Author Archives: Jane Cable

THE BUSINESS OF BOOKS: MENTAL HEALTH IN FICTION – Jane Cable on romance in the wake of World Mental Health Day

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When I was a rookie author working with my first editor I wanted to write a book with a central character who had OCD. I had a friend with quite a severe form of the illness and he was willing to help me to get it right. But I was told in no uncertain terms that I couldn’t write romantic fiction with a hero like that because no-one would want to read it.

I was prepared to accept the fact I couldn’t write it due to my technical ability, but not that the subject was taboo. Yes, it might make uncomfortable reading but surely it fitted perfectly with the romantic genre: X wants Y and Z stops them getting it.

I put the manuscript to one side (it’s still there, but for a different reason) and in the meantime The Cheesemaker’s House won the suspense and crime heat of the Alan Titchmarsh Show’s People’s Novelist competition. I was almost relieved when judge Sophie Hannah told me I needed a better editor. And totally vindicated when Jeffery Archer found Owen (who is teetering on the brink) a fascinating character.

With The Faerie Tree I was inspired to take things further. I had a good friend who’d suffered a major breakdown and I suppose I wanted to show him that a character with similar problems could get their life back on track. Robin’s struggle with depression is central to the story but he’s just like any other romantic hero – he’s funny, self aware and loving – he certainly doesn’t have ‘damaged goods – pity me’ stamped across his forehead.

The Faerie Tree, book, book review, review

Readers loved him too. Amazon reviewers said, “I fell a little in love with Robin myself,” and “Love, relationships, grief, depression, hope. The Faerie Tree covers it all, yet it’s not all doom and gloom.” But the best was from blogger extraordinaire Ann Cater: “Jane Cable creates characters that are believable, who have problems, who are often annoying and frustrating, but whose story is compelling. She cleverly takes the reader into the heads of two damaged and fragile people, and this is done so very well. Despite their faults, both Izzie and Robin are characters that the reader will root for throughout this really excellent novel.”

I’m not quoting these to show off – I’m making a point. People with mental health issues do make good characters in romantic fiction. Not just shuffling on and off the side-lines, but right in the centre of the story. The reviews also made me brave enough to tackle the thorny issue of PTSD amongst service personnel in Another You.

I’m not the only one: search PTSD romance in Kindle books and there are 341 titles in contemporary alone. Big publishers and writers are tackling the issue too, with books like Kristin Hannah’s Home Front (published by Pan) and USA Today best-selling author Kallypso Masters’ Nobody’s Lost.

Sadly it seems more people are suffering from mental health issues. But perhaps it’s just that happily they are more likely to seek help and not feel ashamed. There is a greater understanding that depression and other illnesses have a physical source in the imbalance of brain chemicals (read Tim Cantapher’s Depressive Illness: The Curse of the Strong if you want to know more) so stigma and taboo really shouldn’t come into it.

While readers want romantic fiction to take them away from their everyday lives, many need to be taken to a world they recognise. And in a way that gives them hope. X wants Y and despite Z, they get it.

THE BUSINESS OF BOOKS: IN HISTORY WE TRUST – Jane Cable turns her hand to event management

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On Sunday about forty people turned up to an event I organised at a wet and windy Studland Bay and proud doesn’t even begin to cover it. My latest novel, Another You, is set in Studland but that was just the catalyst for Dive into D-Day, run in conjunction with the National Trust.

A number of writer friends have asked in awe how I ‘got in with’ the National Trust. Meaning, I guess, how come they are selling Another You in their shops. Well, to be precise it’s just one shop and therein lies the answer – go local. And write a book they love and so will want to sell.

Towards the end of writing the book, which although a contemporary romance harks back to World War 2, I felt it lacked the colour of what it really would have been like to live in the village in the 1940s. Through Studland History Group I was put in touch with local National Trust ranger Stewart Rainbird who had collected an oral history of the era. A morning spent with him paid huge dividends and when the book was published I send him a copy as a thank you.

In turn he passed the book to the manager of the local NT shop who loved it so contacted me and asked if they could stock it, and would I like to do a signing or some sort of launch event. We met and he commented that the film Dunkirk meant that there was a great deal of interest in WW2, something he’d like to capitalise on given that Studland played a huge part in the preparations for D-Day with Exercise Smash.

Another You opens on the sixtieth anniversary of the first day of Exercise Smash when six men died when their amphibious tanks launched too far out to sea and were lost in the bay. For my main character, Marie, it was the start of everything but for these young men it was the end of their too short lives. Being wartime the whole thing was top secret and for a long while it remained that way – even their families were told nothing about what happened. It was only down to amateur WW2 historian and tank restorer John Pearson that there is a memorial at all.

John had also helped with my research and if there was to be some sort of history day (the event was growing like topsy), he was first on my wish list of speakers. Although he professed to nerves he jumped at the opportunity. As did Stewart Rainbird who volunteered to lead a guided walk – and mentioned that Purbeck Sub Aqua Club were diving the remains of the tanks in preparation for the 75th anniversary of Smash in 2019. When they agreed to put on a photographic display of their finds and talk about their first dive season the day had a definite shape – and a name.

With speakers lined up the National Trust did everything they could to promote it through leaflets, a Facebook promotion and a press release. The media uptake was really good – I’m sure the NT’s name on it helped – but the story of Exercise Smash is so compelling two of the tabloids picked it up. I was in part frustrated and in part amused to see that they ‘improved’ on the story by embellishing facts in a way they had been told wasn’t true, but I guess that’s the way of their world.

But the day itself was amazing. Forty people braved the elements to discover more about Studland’s wartime history and thoroughly enjoyed themselves. The National Trust were so pleased they want to do it again. And I sold half a dozen books, which although it wasn’t the point, was still something of a result.

The Business of Books: Blending Fact and Fiction – Jane Cable meets GP turned author Carol Cooper

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1) How much of your working life does the business of books take up?

About half my working hours are now taken up with book-related activities. It’s not all writing, as there’s social media, marketing, research, and the rest.

The other half of the time, I teach medical students, do some journalism, and fit in a spot of charity work. I’m involved with Tamba (Twins & Multiple Births Association), Lucy Air Ambulance for Children, and APEC (Action on Pre-Eclampsia). I have more time these days because I’m taking a sabbatical from seeing patients. After three decades as a family doctor, it’s lovely to have a break. Before that, writing had to be done during evenings and at weekends, but now my writing doesn’t just get the ‘tired me’.

 

2) What’s your business model to earn a living from writing?

Like most journalists who fell into writing books, I didn’t set out with a business model. My dozen or so non-fiction books bring in more income than my two novels. But journalism is still a more important revenue stream for me than books. Then there are activities like TV and radio appearances, and occasionally work for PR companies. I could earn more if I did more doctoring, but I enjoy the change of pace that I’ve allowed myself.

While I don’t normally spend much on book marketing, I did engage a publicist for my second novel, Hampstead Fever. That probably helped get it into bookstores. It certainly spared me a lot of time and footwork.

3) What do you write and what do you consider to be your major successes?

I’m now concentrating on fiction. My first two novels, One Night at the Jacaranda and Hampstead Fever, are contemporary tales about dating, relationships, and family life. Set in London, they feature multiple viewpoints. Think of the film Love, Actually, and you’ll have good idea of the structure.

My non-fiction books are mostly on child health and parenting, but there are also two textbooks on general practice, co-authored with medical colleagues. I’m not ruling out writing another health book, but publishing has changed, especially for non-fiction because there’s now so much web-based information.

My major successes include writing for The Sun newspaper for the last 18 years as the Sun Doctor. My role is to write fast authoritative copy as needed when a health story breaks. I know some people are sniffy about tabloid journalism, but it’s a real skill being able to get ideas across in just a few words, and I work alongside some of the best in the business.

I’m also proud of my book Twins & Multiple Births: the essential parenting guide from pregnancy to adulthood. The first edition came out 20 years ago and the title is still going strong. It was also very gratifying when General Practice at a Glance received a British Medical Association book award.

With my fiction, I was thrilled this year when WH Smith picked Hampstead Fever for a front-of-store promotion in their travel bookstores. There’s nothing like your novel being in airports and stations to make you feel you’ve arrived!

 

4) Tell me about your latest project

The novel I’m now working on is a new challenge. It’s set mainly in Egypt where I grew up. While story covers nearly 70 years, and there’s only one point of view, it is still mainly about relationships. It’s the book I want to write.

Carol Cooper is a doctor, journalist, and author who turned to fiction after writing a string of popular health books. She lives in North London and Cambridge, and has three grownup sons. Find out more about Carol here:

Blog Pills & Pillow-Talk

Website drcarolcooper.com

Twitter @DrCarolCooper

 

 

 

The Business of Books: A Sense of Place – Jane Cable on how fact and fiction can easily blur

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Writers are inspired by many different things but for me it always starts with a place. A little over two years ago I found myself in the middle of the steam punk festival in Lincoln. People in amazing costumes were everywhere, breathing life into the city’s cobbled climbs and quirky coffee shops. It felt as though I had walked into the beginning of a novel and very quickly I realised that I had. It was just down to me to write it.

Last week I went back. The latest round of editing is almost complete – it won’t be the last, but I’m finally satisfied that the manuscript is almost in good enough shape to be found a home. I have a couple of agents in my sights and a shortlist of three publishers who take direct submissions and whose criteria it fits. This time I’m going to be very careful.

The story has two main locations, the city of Lincoln itself and the picturesque village of Winteringham on the banks of the Humber. I construct the settings for my stories very carefully; I know where the characters’ houses, flats – and barges – are; the places they work; the bars and restaurants they frequent and where my heroine Rachel goes running. In my own mind I create details so rich I inhabit the settings myself – so it comes as something of a shock when they are not quite as I remembered.

Much of the Lincoln part of the story takes place along the Fossdyke Navigation which joins the heart of the city to the River Trent. I think I surprised my husband by saying, “That’s Rachel’s flat” – and surprised myself by having forgotten it has a balcony overlooking the canal. But the story doesn’t need a balcony so I won’t be adding one. The apartment in my mind is so very real it would feel uncomfortable anyway.

I don’t think this is especially strange or odd – no more than is normal for writers anyway. The best of fiction is so much about the richness of the characters, to create them I think you need to actually walk in their footsteps, inhabit their world. For me, once I’ve grounded them in a physical setting, everything else falls into place. I am completely in awe of authors who can imagine and populate whole new worlds.

But I’m having to accept that my memory is far from perfect. I needed a male character who was a without doubt a local man so I picked an unusual surname from Winteringham’s war memorial. On a return visit to the museum in Lincoln I thought it such a co-incidence a Daubney was quoted on one of the display panels. When we arrived in Winteringham, the name wasn’t on the memorial at all. I read it three or four times with growing disbelief. Was another of my characters, the enigmatic Nick, up to his tricks again?

It seems so… either that or subliminal recall is far stronger than we think. I needed to name one of the properties close to the village centre. Not anything too twee, but something comfortingly rural, so I decided on Bramble Cottage. This visit I noticed that the alleyway running up the side of the houses is called Bramble Lane. I leave you to draw your own conclusions.

 

 

The Business of Books: When Academic Research Matters – Jane Cable meets academic Ria Cheyne

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What is your book related job?

I’m an academic (university lecturer) who specialises in genre fiction, particularly the representation of disability in literature. This means that I spend a lot of my time talking with students and colleagues about books, and reading fiction and what other people have written about it. A big part of my job is teaching students and all the administration that goes with that, but another key part is producing new interpretations of or theories about literary texts, which I present at conference and publish in journals and books for other academics. You can see some of my presentations and publications on my website.

 

What is the most rewarding part of it?

It’s a privilege to be able to spend so much of my time reading, writing, thinking, and talking about books. Teaching is also very rewarding: I love the performance element of lecturing, and it’s immensely satisfying when a student who has struggled finally grasps a key idea or offers a really original insight. Like most academics, I could earn more, and work fewer hours, doing something else—it’s not a job you do unless you’re passionate about it.

Recently, I’ve been working on a new project, the Disability and Romance Project. I’m working with romance readers, writers, and publishers to explore how readers respond to depictions of disability in romance novels, and why authors write disabled characters. I’ve found it really satisfying to work directly with people in the industry, and there’s been a really phenomenal response from the romance community so far, with over 500 people taking part in our survey of romance readers.

What do you consider to be your major successes?

The academic job market is so over-subscribed at the moment that managing to get a stable academic job has to be considered a big success for anyone in my field – after my PhD I spent several years doing the academic equivalent of temping before I got a permanent position, and lots of people aren’t that fortunate.

More recently, I’ve just finished writing an academic book on the representation of disability in genre fiction, which will be published by Liverpool University Press. It explores how the portrayal of disability in science fiction, fantasy, horror, crime and romance might shape public attitudes towards disabled people, and it’s been a really long-term project; I first had the idea for the book almost ten years ago! I was also really pleased to receive the Romance Writers of America Academic Research Grant for the Disability and Romance Project. It was great to have that confirmation that one of the key organisations for romance values my research.

 

Have you always loved books, and what are you reading at the moment?

I’ve always loved books, and been a voracious reader. When I was a child I’d switch my light off and pretend I was asleep when my parents came to check on me last thing at night…then put the light back on and read for hours after they went to bed! As usual, I’m reading a mixture of non-fiction academic books and genre fiction. On the non-fiction side, I’m reading Mad at School by Margaret Price, a brilliant book about mental illness and the university system. I’ve just finished The Burial Hour, the latest in Jeffery Deaver’s series of novels about quadriplegic investigator Lincoln Rhyme, and I’ve started Rook Song, a science fiction novel by Naomi Foyle, after really enjoying Astra, her previous novel.

 

Bio: Ria Cheyne (@riacheyne) researches literature and disability at Liverpool Hope University, where she is a Senior Lecturer in Disability and Education. She runs the Disability and Romance Project – follow on Twitter or Facebook.

 

Business of Books: So Much to Give – Part 2: Jane Cable on how individual authors help charities

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Business of Books: So Much to Give – Part 2

Jane Cable on how individual authors help charities

Two weeks ago I wrote about how groups of authors help charities so now I’m going to turn my attention to the valuable input that individual writers can have, both in terms of time and money.

 

Although many authors band together to organise events others go it alone, using all their creativity to make it work. Historical novelist Victoria Cornwall helped her husband to raise funds for the local Cornish branch of Mind by running a slot car racing competition at a vintage vehicle show. To help attract families to the stand she gave away chocolates and bookmarks promoting her debut novel with Choclit. Did it help with book sales? “In truth, I have no idea,” she admits. “But we were raising money for a charity which supports adults with mental health problems so promoting my novel took a back seat.”

 

There are writers who donate all or part of their royalties to causes related to their books or close to their hearts. With the author only receiving a small slice of the price paid by the reader anyway, even amounts which sound quite small – like 10% or £1 a copy – are actually pretty generous gifts. Examples where the book fits the charity are Cassandra Grafton supporting the Jane Austen Literacy Foundation through her latest Austen inspired novel, and TV producer turned satirist Gloria Grayson donating to Mutts With Friends Dog Rescue because a dog is the star of her newly released book.

 

Indie author Emily Williams is so passionate about helping horse charities she is actually writing a young adult novel specifically to raise money. It’s an ambitious project and very much a work in progress, but she’s determined to succeed, even perfecting the art of making origami horses to feature on the cover.

 

Other writers give their time to mentor (psychological drama writer Amanda Reynolds volunteers for The WoMentoring Project) or give motivational talks; former soldier, police officer and crime writer Matt Johnson helps other veterans in this way and is a great example that with the right treatment PTSD can be controlled and overcome. Author and media doctor Carol Cooper will blog to support charities and waive her fees for articles to support good causes. For writers – and for many charities, time is as precious as cold, hard cash.

 

I would wager that most writers do something, however modest. Val Portelli (who writes as Voinks), typically plays down her own contributions: “The only things I’ve done are donate copies of my books as a prize for a fund raising campaign to keep a library open, send copies to a book shop struggling for stock after a devastating area flood, and donate some copies to an old people’s home where a friend worked as a carer.” That really doesn’t sound too much like ‘only’ to me.

 

But for some, the urge to help takes over their lives. Claire Louise Brown’s latest book has Inspired her to set up a charity to build a recuperation centre for veterans. “It’s early stages but hopefully one day what is in the book will be real and helping people every day,” she explains. Freelance writer and teacher Anne Hamilton made that dream real after she visited Bangladesh working for an NGO and wrote a travel memoir about it. This was the starting point for her involvement with Bhola’s Children, a charity which provides a home and school for orphaned and disabled children. She is a trustee and visits Bangladesh regularly. Find out more about the charity here: http://www.bholaschildren.org/.

 

 

 

The Business of Books: Jane Cable talks to Choclit author and Romaniac Laura E James

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THE BUSINESS OF BOOKS: Connect, engage – and write!

Jane Cable talks to Choclit author and Romaniac Laura E James

1: How much of your working life does the business of books take up?

I like to start the day by clearing my emails and writing my guest posts, updating the accounts, attending to social media – connecting with readers and writers, sharing book-related news, creating adverts – before settling into working on the manuscript, be that research, writing or editing. Quite often time will run away from me, so I’m attempting to stick to a plan of sorting out on what I loosely term admin, until 11:00, leaving the rest of the day for writing, which is anything from one to seven hours. It’s not an exact answer to the question because my working day depends on my health. I have autoimmune conditions, which can dictate my hours.

2: What’s your business model to earn a living from writing?

It’s only recently I’ve converted my way of thinking to writing as a business, so I’m learning and in the process of developing the business model. I write character and issue driven relationship novels, I engage on social media, run workshops and present talks to groups interested in writing and/or my books, take part in interviews, and network when possible. In its simplest form: keep writing, keep engaging, and keep building my readership.

3: What do you write and what do you consider to be your major successes?

I write commercial fiction, often centred on family relationships, with issues and moral dilemmas sending my characters down dark paths. There are strong elements of romance, so I will always guide my characters and my readers towards a happy or hopeful ending. I’m a Jodi Picoult fan and reading her books has had a major influence on what and possibly, how I write.

My first major success was being shortlisted for a short story competition run by Choc Lit (publisher), which resulted in my entry achieving the runner-up position. I repeated this with their second short story competition, and went on to have my debut, TRUTH OR DARE?, published with them.

FOLLOW ME FOLLOW YOU, my second book, was my first to go into paperback, large print, and audio, and the moment I received my author copies is one I cherish. In January 2017, the book was chosen by Apple to be the free iBook of the Week, and it hit the number one spot – my first number one. I was on a writing retreat with friends at the time. Celebrations were had.

My latest novel, WHAT DOESN’T KILL YOU, spearheaded a new imprint – Dark Choc Lit. I feel privileged to have had that opportunity and love that an imprint is in place for darker, harder hitting novels. This is the first of my novels to be sold through WH Smith, in the Travel shops, which is a dream come true.

The Romaniacs, an online blogging group of eight writers, formed in 2011, has to be one of my favourite successes, but it’s not my success, it’s our success. The support and friendship is phenomenal, as is the output – seven out of eight are published/to be published, and/or with agents. In 2015, we won the inaugural RNA Industry Media Stars Award for our work in promoting the romance writing industry. But the real success is how eight people, who met through the Festival of Romance and the Romantic Novelists’ Association’s New Writers’ Scheme, have formed solid friendships for life.

4: Tell me about your latest project.

I’m working on two projects – a mother-daughter relationship story, which has been planned, researched and mapped out on one of my white boards, but is hovering in the background, maturing, and a novel about rebuilding one’s life from the ground floor up, following an emotionally abusive relationship.

Laura E James writes romance without the soft edges.
For further information, go to: www.lauraejames.co.uk or www.theromaniacs.co.uk

 

 

Business of Books: So Much to Give – Part 1

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Jane Cable on how authors get together to support charities

It’s that time of year again. The time when Chindi Authors stand outside the Cancer Research UK shop in Arundel for ten whole days during the town’s festival trying to sell books. Not an easy task when the second hand offerings inside are so much cheaper, but we stick at it because we can add to the coffers of this excellent cause, promote our own books and meet readers.

We know we’ll be well supported by our members and local people, but organiser romantic novelist and kidlit writer Carol Thomas was asked by author contacts up and down the country if they could donate too. While she did the charitable thing and set up a donation page – http://www.carol-thomas.co.uk/Chindi-cruk/ – her generosity simply got me thinking about how much writers achieve when they band together for good causes.

The most high profile recent example of this was the Authors for Grenfell online auction which attracted pledges of more than £150,000, over £30,000 of which was for Philip Pullman to name a character after one of the young victims of the fire. Quirky lots did well too, with conductor and writer Lev Parikian putting together a package which bridged both his worlds: “I offered signed books and (more importantly on this occasion, I think) conducting lessons. A bidding war between three people meant we raised £1,700.”

 

CLIC Sargent runs an annual ‘Get in Character’ eBay auction where authors such as crime writer E V Seymour and novelist and poet Claire Dyer have offered bidders a range of lots including – you guessed it – having a character in a book named after them. Critiques prove equally popular and previous Business of Books guest Karen King (https://www.frostmagazine.com/2017/04/how-to-have-more-than-100-titles-published/) offered one in the Authors for Refugees auction last year, an initiative which raised £22,000.

 

Another way of writers getting together to raise money is by giving their time to contribute to and to edit anthologies for causes as diverse as cancer and heart charities, earthquake appeals, women’s rescues and hospices. Some have very personal links to the cause, including saga writer Elaine Everest (also a previous Business of Books guest): “I organised and edited the anthology ‘Diamonds and Pearls’ (Accent Press) to celebrate my 30th anniversary of surviving breast cancer (7 years ago) with funds going to Against Breast Cancer.”

 

Crime & thriller writer Jane Risdon is a serial contributor to anthologies, supporting amongst others Women for Women, Breakthrough, Women’s Aid, The Norfolk Hospice, The Princess Alice Hospice and Save The Children. She was slightly upset when there was no thanks from certain charities, but would still do it again. Other authors say that smaller charities are more responsive than the larger ones so they prefer to work with these.

 

Some writers go the whole nine yards and get together to form charities of their own. A prime example of this is saga writer and Frost contributing editor, Margaret Graham, who together with Jan Speedie and Penny Deacon set up Words for the Wounded which exists to raise funds for injured service personnel through writing prizes and events. It’s a wonderful organisation and every penny goes directly to the people who need it. Authors can help in a variety of ways – Chindi raised almost a thousand pounds by organising a litfest, others give their time to speak at events or in my case I donate £1 for every Amazon review of my book Another You. Find out more about W4W here: http://www.wordsforthewounded.co.uk/.