Bowe Bergdahl And Robert Bergdahl Are A Disaster For Obama But He Can Recover

bergdahls-praises-Allah-at-white-house-obama-not-happy

A lot has been said about the video of Bowe Bergdahl’s father praising Allah at the White House. Frankly, most of it is wrong. Obama was not smiling. Anyone who knows body language and looks at the video will see that, actually, that was a grimace. President was also obviously angry, he knew how much political damage had just been done to him. I don’t know who is advising Obama at the moment, or why he let five terrorists go for one man but whoever is advising him needs to either be fired or given the worst job in politics somewhere far away from the President to make a strong point. American Ambassador of Outer Mongolia or Siberia sounds good.

I don’t know if Obama knew what the Arabic meant at the time, but he knew it was enough to damage him in the eyes of his enemies, most of whom constantly try to make the President out as not a true American.

Robert Bergdahl said at the press conference of his son’s release, “Bism allah alrahman alraheem,” which translates from Arabic to English as “in the name of Allah, the merciful, the compassionate.” It is said before every chapter in the Koran except the 9th (the chapter of the sword). The level of stupidity in quoting the Koran at the White House, even more than ten years after 9/11 is insurmountable. Not to mention insensitive. He may have meant it in a well-meaning way, but it was not that he spoke in Arabic, it was the praise of Allah, the same Allah whose name the pilots flew into the World Trade Centre for. The beard didn’t help. Robert Bergdahl grew it out of ‘solidarity’ for his captured son but we live in a visual world. How things look matter, and it looks bad.

Bowe Bergdahl allegedly left a note saying he wanted to renounce his citizenship before he went AWOL. Then six American soldiers lost their lives trying to rescue him from the Taliban. This is the biggest crisis of Obama’s career and the shades of Homeland (incidentally one of the President’s favourite shows) does not help. The President did not know what Robert Bergdahl was going to say, and he clearly didn’t like what he did say. No man left behind is very American. Even if the man is controversial and not liked within the armed forces because of his desertion.

To rub salt into the wound, the Taliban have released a video of the release of Bowe Bergdahl. Despite all of this, I believe the President can still recover. He just needs to surround himself with the right people.

What do you think?

 

Homeland Season Three Preview: Spoilers

Homeland Season Three, preview, review, spoilers, homelandHomeland is back. we are very excited. Here is the breakdown of the first episode.

Agent Peter Quinn makes a bomb in a basement, topless.

The Brody family have had a tough time, receiving death threats and bricks through their window. The FBI is following them and the media is hounding them. Dana comes home after a suicide attempt. She has a new boyfriend she met in rehab. She seems to be on the mend and sends a semi-nude picture to her new boyfriend. Her grandmother is also there, trying to help out the family. They eat together and have quality family time. Jessica finds it hard to deal with her daughters attempted suicide and has had to get a job as they have no money coming in

Carrie is off her meds and taking the brunt of the anger along with the rest of the CIA. They have not cleared up the bomb sight ‘because they are punishing us’. The CIA need a win badly and Saul, now in charge, already has a mission in place to take out a number of targets. They succeed in their mission, assassinating a number of bad guys. Agent Quinn was at the forefront of the mission and is upset when a child gets killed.

Carrie is in front of a committee, who are particularly harsh. The CIA are being blamed and the committee are digging for dirt and want to make the CIA pay for their mistakes. To compensate for being off her meds Carrie is drinking, picking up men and seems to be her own worst enemy. After a piece is leaked about her to the media- which doesn’t name her so her operatives are not harmed- she has a run in with Saul in a restaurant, causes a scene and tells them all ‘f**k you’. The newspaper piece is about her sexual relationship with Brody.

At a committee Saul talks about their success at their being ‘a little less evil in the world today’. The committee is still not happy and mentions the Carrie article. Saul, after a pause, confirms that, although the information is flawed, the operative in question was erratic and hide her bi-polar disorder from the agency for ten years. He then says that he never knew about the sexual relationship between Carrie and Agent Brody. Carrie watches on TV, devastated and in disbelief.

The Best Television Shows On Right Now

We live in a golden age of television. Film and Television used to be completely separate, but now Martin Scorsese is producing Boardwalk Empire and movie stars frequent TV. The quality just keeps getting higher. Frost did a survey of our readers for the top television shows on right now, and here they are.

Breaking Bad

Breaking Bad is crack in television form, and aptly so as it is about a chemistry teacher who starts to sell meth after being diagnosed with lung cancer. It is by far one of the best things on television. I have never met someone who had a bad word to say about it.

Homeland

Like most people I was addicted to Homeland and I am already excited about the new series. Homelands big advantage is the chemistry between the characters. Brody, played by Damien Lewis, was supposed to be killed off in the first season but the chemistry between Lewis and Claire Danes’s Carrie was too good and he was kept on.

The Good Wife

One of the finest legal dramas. Julianna Margulies is brilliant as Alicia Florrick. The Good Wife is now in it’s fourth season and still going strong.

Game of Thrones

Game of Thrones is exciting and original. It is also not scared to kill of it’s lead characters. It is brilliant television and I am not just saying that because some of my friends are in it.

Boardwalk Empire

Boardwalk Empire is set in Atlantic City, New Jersey during the Prohibition era. It stars Steve Buscemi as Nucky Thompson and Kelly MacDonald as Margaret Schroeder. It is produced by Martin Scorsese and you can tell. Every scene is beautiful and the costumes are great. Has a great mixture of real and fake characters.

Dexter

The show about a serial killer who only kills other serial killers is genius. The next season will be the eighth and possibly last. All of the characters are amazing. Michael C Hall as Dexter is brilliant, and real life ex-wife Jennifer Carpenter plays his sister, Debbie. Who is possibly one of my favourite characters on television.


Covert Affair

Season Three of Covert Affairs was my favourite yet. Piper Perabo plays the CIA operative who falls in love easily. Season three had you on the edge of your seat. A show that has come into it’s own.

Revenge

Trashy TV at it’s best. It is like Dallas, but with a grudge.

Whitney

Hilarious comedy from comedian Whitney Cummings. It may not be well known in the United Kingdom but it deserves a wide audience for its cracking scripts that leave you laughing so much it hurts.

The Killing

I have to admit I have not seen this yet but promised to put it in as everyone else I know loves it, and is jealous that I have never seen it and have it to look forward to.

Suits

Brilliant legal drama now in its second season. On the run from a drug deal gone bad, Mike Ross, a brilliant college-dropout, finds himself a job working with Harvey Specter, one of New York City’s best lawyers. The relationship between Mike and Harvey is brilliant and, like The Good Wife, it has a strong female lead as one of the partners in the law firm.

The Big Bang Theory

The show is now the most watched show. It is funny and smart and the characters of the awkward physicists are likeable, lovable and rich in depth. Endlessly watchable.

How I Met Your Mother

Getting ready for its ninth and final season, where we will finally find out who the mother is. It is both popular and a cult classic. Ted searches for the woman of his dreams in New York City with the help of his four best friends. The cast of Josh Radnor, Jason Segel, Cobie Smulders and Neil Patrick Harris are all brilliant.

True Blood

Sexy, naughty, violent. In a world where vampires have “come out of the coffin”, Sookie Stackhouse, a telepathic waitress, discovers a new world of different creatures when she meets Bill Compton, a vampire.

Mad Men

A drama about one of New York’s most prestigious ad agencies at the beginning of the 1960s, focusing on one of the firm’s most mysterious but extremely talented ad executives, Donald Draper. This show is a big hit and the costumes have sparked a thousand fashion trends.

Sherlock

A modern update finds the famous detective and his doctor partner solving crime in 21st century London.
Benedict Cumberbatch is brilliant as Sherlock. The last episode of the last season was endlessly debated.

Downton Abbey

Beginning in the years leading up to World War I, the drama centers on the Crawley family and their servants. This was a runaway success on both sides of the Atlantic, making huge stars of all of the cast.


Don’t Trust the B—- in Apartment 23

Chloe is a New York party girl with the morals of a pirate who bullies and causes trouble for her naive small town roommate June. Krysten Ritter and Dreama Walker are brilliant and James Van Der Beek sends himself up beautifully.


New Girl

After a bad break-up, Jess, an offbeat young woman, moves into an apartment loft with three single men. Zooey Deschanel is deserving of her own show.


Suburgatory

A teenage girl moves from the city to the suburbs. Jane Levy is brilliant and sarcastic, the script is amazing. Witty and brilliant.

Agree or disagree? Comment below.

Interview with Homeland Actor David Harewood

David Harewood is the British actor who plays David Estes, the director of the CIA’s Counterterrorist Centre, the the brilliant Channel 4 drama Homeland. A graduate of the Royal Academy of Dramatic Arts, Harewood has been a fixture on the London stage for many years, earning praise for his work in such plays as Sam Mendes’ Othello at the National Theatre, which later went to Broadway.

Harewood appeared in Separate Lies, written and directed by Julian Fellowes; the 2004 screen version of Shakespeare’s The Merchant of Venice, starring Al Pacino and Jeremy Irons; and Blood Diamond, alongside Leonardo DiCaprio and Jennifer Connelly.

On British television, Harewood was a regular on such series as The Vice, Robin Hood and Babyfather. He was also seen as Mandela in the television movie Mrs. Mandela. Harewood also guest stars in a number of series including Doctor Who, Strikeback and Criminal Justice.

 

A surprising number of fans of Homeland don’t realise that you’re a Brit. Explain where you’re from…

I’m from Small Heath in Birmingham. It’s hilarious to me. I’ve been acting for 26 years, in everything from Casualty to The Bill to The Vice, I’ve played Othello at The National Theatre – it’s taken me 26 years to be an overnight success, as the old gag goes, and it’s hilarious that all these Brits think that I’m American. And here in America, whenever I turn up on the red carpet, they’re all stunned to find out that I’m British.

 

That’s particularly impressive that the Americans themselves are stunned. That clearly shows that you’re doing something right.

Well, yeah. It’s always something I try to do. I’ve always tried to put character ahead of personality. I’m really glad that, even today, people kind of recognise me, they kind of know where I’m from, but no-one’s able to place me. I think that’s because I’ve done so much stuff, and hopefully it’s a testament to my ability to act.

 

Growing up in Birmingham, you were a very useful goalkeeper, weren’t you?

Very useful – The Cat, I was once known as. [Laughs] I used to play a lot as a kid, and I had trials as an All England Schoolboy. But I was never going to do it too seriously. Whenever it rained, on a wet, windy Saturday morning, I’d stand there thinking “What on earth am I doing here?” My heart was never really in it. But I played with some fantastic footballers, and it was a huge part of my life.

 

You went to RADA at the age of 18. Did that open up a whole new world for you?

Completely! I’d never really paid much attention at school – I was always a bit of a clown, really – that’s why I started acting. I wasn’t particularly attractive, and I wasn’t particularly academic, so the only way I could really get any attention was to mess about and be a bit of an idiot. At the time it was fantastic, but I suppose it was to the detriment of my education. Then I turned up at RADA, and went in on my first day, and they’re all talking about Brecht and Moliere and Dostoyevsky, and I’m thinking “Who the hell are they?” It was a real eye-opener. I really started to appreciate literature, and it was a wonderful journey. I was very lucky, I had a wonderful few years there.

 

Did you struggle to find work after you left?

I was very lucky, I came straight out and got a job. I played Romeo for Temba Theatre Company, which was the biggest black theatre company at the time. I’ve always been really, really busy, I’ve been very lucky. I think I spent the first five or six years just not stopping. I didn’t have any difficulty – the difficulty came much later on, when I got older and started to play roles with more authority on stage, that there were fewer and fewer roles for me on screen to do. That’s when I started to struggle, because of the frustration of playing really authoritative, strong roles at The National, but really struggling to match that on screen. I’ve been really, really fortunate to fall into this role [in Homeland].

 

Landing the role must have been a great thrill – acting opposite actors of the calibre of Claire Danes, Damian Lewis and Mandy Patinkin.

I hadn’t worked for a year when I got the gig – partly for personal reasons, and partly because I just couldn’t get a gig, and then suddenly to find that I was sharing a screen with them was just extraordinary. I’ve just had a wonderful year. I suppose it’s like football – you play with better footballers, you get better. I’ve really found that just by watching them and working closely with them, seeing how they prepare and how they execute, has been a real joy, and I can only hope that there are more roles for me of this calibre, working with this calibre of actor. It’s been an absolute pleasure, it really has.

 

When you’re filming something like Homeland, do you get a real sense that you’re making something that’s going to be really, really good, or can you never tell?

A bit of both. I think everybody was very surprised by the immediacy of the success of the show – we were still filming the show when it became a massive hit in America. It’s kind of a goldfish bowl filming here in Charlotte, North Carolina – I think people do watch it here, but I was really surprised when I went to New York how many people were coming up to me and saying they enjoyed the show. I think in LA it’s such a huge show – it’s on posters and billboards everywhere, and this isn’t that kind of town, where there are billboards for TV shows.

 

David Estes is a fairly ambitious character, intent on climbing the greasy pole. What are your feelings towards him?

To be honest with you, I really struggled with him during the first season – I just didn’t know who he was. I told that to the writers at the end of the season, and they’ve done a fantastic job of really filling him out this year and giving him much more of a personality. Last year he was just the authority figure in the background who was always anti-Carrie. That was difficult, because I didn’t know why he had such antagonism towards her, and I didn’t know who he was. I only really discovered that when I played a scene right at the end of the season, when I played a scene with Mandy Patinkin, when you realise that actually he is implicated, and inextricably linked to this whole bomb attack on Abu Nazir, and how much he’d buried all of that information, and how much he was linked to the Vice President. I didn’t know any of that until the very last couple of episodes. It was a huge revelation to me that the reason why I’d been so antagonistic about Carrie finding out about Abu Nazir was because I’d been responsible for this drone strike. It was a huge piece of the jigsaw for me, when I read those scenes, and it’s been like taking a cork out of a bottle. This season has been fantastic for me, because now I know who he is, I understand him, I like him. Yes, okay, he may have sold his soul to a certain extent to get where he wants to, but who wouldn’t? A lot of us, to get where we want to be, would do what we can. It’s fascinating being out here in the world of American politics during an election. You see the real dirty side of politics, with the ads they’re running. If you want to get where you want to get to, you might have to do things that are seemingly unpalatable.

 

Why do you think they went for two Brits in key roles in the series?

That’s the million dollar question, isn’t it? It’s what everybody’s been asking. And we’ve got a third Brit – we’ve got Rupert Friend joining in this series. The director just says that they were the most interesting tapes that he saw.

 

When you’re on set, between scenes, or when you break for lunch, do you keep talking in an American accent, or do you revert back?

It’s quite extraordinary – all three of the British actors have almost an unspoken rule that nobody’s ever mentioned – we nearly always stay in our American accents when we’re at work. Damian’ll come to work and I’ll be like [puts on American accent] “Hey, man, how’s it goin’?” And he doesn’t look at me and say “What the f*** are you talking like that for?” It’s just unspoken. Every now and again one might drop out of accent and talk about the Olympics, or about something political that happens in the country, like the riots last year, when you have to get out of the accent. But most of the time you just forget, it becomes second nature.

 

You’ve mentioned that it’s election year in America. I hear that Homeland is Barack Obama’s favourite show. Is that a great thrill?

Oh it is. He’s metnioned it several times in interviews – it’s a fantastic thrill. It’s unfortunate that we were on hiatus when he was here for the Democratic convention. I’m sure he knows that we film the show here in Charlotte. Apparently, because his big speech was moved from the stadium to indoors because of the weather, he might be coming back to the state just to do something for the volunteers. Wouldn’t it be amazing to get a visit from the President?

 

Dare I say that it probably wouldn’t be as much of a thrill to have Mitt Romney visit?

Not really! I am astonished it’s so close, to be honest with you. It’s just beyond me that people are even considering him. But there are a lot of people who aren’t convinced by Obama. A lot of people are saying they’re not even going to bother voting this time. That’s bad, that people feel that politics doesn’t mean anything to them. That’s the scary part, that he’s going to lose because the people who voted for him last time just can’t be bothered this time.

 

Season 2 is about to Premiere in the US. Are you excited?

I’m really genuinely excited. From a personal point of view, it’s great because Estes has been given a lot more to do in this series. But it’s just such a fantastic show, I think people are going to be really, really excited to see it. I’ve read so many tweets and blogs where people have said it’s just a one season show which they can’t take any further, but these writers are fantastic. They’ve managed not only to recreate the same amount if tension, but to ratchet it up again. I think fans of the show are going to be very, very pleased.

 

Are you allowed to give us any hints about what we can expect from the series?

I can tell you that the second season begins in Israel. And I can tell you that Carrie will be back in the CIA in some capacity, and that, from what I hear, though I still don’t know, the mole will be revealed. You’re all going to be very surprised.

 

You were awarded an MBE at the beginning of the year. How did that feel?

Absolutely tremendous. It remains, and always will be, one of the proudest days of my life. To have gone there and got that pinned on, and had my daughter and mum be at the palace watching me get that award, it’s one of the proudest things that ever happened to me. I’m really, really chuffed about it.

 

Series 2 of Homeland will be on Channel 4 in October.

Homeland Series Two Coming to Channel 4.

If you have just watched the last episode of Homeland, you may not have heard the continuity announcer declare afterwards that Channel 4 signed the rights to show season 2 as well. You may have been hiding behind the sofa, rocking backwards and forwards, sobbing softly at the unbearable tension of it all. And now you’ll have to go through it all over again.

So there we have it. The brilliant first season of Homeland is at an end, and what an end it was. Who saw THAT coming? Nick Brody is actually a CIA agent/alien/woman. Carrie Mathison is David Estes’ brother/imaginary friend/car. And Saul Berenson’s beard ended up being made of high explosive/cheese/bees. (Okay, I’m writing this before watching the last episode, because call me old-fashioned, but I like watching stuff on the telly when it actually transmits).

Speaking of watching it on the telly, the British viewing public, in their infinite wisdom, have been tuning in in droves. A consolidated weekly figure of over 4 million watched the show (including figures from the Monday repeat). That’s 4 million heads that are fried, eight million eyes that have popped, and 40 million fingernails chewed down to nothing (80 million if it’s a very flexible 4 million viewers and they are chewing their toenails too. Or chewing each others’ toenails).

I think, when we start talking about toenail chewing, we can probably leave it there, don’t you?

Bye then.

 

[thanks to Channel 4]

Interview with Homeland creators Howard Gordon and Alex Gansa


Writers and creators, Howard Gordon and Alex Gansa talk 24, the process behind Homeland and ‘misunderstanding’ while shooting in Israel with Claire Danes.

When did you first become aware of Gideon Raff’s original Israeli television series Prisoners of War upon which Homeland is based, and what was the thinking surrounding the decision to adapt a U.S. version from the Israeli original? How is it similar/different to its predecessor?

Howard: I became aware of Prisoners of War when I got a call from my agent, Rick Rosen, who was stepping off a plane from Israel. He represents Keshet – the television company responsible for In Treatment, among other formats – and he said, pretty definitively, “I have your next show.” He described it briefly and it sounded good, and I suggested that it might be something Alex and I could do together (since Alex also happens to be a client of Rick’s). But the truth was, Alex and I were both so deep into the eighth season of 24 that when we agreed to do the project, we had no idea how different our final product would be from the original. So while the source material offered some compelling ideas for us to work with, making it work as a series for a U.S. and, really a global audience, required some wholesale reinvention from us.

What were some of the challenges in both story and character with translating Gideon Raff’s original vision? What are some of the factors involved in writing for an Israeli audience versus and American audience?

Howard: The imagined homecoming of two long-time POWs was really the dramatic engine of Gideon’s story. While this has a deep and immediate resonance with Israeli society (the capture of Gilad Shalit by Hamas for the last five years has been a national crisis) we have no analogous situation in the U.S. While Gideon’s was essentially a family drama, ours became a psychological thriller when we posited the possibility that the returning soldier had been turned into a terrorist and was being sent back here as the tip of the spear of a major terrorist attack on U.S. soil.

How did your experience on working on 24 influence your decision to do Homeland?

Howard: It felt like an opportunity to explore some of the same themes which we are still grappling with ten years after 9/11 – national security versus civil liberties, the nature of real threats versus imagined threats which we create out of our fear – but in a more nuanced way than we would ever achieve in the relentless pedal-to-the-metal narrative that 24 required. And while 24 was born and came of age in the shadow of 9/11, so much has changed in the world since then, the complexities and tangled consequences of our military actions being one of them, and Homeland lives in this far more complex world we now find ourselves trying to navigate as a nation.

Homeland premiered in the US almost directly after the 10th anniversary of 9/11. Was that a conscious decision?

Howard: It was just a confluence of events, which in the end turned out to be quite fortuitous, as did a number of other things. Osama bin Laden was killed when we were on Episode 2, eerily like the scene of Damian’s rescue; the Arab Spring. So a lot of the issues, you know, that seem to be a conflation of war on terror and the two wars we find ourselves in. This is after Abu Ghraib, after Guantanamo, after the prosecution of two wars of questionable merit. So this looks at the price to this country of what happened to us ten years ago. So the timing of it, I think, is significant, accidental, and fortuitous.

Both 24 and Homeland share similar themes of national security, terrorism and politics. Can you talk about your interest in exploring these subjects and how the two shows differ in their approaches?
Howard: Although the real-time format of 24 gave it a certain energy and a seeming realism, the fact that it told a story inside the course of a single day inevitably made it embrace improbabilities. So the idea of exploring themes like national security, terrorism and politics was subverted to the rigorous requirements of an almost impossible format. Because Homeland isn’t bound by the real-time format, we’re able to dramatise relationships and story arcs that take place over a longer time period, which has given us an opportunity to explore some of the same themes in a deeper and more nuanced way.
Alex: We also wanted to address the experience of veterans. The conflicts in Afghanistan and Iraq are arguably the longest wars in U.S. history. Members of the armed forces are struggling with Post-Traumatic Stress and physical disabilities in record numbers. How will their experiences overseas find a context once these soldiers are back home? Brody’s journey is a way to ask that question in depth. What was he was fighting for? Just what are the values of his homeland? “24” existed in a real post9/11 world. And Jack was an action hero. In response to that, ten years later, things have become deeper and more complex. And the heart of this show is really psychological, how America is dealing with that tenyear period. And now it’s post Osama bin Laden.

Tell us about the cast. How did Claire Danes and Damian Lewis come to join the production? And can you describe the greatest attribute and flaws in the characters they play – Carrie Anderson and Sgt. Nick Brody?

Howard: Claire Danes was our first choice from the moment we sat down to write the pilot. She had just appeared in Temple Grandin and we were blown away by her performance. We even named the character Claire in our first draft. As much as Alex and I were fans of Damian’s from Band of Brothers, he became our first choice when we saw him in an independent movie called Keane.
Alex: Carrie has an extraordinary passion for life; her mental illness gives her an unparalleled intuition and appetite. But the highs give way to crippling lows, and that can be an intensely lonely experience. Brody trained as a sniper. He’s focused. He has incredible will. He’s survived an experience that would break most people. He’s also a soldier with a strong sense of duty and justice. As the season unfolds, we’ll learn how his eight years in captivity changed him, or just uncovered something he always carried inside him. Carrie and Brody are a great match in this season-long cat and mouse game. Each harbours secrets. And each understands the other in a way that no one else can. They have an intense connection-despite the fact that they might have radically opposing goals.

What can you tell us about the end of these 13 weeks? Will you solve the mysteries of Damian’s character?

Howard: This is a very, very interesting narrative experience. We’ve all discussed it. The first conversation we had with Damian and Claire was, how long can we keep the “is he or isn’t he” of it alive without feeling like we’re annoying the audience. And I think we have found a really satisfying way to tell that story where this uncertainty is actually compelling. And the answer is that we hope, that we answer those questions at the right time.

Are you working with any official consultants from the CIA or another government agency to advise on storylines? How do you make the plotlines authentic?

Howard: Alex and I have very different processes when it comes to this. Alex tends to do a lot of research, and I tend not to because I’m lazy and I prefer to keep my imagination unencumbered by the facts – and usually find myself able to retrofit reality to what I need the characters to do. I find that plotlines are authentic when the characters are authentic – which is to say, act like people you recognise.
Alex: At the writers’ office, we do a significant amount of research in order to get the details right – and given the subject matter, it wouldn’t be a surprise to find that we’d been flagged for the terrorist watch list. We’re very lucky to have a few official consultants, including a contact at the CIA and the representatives of Muslims On Screen & Television. We even have an imam on set to work with non-Muslim actors to perfect their salat prayer rituals. But, as Howard says, the authenticity of the characters comes first.

Where is production set? Did any of the filming be on location in the Middle East?

Howard: The production is set in Charlotte, North Carolina, which will double as Washington DC and Virginia. For the pilot, we were able to film in Israel, which doubled as Baghdad. There was a little misunderstanding with the location person, and so there was a little bit of an adventure while we were there.

What do you mean by “misunderstanding”?

Howard: Well, it wasn’t like shooting in L.A. where you lock down a street and, you know, get a license from the city. This was a little bit more ad hoc than that, and so let’s just say certain people didn’t get distributed their location fee. And then the rumour circulated that we were actually CIA plants, and then you can imagine what happened.
Alex: And the next thing –
Howard: The next thing, Claire was being rushed away in a van by security.
Alex: Claire was in the back of a car going a hundred miles an hour out of town. We got it on film
Howard: We hope we’ll have the chance in the future to do some more remote shooting in that part of the world.

Frost would like to thank Channel 4 for this interview.