EU Referendum – If You Really Believe in Democracy There is Only One Way You Can Vote on Thursday

eu referendum A couple of months ago I began this EU campaign genuinely undecided about how I would vote. I knew we sent the EU quite a lot of money and that it was bureaucratic. But I also believed fully in the idea that we were stronger together and that free trade is usually a good thing.

After much thought and research I have decided to vote to leave the EU. The final factor was the Paxman documentary which I would encourage everyone to watch.

Much as I love Europe. I cannot vote in favour of a system which is undemocratic and unaccountable. We must all fight to defend our democracy. So many have already sacrificed so much in the past to do so.

How is the EU undemocratic? Firstly, perhaps most importantly it lacks transparency. This system is unnecessarily and seemingly deliberately complex. Understanding how laws are actually made is difficult. There are three main bodies.

The European Council – Decides priorities and directions of the EU

The European Commission – Proposes legislation, policies and programmes of action and is responsible for implementing the decisions of the European Parliament and the Council.

The European Parliament – Amends and approves legislation

There are also a myriad of other bodies involved, of which there are far too many to list. When a system is this complex it becomes impossible for ordinary people to have any input or influence on the decision making process. Power becomes held in a smaller and smaller elite.

New laws are not proposed by elected members of the EU parliament. In almost all cases they are proposed by unelected commissioners. This is crucial. What is the point of having elected representatives if they are powerless to change anything? When I vote for my MP to go to Westminster he or she stands on a manifesto of policies he or she wishes to undertake on my behalf. My MEP stands for nothing. It’s little wonder that almost no one actually knows who their MEP is. The elected European Parliament, in those policy areas in which it is allowed a say, votes on directives in vast batches with very little opportunity for debate. Detailed scrutiny is given in committees, but only a tiny proportion of MEPs are able to participate. The ability to modify directives is itself subject to many rules. There is no accountability. Any laws which are created trump our own parliament. Whatever people may say, it is not democracy.

I do not pretend that leaving the EU would not be difficult and there would not be a great deal of upheaval. I have also been very disappointed with most of the arguments and figures from both sides. It saddens me that the debate has been dominated by immigration and the economy when to me the true issue is our relationship with the EU and our democracy.

But we cannot allow this undemocratic system to continue. The EU has shown itself to be completely unwilling to reform. David Cameron had a golden opportunity to work for proper democratic reform during his re-negotiation. He didn’t even bother because he, and most other politicians, have no interest in changing a system which favours them. It is time for us all to stand up and be counted and take back control of our democracy. We may not get another chance.

 

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Channel 4 Dispatches Investigates The Scottish Referendum

scottishreferenduminvestigationreferendumChannel 4 Dispatches looked at claims of personal attacks and mudslinging on both sides of the Scottish referendum debate. (The Great British Break-up? Channel 4 Dispatches. aired 8pm Monday 7 July, available on 4OD)

Among the stories covered in the programme are allegations that many businesses have been pressured into staying silent; accusations that the Westminster government has been misleading voters in Scotland and the revelation that British embassies have been instructed to support the case for a No vote.

Polls show the single most important issue for voters is what might happen to the Scottish economy after independence. While business leaders are probably best placed to answer some of these questions, Channel 4 Dispatches investigates allegations that many have been pressured into staying silent.

Channel 4 Dispatches contacted 50 companies and business leaders believed to have concerns over independence. Five told the programme privately they’d been contacted by the Scottish Government and said they felt pressured to stay quiet about their views. Of the five, one claimed they had been visited by a Minister, two claimed they received a phone call from a Minister, and two claimed they had received a call from the First Minister’s office. And a further 14 claimed to know of other businesses who felt under pressure.

Gavin Hewitt, the former Chief Executive of the Scotch Whisky Association tells Channel 4 Dispatches that he or senior members of his staff met with Angus Robertson – the SNP leader in the House of Commons – on at least six occasions over the past two years:

“He and the SNP have regularly tried to get the message to the Scotch Whisky Association that the Scotch Whisky Industry should stay out of the independence debate. He was, I think, trying to neuter business comment. There was a genuine fear that in fact if we were seen to scupper by coming out publically against independence, there would be retribution down the track.”

“Regardless of whether the SNP win or lose the referendum vote in September they will be in power for many years to come and that those people who have stood against them or worked against the central plank of their policy, independence, will be singled out and will be remembered.”

In response, the Scottish Government told Channel 4 Dispatches that Mr Hewitt’s claims about Mr Robertson are ‘utterly false’.

The programme interviews Professor Patrick Dunleavy, Public Policy Chair at the London School of Economics, who says the UK government’s statement that the Scottish taxpayer would have to fork out £2.7 billion in set up costs misused his figures.

“It’s very hard to describe it in polite terms actually, it’s very crude, it’s alarmist, it’s not been checked and it rests on a whole series of, you know, false steps…That makes this a very dubious document. A dodgy dossier you might call it…. When you take into account all the factors that I’ve been just considering, my actual set up costs, you know the costs that you lose irretrievably just from going independent would be I guess around £150 to £200 million, that compares with numbers given in the treasury document which range from £1.5 billion to £2.7 billion. Given this is quite a polarised debate you should be checking your facts and contributing unimpeachable information.”

In response, a government spokesperson told Channel 4 Dispatches that it had ‘cited several external sources’ to provide context in their calculations for the set up costs.’

The programme reveals new information about what happened following the decision by the CBI to publicly back a No vote. This led to many of its members pulling out, most of whom claimed they’d made the decision in order to remain politically neutral. Channel 4 Dispatches has obtained emails which reveal the role played in this pull-out by the SNP’s John Swinney.

The emails reveal how Mr Swinney seized on the decision by Scottish Enterprise to pull out of the CBI to push others to do the same, with his media advisor urging Visit Scotland to follow Scottish Enterprise’s lead and pull out of the CBI: ‘Mr Swinney has made said that other public bodies should follow suit, if they are CBI members,’ one email states.

Another senior official in the Finance Office emailed the CEO of Visit Scotland, asking him: ‘Can you please let me know … when a resignation letter can be issued.’

In response, a spokesperson for the Deputy First Minister told Channel 4 Dispatches: “A poll from the British Chambers of Commerce concluded that the referendum and the prospect of an independent Scotland “has left most [UK] businesses unfazed.” John Swinney’s comments “were in the context of the CBI” taking “a political stance” that raised “questions as to whether public bodies could remain members of the CBI and continue to meet their statutory obligation of impartiality.”

The programme also includes details of cables, released under the Freedom of Information Act, which the Foreign Office has sent to its embassies around the world. While the government has said that it is neutral on the referendum, one cable, sent out to embassies and consulates, suggests otherwise. It states that the British Government is: ‘Not neutral… and will be actively campaigning to secure a referendum result that will keep the United Kingdom together.’

In response, a government spokesperson told the programme: “The Prime Minister has always been clear that this is a decision for people in Scotland to make but it is no secret that he believes those living outside Scotland should make their views known.”

Lord Sutherland, Former Vice Chancellor of Edinburgh University claims that some of those running Scottish universities have also come under pressure to stay out of the debate despite concerns about the impact of independence.

Professor Chris Whatley from Dundee University tells Channel 4 Dispatches what happened when SNP Sports Minister Shona Robison caught wind of his appearance chairing a Better Together event in a personal capacity, and wrote an urgent email to the Principal of Dundee University.

“I think people did see this as, as an attempt to stifle, public debate, I mean there isn’t any threat or there hasn’t been any threat to public speech in Scotland as long as you’re saying yes. I guess I was seen as a threat,” he tells the programme.

Lord Sutherland adds:
“To be questioned by a Scottish Minister about the propriety of his expressing views in public is disgraceful. It sends the message that you’re being watched, if Big Brother’s looking down on you, then there’s an implicit threat. … The danger is that you have a regime that does things by stealth rather than argues things out in public.”

The spokesperson for the Deputy First Minister told Channel 4 Dispatches that: “Shona Robison’s questions related to the impartiality of the Five Million Questions project” and that “In terms of wider academic views, we welcome all contributions.”

 

 

 

Shortlist for Guardian Film Awards announced

guardianfilmawardsThe shortlist for the Guardian Film Awards, which was based entirely on readers’ votes, has been announced.

Steve McQueen’s slavery drama ‘12 Years a Slave’ dominates across the lists, with nominations for best film, best director, best scene, best line of dialogue and biggest game-changer. It also scores two nominations in the best supporting actor category – for Michael Fassbender and Lupita Nyong’o.

Joshua Oppenheimer’s film, The Act of Killing, is also in contention for best film and biggest game-changer – a category which seeks to celebrate innovation in cinema, whether it be technical, creative or financial. It’s up against Gravity, Spike Jonze’s Her, 12 Years a Slave, The Act of Killing, and Ben Wheatley’s A Field in England.

Cate Blanchett and Adèle Exarchopoulos join Chiwetel Ejiofor, Leonardo DiCaprio and Bruce Dern in the race for best actor, while documentarian Joshua Oppenheimer is up for best director alongside Steve McQueen, Spike Jonze, Alexander Payne and Paolo Sorrentino.

Guardian film editor and awards judge Catherine Shoard said: 

“It’s really heartening to see what the readers have done with our longlist. By voting for the likes of Adele Exarchpoloulus in the best actor category, and Paolo Sorrentino and Joshua Oppenheimer for best director, they’re shown that regular movie-goers are capable of an imagination – and an inclusiveness – that seems to be beyond the members of most awards bodies.”


Shortlists


Best film

– 12 Years a Slave
– Gravity
– The Great Beauty
– The Act of Killing
– Blue is the Warmest Colour

Best actor

– Cate Blanchett, Blue Jasmine
– Bruce Dern, Nebraska
– Leonardo DiCaprio, The Wolf of Wall Street
– Chiwetel Ejiofor, 12 Years a Slave
– Adèle Exarchopoulos, Blue is the Warmest Colour

Best supporting actor

– Matt Damon, Behind the Candelabra
– Michael Fassbender, 12 Years a Slave
– Jared Leto, The Dallas Buyers Club
– Lupita Nyong’o, 12 Years a Slave
– June Squibb, Nebraska

Best director

– Spike Jonze, Her
– Joshua Oppenheimer, The Act of Killing
– Steve McQueen, 12 Years a Slave
– Paolo Sorrentino, The Great Beauty
– Alexander Payne, Nebraska

Best scene

– Alan Partridge lip-synching to Roachford in the car in Alan Partridge: Alpha Papa
– The opening scene of Gravity
– The first party in The Great Beauty
– Patsy returning with the soap in 12 Years a Slave
– The struggle back to the car while overdosing in The Wolf of Wall Street

Best line of dialogue

– She was the Picasso of passive-aggressive karate. Irving (Christian Bale) in American Hustle
– Something to eat and some rest; your children will soon enough be forgotten. Mistress Ford (Liza J Bennett) in 12 Years a Slave
– Anxiety, nightmares and a nervous breakdown, there’s only so many traumas a person can withstand until they take to the streets and start screaming. Jasmine (Cate Blanchett) in Blue Jasmine
–  I think if Jesus was here now he’d tip you out of that fucking wheelchair and you wouldn’t get up and walk. Martin (Steve Coogan) in Philomena
– What a story; everything but a fire in the orphanage. Liberace (Michael Douglas) in Behind the Candelabra

Best film festival

– Cannes
– Sundance
– London
– Sheffield Doc/Fest
– Toronto

Best marketing campaign

– Philomena
– Alan Partridge: Alpha Papa
– Anchorman: The Legend Continues
– Blue is the Warmest Colour
– World War Z

Biggest game-changer

– The Act of Killing
– Gravity
– Her
– 12 Years a Slave
– A Field in England

Best cinema

Free readers’ vote.

So-bad-it’s-good film

Free readers’ vote.

Lifetime achievement

Judges’ vote.

Guardian News & Media launches the Guardian Film Awards

guardianfilmawardsExciting news for film fans. Guardian News and Media (GNM) today launches the inaugural Guardian Film Awards, a brand new celebration of contemporary cinema which rethinks the categories from the ground up and puts the movie-goer at the heart of the experience.

 

In a fresh twist, alongside the traditional big hitter categories like best film and best director, readers can vote for their favourite marketing campaign, film festival and movie scene. And instead of the usual gender divisions of best actor and best actress, in the Guardian Film Awards, both sexes battle it out in the same categories.

 

Unlike traditional awards like the Oscars or Golden Globes, the Guardian Film Awards give readers the chance to have their say in the matter every step of the way – from shaping the shortlists to having a vote at the final judging stage.

 

The way it works is simple. Readers vote for their favourites in the main nine categories from the longlists chosen by Guardian film editors and writers. The votes cast will decide the shortlist, which will then be considered by a panel of six expert judges – including Guardian and Observer critics Peter Bradshaw and Xan Brooks, editor-in-chief Alan Rusbridger, film editor Catherine Shoard, award-winning film-maker Adam Curtis, and critic and presenter Claudia Winkleman. The invisible seventh judge at the table will be the reader, whose vote will help shape and guide the panel’s final decision.

 

The shortlists will be announced on 19 February. The winners will collect their awards at a ceremony on 6 March.

 

The full category list includes:

Best film (this can be in any genre and includes documentaries and foreign-language films)

Best actor (male or female)

Best supporting actor (male or female)

Best director

Best scene

Best line of dialogue

Best film festival

Best marketing campaign

Biggest game-changer

Best cinema (wholly voted by readers)

So-bad-it’s-good film (wholly voted by readers)

Lifetime achievement (special judges’ award wholly nominated and voted by the panel)

Guardian & Observer film critic and judge Peter Bradshaw said: “The Guardian Film Awards will offer a new slant on the awards season; they will be enjoyable, unpretentious, and user-friendly and let the reader and moviegoer connect more directly with the glittering prizes themselves.”

 

Judge Claudia Winkleman said: “I’m thrilled to be one of the judges for the Guardian Film Awards. I’m particularly excited as the readers are voting too. Also, I think it’s common knowledge that I’d follow Peter Bradshaw anywhere.”

 

Readers can vote and participate on the Guardian Film Awards 2014 website: theguardian.com/guardian-film-awards. Voting closes midday February 16 2014.

 

Read more on the longlists here.

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