Top Most Anticipated Movies of 2011

As we came to a close of 2010 and the awards season have been gone and dusted, I’ve decided to make a list of films that I’m looking forward to this year. I expected this list to be quite long, but there’s not a lot I’m looking forward or consider to be really excited to quite frankly. So I’m going to reveal my top 3 most anticipated films of 2011;

Sucker Punch: I’ll admit, I’m not a fan of Zack Snyder but I don’t hate him as well. His Dawn of the Dead remake back in 2004 was pretty decent, considering the shamelessly Michael Bay produced horror remakes we’ve been getting every year or so. Then he adapted Frank Miller’s 300, visually faithful to its source material but lacked on being a memorable movie altogether. Watchmen was the high-point of his career, especially since adapting Alan Moore’s 400+ page comic book had been in development as long you could remember! While some bits hit the mark (visual style, costumes, performances from Jeffrey Dean Morgan and Jackie Earl Haley), some completely missed (both Malin Akerman and Carla Gugino gave bland performances and some of the choice of music). Of course, his trademark is his heavy use of slow-motion. If you’d take a drinking game whenever the slow-motion was used, you’d either be in the hospital or the morgue!

Now Zack Snyder has decided to come up with something original, rather than being a remake or based on a comic book. It is inevitable to label it as ‘Alice in Wonderland meets Inception’ (or as Snyder describes it, Alice in Wonderland with guns) but Snyder at least has shown he’s not loosing his creative edge. The film looks fantastic, even more so than his previous films. Although slightly bizarre that the film is set in the 1950s psychiatric ward and they come up with anime-alike robot mechs, giant samurais with a mini-gun, futuristic city and transport that hasn’t existed yet! Maybe I’m thinking about it too much than needed, but this does stand-out from most other blockbusters this year. (Released on March 25, 2011 in USA and April 1, 2011 in UK)

The Girl With The Dragon Tattoo: Probably the most controversial choice on this list, as the Swedish original was praised by critics and audiences (even went to win a BAFTA for Best Film not in the English Language and 2 nominations including Best Actress – Noomi Rapace). The reason I put this relatively high on this list is because of David Fincher. I am a huge fan of David Fincher, and I personally think The Social Network is the best film made in the past decade. This sort of material is right in Fincher’s alley; a dark mystery thriller, the sort he’s done with Zodiac and Se7en.

The film stars Daniel Craig as Mikael Blomkvist, an interesting choice to play the troubled journalist and is accompanied by Rooney Mara as Lisbeth Salander. Mara worked with Fincher in The Social Network, as Mark Zuckerberg’s fictional ex-girlfriend. It is a bizarre choice but it really have to admire a beautiful actress as Mara to transform a character that looks both gothic and punk. If you have not yet seen the published photos of Mara’s transformation, I strongly you have a look before you make an judgements (http://www.wmagazine.com/celebrities/2011/02/rooney_mara_girl_with_the_dragon_tattoo_lisbeth_salander_ss#slide=3). She looks other-worldly and makes me fascinated how she’d portray the character that’d be different what we’ve already seen. Steven Zaillian is adapting the novel, which he has done very good movies in the past with Schindler’s List, Gangs of New York and American Gangster. So I am very optimistic on this English adaptation. (Released on December 21, 2011)

The Tree Of Life: This film being a complete mystery intensifies my anticipation levels through the roof! It’s slightly odd that a non-blockbuster such as this movie would be my number 1!? The synopsis on IMDb is only given very briefly; The story centers around a family with three boys in the 1950s. The eldest son witnesses the loss of innocence.

Probably a few reasons being that it is written and directed by Terrence Malick, who is known to shoot an unimaginable amount of footage and has made films such as Badlands, Days of Heaven, The Thin Red Line and The New World. Another reason is it features my favourite actors; Brad Pitt and Sean Penn. There’s not much to say about the film, except if you know Malick’s work then there’s everything to be excited about it. I strongly suggest to check out the trailer, the only preview of the film thus far! (Released on May 27, 2011)

If you’re excited about these films as I am or looking forward to any other films that didn’t make this (very short) list, send comments below!

Film industry names ‘Don’t Look Now’ as Best British Film

Nicolas Roeg’s 1973 steamy gothic thriller tops Time Out’s 100 Best British Films

–A panel of film experts including Sam Mendes (Director of ‘American Beauty’), Wes Anderson (Director of ‘Fantastic Mr Fox’) and actress Sally Hawkins (‘Made in Dagenham’) have selected the 1970s steamy gothic thriller ‘Don’t Look Now’ as the Best British Film of all time, beating the likes of popular British movies such as Trainspotting and Four Weddings and a Funeral to the top spot.

The panel of 150 selected experts, which included directors, actors, heads of major cultural organisations and critics, was assembled by Time Out film editor Dave Calhoun. Each panellist nominated their 10 favourite British films which were then compiled to create a definitive list of Time Out’s 100 Best British Films.

Speaking about the selection as the Best British Film, ‘Don’t Look Now’’s director Nicolas Roeg commented ‘Well, it’s all very exciting indeed’. He continued ‘It’s almost forty years since I made the film now. It’s some time since I last saw it, but I see clips when I introduce it at festivals and it reminds me of that time and making it in Venice with Donald Sutherland and Julie Christie.’

Apart from the surprising ending of the film, one of the film’s most famous moments was the steamy love scene between Julie Christie and Donald Sutherland which Roeg believes helps today’s audiences connect with the film. Roeg told Time Out: ‘Sex, whether you like it or not, is the prime force of life. There is no other reason to be here. For me, sex is very rarely rude. It’s a fresh thing. I think people secretly connected to “Don’t Look Now”. Maybe that’s why, after all this time, people see the film more clearly. When it came out, audiences were less used to it. That scene would’ve been like someone bursting out of a cupboard and shouting “Boo!”.’

The top 10 from Time Out’s 100 Best British Films

Don’t Look Now (1973) – the terrifying Venice chiller starring Julie Christie
The Third Man (1949) – Graham Greene’s story stars Orson Welles in post-war Vienna
Distant Voices, Still Lives (1988) – moving Liverpool drama with the late Pete Postlethwaite
Kes (1969) – Ken Loach’s Northern Classic about a boy and his kestrel
The Red Shoes (1948) – a beautiful melodrama set in the world of ballet
A Matter of Life and Death (1946) – the greatest film of World War Two with David Niven
Performance (1970) – Mick Jagger and Anita Pallenberg rock and roll in 1960s Notting Hill
Kind Hearts and Coronets (1949) – Alec Guinness in one of his finest comic roles
If… (1968) – a brilliant satire about a British boarding school with Malcolm McDowell
Trainspotting (1996) – the classic adaptation of Irvine Welsh’s novel with Ewan Macgregor

The full Time Out’s 100 Best British Films, featuring the top 100 along with panellists’ individual selections, can be found online by visiting: www.timeout.com/bestbritishfilms.

On the significance of Time Out’s 100 Best British Films, Time Out’s film editor Dave Calhoun comments: ‘This is a once-in-a-decade poll and it throws new light on the films which inspire our current actors, directors and writers. In the same week that the Bafta winners are announced, and as the British film funding landscape remains in flux, now seems as good a time as ever to think about British cinema in the context of over 100 years. Add to that the aggressive flag-waving over ‘The King’s Speech’, and you could say that such soul-searching isn’t just a good idea, it’s essential.”

To celebrate the outstanding achievements of the British Film industry Time Out Live will be launching the Time Out’s Film Club with a series of exclusive screenings of films from the 100 Best British Films at the Cineworld Haymarket in London. Starting from March 22, these special screenings will feature introductions from the likes of actors Jonathan Pryce (‘Pirates of the Caribbean’), David Morrissey (‘Doctor Who’) and Sally Hawkins (‘Happy-Go-Lucky’). For further information and tickets, visit www.timeout.com/filmclub.

Become a Cannes VIP and Star in a film for Stella Artois

Would you like to star in a film that will premiere at the Cannes Film Festival? Actors all over the globe dream of an opportunity like this.

Stella Artois has launching the ultimate film fan’s competition offering would-be stars the chance to play Jacques d’Azur, the legendary ‘King Of Cannes’, in the highly anticipated biopic of his life. In addition to playing the leading role in the film, the lucky winner willalso attend the prestigious Cannes Film Festival where the movie will premiere, and will receive movie star treatment throughout their trip. Would-be leading ladies need not miss out on all the fun – the online casting call alsooffers the opportunity to audition for a starring role playing opposite the legendaryJacques d’Azur.

Following Jacques d’Azur’s mysterious disappearance in 2010, Stella Artois launched a search for his rightful heir who was treated to Jacques’ week at the Cannes Film Festival.

Having been missing for over a year, Jacques is presumed dead, and all of Hollywood eagerly anticipates the movie of his life. But the greatest challenge still lies ahead – noactor can be found to play the leading role.
Stella Artois is now kicking off the search for the perfect leading man, using the latest in digital technology to ensure would-be Jacques’ from far and wide have the chance to audition.

The winner of this once in a lifetime opportunity will jet off to Cannes to film their part,and will then be treated to a five star experience befitting their newfound celebrity.
In true film star style, the premiere will be followed by a star studded party at Chez Jacques’, Stella Artois’ luxury, invitation-only lounge at the Carlton Hotel’s exclusivebeachfront property in Cannes.

To enter, budding movie stars will need to film their scenes on their webcam and this footage will then be seamlessly added with the leading lady’s scenes to produce a casting film which would-be Jacques’ can share with their friends and family online. On April 1st, all submitted casting tapes will be put before our panel of distinguished judges who will select a short list of 200 Jacques’hopefuls, to be announced on April 5, 2011. The star of the film will be chosen from this short list.

Visit www.stellaartois.com for details and to apply. Good Luck!

The Fighter {Film Review}

I’m going to be very honest with you. Before I watched the trailer for this film, I said to myself: “What could you possibly bring to us that we haven’t seen before?” It’s the same rags-to-riches, triumph-over-odds tale that we have seen countless times. Well, it turns out quite a bit, and who doesn’t love an inspiring story about a boxer?

Rocky was nominated for 10 Oscars, including two for Sylvester Stallone with Best Actor and Best Original Screenplay (left with three for Best Director, Best Picture and Best Film Editing). Then you have one of Martin Scorsese’s best work, Raging Bull, which was nominated for eight Oscars, including Best Director for Scorsese and Best Picture (won two with Best Actor for Robert De Niro and Best Film Editing). The reasons why these two films worked is because the actors and the film itself were authentic and felt real rather than a fairy tale.

In The Fighter, Mark Wahlberg plays our real life protagonist, Micky Ward, the younger brother to Dickie Eckland, played by Christian Bale.

Dickie used to be a boxing legend, until his career collapsed when he developed a crack addiction and now trains his brother. But Dickie is still the leading man, while Micky is overshadowed by his brother’s former success and  just a stepping stone for other fighters to beat the shit out of him. Conflicted by everyone telling him what to do, it is more of a fight to stand up for himself and even stand up his own two feet than it is to fight in the ring.

The performances from this film are really good. Wahlberg finally shows us how good an actor he can be after the awful performances from The Happening and Max Payne. Amy Adams continues to be exceptional and stands out amongst the crowd, but it’s Christian Bale who steals the spotlight in making his best performance of his career. He has reportedly lost weight to portray the drug addicted ex-boxer – something he has done before in The Machinist (and he again has to bring back the muscle to play Bruce Wayne/Batman for The Dark Knight Rises) which shows the talent he has and the respect for his work to fully immerse himself in the character.

You can see the expression in his eyes, and the energy that Bale’s Eckland always gets a kick out of the sport. Although it is heart-breaking when he thinks HBO are documenting his comeback, while in actual fact he’s a subject of a failed sportsman succumbed to drug addiction and further brings humiliation to the family.

The setting and the overall film looks authentic. You could feel the urban hard-working town of Lowell, Massachusetts. To the local bars and diners, down to the streets and neighbourhood, you feel it’s a community. Ever since the success of The Departed, Massachusetts (especially Boston) seems more popular with film locations. To be honest, I love MA and it brings back memories of staying in the States (granted I didn’t notice or see the bad side of it during that time). And it’s a nice change since most of these films would be set either in L.A. or New York.

Darren Aronofsky was originally signed on to direct the film, until he left to work on Black Swan. The Fighter and Aronofsky’s previous film, The Wrestler, have a similar feel – going for a rough look rather than to be soft and safe, especially with the fights needing to look and feel realistic.  It was reported that 1990’s era cameras were used for the fights. Either way, they’re very well choreographed, and even made me want to stand up and shout: “Come on, Mark! Kick his fucking ass!”

Verdict: A great film that really does make you root for Wahlberg. Stellar performances from Bale and Adams, and well deserved for their award recognition. Looks like we needed another inspiring boxer after all!

4/5

Oscar-Nominated Restrepo To Broadcast On National Geographic

Oscar-nominated for Best Documentary Feature, Restrepo will have an encore broadcast on National Geographic.

With the Grand Jury Prize Winner for Documentary at Sundance already behind it, the film chronicles the deployment of U.S. Troops stationed at one of the most dangerous outposts in Afghanistan.

Following the announcement by the Academy of Motion Pictures Arts and Sciences,  National Geographic Channel (NGC) will screen the film on Wednesday, February 2, 2011 at 8 p.m. ET/PT. The film will air in its entirety, unedited and with limited commercial interruption.

A. O. Scott from The New York Times said: ‘This one is exceptional. An outstanding new documentary. It’s a fantastic movie. See it!”

SYNOPSIS

Restrepo is a feature-length film by award-winning photojournalist Tim Hetherington and journalist/author Sebastian Junger that chronicles the deployment of U.S. troops in the Korengal Valley, one of the most dangerous outposts in Afghanistan. The movie focuses on a remote 15-man outpost, Restrepo, named after a platoon medic who was killed in action. This is an entirely experiential film. The cameras never leave the valley, there are no interviews with generals or diplomats. The only goal is to make viewers feel as if they have just been through a 94-minute deployment. This is war, full stop. The conclusions are up to you.

Crossing The Bridge – Marilyn Monroe Reveals All

So, I suppose the first question is how are you? Assuming that it isn’t a redundant question.

Not at all. I feel fine. To tell you the truth, nothing much changes from before. You still feel everything you felt before. After all, it’s what makes a person, your emotions.  Without them, you’re kinda nothing at all. So, what you were before, you still are. But all the rough edges are sorta taken off. Does that make sense?

Without going into the religious aspect too much. Is it Heaven? Have you seen God?

Heaven’s what you make it, if you want to call it Heaven. It’s not like you’re taught at school. Let’s face it, no one can know what’s out there, so it’s all guesswork until it happens to you. It’s another state of mind really. It’s whatever you want. Some people prefer the green fields and flowing rivers, others prefer a city bar and a shot of bourbon. Me, I like both and that’s the beauty, afterlife’s what you make it! (Giggles).

So let’s get this out of the way, once and for all. August 5th 1962. What really happened?

Oh God, Here we go. I knew this would come up. OK. So let’s get it straight. You can’t help laughing at all the conspiracy theories. To be honest, if you didn’t, you’d cry. I’ve seen it so many times since. Jack in Dallas, Elvis, even your Lady Diana. It just seems like when certain people die, other people can’t accept accidents and have to put a different meaning to it. I don’t know, maybe because their grief demands it. It makes people less mortal, less weak if there’s something else behind it. Of course, Jack was murdered, but people are still tying themselves up in knots over the hows and whys.

So OK, who did shoot JFK?

Who do you think? Oswald was apparently on the sixth floor (of the Texas School Book Depository in Dallas). The first shot hit Jack in the back and came out through his neck. That’s not a shot from high up. Same with the second hit. (Governor John) Connally was shot in the back too and the bullet came out of his chest. The third got Jack in the head. Oswald didn’t make the shot. Wrong place. Plus he just didn’t have the skill. For the third shot to kill Jack and miss Jackie? That’s a trained marksman. CIA. They weren’t happy with Jack’s reforms. Bang.

And getting back to you in ‘62? You must be aware that there’s talk the CIA were involved.

Ha! I think they barely noticed me in a political sense. If anything, I provided them with a convenient distraction. While Jack’s with me, they’re free to carry on while the focus is elsewhere. Listen, I’m not proud of it, but the Kennedys were great people. Jackie knew Jack had a weakness for women. And let’s face it, I wasn’t the first or last. You’ve got the most powerful man in the world paying you attention? You’d have to be as hard as steel not to have your head turned.

Truth is, I really wasn’t well. You’re supposed to be a world-famous actress, adored by millions. But honestly? It’s surprisingly lonely. No one really wants you to be yourself. There’s Marilyn and there’s Norma Jeane. When the door closes, it’s just Norma Jeane.

I know it’s a cliché, but you really do suspect everyone’s motives for trying to get near you. They may be crazy, they may think they really love you, but it’s the image they see on film they love. You’ve met people in the industry. Their public persona is nothing like the people they really are in most cases.

The Misfits was so tough. I was drinking, drinking too much really. I wasn’t sleeping and the doctors were putting me on more and more drugs. It wasn’t good for me, but, you know, you think they know what they’re doing and you’re gonna get through it. And things’ll get better in time. There just wasn’t that much time for me, I guess.

When (Clark) Gable died just days after we wrapped, I felt kinda responsible. I hadn’t been at my best during the whole thing and I confess I went AWOL a couple of times. His wife Kay didn’t blame me, of course, but I could have made things easier, I suppose.

It was Something’s Got To Give that was a step too far really. It makes me laugh that the conspiracy nuts don’t really notice how appropriate the title was. I’d done the nude scenes in the pool, which they sold to Life magazine as publicity and then, of course, sang to Jack on his birthday.

I was exhausted, but the production sacked me ‘cos I missed so many days of shooting. I could’ve lived with that, although it was a blow, but next thing Fox are suing me for half a million bucks.

Let’s be honest. If I was gonna kill myself that would’ve been the time. But we eventually sorted it all out and I even had the two-picture deal in the bag. But yeah, it affected me. Who wouldn’t’ve found it tough? And you can see from the pics I did with (Bruce) Stern, I’d lost so much weight.

But what did it was simply a medical mistake. Dr. (Ralph) Greenson had given me an enema to help me sleep, because I was having trouble coming off the barbiturates. But (Doctor Hyman) Engelberg had given me more Nembutal the day before. From what I understand now, I had enough Nembutal in my system that it reacted with the chloral hydrate I’d been taking.

It was all very quick. I chatted to Joe (DiMaggio) around 7pm, but when Peter (Lawford) called about 30 minutes later, it felt like I was drunk. I figured the tablets were making me woozy, so got into bed. And, well, “That’s all Folks!” I just wasn’t strong enough any more.

So you would have made more films?

Of course. Like I said, I had a contract literally worth a million dollars and Something’s Got To Give was due to start filming again in the Fall. And there were other offers on the table, giving me more control. It would perhaps have been a springboard for other things. I was trying to get my head sorted and was ready for it this time around.

So how do you think your later career would’ve gone?

Hmm. I don’t know really. Let’s be honest. I was never going to be one of those character actresses. I truthfully wasn’t good enough. I mean, I reckon I had more to me than the kooky blonde, and that would have been difficult to carry off as I got older.

I would have liked to have done some more serious roles, perhaps as the mom, but I could see myself ending up as the kooky granny instead on the odd film or TV sit-com. Or maybe having a cat sanctuary like Bardot. (Laughs).

Some Like It Hot has been voted the greatest American film comedy of all time by The American Film Institute. What does that mean to you?

I’m very, very proud of Some Like It Hot. It was one of those films where everything comes together, you know? I mean Billy Wilder was superb, but it’s really Jack (Lemmon) and Joe (E. Brown) who steal the show. Jack was at the top of his game and Joe just played Osgood so well. This complete unawareness of everything’s that going on around him. He just has eyes for Daphne without taking in that she’s really this strapping guy. It’s hilarious.

Tony Curtis said that kissing you in that film was like kissing Hitler. What do you think about that?

That’s just typical of Tony. We knew each other from before, of course, and had a little fling when we were younger. He denies saying it, but it was actually a bit of an aside to the film crew. I reckon he was just trying to spare their feelings. (Laughs). He enjoyed it, at least in the early takes. There are some things a man just can’t hide! (Giggles).

Are you surprised about just how iconic you’ve become? Frankly, you are probably just about the most famous woman in the world.

Amazed. Completely, utterly amazed. I mean I was lucky enough to be around at the right time and grab the public’s attention. And, of course, I had famous men around, Joe and Jack were both American legends even then. But as I said before, I was never the best actress. I had no illusions about it, so to have books still written about me. You’d think they’d be nothing left to say and now here you are too. Talking about it almost 50 years later. It just goes to show.

Had I lived, I reckon there’s no way I would have had the same recognition. But suddenly dying at 36, I suppose all that unfulfilled potential, unfulfilled life, you could say, just grabs people. You become a sort of instant legend.

And what are your thoughts on the film industry today?

Truthfully? It doesn’t change much. Of course, the special effects are just out of this world. You can do so much more, so there are other areas of films that are opened up to actors, directors and writers.

But movie actors are still among the most overpaid people on the planet.

The quality doesn’t change either. There are so many great films, but people are still making appalling movies too. Except that they’re no longer called ‘B’ Movies. Instead, Joe Public forks out and don’t realise they’re likely to see something that’s honestly garbage until it’s too late.

I suppose the big difference now is that the studio thing has gone. It used to be that stars had to dress like stars whenever they went out. To keep that illusion that we were almost untouchable for ‘normal’ people. To keep that distance and sense of wonder so people want to see the movies. We were abnormal in that sense. We were always acting in a way, even when off-camera. Nowadays, movie stars go on holiday and there’ll always be someone with a camera waiting to get a shot of their boobs or saggy chin or whatever.

And people try so much now just to be famous, without really thinking how or why or even what it means. And they want it instantly. People should remember that fame is fleeting. It soon goes, sometimes before you know it. Like life. Trust me, I know.

Conviction Review {Film}

True stories are always hit and miss. Very easily falling into smaltz and cliché. Conviction not only sidesteps these, but also manages to make the story fun.

Betty Anne Waters (Hilary Swank), an unemployed, single mother of two boys, sees brother Kenneth (Sam Rockwell) begin serving a life sentence in 1983 for murder and robbery of a woman in Ayer, Massachusetts.

Kenneth runs out of public defenders and without a lawyer, is destined to die in prison. Betty Anne, convinced of her brother’s innocence, decides to become a lawyer – sacrificing everything else in the process. The love between Betty Anne and her brother is strong and beautiful. They come from a broken family and only have each other.

Hilary Swank is always a brilliant actress, but she also has the face of a movie star. Her bone structure and beauty make her easy to watch. Then there is Minnie Driver, always excellent, as her bolshy best friend. Accent right on the money.

Sam Rockwell is always good and Rockwell dancing to ‘My Sharona’ will probably stay with me forever. I have never seen him put in a bad performance and this is no exception. I really loved this movie. It is a good story on what happens when lies wreck lives and the justice system lets people down. Highly recommended as a film to go and see.

SPOILER ALERT

After spending 12 years studying, in 1995 with a law degree, she began focusing on her brother’s case. Using new, at the time, DNA evidence, with the help of the Innocence Project, she proved her brother’s innocence, and Kenneth Waters walked out a free man in March 2001 after 18 years in prison.

He only enjoyed six months of freedom. On September 19, 2001, he fell 15 feet off a wall, hit his head and died. The estate of the late Kenneth Waters settled a civil rights lawsuit against the town of Ayer for $3.4 million in 2009.

True Grit Preview/Review. {Film}

You can always trust the Coen brothers to go off the beaten track. Their films always have a large dose of the absurdity of life about them. True Grit is no exception. A remake of the classic starring John Wayne – which Jeff Bridges claims he hasn’t seen and deliberately didn’t watch. Those are big shoes to fill, and Bridges, who is having nothing short of a renaissance at the moment, fills the shoes and makes the character his own with gusto.

Although I have nothing against any specific type of film, I found it truly refreshing to see a good old-fashioned western. Which is exactly what this is.

Hailee Steinfield has the kind of part that actresses double her age would kill for. A perfect role model for women and girls everywhere. And she plays it perfectly. She’s a talent to watch. The scene where she rides her horse across the river is nothing less than brilliant. Matt Damon joins in the fun by making his Texas ranger just as kooky as the rest of the characters.

The Coen Brothers have made it clear that this is not based on Henry Hathaway’s version of the movie, but the Charles Portis novel. Their interpretation is as stunning and original as their other movies. The film truly transports you to a different, harsher and harder era – when there really was a wild west and even dead bodies were nothing more than a money-making opportunity.

There are a lot of good films coming out this year.. This is definitely one.