Amanda Seyfried Is New Face of Parfums Givenchy Very Irresistible

Amanda Seyfried, not content with landing roles in Lovelace and Les Misérables, is now also the face of Parfums Givenchy new fragrance, Very Irresistible.

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Parfums Givenchy Amanda Seyfried Press Photo

Amanda Seyfried, who began acting in her teenage years, is one of the most
captivating actresses of her generation. She has appeared in a string of
outstanding films, including Mamma Mia!, Chloe, Dear John, Letters to Juliet, In
Time and, more recently Les Misérables. She will next be seen in the film Lovelace.

Parfums Givenchy Global President Thierry Maman said: “Amanda is a very
talented actress with a sparkling beauty and an effortless sense of elegance.
We very much look forward to working with her on a new exciting
communication campaign.”

The new campaign featuring Amanda Seyfried will be unveiled from Fall 2013.

Betting on The BAFTAs or Grammys? Here’s The Latest Odds.

If you are having a flutter on the BAFTAs or Grammys read the latest odds from Frost and Paddy Power first.

BAFTA:

Best Film

Argo is still the film to catch and is a massive 1/4 odds on to scoop best film at Sunday’s BAFTAs. Paddy Power is also offering 1/2 that it does the double and wins Best Picture at the Oscars as well. As for the others:

Lincoln – 9/2

– Les Miserables – 6/1

– Life Of Pi – 25/1

– Zero Dark Thirty – 40/1


Leading Actress

Leading Actress category is dominated by three main contenders – 8/11 Jennifer Lawrence, 9/4 Jessica Chastain and 11/4 Emmanuella Riva. The also rans include 33/1 Marion Cotillard and 40/1 Dame Helen Mirren

Leading Actor

And the winner goes to ‘Daniel Day-Lewis’ – never before have the bookmakers been so sure about the outcome of best actor setting unbackable odds of 1/40 – meaning for every £40 staked, you will win £1. For what it’s worth, Hugh Jackman is 10/1, Joaquin Phoenix 25/1 Bradley Cooper 50/1 and Ben Affleck 50/1

Best Director

Another category that’s all but said and done – Ben Affleck is miles ahead in the betting at 1/7, while second favourite Kathryn Bigelow is 7/1 and Ang Lee 15/2.

*GRAMMY:

Bring on the bling, but no buttocks of boobs please. Grammy performers have been warned to avoid ‘see through’ clothes and ensure all wobbly bits are ‘adequately’ covered. Yeah right.

Paddy Power is offering 4/1 for at least one pair of female nipples to be visible during the ceremony and have installed Rihanna at 13/8 as the most likely culprit to ‘to have missed the memo’.

Meanwhile ‘Somebody That I Used to Know by Gotye featuring Kimbra is the even money favourite to win record of the year, ahead of 3/1 We Are Young by Fun, featuring Janelle Monae.

Mumford & Sons are the odds on favourites to scoop album of the year for Babel, while Jack Antonoff, Jeff Bhasker, Andrew Dost & Nate Ruess look to have one hand each on the song of the year category for We Are Young.

Last but not least, The Black Keys are tipped to land Rock Album of the year:

Record of the Year

11/10 Somebody That I Used to Know – Gotye Featuring Kimbra

3/1 We Are Young – Fun. featuring Janelle Monáe

4/1 Lonely Boy – The Black Keys

8/1 Stronger (What Doesn’t Kill You) – Kelly Clarkson

15/1 We Are Never Ever Getting Back Together – Taylor Swift

20/1 Thinkin Bout You – Frank Ocean

Album of the Year

4/9 Babel – Mumford & Sons

3/1 El Camino – The Black Keys

5/1 Channel Orange – Frank Ocean

10/1 Some Nights – Fun

12/1 Blunderbuss – Jack White

Song of the Year

8/15 We Are Young – Jack Antonoff, Jeff Bhasker, Andrew Dost & Nate Ruess, songwriters (Fun. featuring Janelle Monáe)

5/2 Call Me Maybe – Tavish Crowe, Carly Rae Jepsen & Josh Ramsay, songwriters (Carly Rae Jepsen)

5/1 Stronger (What Doesn’t Kill You) – Jörgen Elofsson, David Gamson, Greg Kurstin & Ali Tamposi, songwriters (Kelly Clarkson)

10/1 The A Team – Ed Sheeran, songwriter (Ed Sheeran)

12/1 Adorn – Miguel Pimentel, songwriter (Miguel)

Best New Artist

6/4 FuN

13/8 Frank Ocean

11/4 Hunter Hayes

8/1 The Lumineers

18/1 Alabama Shakes

Best Rock Album

1/2 El Camino – The Black Keys

3/1 Blunderbuss – Jack White

5/1 Wrecking Ball – Bruce Springsteen

8/1 Mylo Xyloto – Coldplay

12/1 The 2nd Law – Muse

CBS Wardrobe ‘Obscenity’ Specials

4/1 Any onstage performer or award winner to wear see-through clothing that could possibly expose female breast nipples

6/1 Any onstage performer or award winner to have an organized cause visibly spelled out his T-Shirt

12/1 Any Foreign language to appear on performer or award winners outfits

First to Break the CBS Wardrobe Advise onstage

13/8 Rihanna

2/1 Beyonce

4/1 Katy Perry

5/1 Taylor Swift

10/1 Jennifer Lopez

15/1 Alicia Keys

33/1 Kelly Clarkson

“Les Miserables” sends French town bookings soaring

The French town which provides the backdrop for the tragic and powerful musical, “Les Miserables” has seen a huge 366% increase year on year in hotel bookings since the release of the film this week. Hotel booking specialist LateRooms.com reports the rise for its hotels in and around Montreuil Sur Mer, the setting for much of the early part of Victor Hugo’s novel. The small French town in northern France is where protagonist, Jean Valjean, played by Hugh Jackman, serves as mayor of the city and is also hometown to the tragic heroine, Fantine, played by Anne Hathaway in the cinematic adaptation.

“It is fantastic to see our hotels in and around Montreuil Sur Mer receiving such a staggering increase in bookings from the success of “Les Miserables.” commented Lynda Matthews, Offline Marketing Director for LateRooms.com. “The film is one of the best loved musicals of all time, and we are pleased people are taking the opportunity to go and see where the famous story started!”

Les Miserables Movie Musical Exclusive Review

Les Miserables’ movie musical – screened for cast and crew members at the Odeon Cinema in London, Leicester Square on the 4th of December 2012 – soon to be released in the cinemas.

 

I was lucky enough to be invited to the cast and crew screening of ‘Les Miserables’ on the 4th of December 2012 at the Odeon cinema in London, Leicester Square.

 

 

In a speech, held before the screening, award winning British film and television director, Tom Hooper, did thank all the cast and crew in the cinema making his dream come true.

 

Sir Cameron Mackintosh admitted that it had been their dream to make a movie musical and the fact Tom Hooper asked him on this amazing project was a really good thing as the director came up with an amazing vision of how he wanted it. Tom had in fact suggested disaggregating all the scenes for filming purposes to then put them back together in the movie. Mr Mackintosh admitted making a movie and especially a movie musical takes so much more work than putting together a theatre production. He funnily mentioned how the lack of sleep was a constant thing during the production!

The film musical had just been completed before the screening and Mr Hooper ironically wished he could have had a couple of hours more to do some extra touches.

Les Miserables’ movie has already had the Guildhall screening in the USA where it received a great feedback but now, the main aim is to bring the production in London.

In between the mentions in Hooper’s speech, Simon Hayes and his team for the sound department and all the post production team which did an amazing work, the costume department – which had to really work out the choice of fabrics so that the microphones would not be inhibited – Steward Hilliker took care of this. The camera team which had to film several scenes with multi-cameras; it was a real challenge. Really, a great team work. Also, Hugh Jackman’s remarkable and poignant performance of Jean Valjean cannot be left unmentioned.

 

The live sung movie musical is much more emotionally bounding than the old school movie musical version where actors used to mime the singing on a pre-recorded track. I found the movie as poignant as the live staged version. In the theatre it is great to be present and literally breath the performance but unless you are sitting in the very first rows, you hardly get to see the actors expressions when in the movie musical you can clearly see their eyes and facial expressions. This works amazingly to get into the actors’ deep feelings highlighted by remarkable close ups that, on the big screen together with the musical effects, make the audience unavoidably feel exactly how the characters felt whilst singing those lines live to the cameras (see video link below).

The movie respects the same sequence of events of the original Boublil – Schönberg musical theatre score. The musical and emotional tension is not released till the ‘Master of the House’ entertaining scene where we even see a featured Father Christmas!

Pablo Bubar – one of the many cast members who attended the screening – explained to me how, for the revolution scene, he had been called on set for 6 days, working 13 to 14 hours per day. Crew members worked even more than 17 hours per day.

 

The movie produced by Working Title Films (Sarah Radcliffe and Tim Bevan) will be released on the 25th of December 2012 in the United States and on the 11th of January 2013 in United Kingdom.

Might this movie be the landmark for more live sung movie musical productions to come celebrating really good acting and filmmaking and I bet cinemas will be full again!

 

http://www.imdb.com/video/imdb/vi2587403289/

 

 

Written by Paola Berta