Tag Archives: uk

Sterling rises sharply versus the euro and US dollar after better than expected UK GDP data

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“The pound rose sharply versus the euro and US dollar after today’s first-quarter 2013 UK GDP data suggested the economy avoided an unprecedented triple-dip recession by a wider than expected margin. Sterling remains some 2% lower versus the dollar compared to three months ago.” Chris Saint, Head of Currency Dealing, Hargreaves Lansdown

 

Despite the mildly positive GDP outcome for Chancellor Osborne, this does little to alter the bleak overall picture. The economy remains 2.6% smaller than at its 2008 peak, which compares unfavourably with many of the UK’s peers. It also does little to enable the government to refute critics’ claims that its austerity programme is doing more to stifle growth than it is to curb rising public debt. Absent an improbable U-turn from the government’s plan A, hopes of the recovery gathering momentum will inevitably be pinned to monetary measures such as quantitative easing and the newly extended Funding for Lending Scheme. From a currency viewpoint, this should keep the pound on the back foot in the near term given a widespread scepticism that these measures will be sufficient for the economy to gain suitable traction going forward.”

 

At the time of writing, the exchange rates stand at:

 

  Interbank rate                   % daily change

Sterling / US dollar           1.5402                                    0.79%

Sterling / Euro                    1.1805                                    0.62%

Innovative Films Raising Funds: Three Days

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Three Days is a film that is close to my heart. Not just because I share an acting agent with the two leads and have worked with Vanessa, but also because in a world where older women are so often overlooked, this film is about a 40 something women and a younger man. It is a love story with a heart.

The Hollywood Reporter recently had a female executive guest post for them. This is what she said:

I have sat through development meetings in which actresses over the age of 34 are cast aside as “too old”, those who have had babies or families come with “baggage,” and whether or not they are willing to get nude on film plays into their chances of getting an offer, when these same traits are not deal-breakers in their male counterparts, or even mentioned for that matter.

Well, Vanessa is over 34, is married and has children. She is also making a kick ass movie. Proving all of this wrong. They are raising money as we speak so to contribute go here. It is a movie that should be made.

Three Days is a short film, to be shot in London and Cardiff, UK.

In turns poignant, sensual, warm and funny Three Days is a short film about the decision to surrender. Or not. It stars Vanessa Bailey & Richard Perryman. We asked them some questions about the film. Answers are below.

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What have you enjoyed about the process so far?

Seeing how everything has developed from when I first came on board has
been very exciting. Also it’s been great being able to work with an
incredibly talented and passionate group of people.

What do you think will appeal to people about the film?

There’s a whole lot to fall in love with. Great characters which the
audience can really invest in, an original love story and a brilliant crew
to make it all happen!

What is it like working with Vanessa?

It’s great working with Vanessa. She’s incredibly passionate about Three
Days and has invested a huge amount of time and effort to push the film
as much as she can. Our only problem is we’re both terrible at keeping a
straight face whenever we need to be serious.

What are you most looking forward to on the shoot – favourite scene?

I just can’t wait to get on set and start shooting the whole thing.

What would you say to people thinking about donating to the crowdfund?

That we really cannot make the film without the help of everyone else out
there! Any contribution helps and it’s a great chance to get involved in a
new and exciting film.

3Days final poster imageVanessa.

What have you enjoyed about the process so far?

I’ve been genuinely amazed at the people who’ve been happy to come on board
with the film. And seeing how the team have been putting their heart and
soul into getting this crowdfund up and running. Everyone has really gone
the extra mile with it, even Jason’s PR Alistair was working his socks off
on the poster shoot! The poster shoot was a small taste of what will be
like to work with the whole team on the shoot. We were all freezing cold,
but the buzz was palpable.

What do you think will appeal to people about the film?

Well, with the talent we have working on the project the film promises to
be visually gorgeous, with a beautiful, original score. We’ve got team with
Batfa Cymru’s and Emmy’s to their names. The characters are, hopefully,
appealing and people will want to travel on their journey with them and
root for them! It’s got humour and passion and warmth and struggle – we
wrote what rings our own bell, basically! Hopefully it will connect with
others, too.

What is it like working with Richard?

Richard has been brilliant, he’s really got stuck in and invested his
time and talent in lots of ways. Like he says, we’re not great at keeping
straight faces! But that makes it fun.

What are you most looking forward to on the shoot – favourite scene?

I just want to see how the whole thing fits together. The scenes have
quite a range of dynamics from light-hearted through to passionate and I’m
looking forward to shooting all of them. We’re really excited to be doing
scenes with Lynn Hunter, I think they’re going to be a highlight!

What would you say to people thinking about donating to the crowdfund?

Please come on board! It’s a great film to get involved with and we’re
incredibly grateful for support. Check out our perks and see if anything
appeals – we’ve got everything from a corporate product placement perk
(product/premises placed in the film plus logo on all our visible material
and in the credits and more!)to getting your hair done by Jason and then on
to the screening to being an extra in the film! Let’s get this story off
the page and onto the screen!

Thank you Vanessa.

Special mention to Red Boutique in Beckenham for supplying accessories and clothes.

Launch Party For Russian Week in London 2013

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The Russian Week in London, Festival Maslenitsa

Richard Barnes and Natalia Vodianova

 

Frost went along to the amazing restaurant Mari Vanna to celebrate the opening of the Maslenitsa Festival, Russia’s cultural welcome to spring and celebration of pancakes. We greatly enjoyed the canapes and the drinks, including vodka infused strawberry juice. We enjoyed the presentation and talks about the up-coming Russian festival and were told to ‘drink in moderation’ by Boris Johnson. All in all, we had a great time and will be popping down to the Russian Festival. See you there.

 

The Russian Week in London, Festival Maslenitsa

FREE entry, 13:30–18:30, Saturday 16 March 2013
Trafalgar Square, London, UK

Zdravstvuj! (Hello!) What better way to welcome spring and banish winter than Maslenitsa, the Russian Sun
Festival. This Shrovetide feast before Lent is celebrated the world over with traditional Russian arts and
culture events and, of course, delicious Russian cuisine – including the iconic and delectable blini (pancake).

Organised by Ensemble Productions, London’s Maslenitsa festival has the backing of the Mayor of London
and Natalia Vodianova’s Naked Heart Foundation as official charity partner, and is the largest Russian
celebration of culture, art, music and food outside of Russia. The free event returns for its fifth year on
Saturday 16 March in Trafalgar Square from 13:30-18:30. Coinciding with Maslenitsa celebrations across
Russia, a live satellite link will allow audiences to share in the authentic festival atmosphere and exchange
cultural dialogue as well as highlight important links between the UK and Russia, with a particular emphasis
on the Olympic years of London 2012 and Sochi 2014.

Boris Johnson

Comments the Mayor of London Boris Johnson:

“I am delighted to give my backing to London’s Maslenitsa celebrations, a sure sign that spring is on its way. London has a large Russian population and this popular event is an opportunity to become immersed in the rich traditions and heritage of that great country. It also offers a taster ahead of Sochi 2014, which is now just a year away and I am sure will be a huge success. Int he meantime, whether you try a delicious blini, pirogi or chebureki, to our friends in Moscow and Russians everywhere have a fantastic Maslenitsa! Maslenitsa gulyaet – vesnu vstrechaet, zimu provoshaet!*”

The popular festival features a variety of activities for all ages including musical performances by Russia’s
leading musical talent, a children’s marquee with songs, competitions and games, and a bustling bazaar
organised by the Russian National Arts and Crafts organisation, with original Russian art, handicrafts and
souvenirs for sale.

Maslenitsa is also known as Pancake Week and there will be plenty of authentic Russian dishes to sample. In
addition to blini there will be other traditional staples such as beef stroganoff and borscht (beetroot soup)
as well as delicacies such as pelmeni (Russian-style pasta).

Maslenitsa 2013 will include, among others, a special visit by Eurovision Contest 2012 stars the Buranovskie
Babushki (Singing Grannies); performances by celebrated folk diva Nadezhda Babkina with her
contemporary take on traditional Russian sounds; young folk group Rodnaya Storonka who cover multiple
genres; the legendary State Academic Ensemble Berezka; the award-winning and innovative Bis-Quit
Quartet; charismatic and much-loved soul Russian artist Petr Nalich accompanied by his band; national
treasure Oleg Gazmanov and one of the most famous Russian rock bands of all time, Smyslovye Galuzinazii.

The festival comes at the culmination of the Russian Maslenitsa Week which includes satellite events across
the city of London. These include the exhibition Treasures of the Royal Courts: Tudors, Stuarts and the
Russian Tsars at the V&A, a culinary evening at Russian restaurant Mari Vanna, a Russia Literary Evening at
Waterstones and a performance by the vivacious Theatre Praktika. This year’s Maslenitsa festival will also see
the first winner of the Maslenitsa Prize for Song and Dance take to stage to entertain the crowds at
Trafalgar Square.

“Due to high interest from the public, the Maslenitsa Festival remains an extremely important cultural event
not just in the UK, but in Europe,” comments Olga Balakleets of Ensemble Productions. “Each year the
festival grows, allowing more and more people to learn about the modern face of Russian culture as well as
its rich cultural heritage.”

Maslenitsa also serves as a platform that fosters business and cultural links between the UK and Russia.
Commented Vitaly Nesis, CEO of Polymetal International, one of Maslenitsa’s event sponsors:

“We are delighted to be supporting the Maslenitsa Festival in London and providing the opportunity for more
people in the United Kingdom to see and experience a range of exciting Russian culture and social events.
As a company that has most of its operations in Russia and many of its shareholders in UK, we are keen to
see the relationship between the two nations prosper backed by thriving business and cultural cooperation.”
Added Dmitry Mints, Chairman of the Management Board of fellow sponsors, O1 Properties, “The
Maslenitsa festival offers audiences in the UK the unique chance to take part in this ancient Russian tradition,
and O1 properties is happy to support this cheerful event.”

A special VIP Gala Dinner will take place on 15 March at the Royal Courts of Justice. Tickets are available for
purchase from Ensemble Productions.

Russian Week in London, Festival Maslenitsa: Line Up

Tuesday 12 March
Culinary Evening
Mari Vanna
Situated in the heart of Knightsbridge, foodies have the chance to sample some of Russia’s spectacular
culinary delicacies, with a special menu curated by celebrity chef Alexander Rappoport.

Wednesday 13 March
Russian Literary Evening
Waterstones, Piccadilly
Book and culture lovers unite in Piccadilly’s iconic bookshop to immerse themselves in the English versions
of Russian best sellers, including a special theatrical performance.

Thursday 14 March
Craft Fair
Russian Culture Centre (Rossotrudnichestvo)
The Kensington High Street-based culture centre will host two sessions – a master class and children’s class
– to introduce DIY lovers to authentic Russian crafts.

Friday 15 March
Talk and tour of Treasures of the Royal Courts
V&A
Art and history fans can explore over 150 objects from Henry VIII to the early Romanovs, including royal
portraits, jewellery and luxury goods, as well as processional armour and heraldry, chronicling the close
relationship between the English monarchy and the Russian Tsars.

Saturday 16 March
Maslenitsa Festival
Trafalgar Square
A day of pancakes, music, art and live performances, this free fun-filled family day brings together people
from all walks of life in a celebration of the coming of spring and the wonderful cultural offerings of Russia.

Sunday 17 March
Edward Boyakov’s Theatre Praktika
Duke of York Theatre
Praktika’s mission is to reflect modern reality in all its complexity and address questions that are of burning
importance to contemporary society – hold onto your hats for the company’s iconic new theatre style and
vibrant energy.

Further information on venue details and event timings will be announced in due course. Updates, along
with a list of performances to take place on the main stage are available on the Maslenitsa Festival website
http://maslenitsa.co.uk/

For more information or to book tickets, call +44 (0) 20 8832 7424

The Russian Week in London, Festival Maslenitsa

Trafalgar Square, London
13:30–18:30
Free
Dates: 11 March 2013 – 17 March 2013

Naked Heart Foundation

Mayor of London, Ministry of Culture, Ministry of Foreign Affairs of the Russian Federation, Embassy of
the Russian Federation in London, Federal Agency Rossotrudnichestvo, Russky Mir Foundation,
Polymetal International, ICT Group, O1 Properties, Lycamobile

About the Naked Heart Foundation

It was the Beslan school siege in 2004 that motivated international model Natalia Vodianova to set up the Naked Heart Foundation. Desperate to do something to help, she had a simple idea – if the young survivors could be distracted by play for at least five minutes each day, it would help them to heal. Providing them with safe outdoor play facilities would redefine their city landscape and act as a form of therapy. The Naked Heart Foundation was set up in the same year, and in 2006 it completed its first play park, five minutes from where Vodianova grew up in Nizhny Novgorod. In 2009, 40 play parks and 30 Russian cities later, Vodianova had fulfilled her dream of giving the children of Beslan their very own Naked Heart play park. To date the charity has built 90 play parks and playgrounds and is now creating a network of family support centres to care for families raising children with disabilities. It also provides funding for dozens of Russian NGOs working in the field and holds an annual international Forum for child development specialists. In 2013 it will open its 100th site. For more information visit www.nakedheart.org or www.facebook.com/NHFcharity

 

BURANOVSKIE BABUSHKI (SINGING GRANNIES)

Buranovskie Babushki visit The Russian Week in London,

Festival Maslenitsa, 14 & 15 March

Translated as ‘The Grannies from Buranovo’ – or better known to us as the ‘Singing Grannies’ – Buranovskie
Babushki is an ethno-pop band comprising eight elderly, yet sprightly, women. After finishing second in the
2012 Eurovision Song Contest for Russia, the Grannies became an Internet sensation with more than 30,000
hits in less than a week. They will be visiting London in support of the Festival Maslenitsa and will be
attending the British Russian Gala on 15 March at the Royal Courts of Justice as part of the Maslenitsa Week.

The Grannies sing in their native Udmurt, and often surprise audiences by singing covers of Tsoi,
Grebenshchikov and The Beatles. The grannies are currently using their Eurovision money to help rebuild a
local church from their home town Buranovo.

Festival Maslenitsa: FREE entry, 13:30–18:30, Saturday 16 March 2013
Trafalgar Square, London, UK

 

Festival supported by the Mayor of London, Boris Johnson
Official charity partner, Naked Heart Foundation, founded by model Natalia Vodianova
Free entry, family-oriented day of fun and special children’s marquee
Live satellite link between Moscow’s Red Square and London’s Trafalgar Square during festival
Bazaar featuring Russian culinary delicacies and traditional arts and crafts
Tickets to VIP gala reception available through organisers Ensemble Productions
Week of events preceding Maslenitsa Festival includes a literary salon at Waterstones and Russian
delicacies at Mari Vanna restaurant in Knightsbridge

HOLLYWOOD – IS IT STILL THE CENTRE OF THE FILM MAKING WORLD?

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oscar winners 2013Following the success at the Oscars of both Argo, a big pat on the back of Hollywood, and Life of
Pi, an ‘international’ film with no recognisable big name star, Jonathan Brown looks at whether Hollywood is still the centre of the film Universe.

‘Domestic’

Hollywood is Cinema, right? After all, despite every country having its own awards ceremony, the
Oscars are still seen as the pinnacle of the film making world – at least to the studio marketing men.

Even though film wasn’t created in the US, it’s where it became what it is today. If fact, some of the
big original Hollywood studio are still around today, and, despite flagging profits, are as influential as ever. To be classified a big blockbuster, you need to take over $300m ‘domestic’ , ie in the USA.

Even if you flopped abroad, a good take at home could be enough to make a success. Even in Britain,
films like Skyfall are sold as the ‘Number 1 USA Box Office Hit’, even if they only spent one weekend at the top and just broke even.

The American box office was, and still is, the judge of commercial success, in the way the Oscars
were the mark of critical success (there’s an argument that the Oscars are way of the pulse of new
and exciting cinema, but that’s a different article).

But the tide is turning. America, as a country, is suffering more than most in the economic downturn,
and, while Hollywood continues to spend more and more on their blockbusters (the recent Twilight
movie cost £120m!), the people spending the most of their hard earned wages going to see these
blockbusters is moving.

‘Overseas’

While America still is the biggest single market for movies, and is far ahead of its closest rivals,
the ‘Overseas’ market is becoming a bigger cash cow.

Let’s have a look at the numbers. The usual ratio for a movie is around 40% of its takings from the
US and 60% from overseas – roughly. Ten years ago, in 2002, just four of the top ten highest grossing
movies took more than 60% of their box office from overseas, with two films (Signs and My Big Fat
Greek Wedding), taking less than half.

In fact, My Big Fat Greek Wedding took 76% of its taking from the US. And I’m assuming the other
24% from Greece.

Skip forward ten years, to 2012, and seven films took over 60% from overseas with Ice Age 4 taking
82% from overseas. Compare this to the first Ice Age move, which took only 54% from ‘foreign’ box
office and the swing becomes hugely noticeable, and important.

It’s the same if you compare 2011 and 2001. In 2001, there were just two films making over 60% of
its box office from foreign markets, while in 2011 there were nine films.

In 2009, box-office behemoth Avatar took 72% of £2.7bn from overseas. Ten years earlier, The
Phantom Menace, the new Star Wars movie the world had been waiting for, took just 54% from said
world.

If we go even further back, to the days of ET and the original Star Wars, the take is even slimmer,
with overseas counting for just 45% and 40% respectively.

Some of the shift can be accounted for by long term word of mouth, or even self-fulfilling prophecy.
Many of the big sequels, especially animations, have made huge amounts overseas, while their
domestic take, while still massive, hasn’t grow as fast.

When a film has been classed as a hit in the US, companies are a lot happier pushing the sequels
overseas. Also, while many overseas viewers might not have caught the original at the cinema, the
may have bought the DVD, seen it on TV, or downloaded it.

However, you don’t need to be a hit in the US to be a hit abroad. A textbook example of how foreign
markets can make a film a success is the recently released, and hugely divisive, Cloud Atlas. Directed
by the Wachowskis and Tom Twyker, the film has been classed a huge flop. On a budget reported to
be around $100m, it opened to just $9m in the USA.

As the US is so opening weekend focus (film takings tend to drop off by around 40-60% per
weekend), the chances of it making its budget back in America were pretty slim. It went on to earn
just £27m in total – domestic.

However, the film, set across various countries with a cast from across the world, has made a very
decent $80m overseas – so far. The $80m take does not include the UK, France, Japan and Australia.
This could easily add another £10-20m to its take.

Some of this change, especially from the 70’s/80’s, is the arrival across the world of the multiplex
cinema – meaning more films, more showings, and more attendees in the foreign markets. Factory
cinema, if you will.

However, this doesn’t account for the change in the past ten years. These changes are partly due to
two main factors – one is the new middle classes in the emerging markets like India, China and South
America, where people are starting to get some Rupees, Pesos or Yuen in their pockets, and having
the free time to spend it.

Secondly, is the move in America away from cinema to home viewing. Companies like NetFlix are
drawing people away from the multiplex and into the living room, despite desperate Hollywood’s
attempt to keep them with the introduction of the ultimate cinema experience – 3D.

This has seen cash intake increase slightly, due to higher ticket prices for 3D films, but attendances
are still dropping.

And why wouldn’t they, when you’ve had vast improvements and reduction of costs of home cinema
systems, or just a decent TV, and the reduction in time it takes for a film to go from the cinema to
online. People are realising they’d rather wait a couple of months and watch it on their home 3D
system, instead of paying $20 for a cinema ticket.

The Future

So, what does this mean for the future of blockbusters? I can see two possible outcomes.

The Hollywood studios could start to tailor their films more for foreign markets, using casts,
locations and directors from across the globe.

While Hollywood is keen on using foreign actors, they always tend to be the bad guy – maybe we’ll
see a few more leading actors from across the globe in mainstream Hollywood movies.

Or, more cynically, it could mean that distributors start to buy up more screen space in foreign
cinemas, pushing out locally made films.

However, on the evidence, especially in the foreign markets with an established film industry, this is
not the case. In 2009, four of China’s top ten grossing films where from China. China does however
limit the number of foreign movies able to be released a year.

In India in the same year, seven where from India (and one of the other ones was Slumdog
Millionaire).

So, maybe there is a balance to be struck. Maybe Hollywood can start to look outwards, taking
influence from a world of cinema, while still pumping in the big bucks to bring the big spectacle.

Day for Night launches distribution arm with first two UK theatrical releases

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Day for Night is delighted to announce the launch of its distribution arm with its first two theatrical titles HI-SO (Aditya Assarat, Thailand) and THURSDAY TILL SUNDAY(Dominga Sotomayor, Chile).

 

The second film from award-winning Bangkok based Thai-American director Aditya Assarat (Wonderful Town) HI-SO had its world premiere at Busan International Film Festival and European premiere at Berlinale (Forum). HI-SO premieres in the UK on 1 March 2013 at Curzon Renoir. Set against the backdrop of a post-tsunami Thailand, Aditya Assarat’s second film features Thai film star Ananda Everingham in a bittersweet tale of love, memories and belonging. Day for Night is pleased to welcome director Aditya Assarat for a Q&A following the UK premiere as well as for a second screening on 2 March 2013 at Hackney Picturehouse. Both screenings will be followed by receptions sponsored by Chang Beer.

Ananda Everingham in HI-SO (Aditya Assarat, Thailand)

 

Day for night’s second release comes in April 2013 with much talked about Chilean director Dominga Sotomayor‘s debut feature THURSDAY TILL SUNDAY which won the prestigious Tiger Award at International Film Festival Rotterdam 2012 and has since been selected for more than 60 film festivals worldwide, including London Film Festival 2012.

 

 

Day for Night founder Sonali Joshi said:

 

“We’re really excited about this new venture into distribution which has evolved as a natural extension of our film curatorial activities. Our aim is to develop a slate of films that represents some of the freshest and most distinctive titles from around the world – a curated library of films with a particular focus on outstanding up-and-coming filmmakers.

 

“We’re delighted to present Aditya Assarat’s second feature, HI-SO as our first title – a film that is reminiscent of François Truffaut’s classic, DAY FOR NIGHT, hence it seemed a natural choice to launch our distribution activities with this beautifully atmospheric film.”

 

HI-SO is released in the UK on 1 March 2013. THURSDAY TILL SUNDAY is released in the UK on 5 April 2013.

Chillbox, the UK’s frozen Greek yoghurt, hosts a not-so-secret Saturday giveaway!

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Free stuff alert!!

Chillbox, the UK’s first ever frozen Greek yoghurt, hosts a not-so-secret Saturday giveaway!


This Saturday 10th November, 1pm – 3pm

 
Behind a refrigerated doorway, hidden in the vibrant food hub of Brixton Market, sits Chillbox – the UK’s first ever frozen Greek yoghurt concept.
Completely unique in its taste, the result of using Greek yoghurt and being chilled rather than frozen, Chillbox’s Greek frozen yoghurt is far softer and creamier than any of its competitors.
To celebrate its arrival, Chillbox will for one day only be giving everyone the chance to taste this delectable Greek frozen yoghurt with up to two toppings. The giveaway will take place this Saturday 10th November, between 1pm and 3pm only.
Choose between natural yoghurt, chocolate yoghurt or both, and then personalise with a huge selection of indulgent toppings – from caramelised Aegean almonds, slow cooked Morello cherries, to Oreo Cookies, Lemon Pie to name but a few. Sounds yummy.
Spread the word, come on down. #ChillboxSaturday is happening!
Terms & Conditions:
Offer to run on Saturday 10th November from 1 – 3pm only. Only one Chillbox per person and a maximum of two toppings allowed. No other products are allowed in this promotion. Toppings on the day may vary. Promotion offered on a first come, first served basis. Christmas toppings are not included in this offer.
Further information:
Chillbox
14 Market Row, Brixton Market, SW9 8LD
Opening times: Tues 10 – 5pm / Wed – Sun 10 – 10pm
For Chillbox updates follow:
Twitter – @Chillbox_uk

Reality stars face UK’s biggest charity plunge

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The UK’s highest bungee jump awaits a group of reality TV stars as they join a national campaign which will see them risk their lives to help raise vital funds for sick and disabled children in the UK.

 

Frances Wood, who shot to fame on ITV’s ‘The Voice’ and X Factor duo, Poisonous Twin, are the latest to join Reality Relief, a campaign supported by an ever growing list of celebrities from hit reality TV shows which has already raised over £10,000 to help provide life-changing support for disabled youngsters.

 

The fearless celebrities will be plunging 300ft towards the ground at Tatton Park, Greater Manchester on Saturday November 24th, as the latest in a series of sponsored challenges which have tested the nerve of contestants from hit TV shows such as Big Brother, The X Factor, The Voice and The Only Way is Essex.

 

Launched by national charity, Caudwell Children, in 2011 Reality Relief aims to help new found stars thrust into the media spotlight use their fan base to help raise funds and make a real difference to the lives of others.

 

Frances said: “Reality Relief is a fantastic opportunity to help raise the profile of Caudwell Children, the charity behind the campaign, and their crucial work helping change and save the lives of disabled children.

 

When I heard about their Reality Relief bungee challenge I jumped at the chance to get on board and take part.

 

I hope people will really get behind the bungee jump and help us make it as successful as possible.”

 

Poisonous Twin member Stephanie added, “We have never done anything like this before but this is a really fantastic opportunity to help raise vital funds that will help change the lives of disabled children.”

 

Trudi Beswick, Chief Executive of Caudwell Children, said “These new stars are not only taking on an incredibly brave challenge, they are putting themselves forward to help raise awareness about the additional support desperately needed in the UK for those with disabilities or life threatening conditions.

 

Sadly it’s a common misconception that specialist equipment such as powered wheelchairs for disabled children are available on the NHS, when in fact families are expected to pay up to £20,000 for the additional support they need.

 

There are also a number of treatments that save lives, but come at an incredibly high price for families already facing the trauma of their child’s illness. We help these families get the treatment they need to keep their child alive.

 

Reality Relief aims to help new found stars make a real difference and we are thrilled to have them join the campaign.

 

We would really like to take this opportunity to wish them the very best of luck and ask that people honour their bravery by supporting their fundraising.”

 

To support Frances visit http://www.justgiving.com/FrancesW or text FRAN49 £(amount) to 70070.

To Support Poisonous Twin visit www.justgiving.com/Poisonoustwin or text TWIN73 £(AMOUNT) to 70070.

 

Find haute couture from the finest French wardrobes

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UK SHOPPERS FLOCK TO vestiaire collective TO FIND haute couture from the finest French wardrobes

 

Vestiaire Collective, the pre-owned, luxury, fashion website today celebrates its first six months in the UK by announcing quadruple digit growth in UK members and record sales to UK consumers. The cult French fashion site has grown its base of users in the UK by 1200% since adding English and sterling to the site in March 2012. The site now boasts over 1.2million members and 12.2 million monthly visits globally.

 

The attraction of previously owned designer labels from the finest French wardrobes has attracted British label hunters who are now spending an average of £300 per shop as they rush to snap up the latest from French luxury brands.  Some of the treasures grabbed by UK shoppers in the past six months include a Yves Saint Laurent bag for £1,000, a Shamballa jewels item for £1500 and a men’s IWC watch for £1,100.

 

Across the channel, the fashionable French are clearing out the designer items at a rate of 25,000 items per month. In fact initial statistics for October reveal a 20% increase in items submitted for sale since the UK came online in March. It’s not only the fashionable woman on the street clearing her wardrobe, Vestiaire Collective is also home to French and British celebrities who are actively using the site to empty their wardrobes for the upcoming season.

 

Some of the French ‘bargains’ available today include a Valentino python and sable bag for £4876, about half the original price for the sought after bag. The sale list also includes more than 720 Isabelle Marant shoes, handbags, coats and dresses for up to 70% off. Unlike other pre—owned and vintage fashion sites, Vestiaire Collective checks every item for authenticity, so British shoppers know that what they are buying is absolutely genuine.

 

“We are seeing a wave of interest and excitement about the contents of French wardrobes from our British community,” says Vestiaire Collective’s UK MD Shannon Edwards. “On average British women are spending 30% more than their French counterparts and whilst we are shopping, the French are selling. We have seen more than 400 brands added to the site which are being snapped up here by women who are used to buying vintage and love that classic French style.”

 

Vestiaire Collective was founded by French internet entrepreneur, Sébastien Fabre who alongside five co-founders has developed the business by integrating a strong social community with ecommerce. The site gives consumers a platform to share, discuss and review fashion trends, labels, brands and items, yet closely monitors the buying and selling of goods to ensure that each piece is authentic, in excellent condition and is beautifully presented and delivered to the end consumer. The site manages all financial transactions to ensure that the seller has absolute peace of mind with items that often have a very high ticket value.