And So To Bath | Travel

Bailbrook House lawn shotIn the first of two articles author and Frost contributor Jane Cable explores the possibilities of a weekend in Bath

Think of a weekend in Bath and what do you think? Georgian elegance – that’s what – and staying at the Bailbrook House Hotel on the edge of the city does not disappoint.

At first the friends we travelled with were nervous about booking a hotel outside the centre but I relish my peace and quiet. And one look at the menu in the Cloisters Restaurant won them over in seconds. All the same I had my fingers firmly crossed as we unloaded the car that the Bailbrook would live up to the reputation of the Handpicked Hotel chain of which it is part.

I need not have worried on that score. The reception area was crowded with new arrivals but we didn’t have to wait – the concierge settled us on a sofa and brought the paperwork to us to complete. Then we were escorted to our rooms in the hotel’s modern wing to find them large and luxurious with every home comfort including a capsule coffee machine and a dinky bottle of milk in the fridge.

Alas, the milk was off. But all this did was provide this marvellous hotel with an opportunity to give us another example of its fabulous customer service. Having telephoned housekeeping I put the kettle back on, more in hope than expectation, but the replacement milk arrived before it had even boiled. Surely the charming lady who delivered it must have been lurking in the corridor for just such an eventuality.

Bailbrook Queen Charlotte lounge Bailbrook cloisters-restaurant-loggia

Pre-dinner drinks were served in an elegant drawing room overlooking the grounds. The house champagne was reasonably priced for a hotel at just over £50 a bottle so we treated ourselves and settled back on a comfortable sofa in front of the fireplace to nibble canapés and peruse the menu. Again, at £39, the three course table d’hôte looked like excellent value for money.

Excellent was indeed the word – not just the food, but the service was also spot on. The front of house manager read the mood of our party perfectly and joined in with our banter, the rest of his staff following his lead. With couples enjoying romantic dinners they were warm but discreet.

The food was completely fitting for a 2 Rosette restaurant. To start we variously enjoyed local asparagus with duck egg, gravadlax and a wonderfully light cheese soufflé with a salad of heritage tomatoes and radish. Three of us chose the 21 day aged slow roast fillet of beef and the fourth wished he had. Not that there was anything wrong with his sea bream on crushed purple potatoes, but the beef literally melted in our mouths and was so full of flavour. The only small criticism is that perhaps a few more vegetables wouldn’t have gone amiss.

Despite the lemon posset having sold out, dessert was a triumph when we almost all selected the honeycomb parfait. Husband, of course, headed straight for the cheese and was rewarded with a selection of three generous chunks accompanied by home made chutney.

After a hearty breakfast the next morning we set off into the city and discovered:

  • Café Lucca in Bartlett Street for coffee on a sunny terrace and amazing salads for lunch.
  • Sotto Sotto in North Parade for good solid Italian cooking: gets raved about on TripAdvisor but for us was at the better end of average, if fairly priced.
  • You have to pay to go into The Parade Gardens but there is a fabulous park on the other side of the river, tucked away on the Henrietta Mews side of Great Pulteney Street.
  • You don’t have to eat at Sally Lunn’s to be able to visit the tiny museum in the basement which shows the different pavement levels of the city through time – fascinating.
  • If you want to stay central then Three Abbey Green looks to be a great alternative.
  • If you go to Bath and find somewhere you can park for more than four hours then please let me know.

 

 

THE FAERIE TREE: A Book In The Making | Beltane

THE FAERIE TREE- A book in the making | BeltanefairytreeaprilBeltane: a season of fertility and fire, a time to welcome new life into the earth. A good time to contact spirits or interact with the Fae.

After the rigours of the last few weeks I am absolutely convinced that releasing a new book is akin to passing through fire. Or at very least, virtual fire. I seem to have spent most of my time tweeting, googling, goodreading, facebooking and linking in. Even my dreams – or nightmares – have been seen through the prism of my laptop or iPad screen.

Why? I have been chasing the writer’s holy grail: reviews. In a world where there are thousands of books, how else are readers to choose what to read? And without the right number of reviews (rumoured to be at least fifty) you are not going to kick on with those all important Amazon search algorithms.

THE FAERIE TREE- A book in the making | BeltanebluebellsinFT

Of course hunting down reviews is a potentially risky business because even when you ask… or suggest… that bloggers and other opinion formers review the book you cannot, quite rightly, influence what they say. With my first novel, The Cheesemaker’s House, I had my (only) one star review early on so I got it out of the way. With The Faerie Tree I’m still waiting. No fewer than three stars anywhere. Yet.

Of course there are reviews which are downright irritating and it just isn’t the done thing (again, quite rightly) to reply. Top of my list are the people who spell the main characters’ names wrong; I know reviewers are busy people but if they have skim-read a book they ought to admit to it. I subscribe to the Alliance of Independent Authors’ Ethical Author code (for more information see here: http://allianceindependentauthors.org/ethical-author/) and part of that is about being open and transparent when I review other people’s books. I would love all reviewers to do the same.

On the upside, there are reviewers you just want to pick up and hug. Like the one who completely got the fact that part of my reason for writing the book was to give people who suffer from depression a positive portrayal. Like the one on Goodreads who realised the book wasn’t really their thing but gave it three stars anyway because it was well written. Like the reviews that just make me laugh.

Some of that laughter could just be relief. Until a book is out there you never really know how it will be received. Overall, it’s doing really well; 4 ½ stars on Amazon and 4.1 on Goodreads. People are generally gripped by it – one reader in South Africa finished it by torchlight during a power cut. They are enjoying the characters, their relationships, their stories.

But I am learning, too. Of course it’s too late to change The Faerie Tree now but there is a significant minority who are finding one of the main characters irritating – have I got that wrong? And others feel the resolution of the mystery is too obscure… or even completely lacking. Should I have spelt it out a little more? All useful things to consider as I complete the first draft of my next offering and begin the editing process.

But, being Beltane, I have lifted my eyes from the screen and ventured out into sunshine in the natural world. Where better to go than the fairy tree wood in Hampshire where the story began? And to thank the faeries, elves and pixies who live there for their very large contribution to the success of their book.

The Faerie Tree is available as an ebook or paperback from Amazon, Kobo, Waterstones and to order from all major bookstores. Find out more at http://janecable.com/the-book/4588312168 .

 

 

THE FAERIE TREE: A Book In The Making

book, publishing, self publishing, writing, author, Ostara: A time of rebirth and renewal. A time to celebrate the coming of spring. And the coming of new books…

By the time you read this The Faerie Tree will have been unleashed. Actually, even at the time of writing it’s creeping out there; Amazon have stopped listing it as a pre-order and I’ve had to hold Matador back from making the ebook available before its time.

A few boxes of paperbacks have arrived with me as well. Holding one for the first time was tinged with sadness; my mother, who was a huge supporter of my writing, passed away just ten days before so she never got to see the finished book. But she’d read early drafts and approved the cover – and right at this moment is sitting at my shoulder, telling me to get back to the point of this article.

The point is that it’s hard to publish a novel alone. I’ve written before about the ‘official’ team; my editor, the wonderful Margaret Graham (author, teacher and Frost contributing editor) and the folks at Matador, but in recent weeks I’ve received an enormous amount of help from people who, quite frankly, didn’t have to.

In my last article I mentioned my desire to create a faerie tree near my home city of Chichester. I also mentioned this to a few of my fellow Chindi (Chichester Independent) Authors, and children’s writers Christopher Joyce and Becky Edwards leapt in with huge enthusiasm to brainstorm ideas and open their contact books. We were joined by the administrator of the Sussex Centre for Folklore, Fairy Tales and Fantasy – acting in a personal capacity just because she loved the idea so much.

Through them I met Vicky Edwards, a local book-lover (she runs the Spirit FM book club) and PR. She not only gave me some great ideas to improve my press releases but just as importantly introduced me to a local charity with a woodland walk – the ideal home for a faerie tree. I was due to meet them in early March but had to cancel so there is another date in the diary and I hope that in the next article there will be something definite to tell you about this very special project.

I’ve also had a great deal of support from the bloggers who are taking part in the launch tour. These ladies work so hard reviewing books and helping readers make good choices about what they might enjoy. They do it for the love of it – some are retired, but most hold down day jobs as well. And I think I’m busy. Follow the tour (details below) and browse their other posts for great steers on books you might enjoy.

Finally, I’ve had the blessing of the elves, pixies and faeries who live around the real faerie tree where the book is set. You see I did what many people have done before – for over twenty years, in fact – and I put a letter into their little box. And like everyone else, I received a reply; wishing me well and giving me instructions on where to leave their copy. I hope they like it. I hope everyone likes it. It would be a really fitting thank you to all the unsung heroes who’ve helped me along the way.

The Faerie Tree blog tour…

22nd March: Random Things Through My Letterbox – author Q&A
http://randomthingsthroughmyletterbox.blogspot.co.uk/

23rd March: Rosie Amber – review
https://rosieamber.wordpress.com/

24th March: Liz Loves Books – the settings & scenery of The Faerie Tree
http://lizlovesbooks.com/

25th March: My Reading Corner – the faerie tree itself and book giveaway
http://myreading-corner.blogspot.co.uk/

26th March: Crooks on Books – author interview
http://crooksonbooks.blogspot.co.uk/

28th March: Jaffa Reads Too – the inspiration for The Faerie Tree and book giveaway
http://jaffareadstoo.blogspot.co.uk/

29th March: Being Anne – second chances
http://beingannereading.blogspot.co.uk/

31st March: Beadyjan’s Books – writing with women in mind
http://beadyjansbooks.blogspot.co.uk/

 

 

THE FAERIE TREE: A Book In The Making

faerietreejanecableImbolc: When the days are getting longer and the earth is getting warmer, a time of fertility and fire, and of focussing on our own magical gifts and abilities.

Being an author is in some ways akin to parenthood. Although not, of course, quite so important. But it is an act of creation (albeit solitary), nurture, and then letting your offspring go to make its own way in the world.

The last part is the hardest. Time and again while checking the proofs for The Faerie Tree I was assailed by awful thoughts: it’s not good enough; nobody’ll like it; it will fail. Time and again I had to remind myself to have faith in my editor’s view – and in the opinions of others who have read it.

But when your book makes its way into the wider world it isn’t enough to hover at the school gates for twenty minutes then go home and cry. You have to shout about it – tell the world – make them want to buy it.

So the last month has been focussed on marketing – which isn’t necessarily one of my own magical abilities. I know the theory, but somehow I don’t have the knack of pushing myself that some other authors have. I just don’t know how to stand there and say “Buy my book – it’s amazing.”

The first step in marketing is getting your book into places where people can buy it. Matador does a great deal of this for me, particularly the online stuff. On 21st March (or maybe a little before) it will miraculously appear on Amazon, Kobo, iBooks, Google, Waterstones & WH Smith online. It will be sitting on marketing platforms like Goodreads and I’ve Read That. It will be available for bookshops to order through the industry’s main wholesalers – but the job of persuading them to actually stock it will be down to me.

While the cut price books offered by the big retailers are great for readers they aren’t so good for writers because they have pushed many local booksellers out of business. The chain stores have a stocking policy which rules out local decision making, leaving independent authors and many traditionally published ones out in the cold. Even where they exist the independent book trade can be timid too – before giving it valuable shelf space they have to be sure a book will sell. It’s not their fault – most of them are living hand to mouth and cannot afford to take potentially costly risks. Even on sale or return.

Inevitably many sales are online (The Cheesemaker’s House sales to date are about a 50:50 split ebook and paperback, with half the paperbacks being sold through Amazon) so the marketing focus has to be here too. The first thing I did was organise a blog tour so I am at least guaranteed some coverage around the launch date. The next thing is to make sure the book is available for reviewers, booksellers and librarians to download via Netgalley. And book a Netgalley promotion to make sure it stands out from the crowd.

Other marketing musts are updating my website (www.janecable.com) ready for the beginning of March; moving my Amazon author profile to their new format (long overdue); and polishing up my Goodreads profile, Twitter masthead and Facebook page.

And if that wasn’t enough I’ve also got this really crazy idea to create a faerie tree for my home city of Chichester. I’ll certainly need more than a little help from the hidden folk to pull that one off…

 

 

 

THE FAERIE TREE: A book in the making

Yule: A time to celebrate with those we love. A season full of magic and new beginnings which spring from the darkest days of the year.

When short, dark days stretch interminably ahead the deep human urge to rebel against nature and celebrate is hardly surprising. It is an instinct deeper than religion, broader than faith; whether it’s carols in church, TV and tinsel, or the burning of a sacred log, it is something which touches almost all of us.

faerietreejanecable

After 21st December the days start to become a little longer. Actually, that’s what I need. Maybe there is some mid-winter magic to create a few extra hours in each one. Maybe I should write to the fairies and ask them. As well as everything else, this festive season I have proofs to check.

The last few months have been particularly hectic as I balance work, writing, preparing for publication of The Faerie Tree and even a stint or two selling books on Chichester Christmas Market. That came about because I’m lucky enough to be part of Chindi, a very active group of independently published authors in the Chichester area. The reason we exist is because there are so many things we can do together which we couldn’t do alone, and one of those was to take a stall on the Christmas Market. It was something of a learning curve and a great opportunity to meet readers. It was also fascinating to see which books sold well and which didn’t – and to try to work out why.

The huge importance of covers was brought home to us very quickly – which was actually great timing for me as far as The Faerie Tree was concerned. The Cheesemaker’s House is pretty striking visually and people tended to head straight for it on the stall. But when it was stacked sideways with other books the title disappeared – and having watched one gentleman struggle with the colour of the print on the back I realised a few things would need to change next time around.

My main concern when briefing the cover designer at Matador was to make sure the book looked as though it was for adults. The title could imply it’s a children’s story so it had to be crystal clear at first glance who it was meant for. I also wanted it to look as much like The Cheesemaker’s House as possible. It’s an inescapable – if a little uncomfortable – fact that authors are brands these days.

When I first saw the cover of The Faerie Tree I had one word for it: wow. It’s a word I’ve heard time and again as I’ve showed it to the people closest to me and to other members of Chindi. So, for the first time, I am revealing it to the wider world through Frost readers and I’m really interested to see what you think. The significance of the candle? Well, you’ll have to wait until Imbolc to find that out.

Now that the cover has been designed there is a plethora of marketing material to sign off. The paperback will be in the shops from 1st May and the book trade need to know about it now, so an AI (advanced information) sheet has been prepared as well as a trade press release. They’ve been languishing in my inbox for over a week but gut instinct tells me sending them out this side of January would be a waste of time. The thought is salving my conscience anyway.

 

 

 

Two Star Twist On Christmas: The Square Restaurant Review

New Bond Street wins the battle of the Christmas lights, no question. Even a grey Thursday morning couldn’t dull the shimmer of silvery peacock feathers and they must look even more spectacular after dark. But we weren’t going to hang around to until nightfall – we were in London for lunch at a very special restaurant.

thesquarerestaurantreview

We discovered The Square in Bruton Street a couple of years ago. Chef patron Philip Howard had just won the fish course of The Great British Menu and we were entranced by his fresh, classic style of cookery. To be honest I was also entranced by his silver fox good looks… much like my own husband’s… and the fact we could actually afford to eat in his two Michelin star establishment in Mayfair.

That’s when you know a successful restaurant is all about the food. The set lunch in the run up to Christmas was £50 and I believe it’s still substantially less for the rest of the year. There are bottles of wine on the extensive list for under £30 (and over £1,000). Ours was £55 and a quite superb Barbera. The one tiny fly in the unctuous ointment of our visit was that the young lady sommelier tried to upsell us to one double the price. Last time we were at The Square the fantastic Egyptian master of the wine list had carefully price pointed the desert wine we chose to exactly the same area as the bottle we had ordered – and that was very impressive.

philiphoward

But the rest of the service was outstanding. Although the restaurant is dressed formally its staff have a twinkle of humour and fun about them which makes it anything but starchy. Plus you only have to glance in their direction (or less, but more of that later) and they glide, smiling, across to your table in an instant.

It being Christmas, we started with a glass of champagne and very soon our amuse bouche arrived; a tiny rounded glass of cauliflower puree topped with a crisp bacon and sage crumb, sharp cranberry flavours and sitting on a bed of turkey jelly. You hear chefs talking about balance and this was it – a perfect microcosm of Christmas dinner.

We opted for different starters. My better half went for the terrine of English partridge and foie gras with air dried pear, quince puree and mead jelly. He especially liked the idea of English partridge… we once went to a small restaurant in Brighton and he asked whether the partridge on the menu was English or French… and we were rather amused when the answer came back “chef says it’s from Sussex.” He didn’t seek to question the origin of The Square’s offering; he was too busy eating it.

I chose the lasagne of Dorset crab and scallop because its cappuccino of shellfish and champagne foam is one of The Square’s signature elements. It was rich and light at the same time, and a perfect accompaniment to the delicious minced crab, sandwiched between the thinnest layers of a rather brilliant green – presumably festive – pasta.

For the main course we both headed straight for the roast haunch of Windsor Park venison with beetroot and port puree, roast chervil root (not a tiny parsnip, oh husband mine) and smoked ham and potato galette. The meat was cooked rare and finely sliced over the galette (a simple but time-consuming way of raising the humble potato to a heavenly level) and a bed of shredded sprouts. It was cooked to perfection but the real star of the show was the beetroot puree; sweet, rich and such a vibrant colour, it brought the plate to life on both table and taste buds.

The menus were brought back to us and we discussed our choice of desert. A very brief discussion really; husband of course went for cheese and because I’m not keen on the Brillat-Savarin which constituted the cheesecake, I decided on the Christmas pudding soufflé with chestnut and macadamia nut brittle ice cream.

We were somewhat surprised to see the cheese trolley appear at our table before the waiting staff had taken our order. “You do want it, though, sir” our young French waiter insisted “And you’re having the Christmas pudding soufflé, madam.” The psychic approach is certainly taking service to new levels. He also seemed to instinctively know which cheese to select for my husband, having been given the lead that Epoisses was essential. A Waterloo from Hampshire (“Like our French camembert…”), a goat cheese from the Auvergne, a very high class Cheddar and a blue from Carmarthen before scraping out the last of the Epoisses box to leave a huge dollop on my husband’s plate. I swear I can still smell it now.

The cheese was whisked away to reappear a little while later with my Christmas pudding soufflé, which was served with the understated theatre of a ball of ice cream being dropped into it, followed by hot brandy sauce. It was sublime. Every element of a Christmas pudding was there; spices, peel, plump raisins, but wrapped up in a lightness which is unforgettable. If it hadn’t been for Colin McGurran’s langoustine terrine (Frost, August 2014) it would have easily been my dish of the year.

We ordered our coffee and as we waited there was another delightful treat in store as we were offered a clementine from a beautiful wooden trug. It was the perfect finish to a rich meal, and apart from a few simple wreaths in the restaurant windows, one of the few visible concessions to the festive season. As I said, at The Square – it’s all about the food.

To find out more about The Square, visit www.squarerestaurant.com.

 

Jane Cable, December 2014

 

 

 

THE FAERIE TREE: A Book In The Making

SamhainSAMHAIN: The time of year when the harvest has been completed and the earth has become dormant. The time when the veil which separates the living and the dead is at its most delicate. The time to honour those who have passed.

I feel as though I’m chewing on metal. You see I’ve just bitten the largest bullet an author can bite – I’ve sent my completed manuscript to my publisher. I finished writing and editing it months ago, but it was still really hard to let it go.

So what, you may ask, has that got to do with the pagan festival of Samhain? Well everything and nothing really. The timing of my baby leaving the comfort of my laptop was driven by the necessities of publishing schedules but sometimes, when you look higher, wider, around you – there is an underlying connectivity which at once astounds and makes perfect sense.

The Faerie Tree is not a novel about paganism, but simply a story where one of the major characters has chosen this path to make sense of his world. What it is, is a novel about loss. That sad universal truth of life we all have to battle with from time to time; finding a way to understand and move on, without ever forgetting.

Samhain is a time of remembrance. The pagan equivalent of the Christian All Souls, it is one of a number of major festivals which run in parallel across the boundaries of faith. It is so very human to want to reach out beyond the grave that it makes perfect sense to set aside a time to honour our loved ones on the other side.

Those of you who are familiar with my first novel, The Cheesemaker’s House, will naturally be thinking that The Faerie Tree sounds like another ghost story. It isn’t. Here the characters who have died live only through the memories of those who loved them.

Memory – or memories – are central to the book. So much will become clear as I take you through my journey from the manuscript being sent to my chosen publisher Matador, to the book being available in the shops. But first I think we need to go back in time so I can share the book’s story so far. I think you might be interested; where inspiration comes from is the question I am most often asked in interviews or when talking to groups of readers.

Every author is different, but for me a novel becomes worth writing when two ideas coalesce to make a really gripping story. The first concept was the fairy tree itself. A few years ago a friend took me walking in a beautiful piece of woodland next to the river Hamble, with the express purpose of showing me this tree.

As we approached we began to find tiny teddy bears and plastic toys perched in the bushes, but even their increasing numbers did nothing to prepare me for the tree itself. An oak; not gnarled and twisted, but young, straight and strong – covered with toys, ribbons, beads, strings of shells, and even an old cuckoo clock. But best of all was the box filled with letters from children to the fairies – and the plastic folder on the back of the tree which contained the fairies’ replies.

Never before – or since – have I wanted to hug a tree so much. The feeling was pure instinct – something really basic inside me. As was the covering of the tree with offerings. Pagan? Yes – but in a way few of those who had left their gifts would even recognise as such.

So the fairy tree was the first strand of inspiration, but what of the characters who would discover it for themselves? The previous winter I had visited the beautiful city of Winchester for its Christmas market, and seeing homeless men gather at the Buttercross in the main shopping street, I began to wonder what it would be like to look into the eyes of one of them and realise they were an old flame. And that, dear reader, is where Robin and Izzie’s story starts. The themes of memory and of loss, well, they rather wove themselves, because The Faerie Tree had to be more than just a romance – there had to be mystery, and suspense.

So here I am, with a manuscript winging its way through the ether to my publisher. But the hard work of getting it into readers’ hands isn’t over – it’s only just started. As you will begin to realise when we meet again at Yule.

 

Jane Cable

 

 

Kingham Plough Review

Anyone who watched The Great British Menu couldn’t have failed to notice that fish course winner Emily Watkins kept apologising. For everything, really. So when the lights in the restaurant of The Kingham Plough dipped and danced a little it should have been no surprise to see Emily appear and apologise; they were new – the bulbs were too bright – she wanted to get them right.

Kingham Plough review Kingham Plough review

When you own a pub restaurant, wanting everything to be perfect is no bad thing.

The Kingham Plough is a part of a Cotswold stone terrace about 15 minutes’ drive from Stow on the Wold and it’s probably only a little fanciful to say that the warmth of the sun on the stone extends inside the building as well. The young staff are friendly and helpful, and while interior designers have clearly been at work the look and feel of a village pub has been retained. The walls are decorated with local art (for sale) and the carefully mismatched furniture oozes rural chic. Not to mention comfort.

We ate in the restaurant although a full range of bar snacks (including deliciously retro pints of prawns and just plain delicious homemade pork pies) are available. Much has been made in other reviews of the sous vide cooking technique Watkins prefers, but to be honest, if we hadn’t been told, we wouldn’t have noticed. And anyway, I’m a great believer in letting the food speak for itself.

My starter was a rabbit sausage, resting on an oblong of pea puree and sharing the plate with a most attractive salad which tasted crisp, fresh and as good as it looked. My husband opted for the sea trout tartare which was served in a tower topped with an egg yolk. Before breaking the yolk he burrowed out a little from the bottom of the stack for me and that was lovely too.

Rabbit Sausage The Kingham Plough - restaurant

We had wanted a wine which would take us through all three courses and here the young staff did let the Kingham Plough down slightly by recommending a bottle which really wasn’t appropriate, simply because it was popular. So we fell back on our own knowledge (time to fess up that my husband has certificates in this sort of thing and does spend some of his business life in the wine trade) and chose a more than acceptable bottle of Beaune which didn’t break the bank.

Exterior 1 - cropped Pork Wellington with Grandpas Cabbage

Although I am not a vegetarian (clearly, given the way I devoured the rabbit sausage) I decided on a beetroot soufflé with local goat cheese for my main course. I love beetroot and I love goat cheese and I certainly wasn’t disappointed by the soft and fluffy soufflé which perfectly combined them. Meanwhile my better half went for the pork wellington; a tender nugget of meat encased in homemade ‘hodge podge’ aka black pudding and the thinnest of thin sheets of pastry. I am told it was fantastic. But I didn’t get to try.

Wild Sea Trout tartare Cheese board

As ever, we were lured by the cheese; a selection from nine local cheeses – or all of them to share for £19. This really was a no-brainer and they came spread out along a wooden board with generous piles of homemade oatcakes, hazelnut fruit bread, celery and apple jelly. There was a modicum of confusion over which cheese was which – the blushing waitress told us Emily had prepared the board and they were always in the right order – she just wasn’t sure what the order was. But it didn’t matter. They were all quirky and original and it was the highlight of our meal taking our time over them and finishing off the Beaune.

The highlight of the meal; but not the highlight of our stay. We had booked a room for the night (clean, cosy, quiet and comfortable) which meant we were having breakfast. I am not a huge fan of the full English – give me a skinny latte and something chocolaty any day – but this time I was tempted. And besides, I hadn’t got my hands on any of the hodge podge pudding the night before.

As it happened, for me the black pudding was not the star of the show. Mainly because it had a great deal of competition. Homemade baked beans, for a start – made with real tomatoes, wonderfully seasoned. Thick, crispy bacon and mushrooms which tasted as though they had been picked from the fields just hours before. Proper leaf tea. And, best of all, a little skillet of drop scones (scotch pancakes, if you prefer), warm from the grill, just begging to be drizzled with honey.

Whether it was in revenge for the pork wellington, or just pure gluttony, I scoffed the lot.

Find out more about The Kingham Plough at www.thekinghamplough.co.uk