Glass Inspiration with the artist Gloria MacArthur by Wendy Breckon

Glass Inspiration with the artist Gloria MacArthur by Wendy Breckon1

Enter the fantasy world of Gloria MacArthur’s light filled studio in leafy Hertfordshire and admire the fabulous glasswork dangling from the ceiling, the funky jewellery and bright dazzling bowls glinting on the open shelves.

All work is fired in the kiln, where coloured frit glass in sand or egg shell form, is usually fused between two layers of sheet glass to make weird and wonderful artefacts. Gloria has been practising as a glass artist for fifteen years and specialises in using float, bullseye, andMurano glass. She can also casts sculptures using Gaffa glass.

Glass Inspiration with the artist Gloria MacArthur by Wendy Breckon3

Her cosy, intimate studio is tucked away in the beautiful grounds of Ponsbourne Manor, in the lovely village of Newgate Street twenty miles from London and four miles from the M25. The perfect setting to relax and meet other people.

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Gloria grew up in Huddersfield in the industrial North. Here, creativity thrived and flourished in the home environment. Artistic crafts and skills were passed on and encouraged by both parents. Her father was a loom tuner in a textile mill, who often experimented at home, making objects in wood. From an early age, she too became fascinated by this, as well as the medium of textiles and collage. All of her three sisters were very artistic. Their mother, recognised the combined talents of her daughters, and entered them in art competitions which the Drurey girls often won.

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Gloria worked in the mill for three and a half years, before deciding to gain the qualifications for a career combining teaching and art. Eventually the bright lights of Brighton beckoned! Her final exam degree piece was a soft sculpture of an enormous chain hanging down with a broken piece on the ground. For many years she was a successful Head of Art, becoming fascinated eventually by a love of glass and the new opportunities presented, to experiment with glass artefacts at the University of Hertfordshire.

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The courses offered in Gloria’s studio are, a whole day with lunch, (£70) or a half day (£40), for up to four people. The next one is Sunday 29th May followed by Thursday 16th June. Perfect for a group of friends, an individual, a birthday gift or any other special occasion. Different levels of ability are catered for and there is much individual attention from this superb contemporary artist, who enjoys passing on her many skills.

The emphasis will be on learning glass techniques, such as cutting, slumping, using different moulds and a wide variety of materials. People go home with at least three items such as a funky glass mirror frame, a quirky piece to display in the window or hang on the wall, or maybe a striking pendant or earrings.

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Gloria also offers longer courses at the Courtyard Arts Centre in Hertford, where students can develop extension skills. Her eye catching pieces have been displayed at the Cambridge Glass fair, the Knebworth Glass Fair and the Herford Art Trail.

As I gaze around the studio, my eyes are drawn upwards to the soft blue and white shining glass of a boat set in driftwood, spinning above my head. If I don’t leave with that piece, or one of Gloria’s abstract clock designs, her latest project, I will be most surprised!

Inspiration comes from many sources. One, the colours and images of the English landscape, the famous glass artist Dale Chihuly, and the Japanese artist Hokusai renowned for his images of Mount Fuji.

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So, if you are seeking fun and inspiration, or feel the desire to learn a new skill, this talented glass artist with a contemporary vibe will be the right person to ‘fire’ and develop your imagination.

Glass Inspiration with the artist Gloria MacArthur by Wendy Breckon9

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To contact Gloria for a commission or take part in a course email her at gloria.macarthur@btinternet.com or phone her on 01707870734.

 

 

Heyland & Whittle Green Tea & Grapefruit Candle Review

Heyland & Whittle greenteaandgrapefruitcandle

British bath, body and home fragrance brand Heyland & Whittle have had a website refresh. The new and improved site offers customers a more enhanced navigation and overall shopping experience.To celebrate we reviewed their Green Tea & Grapefruit candle. 

First of all, presentation. The candle comes in a beautiful box and slides out. The candle itself is in a glass container. So far so sophisticated. The scent of the candle hits you as you open the box, and it is glorious. It is a fresh smell with just the right amount of citrus.It is an uplifting, feel-good fragrance that will brighten any room. Even the notoriously fussy people at Frost love it.

Established in 2003, award winning Heyland & Whittle create outstanding natural products with style and authenticity in a variety of exquisite fragrances. The quintessentially British brand make all their products by hand and are expertly cut, filled and decorated for the most beautiful and superb products.

Famous for their soaps, Heyland & Whittle are the largest manufacturers of cold-processed soap in England. Using only the very best natural ingredients, essential oils, herbs and spices, they are combined to create their sulphate and paraben-free range.

Favourite summer scents include Cherry BlossomCitrus & LavenderNeroli & Rose, Green Tea & Grapefruit, Sandlewood & Oud and Coconut Vanilla & Black pepper.

Heyland & Whittle products are available at JohnLewis.co.uk nationwide, Fortnum & Mason and online: www.heylandandwhittle.co.uk

Candles in Glass £24

Christmas Spirit Shots | Christmas Ideas

A shot glass that looks just as great on your tree? What a brilliant idea. We loved these Christmas Spirit Shots. They are cool and funky. Get them for yourself or as a stocking filler.

christmasspiritshotschristmasdecoration christmasspiritshotglasses

There is no better way to get into the festive spirit than spirit itself, and with these bright, neon baubles you can have spirit in every room.

Perfect to add to your Christmas tree or to dress up your sideboard, these six flasks can be filled with your favourite spirits as a quirky and fun decoration over the Christmas season.

Features:

6 Christmas Tree Decorations
Fill With Favourite Spirits
Neon
Screw Tops

From iwantoneofthose.com

 

Half Pint Glass | Great Christmas Ideas

At Frost we have been reviewing hundreds of things. We are more snowed under than a December day but, never fear, it is all worth it to bring you the best Christmas Gift Ideas. We are doing all of the work so you don’t have to. First up is this awesome Halfpint Glass. It is an actual half pint glass. It looks cool and is a genius idea. Even better if you are not a big drinker and want to look like you are drinking a full pint, you can only tell it is a half pint from the side.

coolhalfpintglass halfpintglass half pint glass

Product Details:

  • Size (Width, Height, Depth):
    W9.5, H15, D5 cms (W3.75, H6, D2 inches) approx.
  • Volume:
    Half a pint (285ml)
  • Extra Information:
    One half pint glass included in the box.
    Quirky novelty glass, a definite talking point at your next party.
    A perfect little gift or stocking filler.

The Half Pint Glass costs £9.99 from thepresentfinder.co.uk

 

The Best Wine Glass EVER

We love this rather cool wine ‘glass’. For once, when you say you are only having one, you can mean it! Novelty and nifty this well designed bottle could have you drunk in a jiffy!

Totally tipsy and no need for topping up this is the goblet of the glasses, it’s quirky and class for a laugh!

bestwineglass

Cheeky and cheerful this glass is for those who enjoy a hard earned bottle of the good stuff after a long day at work!

Designed to deliver you with whichever wine you desire, simply fill it with your favourite tipple and drink away. It’s easy to clean, simply swill the surface and wash by hand, ready for the next time you’d like some wine!

You’ll be head over heels (literally) with this awesome invention, so glug away with this great gimmicky gift…as this glass will feel almost endless!

The Wine Bottle Glass is the official creation we’ve all been waiting for…available for only £14.95 from www.prezzybox.com

Bar Keepers Friend Review

Bar Keepers FriendI am not keen on chemicals. I believe there is too many chemicals in the stuff we use today, especially cleaning products. When I got sent Bar Keepers Friend to review, I was very pleased that there wasn’t a lot of ingredients. Two in fact: citric acid and oxalic acid. I immediately like the cleaner. Let’s see if it works.

I used the products on different areas of the house. They came in a spray (used on surfaces and the bathroom) a cream (used on the cooker and harder areas) and a stain remover.

The natural ingredients do much better than their chemical loaded counterparts. The stain remover gets rid of any stain and I even use the power spray on my bike. I am impressed and I am also converted. Top marks. Will use again.

 

New Bar Keepers Friend is a traditional, quirky,niche cleaning product first launched in America in 1882 but now being relaunched with two new cleaning ‘friends’ – a NEW Power Cream and NEW Power Spray.

 

BKF is great for specific jobs that require something a little more specialist and works a treat on stainless steel, glass, chrome, brass, copper, aluminium, porcelain, tiles etc and can be used in the kitchen, bathroom, garage, shed, on bikes, cars and boats plus many other applications!
The presence of Oxalic Acid found in rhubarb gives Bar Keepers Friend the edge and it is this unique formulation that can cut through rust grease and oil, mineral deposits and stains.

 

First launched in 1882, the BKF range is being enhanced and extended, and aims to fully

capitalise on its claim of “Once Tried Always Used.”

 

Bar Keepers Friend Stain Remover Powder (250g, RSP: £2.79) will be complimented by two

exciting, new products from the US:

 

NEW Bar Keepers Friend Power Cream – a superior cream formulation that “cleans where

others fail”. Formulated for cookware, kitchens and bathrooms (350ml, RSP: £2.99).

 

NEW Bar Keepers Friend Power Spray – this easy-to-use format delivers BKF cleaning

power for use in everyday cleaning situations, from kitchen and bathroom to stainless steel

and glass (500ml RSP: £2.99).

 

Bar Keepers Friend is a premium, specialist cleaner with a non-bleach formula that can

be used in the kitchen, bathroom, garage and shed! It removes stubborn stains and cuts

through mineral deposits, oil and grease, rust stains and everyday grime giving great results

on stainless steel, tile, porcelain, fibreglass, aluminium, copper, brass, chrome and glass. It

cleans work surfaces (is recommended by Corian), cookers, cookware, sinks, toilets as well

as cars, bicycles and golf clubs..

 

Other top-selling cleansers containing chlorine bleach which are not recommended for use

on stainless steel. BKF benefits from the unique cleaning power of Oxalic Acid (found in

rhubarb, parsley and chives) and when combined with its unique mineral base and surfactant

blend, delivers a unique cleaning performance.

 

BKF owes its existence to rhubarb! Back in 1882 a chemist from Indianapolis noticed how

clean and shiny his tarnished pot was after cooking rhubarb.

 

Using an active ingredient that’s found in the plant he made a talcum smooth cleaner and sold it to the city’s taverns. It

worked so well that it was called ‘Bar Keepers Friend’! BKF boasts a long and successful

heritage that few modern day equivalent products can match.

 

BKF is available in Robert Dyas, Lakeland, John Lewis, Waitrose, independent homeware/

hardware stores or online at www.barkeepersfriend.co.uk. It is distributed in the UK by

Kilrock Products Ltd.

 

Violence and Claymation at Camden Arts Centre

Clay animation, or claymation as it is commonly referred to, for me instinctively conjures images of Wallace and Gromit. Cuddly, quirky characters whose comedic traits are enhanced by the clunky childlike style inherent to the medium they work in. It is probably rather ignorant going straight for such a mainstream example, but I doubt I’m the only one.

I was nevertheless equally ignorant as I was lured towards the Camden Arts Centre by the mesmerising images from Nathalie Djubery’s exhibition A World Of Glass. For starters I assumed it would be in Camden. It is not and I still don’t know why it has given its self such a misleading title. It is actually a little unassuming building plonked by Finchley road tube station. Secondly, there was much more to the exhibition than the misshapen glass like objects that I found so pretty.

After poking around the gift shop on the way in-it’s so nice when museums do that, so you don’t feel less cultured for wanting to look around the gift shop first; not that I’d need to, I’d already overcome the intelligence hurdle of finding a museum pretending to be somewhere it wasn’t- I ventured toward the first exhibition room.

A soundscape of tinkling glass and percussion filled the room and encouraged a pensive, quiet atmosphere. This was not an exhibition where you chatted about what you though of the work whilst you were there and tried to sound pretentious, you experienced it. You also experienced it standing up, so after a few moments I began to wander.

The promotion pictures really did do the exhibit justice. In a darkened room, tables of illuminated glass like objects looked surreal and made me feel less silly for wanting to see them simply for their strangely beautiful aesthetic. It quickly transpired that they were part of the set taken from the claymation films that were playing at either end of the studio; designed to make the whole exhibition feel modestly immersive.

At first glance Natalie Djurbery’s short clay animated films seem to portray the inherent playfulness I imagined (the first image I saw was of a bull tottering around a shop full of glass), but you don’t have to watch for long before realising that the artist is merely playing upon our natural assumptions about the medium to convey her real message.

As the museum suggests, Djurbery’s films resemble folk or fairytales, but without any moral judgement. They do, however, use this genre to explore dark and crude themes of suffering, depression and violence using humans and animals. The content of each of the stories was shocking and, at times, bizarre enough; but their combination with the tranquil dim environment transformed any gut reaction into something more pensive. The effect was strangely jarring and definitely uncomfortable, as though I was somehow complicit in the twisted taboos shown on the screen.

The work I feel was important to see. It broke and built barriers between person, screen, self, other, human and animal. It showed the possibilities of claymation as a serious artform; its crudeness effectively conveyed the animalistic forces that drove the characters and its childlike nature added a level of philosophical thought to Djurberg’s portrayal of the human condition.

To summarise, I did not completely enjoy it, I’m glad I didn’t and I don’t think I was supposed to.