray is the “Pirate Disguise Dress-Up” game, in which fans can help our swashbuckling pals get past Queen Victoria by disguising them in various silly get-ups. Additionally, two short films with optional commentary from Director Peter Lord are exclusive to the Blu-ray.

Owners of the Blu-ray and DVD will be able to add THE PIRATES! IN AN ADVENTURE WITH SCIENTISTS to their free cloud-based UltraViolet account, enabling them to access their film through any UltraViolet-compatible service or device – from PCs and tablets to TVs and smart phones.

Mike Nicholson Interview: The Truth About Hillsborough.


Frost Magazine has an exclusive interview with Mike Nicholson, the director of a new Hillsborough documentary. Mike has worked very hard on his documentary and it is definitely one to watch. Read our amazing interview to find out more.

How did the documentary come about?

I took a documentary makers course at Raindance when I first bought my video camera, and the tutor said that your first film should be about something you know a lot about, and something you are passionate about. That was it for me; it had to be about Hillsborough.


Do you think that people know the truth?

I think the people of Merseyside know the truth, and many people outside the area do as well of course. Even as the disaster was still unfolding, Chief Superintendent David Duckenfield, who was in charge of policing Hillsborough on that awful day, set the lies in motion. He gave the order to open a perimeter exit gate that allowed thousands of supporters into the ground at once, and he also failed to cut off access to the tunnel that led to the already full central pens. Once the enormity of his decision started to dawn on him, he lied, and said that Liverpool fans had forced the gate causing an inrush.

Duckenfield later admitted to that ‘disgraceful lie’ as it was called in the Taylor Report, but it had already set the tone for many media reports, and by the time he retracted it the damage had been done. I still meet people today that believe the lies printed all those years ago. I just hope that the findings of the Independent Panel are reported widely, and in headlines, so that the wider people who only say the lies will finally see the truth.

What did you think of the Taylor report?

I personally think that the Taylor Report was very thorough, and correct in its findings. Lord Justice Taylor found that a breakdown of police control was the main cause of the disaster, and rejected claims from senior officers who appeared to be in arse-covering mode that Liverpool fans wee ticketless, drunk or aggressive. As I said before though, the general publics don’t read such reports to get their news, so its findings are largely invisible to the wider public.

What is the legacy of the Hillsborough disaster?

All seater-stadia. You can never say never, and we should always guard against complacency of course, but I can’t see how another disaster of this magnitude could happen in today’s game and that’s great.

Daughters, sisters, brothers, father’s and sons all died at Hillsborough, and all they wanted to was to enjoy the national game with their family & friends. Today’s game looks after its supporters so much better than it used to, and that has got to be a good thing.

At least three people who survived the Hillsborough have committed suicide. Do you think more could and can be done to help?

I don’t know if more could have been done. I am no expert on post-traumatic stress disorder or grief, and I wouldn’t like to say to be honest. I can say that fantastic organisations such as the Hillsborough Justice Campaign, who still to this day have a shop on the Walton Breck Road opposite the Kop, offer counseling and help for those who are struggling to come to terms with their experiences at Hillsborough.


It has been over 20 years since the disaster now. Do you think there is risk that people might forget?

The families and friends affected will never forget.

What is the aim of your documentary?

I understand that some of the big TV companies are currently working on broadcast documentaries on Hillsborough to coincide with the Hillsborough Independent Panel’s report, which is due this September.

TV content tends to be guarded by rights though, and it is rarely open and freely given away online for anybody to see after it has been broadcast, and if it is, it is for a short window of time.

I want this documentary to be online forever; so future generations searching for the Hillsborough Disaster will be able to find something factual that in the main was told by those who were there. I won’t charge a penny for it, and it will be freely available to anybody with the will to learn the truth. I just want the truth to be told really.


Who did you speak to?

I have spoken to survivors, the bereaved, professional people such as firemen and nurses who were their as fans that day, and ended up working in the most horrendous of circumstances. I’ve also contacted The Hillsborough Family Support Group, the Hillsborough Justice Campaign and Hope for Hillsborough. I have also spoken to fans who were at Hillsborough for previous semi-finals, and a professor who is one of the world’s leading experts in crowd dynamics. I still have some interviews to conduct, and I hope to have at least part one ready online by the end of September.

What can be done to make sure this never happens again?

I think football learnt its lesson after Hillsborough. The stadiums in the first two divisions at least are well maintained, they are all-seater, and there are no fences to keep supporters penned in like animals.


What do you think people don’t know about the Hillsborough disaster?

The truth. The South Yorkshire Police managed that event badly, and caused the deaths of 96 men, women and children, and as I have already said they started to lie about the cause while the fans were still dead and dying on the pitch.

I think I was naive enough before Hillsborough to believe that the Police are there to protect you, and they don’t tell lies, but that innocence went away after Hillsborough forever.

There is a lot of talk now about the freedom of the press, what with the News International phone hacking scandal, but while I agree that a free press is important, that can only work if they are responsible enough to tell the truth. When The Sun printed a headline that it later described as ‘the worst mistake in our history’ they caused unbearable pain and stress to people who were still arranging funerals for those lost on the 15th April 1989. The lies and the cover-up are often referred to as the second disaster of Hillsborough, and I agree with that sentiment.

Is there a charity that people can donate to?

There are three main organisations that I know of, and they each operate for slightly different reasons. You can visit their web pages here:

The Hillsborough Family Support Group – http://www.hfsg.net

The Hillsborough Justice Campaign – http://www.contrast.org/hillsborough/

Hope for Hillsborough – http://www.hopeforhillsborough.piczo.com/?cr=

When will the documentary be released, and where can people see it?

The documentary will be a three-part series, and I hope to have the first part live in September.

It will be released first at www.thehillsboroughdisasterdocumentary.com

For updates and news, please follow @HillsboroughDoc on Twitter of like the Facebook page here https://www.facebook.com/pages/Hillsborough-Disaster-Documentary/283632178348441

Ted | Film Review

It is not everyday you get to see a movie about a talking, swearing, dope-smoking, over-sexed stuffed teddy bear. Which is unfortunate, because this film is hilarious. Wrong and not for the easily offended, but hilarious.

As the result of a childhood wish, John Bennett’s teddy bear, Ted, came to life and has been by John’s side ever since – a friendship that’s tested when Lori, John’s girlfriend of four years, wants more from their relationship.

Seth MacFarlane directs, writes and voices ‘Ted’, the stuffed teddy bear who comes to life. It doesn’t sound plausible at all but it doesn’t matter. This film allows you to suspend your disbelief and just laugh at the witty script.

Mark Wahlberg, Mila Kunis and Seth MacFarlane are all great and Giovanni Ribisi plays a psycho in an amazing performance. Wahlberg is also great, he really is an actor of note with great comedic timing. Wahlberg and Kunis have great chemistry so even when Wahlberg’s character keeps screwing up, you root for him.

Rules of Engagement actor Patrick Warburton also makes an appearance with Ryan Reynolds. This film is just really funny. I know it is not to everyone’s taste and it is edgy humour, but I think it is great. One of the funniest films of the year. Top marks. I hope they make another one. Check out some of the movie quotes from Ted below.

Robert: Give me back my Teddy Bear!
[Charges John and Lori at full speed. John punches him in the nose, knocking him unconscious to the ground]
Lori: Jesus!
John: I’m sorry, but somebody had to go all Joan Crawford on his ass!

John: Can you call my cellphone?
Lori: Yeah
[Lori calls John’s phone which plays “The Imperial March”]
Lori: Is that my ringtone? What is that? Cause it sounds really negative.
John: No. I-it’s from The Notebook

Ted: [to Tami-Lynn] You have a baby? Is it alive?