Ricky Gervais: Women Are Treated Like Props In Film & TV

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Ricky Gervais has hit out at the way women are treated in the entertainment industry in an interview with the Radio Times.

He said that he loves to write complex female characters “because usually they’re props, particularly in comedy”.

“Even in Hollywood, they’re usually air heads or if they’re ambitious they’re straight away cold and need to be taught a lesson, They need to show that getting a man is more important than getting a career. Or they’re just props for men to do funny things.”

Gervais then talked about his childhood,

“People think that men rule the world but they don’t, really, That was never my experience growing up and certainly not at Broad Hill (the elderly care home in Derek). Men, when they’re together, revert to the playground.”

Derek returns for a second series on Channel 4 later this month.

Danny Dyer “I’m Held Back Because I’m Working Class”

Danny_Dyer_at_Upton_Park,_02_Oct_2010Danny Dyer has spoken out about the classism in the acting industry in an interview with Woman, stating that being working class, and playing working class characters, has held him back.

The Eastenders actor said “You’ve got actors like Benedict Cumberbatch – a great actor, but he’s a posh boy playing posh boys. He does it well, and he doesn’t get mocked for that.

“I play working class people, and I get mocked for it. I’m stereotyped, he’s not. I’ve done plays at the National Theatre, come off stage and gone into the bar and I ain’t got nothing in common with those people.”

He went on: “When it comes to playing the game, I’m rubbish. The middle-class actors are better prepped at working the system, because they’ve got more in common with the decision makers.”

What do you think? Do you agree?

 

 

IMDB/Amazon Starmeter Involved In Meter Rigging: The Truth About Starmeter

There is nothing like waking up in the morning and being blackmailed. This is essentially what is happening to thousands, and possibly millions, of hard working entertainment industry professionals, who woke up to find their “Starmeter” ratings on IMDB.com had lowered by thousands, sometimes millions, of points. The higher the number the worse the ranking. In other words, 1 is good, and 10 Million is bad.  What’s driving these changes is even more concerning than the numerical changes, themselves.

IMDB is short for Internet Movie Database.  For more than 15 years, IMDB has attempted to list all the credits in movies and television, to partial success.  Initially, IMDB.com was a simple site not run by conglomerates with their own advertorial or promotional agendas.  Since that time, however, IMDB.com has been bought and sold and bought again by Warner Brothers, and now Amazon, with a clear bias towards certain movies.

IMDB already collects fees from industry professionals through a portal called IMDBPRO.com, where professionals can manage their personal profiles on IMDB.  Also visible on the public IMDB.com site is something called a STARMETER ranking.  This seemingly innocuous ranking is an attempt to quantify the popularity of entertainment people into some sort of ranking system.  To many, the starmeter rankings are irrelevant, but if you put something out there in the public domain for long enough, some people, like first time film investors, new producers, or new casting directors, begin to take it seriously.

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In the spring of 2013, one of our contributing editors, who is also a known and award winning entertainment professional,  received a rash of email offers from companies like Direct Image PR and Star Boost Media,  offering to lower her starmeter ranking (remember, a lower ranking is better here).  Why would these all come at the same time?  A simple “whois” search on the internet revealed that regardless of their claims, all of these companies went online beginning in the spring of 2013, just before the mass emailing of registrants on IMDB and IMDBPRO began.  All these companies claim no affiliation with IMDB.

This proliferation of companies offering to better your starmeter ranking directly coincides with a decision made internally, at IMDB’s parent company, Amazon.  Shortly before these ranking companies emerged, Amazon made the decision to end its long standing relationship with CMGI Tabulations Inc., and now tabulates the starmeter rankings internally, using an algorithm nobody will talk about.

Curious, last year our contributing editor, Anna Wilding, signed up for one of these services to see how these new companies were able to manipulate Amazon’s new, and seemingly impenetrable new algorithm, and how it affected her own starmeter ranking.  Anna has been ranked by IMDB’s starmeter rankings for 15 years.  In that time, her ranking has been relatively consistent, ebbing and flowing organically between 90 000 to 5000 with Ms. Wilding’s film projects and presence in the media, as evidenced by the graph only available to IMDBPRO’s paying customers.  Ms. Wilding’s graph had not gone below 100 000 in all those 15 years.

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The one week test yielded a temporary gain in starmeter ranking.  But, when Ms. Wilding stopped her payments to this company a week later, the sample ranking company hounded Ms. Wilding, relentlessly, with request after request on PayPal.  When she refused to pay what amounted to hundreds of dollars, her ranking immediately went up (up being bad).  This morning, the starmeter scam hit a new level.  Ms. Wilding awoke to find her starmeter ranking had fallen from its average of around 35,000 to an all-time low of 5,000,000.  Accompanied with this drop was a Google search claim from a company called IMDBPROMO.com, asking for $999.00 to restore someone’s ranking.  Apparently many IMDB users woke up in the last ten days to find this anomaly.

How, we wondered, could a third party company manipulate starmeter’s rankings?  We pulled the source code from the graph page, and found that the rankings are fed not from IMDBPRO’s own servers, but instead directly from Amazon’s servers.  And why would Amazon allow a company to use the name and logo of one of its subsidiaries, IMDB, in a third-party website and logo?  True, IMDBPROMO’s website states they have no affiliation with IMDB.COM, but IMDBPROMO registered its website in 2013, and updated their database on March 10th, the same morning Ms. Wilding’s starmeter soared off the charts from 90,000 on March 9 down to over 5,000,000 this morning.

To make matters even more confounding, Ms. Wilding’s starmeter ranking remained relatively consistent even while she was out of the country for two years.  This year, with increased visibility and publicity in Hollywood, and especially with the media gernated during Oscar season, Ms. Wilding’s ranking should, organically, be lower, not higher than ever.  There is no question that these rankings were artificiality manipulated.  Thus, the starmeter ranking system makes no sense, and should now be ignored.

This is especially true, as other sites have been reporting, that actors nobody has heard of, and who have not been in the media at all, have topped the starmeter rankings for weeks on end.  This has all been very damaging for hard working entertainment industry professionals, who are falsely judged by these bogus starmeter rankings.

 

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It is clear from IMDB message board complaints and complaints across the internet that hundreds, if not millions, of IMDB users are being conned, blackmailed, and fraudulently shamed into  paying millions of dollars to maintain their starmeter rankings. And it appears that the main company benefiting from all this, through a series of shell companies, is Amazon, the very company charging IMDBPRO members, in the first place.

To date, IMDB has not been helpful to its complaining customers, basically just letting it happen, and that is questionable given that IMDB and Amazon continue to allow some of these third-tier companies, like IMDBPROMO, to operate using their name and likeness.

A message has been left with the Screen Actor’s Guild for comment and action, and it is known that law firms have received queries about class action lawsuits against IMDB and Amazon for directly manipulating select subscribers’ data.  There is also the matter of the questionable sale of data and information to third parties.

One thing is clear – whatever credibility and integrity that IMDB and their starmeter rankings may have had, has disappeared.  Amazon’s dirty little secret is out.

NOTE:  It was brought to our attention after publishing this article that Star Boost Media and IMDBPROMO are the same company.

This article is courtesy of The Herald de Paris

 

Kristin Scott Thomas Retires From Film

Kristin_Scott_ThomasAfter 20 years and nearly 80 credits Kristin Scott Thomas has announced she is done with making films and has decided to quit.

I just suddenly thought, I cannot cope with another film, I realised I’ve done the things I know how to do so many times in different languages, and I just suddenly thought, I can’t do it any more. I’m bored by it. So I’m stopping.” She told The Guardian.

Scott Thomas has said it is partly due to be treated like an “aging actress.” She is sick of playing the “sad middle-aged woman”.

“[I’m] asked to do the same things over and over, because people know you can do that, so they want you to do that. But I just don’t want to pretend to be unhappy anymore — and it is mostly unhappy.”

“I’m often asked to do something because I’m going to be a sort of weight to their otherwise flimsy production. They need me for production purposes, basically. So they give me a little role in something where they know I’m going to be able to turn up, know what to do, cry in the right place. I shouldn’t bite the hand that feeds, but I keep doing these things for other people, and last year I just decided life’s too short. I don’t want to do it anymore.”

There might be a small surfeit of roles for elderly actresses like Maggie Smith and Judi Dench (who never seem to stop working, thank goodness), but the film industry has little need for women in their fifties, except to play moms. I’m sort of, as the French would say, ‘stuck between two chairs’, because I’m no longer 40 and sort of a seductress, and I’m not yet a granny.”

On studio films she says; “I can’t bear all the kind of rubbish that goes on on those big films. I just can’t stand sitting around for hours in a great big luxury trailer, waiting, bored out of my head. I used to do a lot of tapestry. Yes, I had a lot of cushions around.” On Confessions of a Shopaholic, she says, “I thought it would be quite good fun. But I spent my entire time waiting. I hated it, hated it, hated it, and I said that I wouldn’t do another one.”

She won’t be doing TV either; “I can’t do miniseries. Once you’ve got the characters, once you know who they are, they’re going to repeat themselves, aren’t they, for the next five years? It just goes on and on and on. I get terribly bored. Series bore me.”

However, you can still find her on stage; “When you are acting in a film, you’re giving the director the raw material to make the film,” she says. “But when you’re acting on stage, that’s it. And that’s when you discover that you can really do it. It’s this word ‘trust’ that keeps coming to me. It’s not a question of whether one person is conning you into thinking you can do it, saying, ‘Oh, it was beautiful.’ On stage, if it works, it works.”

 

Czech Actress Petra Bryant Interview

Czech, beauty, actress,  Petra BryantHow did you get into acting?

Acting is something I did since I was a teenager but I didn’t start seriously until I moved to London. I took many screen acting courses and did workshops with casting directors in order to be sure that is what I wanted to do with my life. I also did a stand-up comedy course but realized it wasn’t my thing at all! Getting parts in short films has been a great experience and I would recommend that every actor tries that route. Not only you learn how real productions work but you will get a demo reel material.

Did you always know you wanted to be an actor?

When I was a child I wanted to be a doctor, designer, writer, model and an actor. I have realized I could be all those if I became an actor. Bingo! But deep down I always knew that it was what I wanted to do. It took many years to get where I am today and I still have a long way to go.

What was your big break?

I think landing a role of Empress Faustina in Fallen Eagle has been the biggest break so far. But since the film is in pre-production status, I will say that it is ‘The Last Scout’. ‘The Last Scout’ is a British sci-fi. Playing the ship captain ‘Melissa’ feels like a real acting role at last!

How do you get into character?

It really depends on what kind of character I am playing and whether I can identify with it. I usually like to watch similar movies to the one I am about to make. It helps me get in the mood and I get inspired by other actors. I also think of all the little details from the character’s life and make them my own, slowly building on the character. Eventually I start thinking like the character and merging with them. I also have to get physically into shape for each role.

What is your favourite film that you worked on?

I am sure my answer will be different by the end of 2014 but for now I choose ‘The Disappearance of Lenka Wood’. This is my first film as the female lead. I almost feel like we did two separate films as part of the story is set in New York and another in Turkey. I liked that my character Lenka is very different from me and that I had lots of freedom in creating the character. At times it was also a pretty physical role to play and I had to push my own boundaries. I am scared of heights and water and it took some convincing to get me jump into the swimming pool for a scene! But I am so glad I did it.

Tell us about your upcoming films. 

Both ‘The Disappearance of Lenka Wood’ and ‘The Last Scout’ are in post-production but 2014 will be a busy year for me. I start with the film ‘White Collar Hooligan 3’ and a little short film. The next up is a sci-fi ‘Abduct’ where I get to play a Russian UFO Specialist. I am really excited to be a part of another sci-fi! My spring and summer will be spent in Malta and Los Angeles filming ‘Fallen Eagle’ and a rom-com ‘Looking for George Clooney’. There are other projects on the horizon but I can’t talk about them just yet. I am so happy that I am working, doing something I love.

Does being Czech help or hinder your career?

I would say it helps for sure. My accent is not typically Czech so that means I can play other Europeans. At the same time I would love to be able to perfect British or American accent to broaden my role spectrum. But for now I am more than happy to use being Czech into my advantage. I love playing the’ token European’!!

What is your ideal role?

I am a huge comedy fan and playing a goofy clumsy superhero would be amazing. I think I might have to write my own part one day.

What’s next?

Well apart from all the films I have lined up this year, I am also writing my first book. It has taken me a long time already. I have actually ripped the first draft apart and now I am rewriting the story in a different style. I am driving myself crazy with it! Once this is done and dusted, I want to self-publish and turn it into a script. I love writing and would love to produce TV series with my finished product.
I hope people will like my films and I continue to be a working actor! I love making movies but I am very attracted to TV as there are some brilliantly written shows out there!

 

Matthew Jure | New Faces

Today’s New Face is an actor and musician. Just starting out on his career, he only got an agent when he was 30. He has a solo album coming out called Solitary Blooms, two films; Night Bus and Standing Water [playing the lead in the latter], and a self-penned play, Order/Progress which is about football and politics in Brazil and will be staged in the summer. Phew.

He also played DS Stan Davies opposite Jim Broadbent in BBC crime film, The Great Train Robbery: A Copper’s Tale. All good stuff which is why we have made him one of our new faces, we predict good things. http://www.matthewjure.net/

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Independent film Third Contact Tours after making cinema history at BFI IMAX

Third Contact is the debut feature film from Director Simon Horrocks and his company, BodyDouble Films. After a successful premiere at the renowned BFI IMAX, the independent film will make its way around the UK, Europe, America and Canada over the next four months. Screenings are being funded by Indiegogo and Tugg using a unique ‘cinema on demand’ approach.

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The story follows Dr David Wright, a depressed psychotherapist, who embarks on an obsessive investigation after a second patient takes their life in mysterious circumstances.

Shot using only a handheld camcorder, a microphone and a light, the overall budget for the film came to an astonishingly low £4000. The film has been praised for its exceptional camera work in addition to its seamless use of colours, themes and sounds throughout. The actors have been credited on numerous occasions for their performances whilst the script has been commended on its intelligence.

The writer and director, Simon Horrocks, who also took care of filming, casting, production and editing, had raised the money to put the film together by working in a cinema. Later down the line, Horrocks would be making cinema history for having a film short costing virtually nothing, screening in a theatre alongside films made for £200 million.

This milestone moment in Horrocks career came together by a Kickstarter campaign, which funded the premiere held at the BFI IMAX in London. The likes of MacUser Magazine and Raindance Film Festival got behind the project and made donations towards the campaign.

Once the premiere had taken place the film received rave reviews from the likes of Faust, Critics Associated, Frankenpost, Movie Sleuth and The London Film Review. Third Contact also made it to the prestigious HoF International Film Festival in Germany.

Third Contact will be screening in various locations in the UK, Europe, Canada and America over the forthcoming few months.

We will have an interview with the director, Simon, soon.

Points Of You Web Series | What To Watch

Point of you We have come across a very different, and very brilliant,  web series: Points Of You is about 4 friends from 4 countries with 4 very different personalities – all living a very chaotic life in Berlin:

RYAN (UK) – An actor, hobby chef & part-time womaniser

ELODIE (France) – An environmentally friendly seductress on bad terms with Cupid

BASTIAN (Germany) – A highly neurotic computer expert with a penchant for pot plants and French girls

SOFIA (Italy) – A rather individual science student who might or might not be working for the US government

Points of You will have you being confronted with cross dressing actors, spy gadgets, international conspiracy theories, love inducing plants and an amateur medical team saving a tree.

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Here are some cool facts about the series:

  • The series has to date involved over 115 people from 14 different countries
  • Shot on location in Berlin
  • Produced by: Ryan Wichert, Kathrin Benoehr, Sebastian Hasse
  • Written by: Ryan Wichert, Nikolaus Buchholz
  • Idea: Sebastian Hasse, Ryan Wichert
  • Cast: Ryan Wichert, Sebastian Hasse, Sara Manni-Malas, Kim Zarah Langner
  • 18.5 shooting days at 10 locations.
  • 4 main cast and 20 supporting cast so far
  • Subtitles in 8 languages: German, English, French, Italian, Spanish, Portugese, Russian, Polish

They have also been selected for the finals of The Giant Web Series Competition which is hosted by Alex Zane. A new episode airs every Sunday.