CARIADS’ CHOICE: FEBRUARY BOOK REVIEWS

Jill Barry The House Sitter, reviewed by Jessie Cahalin

Characters’ actions are measured with precision in this gripping psychological thriller. The house sitter, Ruth Morgan, is complex and plans to be an integral part of the Deacons’ lives.

‘A fledgling idea trembles in the dark recesses of Ruth’s imagination… Up went the hand to stroke her throat.’

Shadows of the past haunts Ruth. Lost in the tension at the midpoint of this novel, I fell into the abyss with Ruth and worried that I felt empathy for this dangerous character.

Bethan is Ruth’s counterfoil, and her investigation orchestrates intrigue. Love is in the air for Bethan and this adds a hopeful dimension in this thrilling narrative.

Clues and tension are skilfully woven into the characters’ viewpoints. Clever writing with an intricate narrative that will chill you to the bone.

 

Kate Ryder Beneath Cornish Skies, reviewed by Jane Cable

Beneath Cornish Skies tells the story of Cassandra Shaw, who leaves behind her outwardly perfect but soulless life in Sussex to work for a chaotic Cornish family. The contrasts between the two settings are sharp, but united by the author’s love of horses, nature, and the lore attaching to the natural world.

This book blends romance with new beginnings and a ghostly past. Don’t be put off by the fact it’s described as ‘book 3 of 3’ on Amazon, it is in fact a standalone novel and has achieved a bestseller flag in paranormal ghost romance.

 

Naomi Miller Imperfect Alchemist reviewed by Kitty Wilson

I adored this well-written tale of two women at opposite ends of the social spectrum in the sixteenth century coming together and working in tandem in herbalism and alchemy. Their story covers a myriad of themes from both lives, including the suspicion and misogyny behind witchcraft trials in the villages and their impact alongside the high arts represented by Mary Sidney’s renowned Wilton Circle. Although a fictional account of The Countess of Pembroke’s life, the author’s knowledge of history and the literature alongside her skill at writing makes this a novel that pulls you in utterly, making me as a reader willing to believe this is how it was. It certainly is a fitting tribute to a woman who was at the forefront of new thinking and intellectual debate in a time women were overlooked in every arena. I loved it and shall be looking for more books from this author.

 

Jan Baynham Her Sister’s Secret, reviewed by Imogen Martin

Jan Baynham’s second novel slips seamlessly between Rose in the 1940s and Jennifer in the 1960s. It opens in a mid-Wales village where Rose works at the Big House whilst Mam tries to keep the peace at home. When Rose meets Italian prisoner-of-war Marco, the sparks fly. I was fascinated, as I have a friend whose Italian father and Welsh mother met in exactly this way. Unlike my friend, there’s no happy ending for Rose when her domineering father finds out about the relationship.

In the 1960s, the family secret comes tumbling out after a chance discovery by Jennifer. Will she have the courage to travel to Sicily to find out the truth?

Jan Baynham captures the excitement of standing on the cusp of a new life in Cardiff, the big city, in contrast to the vivid portrayal of small Welsh village life.

Her Sister’s Secret is a cracking read with passion, hurt and wisdom intertwined.  Whilst it has parallels with Jan’s debut novel Her Mother’s Secret, this is a stand-alone saga.

 

 

 

 

SLOW AND STEADY WINS THE RACE – JANE CABLE ON HER NEW PUBLISHING CONTRACT

I have never particularly seen myself as a tortoise, but boy oh boy, has this been a long time coming. Today it was announced that I will be writing emotional women’s fiction for One More Chapter, a digital first division of Harper Collins, under the name of Eva Glyn.

I think all writers have an idea of where they want to be, and for me, no doubt influenced by Harper Collins being the sponsor of The Alan Titchmarsh Show’s People’s Novelist competition in which I was a finalist, they were the publishing house at the top of my wish list.

Having failed to win the competition and so any short cut to publication, I might have guessed I was in for the long haul, but at that stage I didn’t realise quite how long it would actually be. But fairly early on in my career I had a near miss when after a one-to-one at Winchester Writers’ Conference a young editor called Charlotte Ledger requested the full manuscript of The Faerie Tree.

Nothing came of it, and the book became my second indie novel. And as my career progressed I was aware of Charlotte’s rapid rise through the ranks of Harper Collins’ digital imprints and wondered if perhaps at some stage it would be worth submitting to her again.

In the meantime I had the opportunity to work with Amy Durant and when she set up Sapere Books was happy to follow her there. And while I am happy to stay with Sapere too, I still hankered after what a bigger publisher could offer in terms of multiple platforms and international clout.

By the time the Romantic Novelists’ Association conference came around in 2019 I had a new manuscript in my locker that I knew wasn’t a Sapere Book. I saw Charlotte Ledger was offering one-to-ones and I was lucky enough to grab one. We met again. And again she asked for the full manuscript, but this time to be sent to her personal email. I felt I was one step closer.

In the end Charlotte didn’t take that book, but the door was kept open. Last March I had a fifth anniversary blog tour for The Faerie Tree and the response was so overwhelmingly positive I brought the title up to date, gave it a little polish, and after much encouragement from Susanna Bavin, sent it off to Charlotte.

She asked me to do some rewrites and they were so in line with my own thinking for the book that I did. The next thing I knew we were talking about author brand and slowly it dawned on me she was offering me a contract. And the author brand she was suggesting was exactly where I wanted to be – emotional women’s fiction.

There would be no ghostliness, no looking back at the past, so these would be different to my books for Sapere, so we decided they would be published under another name. I chose Eva Glyn – Eva for my father’s mother, and Glyn for Glyn Jones, the Welsh author who was a great friend of my parents.

Today is a proud day because for the first time I can talk about the deal as the cover for The Missing Pieces of Us has been revealed and the book is available for pre-order. And it’s only taken me nine years…

 

 

 

 

WELSH WRITING WEDNESDAYS: WHAT I WRITE AND WHY – INTRODUCING EVONNE WAREHAM

Who am I, what do I write, and why?

Well, I’m either an academic and bureaucrat who has a second career in romantic fiction, or a romance writer with a blamelessly boring past and an academic streak – you can take your pick.

I’ve wanted to be a writer ever since I was a teenager, but it took me thirty odd years and a lot of dead ends and near misses before I actually achieved publication. I had a paying career in local government and charity administration, a large part of it in London, most of which I enjoyed as I climbed the career ladder. When I wasn’t enjoying it I would take a lurch into academia – with a Master’s degree and then a PhD in History. Alongside that I was always writing, and always romance. Part of that was because of the Romantic Novelists’ Association, which encourages unpublished writers through its new writers’ scheme, which requires you to submit a manuscript for professional critique every year. It meant a great deal for an aspiring writer to be able to mix with other hopefuls and also published writers, many of whom are very big names and are generous with their time and friendship. I also like writing romance – for me it’s positive and life affirming and I always want a happy ending. I’m a thoroughgoing escapist where my reading matter is concerned, and that’s what I write too.

Photo credit: Sian Trenberth Photography

During those years of apprenticeship I experimented with all types of romance from family sagas to Regency historicals. I eventually noticed that everything I wrote had an element of crime in it, but I knew I didn’t want to write police procedurals or psychological thrillers – I didn’t have the expertise. Then, eventually, when I’d almost given up, I read an American novel in the genre romantic suspense – a hot love story with a crime element – it was The Reef, by Nora Roberts. It made me think – can I do that?

It turned out that I could. It still took a while. I had some success in American competitions for unpublished authors, including a reality contest run by a big romance review magazine – that was a roller coaster and a lot of fun, although I didn’t get anywhere near winning. Then at last, I got a British publisher who liked what I was doing – American style but with European locations. I achieved a dream and my first published book – Never Coming Home – won the award that the Romantic Novelists’ Association gives for the best new writer each year.

I write across the romantic suspense spectrum – some books are grittier than others. At the moment I’m enjoying a series at the lighter end, set in resorts on the French and Italian Riviera – plenty of glamour and sunshine and a sexy encounter or two. For the future I’m looking to return to the grittier stuff, and I want to set a lot more of it in Wales, my home country, where I’m now living. I love the landscape, especially the National Parks, for their romance and their more sinister potential for a thriller writer. My books can be dark and scary, and they have a lot more dead bodies than your average romance, but there will always be a love story and always, always, a happy ending.

 

You can find out more about Evonne on her website https://www.evonnewareham.com/home and her weekly blog https://evonneonwednesday.blogspot.com/

 

 

 

 

Marian Keyes Shares Her Ultimate Comfort Reads for Hard Times.

International best-selling novelist Marian Keyes (Watermelon, Rachel’s Holiday and The Break) has today revealed her Ultimate Comfort Reads for challenging times, with a curated list shared on Bookshop in support of indie bookshops, and to mark the paperback publication of her globally acclaimed Sunday Times No.1 novel, Grown Ups (Penguin Michael Joseph, £8.99).

Marien Keyes, comfort books, Marien Keyes, comfort books,

Confessing she’s “personally … desperate for a holiday from reality and from my head”, Marian’s recommended reads will offer readers some much-needed solace and escapism into a world of bookish pleasure during lockdown, and beyond.

Marien Keyes, comfort books,

From Booker-nominated debut novels to fiercely funny memoirs, and from heart-warming stories turned into much-loved TV series to feminist retellings of traditional fairy tales, Marian’s curated list aims to inspire, engage and entertain, as an antidote to the difficult times we’re living in.

Marian’s list includes: Stella Gibbons’s Cold Comfort Farm, a classic comedy novel named one of BBC ‘100 Novels That Shaped Our World’; The Surface Breaks by Louise O’Neill, a feminist reimagining of The Little Mermaid; My Sister, The Serial Killer by Oyinkan Braithwaite, the sensational debut novel nominated for the Booker Prize in 2019; Love, Nina by Nina Stibbe, a laugh-out-lout memoir adapted into a popular BBC series by Nick Hornby; Eligible by Curtis Sittenfeld, a Pride and Prejudice catapulted into our modern world; Dear Mrs Bird by AJ Pearce, the Sunday Times best-seller chosen as a Richard & Judy Book Club Pick; the WWII romance The Morning Gift by Eva Ibbotson, based on the author’s own experience as a refugee.

The list has been released by Bookshop.org – the alternative to Amazon for shoppers wanting to support independent bookshops when they shop online. Celebrated by critics, readers and booksellers, Marian is known for her untiring support of independent bookshops. She was one of the first authors to take part in “At Home with Four Indies”, the virtual series of events launched in lockdown by independent booksellers from Linghams (Heswall), Booka (Oswestery), Book-ish (Crickhowell) and Forum Books (Corbridge).

Marian Keyes, author of Grown Ups, said: “Life is very challenging at the moment and personally, I’m desperate for a holiday from reality and from my head. Reading has always been a huge pleasure for me but because so much fear is circulating, there are lots of subjects I’m currently not able for. I’ve put together a collection of titles that I’ve found engaging, uplifting, distracting and entertaining. I hope that some of them give you enjoyment and respite. I am thrilled to share this list on a platform that supports the vital work of independent bookshops.”

One of the most successful novelists of all time, Keyes’ books have sold over 30 million copies in 33 languages, and her writing has received several accolades, including the British Book Awards, the Irish Book Awards and the inaugural Melissa Nathan Prize for Comedy Romance. In the last year, Marian has been chair of judges for the Comedy Women in Print prize, and the second series of her instant hit, Between Ourselves, will air on BBC Radio 4 on 18 February 2021.

Marian joins a growing number of authors to share a curated reading list on Bookshop.org, such as: Elena Ferrante, Malorie Blackman, Nikesh Shukla, Emma Gannon and more. Author reading lists on Bookshop.org have proven to have a tangible impact on sales figures for the books they feature, shining a light on many lesser known works beyond bestseller lists.

Marian Keyes’ Ultimate Comfort Reads:

  • The Secret Countess by Eva Ibbotson (Pan MacMillan)
  • Oh My God, What A Complete Aisling by Emer McLysaght and Sarah Breen (PRH)
  • I Never Said I Loved You by Rhik Samadder (Hachette)
  • Gravity is the Thing by Jacqueline Moriarty (Atlantic)
  • Standard Deviation by Katherine Heiny (Harper Collins)
  • Love, Nina by Nina Stibbe (PRH)
  • Professor Chandra Follows His Bliss by Ranjeev Balasubramanyam (PRH)
  • Writers and Lovers by Lily King (Pan MacMillan)
  • The Surface Breaks by Louise O’Neill (Scholastic)
  • The Loveliest Chocolate Shop in Paris by Jenny Colgan (Little, Brown)
  • Cold Comfort Farm by Stella Gibbons (PRH)
  • Filter This by Sophie White (Hachette)
  • The Diary of a Provincial Lady by E.M. Delafield (PRH)
  • My Sister, The Serial Killer by Oyinkan Braithwaite (Atlantic)
  • The Bookish Life of Nina Hill by Abi Waxman (Hachette)
  • If I Never Met You by Mhairi McFarlane (Harper Collins)
  • Odd One Out by Lissa Evans (Simon & Schuster)
  • Such A Fun Age by Kiley Reid (Bloomsbury)
  • The Switch by Beth O’Leary (Hachette)
  • The Cazalet Chronicles by Elizabeth Jane Howard (Pan MacMillan)
  • Dear Mrs Bird by AJ Pearce (Pan MacMillan)
  • Brother of The More Famous Jack by Barbara Trapido (Bloomsbury)
  • The Morning Gift by Eva Ibbotson (PanMacMillan)
  • Eligible by Curtis Sittenfeld (Harper Collins)

 

What would you add?

www.Bookshop.org

THE SURPLUS GIRLS’ ORPHANS – POLLY HERON’S EXCEPTIONAL NEW SAGA

Much as I enjoyed Polly Heron’s The Surplus Girls, I can honestly say that The Surplus Girls’ Orphans is the best saga I have read. The restricted lives of women in the inter-war period is captured perfectly, but with a fresh eye and brilliant story-telling that avoids the ‘grit and grim’ which I find makes some sagas less than a pleasure to read.

I know, as a writer, that the essential structure of a saga is to pour increasingly huge problems onto the heroine, twisting and turning the plot until she (apparently) has no way out. But of course, as a reader, you know she will find one. While all the time I find myself wondering how much more of the unremitting misery I can take.

Polly Heron’s books are not like that. There is joy and beauty in small things; in the orphans playing pirates on a wet evening, in the barley-sugar legs of a washstand, in children dancing around a maypole. And the plots and subplots are so beautifully drawn together than even when life is incredibly tough – which was, after all the reality of the time – as a reader you are led from one storyline to another without ever having time to get depressed. Angry, frightened, heart-warmed, amused… but never down right miserable.

Drawing on some of the characters in The Surplus Girls, and still wound into the story of the Miss Hesketh’s business school, The Surplus Girls’ Orphans is a standalone novel in its own right, although readers will get more out of the story having read the first book. As well as the Hesketh family, two of the Layton children feature, also as Mrs Atwood, and of course the backdrop is still the Chorlton area of Manchester.

However there is an entirely new main character in the form of Molly Watson, who is suffering perhaps the longest engagement ever, to a penny-pinching, controlling man. Deciding she would rather be a surplus girl, to the horror and shame of her family she breaks free to find work in an office, and then the orphanage, where she looks to change the lives of those around her and not just her own.

Her relationship with Aaron Abrams unfolds beautifully; the initial misunderstandings never overdone, the attraction between them perfectly paced. Nothing is sugar-coated and although the ending is perhaps inevitable (as it has to be to satisfy the genre) their journey feels unforced in a way all the best fictional romances do.

The subplots work perfectly too, in symmetry with the main story. A single thread connects Molly and the Hesketh household as secrets are revealed, with certainly some big surprises along the way. And Jacob Layton’s bullying at the hands of the inescapable thug Shirl brings an at times terrifying tension to the book.

Polly Heron has tremendous skill as a story-teller, but on top of that the quality of her writing shines through. She has a knack of wasting not a word on description, but of weaving detail into the action so the reader had a perfect mental image of a place and time as the story unfolds around them.

Overall, this is a brilliant book. I smiled when I read the acknowledgments, seeing that some of it had been written while we were on a retreat in Bath. I clearly remember Polly at the kitchen table, writing in longhand in a large notebook, and it is gratifying to think that as well as friendships, such a fabulous novel was forged at that time.

My Writing Process – Emma Eker.

I’m a searcher – always have been, potentially always will be. I’ve questioned the status quo from the moment I had the capacity to do so – finding myself dissatisfied and unconvinced with the answers I was given. I mention this so you may understand that I spent my whole life pushing boundaries, rebelling against ‘the machine’ and searching for the Truth. This quest came with a restlessness that ensured I couldn’t stay still for any substantial amount of time, moving from place to place, job to job and person to person for as long as I can remember – I was always trying to get ‘there’… destination unknown. 

What you have written, past and present.

Apart from writing a teenage diary, essays for my psychology training, helping friends formulate emails and blogging through social media, my professional writing CV, up until this point, has been limited! Until recent years, although with a great love for writing, I am not sure that I considered utilising this in any particular way, either professionally or for any paid or altruistic offering – it simply wasn’t in my consciousness awareness to do so.

What you are promoting now.

My book is called “Liberation”. It has been a labour of love and is predominantly a solution-based memoir, highlighting my journey through life – moving through addiction, heartache, temporary loss of Self and many of the trappings of the human experience. I have always been solution-based, always aware that life is magic and benevolent and therefore I could not, would not, write a book relating to struggle without presenting the reader with a solution. Too many books in the mainstream point to the ‘problem’, providing identification but little or no hope for the eradication of that which the reader may be battling with. I believe we are all whole and perfect, but for our belief systems and this is what Liberation allows the reader to see. 

3. A bit about your process of writing.

If anyone is looking for ‘good advice’ from me in this area, they may be disappointed! My writing process has been totally haphazard. Some days / weeks I would be in ‘the zone’, writing flowing, immersed in the creative process and other times, my laptop would be left unattended whilst I found it more important to do absolutely nothing at all! Many a time I have found myself in judgement around my process, but I have come to see that everything happens perfectly and in divine timing. What I will say is this, I have learnt to hear and to listen to the still quiet voice within me that taps gently in order to gain my attention and nudges me in the right direction. When the ‘knowing’ comes knocking, I know it’s time to put fingers to keyboard. 

4. Do you plan or just write?

Absolutely no planning whatsoever. I truly trust my writing process and I go with what feels right, rather than what I could have set out in black and white with regard to a structure. I have never worked logically, despite being thrown into a system that required it. I must be honest and say I don’t think I ever planned any of the book at all. Everyone’s process is different though and we need to find what works best for us which is simply a matter of trial and error. I know that when I sit down in front of my computer with the intention to write, the words will flow through me and if they don’t, I recognise it isn’t the right time. For me, the trick is to take my thinking mind out of it and go with the (creative) flow.

· What about word count?

With “Liberation”, there was no specific word count. I made the decision to self-publish rather than write for a traditional publishing house who may have required a certain length of manuscript.   

· How do you do your structure?

There was no specific structure, although, before I made the decision to self-publish, I was in discussions with a traditional publishing company who had asked me to draw up a synopsis and provide a rough chapter breakdown. I did, on some level, find this helpful to refer to as the writing process began. I held the structure loosely, understanding that the ‘story’ would unfold and become clearer as time moved on. Therefore, the format continually changed as the writing flowed and took on different directions, but it was useful to at least know the direction in which I was headed.  

· What do you find hard about writing?

At many times, thoughts, ideas and words would flow into my mind incredibly quickly and leave just as quickly making it difficult at points (not to mention incredibly frustrating) to grab hold of and capture them. Because I have a perfectionist within me, I would find myself continually editing, editing and re-editing some more which again, can be incredibly frustrating. I have however learnt, that if there is something that needs language which I temporarily ‘forget’, it will revisit me again to make its way onto the page. Moving out of my own way to make way for the creative process has also been a challenge for me, left vs right brain – practice is the name of the game. 

· What do you love about writing?

It’s an interesting question. Is it enough to say that it feels like an extension of who I am? I love putting words together and creating something that touches or resonates with another human being in order to gain identification and understanding. The ‘writing zone’ is a very real thing and I love getting lost in here.

· Advice for other writers.

If you feel there is something you have to offer and have a desire to write, trust it. Do not give up. It does not always feel easy to take what is inside of us and give language to it ‘out there’ and at many times you may feel you are in a battle with and up against yourself, but you must trust your heartfelt desire to do it. For if it wasn’t yours to do, you would not have the desire in the first place. And remember, everything has its ‘perfect’ time, so trust that too!

 

Liberation by Emma Eker is out by Spiffing Covers on 28 January. You can buy a copy of Liberation by Emma Eker via her website or Amazon.

 

WELSH WRITING WEDNESDAYS: SALLY SPEDDING ON LIVING OTHER LIVES

‘Write what you know’ is a common enough diktat for the newbie writer, but how about the more subtle ‘write what you sense’ which carries far more possibilities. Material delivered by mysterious inner forces, as opposed to merely outer observations. Why? Because I’m a believer in the transmigration of souls, whereby a departing spirit finds the first empty womb to inhabit, as espoused by the hounded, tortured Cathars particularly from that beautiful, historic Ariège region of France during 1294 – 1324.

To visit it, having read the historian, Emmanuel Le Roy Ladurie’s moving account of their lives in the hamlet ‘Montaillou’ and its seemingly still mediaeval surroundings, is to experience, like the shepherd Pierre Maury, mysterious timeslips. When interrogated under torture, as to where he’d been on a particular day, he replied, ‘out looking to find my shoe.’
‘What shoe?’ asked his interrogator.
‘One that I cast when I was a horse.’ Sealing his fate.

To read of these Cathars’ cruel deaths in Pamiers, Foix, and in Carcassonne’s ‘Tower of Justice’ during the early fourteenth century, is chilling, yet these gentle people who posed such a threat to the Catholic Church, will never be forgotten, and whenever I start new work, whether a poem, short story or novel, conflict between good and evil begins.

Having reluctantly moved from our cottage near the River Sawdde in Llangadog, to urban Northampton, because of my now late artist husband Jeffrey’s new post at its university, I felt bereft, so, using a ruler to find the nearest coast, found where the River Nene, dividing Norfolk and Lincolnshire, meets the North Sea. Even now, that sense of death lurking in its silence, still lingers. I soon began ‘digging’ then writing the first few chapters of a part-contemporary/part-historical novel provisionally entitled, ‘Snare.’

Imagine my surprise having discovered Hilaire Belloc’s vivid collection of essays, ‘Hills and the Sea,’ in which he describes how once a newly-cleaned footbridge was re-opened in Sutton  Bridge, those who’d been waiting then walked across it ‘into the Wringland.’ This name intrigued me, but learning it had evolved from ‘wrungo’ the old High German for ‘snare’ added to the weirdness. I met several people living on the Fens who wouldn’t allow their children to go out after dusk because of ‘evil spirits.’

‘Wringland’ was the first in a two-book deal with PanMacmillan in 2001. Here, the ghost of Martha Robinson – one of the last to be publicly executed in 1862 – tells a fragment of her story before each chapter, in which young, keen Abbie Parker, a saleswoman in a new housing development, arrives at its Show Home to find the door already unlocked, the alarm disabled, and a strange, black-clad woman sitting by her desk demanding Plot 2 be reserved for her. Someone badly wronged, seeking justice. But at what price for Abbie, with her new career?

While looking for a holiday home in France, we’d stopped by the Grotte de Lombrives near Tarascon, where I immediately began shivering with fear and begging Jeffrey to drive on. Only afterwards did I learn from my Dutch aunt how Frenkel – my middle name – evolved from those Franco-Raphaelite Jews, purged by the Spanish Inquisition. Many of whom were walled up alive in that very same grotto. This might explain my claustrophobia. I still can’t use the Underground, lifts or aeroplanes. Meanwhile, France with its relatively few cremations, although harbouring so much dark history, continues to inspire my later books.

 

http://www.sallyspedding.com

 

 

CARIADS’ CHOICE SAINT DWYNWEN’S DAY REVIEW SPECIAL

Most people probably know that St Valentine is considered to be the patron saint of love, but did you know that Wales has its own equivalent? St Dwynwen’s day is celebrated on 25th January in the same sort of ways as her more famous counterpart – sending cards, giving flowers, having a special meal – anything in fact that says ‘I love you’. St Dwynwen’s own story is a sad one, told with an overlay of traditional folklore elements – beautiful princesses, thwarted lovers and people being turned into blocks of ice. Ill-fated in love, Dwynwen became a nun, founding a convent on Anglesey, and generously praying that true lovers should have better fortune. Frost magazine is marking her special day with some reviews from Welsh authors of romance books that have a Welsh connection.

Trisha Ashley A Leap of Faith, reviewed by Evonne Wareham

I’m an Ashley fan, and she has been one of my go-to feel-good reads in lockdown. That said, I had mixed feelings about this one. It has familiar ingredients – a slightly older heroine, with a biological clock ticking, a bit of mystery, some infuriatingly arrogant and entitled ex boyfriends and husbands, a supporting cast of eccentrics, crafts and baking and recipes. I loved the fact that it’s set in Wales, in an imaginary community on the Gower and has a rather gorgeous hero called Nye, who speaks with a Welsh lilt, although he was brought up in Manchester and his looks are more Viking than Celtic! On the down side, the book is twenty years old and has not been significantly updated and there are a couple of episodes of harm to animals that I found upsetting. With those caveats, I did enjoy the book. Probably one to choose if you have read her others and are completing your collection, as I was. If she is new to you, it may be better to begin with something more recent. Those involving chocolate are particularly scrumptious.

Sue McDonagh Escape to the Art Café, reviewed by Jan Baynham

The third in a series, Escape to the Art Café is another feel-good, uplifting novel that may also be read as a stand-alone. The author writes with pace and humour to keep the reader turning the pages. However, for me, her strength is in the characterisation. She creates multi-layered characters whom you care about. Both Flora and Jake are ones I really warmed to and as their backstories are revealed, I came to understand more about them. Set against the backdrop of the beautiful Gower peninsular and with a great twist towards the end, the theme of strong community so often found in Wales runs through the whole novel. I enjoyed it immensely.

Tracy Rees The Hourglass, reviewed by Jill Barry

Two different eras spring to life in this poignant story of youthful dreams and cold reality. We meet the competent Nora in 2014 at an unhappy time for her. In 1953, schoolgirl Chloe lives for her annual visit to Tenby, a town to which the troubled Nora is also drawn. But the two are linked by more than the Welsh seaside resort which, as the novel progresses, is viewed in all its colourful splendour through the main characters’ eyes. You’ll relive simple pleasures and wonder about the power of love and positive thought.

Evonne Wareham A Wedding on the Riviera, reviewed by Jessie Cahalin

A Wedding on the Riviera is a smoking hot romance entangled with an intriguing mystery. The runaway groom hooked me from the outset. An intricately woven plot ensured I escaped to the Riviera, Cardiff, Bristol and Bath.  Wonderful writing took me into the heart and soul of Nadine and Ryan and made me yearn for their happiness. I absolutely loved the tension created by the dubious dealing of Thackery. Drama, romance and glamour are packed into the novel. Will the perfect plan to catch a thief be thwarted?